Although his private life shocked his contemporaries his poetry was immensely popular and influential, especially in Europe. This comprehensive edition includes the complete texts of his two poetic masterpieces Childe Harold's Pilgrimage and Don Juan, as well as the dramatic poems Manfred and Cain. There are many other shorter poems and part of the satire English Bards and Scotch Reviewers. In addition there is a selection from Byron's inimitable letters, extracts from his journals and conversations, as well as more formal writings.

    Requiem for a Dream is a modern-day fable set on the rusted mean streets of Brooklyn's Coney Island that follows the stories of four people desperately in pursuit of a better life. Oscar-winning actress Ellen Burstyn stars as Sara, a widowed mother obsessed with her waistline and addicted to diet pills and the thought of appearing on television. Her son Harry (Jared Leto), his girlfriend Marion (Jennifer Connelly), and his best friend Tyrone (Marlon Wayans in a surprising dramatic debut), are junkies in search of the American dream - only in their world fortunes are won through a successful score and sell operation and the three long to lay their hands on the pound of heroin that, once unloaded, will finance a legitimate business of their own. Soon enough, though, their earnest pursuits begin to take on horrifying dimensions; and, even as their world crumbles around them, Sara, Harry, Marion and Tyrone refuse to let go, plummeting with their dreams in a nightmarish freefall not soon to be forgotten.

    Nancy Mitford's brilliantly witty, irreverent stories of the upper classes in pre-war London and Paris conjure up a world of glamour, gossip and decadence. In The Pursuit of Love, Love in a Cold Climate and The Blessing, her extraordinary heroines deal with armies of hilariously eccentric relatives, the excitement of love and passion, and the thrills of the social Season. But beneath the glittering surfaces and perfectly timed comic dialogue, Nancy Mitford's novels are also touching hymns to a lost era and to the brevity of life and love from one of the most individual, beguiling and creative users of the language.

    Like a streetlamp without a bulb or a goose at the onset of Christmas time.Anyroad, I thought I'd pen a few lines to someone who'd understand...It's 1991. Raymond Marks is a normal boy, from a normal family, in a normal northern town. Only lately, he's been feeling dead down. His dad left home after falling in love with a five-string banjo. His fun-hating grandma believes she should have married Jean-Paul Sartre: 'I could never read his books, but y' could tell from his picture, there was nothing frivolous about John-Paul Sartre.' Felonious Uncle Jason and Appalling Aunty Paula are lusting after the satellite dish.And so he turns to the one person who'll understand what he's going through: Morrissey. Told through a series of heartfelt letters to the frontman of The Smiths, this is a laugh-out-loud funny, incredibly poignant tale from a character you can't help but love.'Big-hearted, wonderfully funny and engrossing' THE MIRROR'A warm, funny, poignant story. I loved The Wrong Boy - and so will you' SUNDAY TELEGRAPH'A comic masterpiece' BEL MOONEY, MAIL ON SUNDAY

    Starting with the Vikings’ kennings and Beowulf and ending with Stevenson and Oscar Wilde, the book traverses a landscape of ‘precursors,’ cross-cultural borrowings, and genres of expression, all connected by Borges into a vast interpretive web. This is the most surprising and useful of Borges’s works to have appeared posthumously.”Borges takes us on a startling, idiosyncratic, fresh, and highly opinionated tour of English literature, weaving together countless cultural traditions of the last three thousand years. Borges’s lectures — delivered extempore by a man of extraordinary erudition — bring the canon to remarkably vivid life. Now translated into English for the first time, these lectures are accompanied by extensive and informative notes by the Borges scholars Martín Arias and Martín Hadis.

    So when she finds a home at Few Farm with Frank Brackenbury and his household, she welcomes the chance for a fresh start. Work on the farm is hard, but believing herself truly loved for the first time by the farmer's son, Michael, nothing can mar Maddie's newfound happiness. But 1947 brings a harsh winter, sweeping devastation over the farm and threatening the Brackenburys' livelihood. All seems lost, until Maddie has an idea that might save them all from poverty. But then she discovers she is pregnant...

    Now, in Algernon, Charlie, and I, Keyes reveals his methods of creating fiction as well as the heartbreaks and joys of being published. With admirable insight he shares with readers, writers, teachers, and students the creative life behind his classic novel, included here in its original short-story form. All those who love stories, storytelling, and the remarkable characters of Charlie and Algernon will delight in accompanying their creator on this inspirational voyage of discovery.

    But this is not how Wilde saw himself. His actions and pretensions did not bring him happiness and fulfillment. This study of Wilde's brilliant and tragic life goes beyond the mistakes that brought him notoriety in order to explore this emotional and spiritual search. Unlike any other biography of Wilde, it strips away these pretensions to show the real man, his aspirations and desires. It uncovers how he was broken by his two-year prison sentence; it probes the deeper thinking behind masterpieces such as The Picture of Dorian Gray, Salome, “The Ballad of Reading Gaol” and “De Profundis”; and it traces his fascination with Catholicism through to his eleventh-hour conversion. Published on the 150th anniversary of his birth, this biography removes the masks which have confused previous biographers and reveals the real Wilde beneath the surface. Once again, Joseph Pearce has written a profound, wide-ranging study with many original insights on a great literary figure. “The Unmasking of Oscar Wilde is a brilliant interpretive biography of a wit, bon vivant, and literary genius who still delights us a century after his death. In Joseph Pearce’s sympathetic appraisal we never forget that Wilde was not just an entertainer but a soul that found himself only after ignominy, loss, and desolation. I have read many of the other books on Wilde, and this is my favorite.” —Ron Hansen, NYT Bestselling Author of Mariette in Ecstasy “Joseph Pearce has done it again! Chesterton, Belloc, Tolkien, C.S. Lewis, and now Oscar Wilde have all been coaxed out of their graves for us by this grave-robber named Pearce. Oscar proves to be a very lively ghost.” —Peter Kreeft Author, Love

    Frank Kermode, Britain's most distinguished scholar of sixteenth-century and seventeenth-century literature, has been thinking about Shakespeare's plays all his life. This book is a distillation of that lifetime of thinking.The finest tragedies written in English were all composed in the first decade of the seventeenth century, and it is generally accepted that the best ones were Shakespeare's. Their language is often difficult, and it must have been hard even for contemporaries to understand. How did this language develop? How did it happen that Shakespeare's audience could appreciate Hamlet at the beginning of the decade and Coriolanus near the end of it?In this long-awaited work, Kermode argues that something extraordinary started to happen to Shakespeare's language at a date close to 1600, and he sets out to explore the nature and consequences of the dynamic transformation that followed. For it is in the magnificent, suggestive power of the poetic language itself that audiences have always found meaning and value. The originality of Kermode's argument, the elegance and humor of his prose, and the intelligence of his discussion make this a landmark in Shakespearean studies.

    

    The Works contains every kind of poem you will ever need for the Literacy Hour but it is also a book packed with brilliant poems that will delight any reader. It's got chants, action verses, riddles, tongue twisters, shape poems, puns, acrostics, haikus, cinquains, kennings, couplets, thin poems, lists, conversations, monologues, epitaphs, songs, limericks, tankas, nonsense poems, raps, narrative verse, and performance poetry - that's just for starters. It features poems from the very best classic and modern poets, for example: William Blake, Michael Rosen, Robert Louis Stevenson, Allan Ahlberg, W.H. Auden, Brian Patten, Roger McGough, Roald Dahl, Charles Causley, Eleanor Farjeon, Benjamin Zephaniah, Ted Hughes, T.S. Eliot, and William Shakespeare to name but a few.

    . . perceptive and captivating.”—The New York Times“Startling and utterly original.”—Newsday In this mesmerizing novel, Tom Drury once again journeys to the quiet Midwest to spend an action-packed October weekend in the lives of a precarious family whose members all want something without knowing how to get it: for Charles, an heirloom shotgun; for his wife, Joan, the imaginative life she once knew; for their young son, Micah, a knowledge of the scope and reliability of his world, aided by prowling the empty town at night; and for Joan’s daughter, Lyris, a stable foot from which to begin to grow up.Sometimes together, sometimes crucially apart, father, mother, son, and daughter move through a series of vivid encounters that demonstrate how even the most provisional family can endure in its own particular way.

    A daring mixture of travel, biographical sleuthing, and personal memoir, it broke all the conventions of the genre and remains one of the most intoxicating and magical works of modern literary investigation ever written. Now Holmes has put together a further and wonderfully revealing exploration of his biographical methods. "Sidetracks" is his personal casebook, assembled from decades of "wanderings from the straight and narrow" of his major biographies. It is a renewed examination of the strange and sometimes shadowy pathways of biography that have always fascinated him. "This is the fragmented tale of a single biographical quest," says Holmes, "a thirty-year journey in search of the perfect Romantic subject and the form to fit it." Sidetracks pursues this quest through an extraordinary and eclectic assortment of Romantic and Gothic writers and personalities--French, English, Dutch, and American, some major, some minor, but all made hypnotically alive and memorable through Holmes's transforming touch. We meet Chatterton and de Nerval, Mary Wollstonecraft and Godwin, James Boswell and Robert Louis Stevenson, Scott Fitzgerald and Zelda. With each of these twenty pieces Holmes shows how fluid, playful, and unconstrained the many voices of biography can be. The collection is held together by a subtle autobiographical thread: "To be sidetracked is, after all, to be led astray by a path or an idea, a scent or a tune, and maybe lost forever."

    This award-winning collection of adapted classic literature and original stories develops reading skills for low-beginning through advanced students.Accessible language and carefully controlled vocabulary build students' reading confidence.Introductions at the beginning of each story, illustrations throughout, and glossaries help build comprehension.Before, during, and after reading activities included in the back of each book strengthen student comprehension.Audio versions of selected titles provide great models of intonation and pronunciation of difficult words.

    In this text the figure of Robin Hood can be viewed in historical perspective, from the early accounts in the chronicles through the ballads, plays and romances that grew around his fame and impressed him on our fictional and historical imaginations.

    Immediately striking are the accounts of the Danish invasions and the unhappiness of Stephen's reign, together with the lyrical poem on the Battle of Brunanburh. Ranging from the start of the Christian era to 1154, the uniqueness of the chronicle as an historical and literary document makes it of compelling interest throughout. The historical, linguistic and literary importance of The Anglo-Saxon Chronicle is without parallel.

    Alan Clark describes his election to the Commons in the 1974 general election; his years as a backbencher coincide with Edward Heath as PM, his downfall and the arrival of Margaret Thatcher. This volume ends with the inside story of the Falklands War. In his private life Alan and his wife Jane and their two young sons take over Saltwood Castle, previously the home of his father Kenneth (Civilisation) Clark. His enthusiasms for the estate, skiing, fast cars and girls are never far away.

    Much more than embossed names on leather-bound tomes, they are the creators of the stories that mold our lives, our deaths, our dreams and our politics, not to mention our dining habits, our lovemaking and the new media.The Golden Thread takes its readers on an exciting voyage of discovery through some of the most important works of Western literature: from the Bible, The Aeneid and The Odyssey to King Lear, A Room of One's Own and Ulysses, Bruce Meyer offers a fresh and accessible approach to reading and understanding the narratives that underlie our culture. Meyer gives his readers the keys to unlock the joys of both ancient and contemporary literature, and in doing so unearths the basis of many of our contemporary ideas and allusions. This is a guide that will enable the lover of literature, or the reader who has always felt intimidated by the classics, to navigate through the great works with confidence--and a sense of wonder.

    New edition of this widely-used anthology of Old and Middle English literature.Spans almost seven centuries, from the earliest writings in English to the time of Chaucer.Encapsulates the foundation and consolidation of literature written in English, culminating in some of the finest works produced in the high Middle Ages.Now extended to include newly-edited versions of key late medieval texts, namely 'Sir Gawain and the Green Knight', extracts from 'Piers Plowman', and selections from Chaucer.Texts are arranged by date of manuscript.Full translations are offered for the Old and earlier Middle English material, along with marginal glosses for the later texts.A general introduction gives an outline of key works and the historical context in which they were written.

    Tim Supple is Artistic Director of the Young Vic. He has already adapted Grimm and Rushdie, and worked with Hughes on Spring Awakening and Blood Wedding.

    Bradbury's vividly painted society holds up the appearance of happiness as the highest goal--a place where trivial information is good, and knowledge and ideas are bad. Fire Captain Beatty explains it this way, "Give the people contests they win by remembering the words to more popular songs.... Don't give them slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy." Guy Montag is a book-burning fireman undergoing a crisis of faith. His wife spends all day with her television "family," imploring Montag to work harder so that they can afford a fourth TV wall. Their dull, empty life sharply contrasts with that of his next-door neighbor Clarisse, a young girl thrilled by the ideas in books, and more interested in what she can see in the world around her than in the mindless chatter of the tube. When Clarisse disappears mysteriously, Montag is moved to make some changes, and starts hiding books in his home. Eventually, his wife turns him in, and he must answer the call to burn his secret cache of books. After fleeing to avoid arrest, Montag winds up joining an outlaw band of scholars who keep the contents of books in their heads, waiting for the time society will once again need the wisdom of literature. Bradbury--the author of more than 500 short stories, novels, plays, and poems, including The Martian Chronicles and The Illustrated Man--is the winner of many awards, including the Grand Master Award from the Science Fiction Writers of America. Readers ages 13 to 93 will be swept up in the harrowing suspense of Fahrenheit 451, and no doubt will join the hordes of Bradbury fans worldwide. --Neil Roseman

    Unlike the Romantics and other moderns, Shakespeare has no project for the betterment or salvation of mankind—his poetry simply gives us eyes to see what is there. In particular, we see the full variety of erotic connections, from the "star-crossed" devotions of Romeo and Juliet to the failed romance of Troilus and Cressida to the problematic friendship of Falstaff and Hal.This volume includes essays on five plays, Romeo and Juliet, Anthony and Cleopatra, Measure for Measure, Troilus and Cressida, and The Winter's Tale, and within these Bloom meditates on Shakespeare's work as a whole. He also draws on his formidable knowledge of Plato, Rousseau, and others to bring both ancients and moderns into the conversation. The result is a truly synoptic treatment of eros—not only a philosophical reflection on Shakespeare, but a survey of the human spirit and its tendency to seek what Bloom calls the "connectedness" of love and friendship. These highly original interpretations of the plays convey a deep respect for their author and a deep conviction that we still have much to learn from him. In Bloom's view, we live in a love-impoverished age; he asks us to turn once more to Shakespeare because the playwright gives us a rich version of what is permanent in human nature without sharing our contemporary assumptions about erotic love."Provocative and illuminating." —Michiko Kakutani, New York Times"A brilliant analysis of the erotic ugliness and the balancing erotic grace of The Winter's Tale . . . and Bloom makes more sense of [Measure for Measure] than anyone else I have read." —A. S. Byatt, Washington Post Book WorldAt his death in 1992, Allan Bloom was the John U. Nef Distinguished Service Professor in the Committee on Social Thought at the University of Chicago. He is the author of several books, including Shakespeare's Politics (with Harry V. Jaffa) and The Closing of the American Mind.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    The series offers original stories in a variety of formats: narrative, interactive, and comic strip. They contain glossaries and exercises and are carefully graded in structure and vocabulary. Cassettes are available for some titles.

    In this innovative study, Elena Gualtieri analyzes in detail the intersection between essays and sketches in Woolf's non-fiction as part of a far-reaching argument about the scopes and models of feminist criticism, its understanding of the historical process and its position in the panorama of 20th century intellectual history.

    This witty play is considered Oscar Wilde's greatest dramatic achievement.