In a clear and accessible style, Frank M. Snowden reveals the ways that diseases have not only influenced medical science and public health, but also transformed the arts, religion, intellectual history, and warfare. A multidisciplinary and comparative investigation of the medical and social history of the major epidemics, this volume touches on themes such as the evolution of medical therapy, plague literature, poverty, the environment, and mass hysteria. In addition to providing historical perspective on diseases such as smallpox, cholera, and tuberculosis, Snowden examines the fallout from recent epidemics such as HIV/AIDS, SARS, and Ebola and the question of the world’s preparedness for the next generation of diseases.

    The persistence of white supremacy and the ubiquity of Black death feeds a national culture of terror and a perpetual undercurrent of mourning.If the gothic narrative is metabolized fear, if the goth aesthetic is romanticized melancholy, what does that look and sound like in Black America?

    King conceptualizes the shoal as a space where Black and Native literary traditions, politics, theory, critique, and art meet in productive, shifting, and contentious ways. These interactions, which often foreground Black and Native discourses of conquest and critiques of humanism, offer alternative insights into understanding how slavery, anti-Blackness, and Indigenous genocide structure white supremacy. Among texts and topics, King examines eighteenth-century British mappings of humanness, Nativeness, and Blackness; Black feminist depictions of Black and Native erotics; Black fungibility as a critique of discourses of labor exploitation; and Black art that rewrites conceptions of the human. In outlining the convergences and disjunctions between Black and Native thought and aesthetics, King identifies the potential to create new epistemologies, lines of critical inquiry, and creative practices.

    The most impactful recent political movements on the far left and right started with massive online collectives of teenagers. Strangely, both movements began on the same website: an anime imageboard called 4chan.org. It Came from Something Awful is the fascinating and bizarre story of 4chan and its profound effect on youth counterculture.Dale Beran has observed the website's shifting activities and interests since the beginning. 4chan is a microcosm of the internet itself--simultaneously at the vanguard of contemporary culture, politics, comedy and language, and a new low for all of the above. It was the original meme machine, mostly frequented by socially awkward and disenfranchised young men in search of a place to be alone together.During the recession of the late 2000's, the memes became political. 4chan was the online hub of a leftist hacker collective known as Anonymous and a prominent supporter of the Occupy Wall Street movement. But within a few short years, the site's ideology spun on its axis; it became the birthplace and breeding ground of the alt-right. In It Came from Something Awful, Beran uses his insider's knowledge and natural storytelling ability to chronicle 4chan's strange journey from creating rage-comics to inciting riots to--according to some--memeing Donald Trump into the White House.

    The idea that our civilisation is doomed is not established fact. It is a story we tell ourselves.' In the 1980s, we gave up on the future. When we look ahead now, we imagine economic collapse, environmental disaster and the zombie apocalypse. But what if we are wrong? What if this bleak outlook is a generational quirk that afflicted those raised in twentieth century, but which is already beginning to pass? What if we do have a future after all?John Higgs takes us on a journey past the technological hype and headlines to discover why we shouldn't trust the predictions of science fiction, why nature is not as helpless as we assume and why purpose can never be automated. In the process, we will come to a better understanding of what lies ahead and how, despite everything - despite all the horrors and instability we face - we can build a better future.

    Readers will refresh their knowledge of the Patriarchs and Matriarchs, the artistry of Barbra Streisand, the significance of the Oslo Accords, the meaning of words like balaboosta,balagan, bashert, and bageling. Understand all the major and minor holidays. Learn how the Jews invented Hollywood. Remind themselves why they need to read Hannah Arendt, watch Seinfeld, listen to Leonard Cohen. Even discover the secret of happiness (see “Latkes”). Includes hundreds of photos, charts, infographics, and illustrations. It’s a lot.

    But men most of all.We tend to think of the 60s as a decade sprinkled with stardust: a time of space travel and utopian dreams, but above all of sexual abandonment. When the pill was introduced on the NHS in 1961 it seemed, for the first time, that women - like men - could try without buying."It was paradise for men... all these willing girls..."But this book - by 'one of the great social historians of our time' - describes a turbulent power struggle.Here are the voices from the battleground. Meet dollybird Mavis, debutante Kristina, Beryl who sang with the Beatles, bunny girl Patsy, Christian student Anthea, industrial campaigner Mary and countercultural Caroline. From Carnaby Street to Merseyside, from mods to rockers, from white gloves to Black is Beautiful, their stories throw an unsparing spotlight on morals, four-letter words, faith, drugs, race, bomb culture and sex.This is a moving, shocking book about tearing up the world and starting again. It's about peace, love, psychedelia and strange pleasures, but it is also about misogyny, violation and discrimination - half a century before feminism rebranded. For out of the swamp of gropers and groupies, a movement was emerging, and discovering a new cause: equality.The 1960s: this was where it all began. Women would never be the same again.'One of the great social historians of our time. No one else makes makes history this fun' Amanda Foreman'Intimate, immersive, often moving, How Was It For You? subtly but powerfully subverts complacent male assumptions about a legendary decade' David Kynaston'An absorbing study of an extraordinary age. Beautifully written and intensively researched' Selina Hastings'Every baby boomer should read this great and wonderfully revelatory book if only to shout, "Ah yes, that's exactly what it was like for me!"' Anne Sebba'Virginia Nicholson is the outstanding recorder of British lives in the twentieth century... and this account of the 1960s is the most vivid and moving of all her works' Carmen Callil'Essential reading' Marina Lewycka'A dazzling kaleidoscope of facts, feelings and observations' Juliet Nicolson'A hugely ambitious, kaleidoscope of a book' Richard Vinen'Makes it feel like the Sixties have never been away' Hunter Davies'I was there, and she's right' Valerie Grove

    Unifying personal narrative and cultural commentary, this collection grapples with the lessons that have been stored between parent and daughter. These parental relationships expose the conditioning that subconsciously informed her ideas on social issues such as colorism, feminism, war-induced PTSD, homophobia, marriage, and “the n-word,” among other things. These dynamics strive for some semblance of accountability, and the essays within this collection are used as displays of deep unlearning and restoring—balancing trauma and humor, poetics and reality, forgiveness and resentment.When You Learn the Alphabet allots space for large moments of tenderness and empathy for all black bodies—but especially all black woman bodies—space for the underrepresented humanity and uncared for pain of black girls, and space to have the opportunity to be listened to in order to evolve past it.

    Written by acclaimed author Leonard S. Marcus, Helen Oxenbury: A Life in Illustration is a keepsake that is sure to engage and delight everyone from scholars to art aficionados, as well as the many fans who have grown up with Helen Oxenbury's enchanting books.

    From politics to the media, from education to the arts, liberals seem to be completely in control. It's no wonder, then, that so many prominent conservative traditionalists are hopelessly pessimistic about the future of Western Civilization. But what if this is just one side of the equation? What if it turns out that brewing beneath the surface, a renewed Christian age is rising? In this thought-provoking book, Dr. Steve Turley argues that there is in fact two revolutions concurrently taking place: a demographic revolution and a political revolution, both of which suggest a significant conservative Christian resurgence. HERE’S A PREVIEW OF WHAT YOU’LL LEARN ………. Why scholars believe that the fertility discrepancy between conservative Christians and secularists means a far more conservative future How Europe is already reversing its demographic decline with a nationalist baby boom How conservative Christianity is on the rise in the US Why scholars believe there is a resurgence of Christianity in Europe How these demographic and religious trends are already reshaping much of European society And much, much more! Drawing from scholarly studies and current events, Dr. Turley's study will inspire you to reject the naysayers predicting the twilight of the West, and instead embrace a hopeful vision of cultural renewal and the coming Christian majority. Get your copy today!

    After complaining about cheerfulness for decades from his trash can on Sesame Street, Oscar now shares his secrets for making sure you're as curmudgeonly as possible, all day, every day.It's the perfect gift for your grouchy friends, your annoyingly upbeat friends who could stand to be a little grouchier, and even just yourself--because a bad day can always get worse.Now get lost! And have a rotten day!An Imprint BookPRAISE FOR THE PURSUIT OF GROUCHINESS"MMM, me LOVE this book. So tasty! (Might be fun to read, too.)" --Cookie Monster

    But are high heels good? Are they feminist? What does it mean for a woman (or, for that matter, a man) to choose to wear them? Meditating on the labyrinthine nature of sexual identity and the performance of gender, High Heel moves from film to fairytale, from foot binding to feminism, and from the golden ratio to glam rock. It considers this most provocative of fashion accessories as a nexus of desire and struggle, sex and society, setting out to understand what it means to be a woman by walking a few hundred years in her shoes.Object Lessons is published in partnership with an essay series in The Atlantic.

     Building from the game’s compelling narrative and variety of characters, this cookbook features international food and drink recipes from each hero’s homeland. Each recipe includes straightforward step-by-step instructions, mouthwatering full-color photos, pairing suggestions, and more.  Overwatch: The Official Cookbook is the ultimate compendium of Overwatch delicacies and is sure to satisfy even the hungriest gamer with fun and delicious recipes.

     In the late 1800s, British engineers building some of the first railways in the Dominion of India discovered large numbers of bricks buried in the dusty plains of the Punjab. This was odd because historians were not aware of any cities or civilizations which might have constructed buildings in this area. It wasn’t until archeological expeditions in the 1920s that it was finally realized that these bricks were the remains of mighty cities built by a previously unknown ancient civilization. Inside you will read about... ✓ Discovery ✓ Excavation of Harappa ✓ Origins ✓ Life and Death in the Indus Valley ✓ Downfall of the Indus Valley Civilization And much more! This culture has become known as the Indus Valley Civilization or sometimes the Harappan Civilization, after Harappa, the first city to be discovered. It has proved to be one of the largest ancient cultures, having a population of over five million people at its height and covering an area of one and a half million square kilometers. It also created very large cities, carefully planned and laid out where almost every house had its own bath and flush toilet, thousands of years before such things became common in other parts of the world. Somehow, the Harappans seem to have controlled this vast territory without having a large army or by conquering other weaker cultures, and they did not seem to have a single ruler such as a king or emperor. Then, for reasons that still aren’t understood, this culture declined and then vanished so completely that all that was left were piles of bricks in the plains of present-day India and Pakistan. We are still learning about these people, but this is what we know so far about the mysterious Indus Valley Civilization.

    Now entering its fifth decade in power, the Iranian regime faces the paradox of any successful revolution: how to transmit the commitments of its political project to the next generation. New media ventures supported by the Islamic Republic attempt to win the hearts and minds of younger Iranians. Yet members of this new generation—whether dissidents or fundamentalists—are increasingly skeptical of these efforts.Iran Reframed offers unprecedented access to those who wield power in Iran as they debate and define the future of the Republic. Over ten years, Narges Bajoghli met with men in Iran's Revolutionary Guard, Ansar Hezbollah, and Basij paramilitary organizations to investigate how their media producers developed strategies to court Iranian youth. Readers come to know these men—what the regime means to them and their anxieties about the future of their revolutionary project. Contestation over how to define the regime underlies all their efforts to communicate with the public. This book offers a multilayered story about what it means to be pro-regime in the Islamic Republic, challenging everything we think we know about Iran and revolution.

    He was crazy for it, ever since he was a young kid playing with friends in an abandoned dump. But baseball didn't love him back--at least not at first. Yogi wasdifferent. He didn't have the right look. When he finally made it to the major leagues, Yogi faced pranks and harassment from players, sportswriters, and fans. Their words hurt, but they made Yogi determined to show all that he could do. This book looks at the talents, loves, and inspirational words of this celebrated New York Yankee and American icon, who earned a World Series ring for each finger and made baseball love him back.

    

    The only woman, and the only person without a weapon, she walked alongside the militants for seven nights across 150 miles of the dense, hilly forests of eastern India. Nightmarch is the riveting story of Shah’s journey, grounded in her years of living with India’s tribal people, an eye-opening exploration of the movement’s history and future and a powerful contemplation on how disadvantaged people fight back against unjust systems in today’s world.   The Naxalites have fought for a communist society for the past fifty years, caught in a conflict that has so far claimed at least forty thousand lives. Yet surprisingly little is known about these fighters in the West. Framed by the Indian state as a deadly terrorist group, the movement is actually made up of Marxist ideologues and lower-caste and tribal combatants, all of whom seek to overthrow a system that has abused them for decades. In Nightmarch, Shah shares some of their gritty untold stories: a high-caste leader who had been underground for almost thirty years, a young Adivasi foot soldier, and an Adivasi youth who defected. Speaking with them and living for years with villagers in guerrilla strongholds, Shah has sought to understand why some of India’s poor have shunned the world’s largest democracy and taken up arms to fight for a fairer society—and asks whether they might be undermining their own aims.    By shining a light on this largely ignored corner of the world, Shah raises important questions about the uncaring advance of capitalism and offers a compelling reflection on dispossession and conflict at the heart of contemporary India.

    In reality, the project fell short in many ways--starting with the hand crank, which never materialized. Yet the project remained charismatic to many who were captivated by its claims of access to educational opportunities previously out of reach. Behind its promises, OLPC, like many technology projects that make similarly grand claims, had a fundamentally flawed vision of who the computer was made for and what role technology should play in learning.Drawing on fifty years of history and a seven-month study of a model OLPC project in Paraguay, Ames reveals that the laptops were not only frustrating to use, easy to break, and hard to repair, they were designed for "technically precocious boys"--idealized younger versions of the developers themselves--rather than the children who were actually using them. The Charisma Machine offers a cautionary tale about the allure of technology hype and the problems that result when utopian dreams drive technology development.

    Since then we've watched controversy erupt around Geoffrey Rush, Germaine Greer and Junot Díaz. We've talked about tracking the movement back via Helen Garner, Rosie Batty and Hannah Gadsby. We've discussed #NotAllMen, toxic masculinity and trolls. We've seen the #MeToo movement evolve and start to accuse itself - has it gone too far? Is it enough? What does it mean in this country?And still, women are not safe from daily, casual sexual harassment and violence. In this collection thirty-five contributors share their own #MeToo stories, analysis and commentary to survey the movement in an Australian context.This collection resists victimhood. It resists silence. It insists on change.

    To separate fact from fiction, Nicola Sutcliff decided to go behind the veil for four years living, working and socialising in Saudi society. The resulting project - this fascinating and revelatory book - aims to raise the voices of these women; to share their realities, dreams, frustrations and talents. Through personal interviews, thirty women share their stories: from world-renowned activists to wives in polygamous households; high-ranking princesses to desert-dwelling bedouins. They talk candidly about the issues most intriguing to a Western audience – driving, sister wives and the religious police – as well as lesser known aspects of their lives, including under-the-abaya fashion, underground parties, and the practice of ‘purchasing’ husbands online.  Many of the topics they discuss are completely unreported, until now.  This compelling book also includes timely essays on wide-ranging subjects including driving, transgenderism, male guardianship, religion, politics and sexuality.     Authentic, eye-opening, inspiring, courageous, this book will challenge stereotypes and reveal the intimate thoughts and details of women's lives in this most intriguing and mysterious of countries. At a time when the Kingdom appears to be on the cusp of change, this unique book captures the essence of what it is like to be a woman living in Saudi Arabia today.

    The battle between Mattel, the makers of the iconic Barbie doll, and MGA, the company that created the Bratz dolls, was not just a war over best-selling toys, but a war over who owns ideas.

    

    While it may feel safest to take a step back when the government calls to "build that wall," Baca steps forward into the lives of those who suffer profoundly at the hands of Immigration and Customs Enforcement (ICE) agents. In language we can all understand, Baca sends us on a journey with Sophia, an El Salvadorian mother searching for a better life. She takes step after painful step up a mountain of obstacles, carrying with her the burden of all that has come before: past her husband's murder, through her searing grief, to the wrenching separation from her young son at the border, then rape and abuse at the hands of American officials; always onward, exhaustively. "I keep walking/carrying you in my thoughts," she wills her boy, so far away, to know she is coming.When I Walk Through That Door, I Am is a call for our attention, for our compassion, for our energy in pursuit of democracy and of justice. Jimmy Santiago Baca shines this light on America's downtrodden, and asks us to walk through their pain with them. "They don't see/democracy's body/on the barbwire," he writes. Through this book we do.

    Whatever the policy--from protection to assimilation, self-determination to intervention, reconciliation to recognition--government has done little to improve the quality of life of Indigenous people. In far too many instances, interaction with governments has only made Indigenous lives worse. Despite this, many Indigenous and non-Indigenous leaders and commentators still believe that working with the state is the only viable option. The result is constant churn and reinvention in Indigenous affairs, as politicians battle over the 'right' approach to solving Indigenous problems.The Colonial Fantasy considers why Australia persists in the face of such obvious failure. It argues that white Australia can't solve black problems because white Australia is the problem. Australia has resisted the one thing that Aboriginal and Torres Strait Islander people want, and the one thing that has made a difference elsewhere: the ability to control and manage their own lives. It calls for a radical restructuring of the relationship between black and white Australia.

    Show you true love, as God intended for our kind.”It’s 1978. Blackburn Hamlet is a typical suburban village in eastern Ontario. In this vibrant Catholic community, life revolves around family and church. Then the safe comfort of both is destroyed by the arrival of a predator priest.When charismatic Father Sweet invites his new favourite altar boy on a camping trip, the boy’s parents insist he go. Trapped in the woods, the boy struggles to evade the priest’s sexual advances. But Father Sweet forces him to make an impossible choice.Twenty-five years later, he is lost, broken, and angry. His father’s death reveals secrets that spur the man to relive his own past. Desiring justice, in need of healing, he discovers, in a daring rescue mission, a way to achieve both.

    Speaking to the young journalist and reformer Horace Traubel, who visited him nearly every day at his home in Camden, New Jersey, Whitman offered profound perspectives about fundamental questions, encompassing the spiritual, political, and all that he had learned over seven decades of vigorous living. Traubel's meticulous transcriptions of these conversations were eventually published in nine volumes. In Everything Is Life, acclaimed author Brenda Wineapple (Ecstatic Nation) has compiled an extraordinary selection of Whitman's observations that conveys the core of his ethos and the still-pulsing power of his insights. Here is Whitman as sage, visionary, and philosopher, advocate for an expansive and liberating style of being. Here, too, is the poet's more worldly side--recalling the opprobrium heaped on Leaves of Grass for its candor and sexual frankness; culling vivid memories of Thoreau, Emerson, and Lincoln; venturing literary judgments Shakespeare, Goethe, and Tolstoy; and expressing both disappointment and hope about the nation he loved and the promise it embodies. Enriching our understanding of the greatest of American poets, this gathering of Whitman's late thoughts is a wisdom book for the ages, enduring insights that speak eloquently and indelibly from his time to our own.

    Essential Essays—a landmark two-volume set—brings together Stuart Hall's most influential and foundational works. Spanning the whole of his career, these volumes reflect the breadth and depth of his intellectual and political projects while demonstrating their continued vitality and importance.Volume 1: Foundations of Cultural Studies focuses on the first half of Hall's career, when he wrestled with questions of culture, class, representation, and politics. This volume's stand-out essays include his field-defining “Cultural Studies and Its Theoretical Legacies"; the prescient “The Great Moving Right Show,” which first identified the emergent mode of authoritarian populism in British politics; and “Encoding and Decoding in the Television Discourse,” one of his most influential pieces of media criticism. As a whole, Volume 1 provides a panoramic view of Hall's fundamental contributions to cultural studies.

    Scholars have extensively documented the widespread sexual exploitation and abuse suffered by enslaved women, with comparatively little attention paid to the stories of men. However, a careful reading of extant sources reveals that sexual assault of enslaved men also occurred systematically and in a wide variety of forms, including physical assault, sexual coercion, and other intimate violations.To tell the story of men such as Rufus--who was coerced into a sexual union with an enslaved woman, Rose, whose resistance of this union is widely celebrated--historian Thomas A. Foster interrogates a range of sources on slavery: early American newspapers, court records, enslavers' journals, abolitionist literature, the testimony of formerly enslaved people collected in autobiographies and in interviews, and various forms of artistic representation. Foster's sustained examination of how black men were sexually violated by both white men and white women makes an important contribution to our understanding of masculinity, sexuality, the lived experience of enslaved men, and the general power dynamics fostered by the institution of slavery. Rethinking Rufus illuminates how the conditions of slavery gave rise to a variety of forms of sexual assault and exploitation that affected all members of the community.

    As with Renée’s previous books, her unique perspective gives no answers and is self-help in its purist form - sympathetically encouraging you to think independently. Have you ever wondered ‘What am I doing here?’ or ‘Who am I?’ If so, this book may help you to realise that you’re not alone with these thoughts, or in being frustrated by the maze of conflicting information we’re directed towards when we ask these questions. Ultimately, you may discover that it isn’t answers you are looking for, but yourself.

    But this convenience is not free--it is purchased with vast amounts of personal data transferred through shadowy backchannels to corporations using it to generate profit. The Costs of Connection uncovers this process, this "data colonialism," and its designs for controlling our lives--our ways of knowing; our means of production; our political participation.Colonialism might seem like a thing of the past, but this book shows that the historic appropriation of land, bodies, and natural resources is mirrored today in this new era of pervasive datafication. Apps, platforms, and smart objects capture and translate our lives into data, and then extract information that is fed into capitalist enterprises and sold back to us. The authors argue that this development foreshadows the creation of a new social order emerging globally--and it must be challenged. Confronting the alarming degree of surveillance already tolerated, they offer a stirring call to decolonize the internet and emancipate our desire for connection.

    How does a Mexican-American, the son of poor immigrants, leave his border home and move to the heart of gringo America? How does he adapt to the worlds of wealth, elite universities, the rush and power of New York City? How does he make peace with a stern old-fashioned father who has only known hard field labor his whole life? With echoes of Dreiser's American Tragedy and Fitzgerald's Gatsby, Troncoso tells his luminous stories through the lens of an exile adrift in the 21st century, his characters suffering from the loss of culture and language, the loss of roots and home as they adapt to the glittering promises of new worlds which ultimately seem so empty.

    The display of this fervor has been channeled and distilled throughout time into one sacred object: the battle vest. Often referred to as the Kutten (German for monk's robe), the battle vest serves a multitude of purposes: as a musical CV, a badge of authenticity, a creative practice of identity, and a fashion statement. Defenders of the Faith documents the timeless and universal concept of fandom through the elevation of the battle vests, revering them beyond the sweaty bodies they adorn and the pits they live in, to the status of religious artifact.Photographer Peter Beste has been documenting subcultures for over 20 years. His first book True Norwegian Black Metal (Vice Books) was a portrayal of the extreme end of the genre and the stunning photos contained within translated far beyond the niche fans of the music, selling tens of thousands of copies. His critically acclaimed follow up book Houston Rap showed his breadth as a photographer and Juxtapoz called it "An astonishing and important insight into a great American cultural narrative." Defenders of the Faith is Beste's fourth book that has been edited by Boo-Hooray's Johan Kugelburg and his photographic treatment of traditional heavy metal culture and dress code is similarly striking. Metal fans, fashion enthusiasts, and subculture geeks will come to the book naturally but the images have a gravity of humanity that speaks to universal expression of passion and devotion and make the book instantly relatable.Heavy Metal has survived and evolved through the decades, always maintaining a deep connection with its audience. The decorative armor of the battle vest serves as a visual history of the genre, memorializing the bands and also telling a personal story of each fan. This collaborative nature has always been at the heart of metal, elevating the individual and the communal beyond the dynamic of performer/audience. As Peter Beste put it himself, "For many, it shows how "true" one is by how authentic their patches are, which festivals they have attended, or which bands you got to see way back when. It is an object that gains in value as it deteriorates, and is pretty much never bought or sold. You have to create your own." Recognizing these personalized artifacts as timeless and artistic expressions of the universal human experience of devotion helps shed light on metal's place within our cultural history.

    These non-Christians have increasingly been demanding their full participation in public life, bringing their arguments all the way to the Supreme Court. The law is on their side, but that doesn't mean that their attempts are not met with suspicion or outright hostility. In Our Non-Christian Nation, Jay Wexler travels the country to engage the non-Christians who have called on us to maintain our ideals of inclusivity and diversity. With his characteristic sympathy and humor, he introduces us to the Summum and their Seven Aphorisms, a Wiccan priestess who would deck her City Hall with a pagan holiday wreath, and other determined champions of free religious expression. As Wexler reminds us, anyone who cares about pluralism, equality, and fairness should support a public square filled with a variety of religious and nonreligious voices. The stakes are nothing short of long-term social peace.

    For many men growing up in the 1950s and 1960s, these magazines and their images and illustrations of nearly naked men, as well as articles, letters from readers, and advertisements, served as an initiation into gay culture. The publishers behind them were part of a wider world of "physique entrepreneurs" men as well as women who ran photography studios, mail-order catalogs, pen-pal services, book clubs, and niche advertising for gay audiences. Such businesses have often been seen as peripheral to the gay political movement. In this book, David K. Johnson shows how gay commerce was not a byproduct but rather an important catalyst for the gay rights movement.Offering a vivid look into the lives of physique entrepreneurs and their customers, and presenting a wealth of illustrations, Buying Gay explores the connections--and tensions--between the market and the movement. With circulation rates many times higher than the openly political "homophile" magazines, physique magazines were the largest gay media outlets of their time. This network of producers and consumers helped foster a gay community and upend censorship laws, paving the way for open expression. Physique entrepreneurs were at the center of legal struggles, especially against the U.S. Post Office, including the court victory that allowed full-frontal male nudity and open homoeroticism. Buying Gay reconceives the history of the gay rights movement and shows how consumer culture helped create community and a site for resistance.

    Macharia maintains that to reach this understanding, we must start from the black diaspora, which requires re-thinking not only the historical and theoretical utility of identity categories such as gay, lesbian, and bisexual, but also more foundational categories such as normative and non-normative, human and non-human. Simultaneously, Frottage questions the heteronormative tropes through which the black diaspora has been imagined. Between Frantz Fanon, René Maran, Jomo Kenyatta, and Claude McKay, Machariamoves through genres—psychoanalysis, fiction, anthropology, poetry—as well as regional geohistories across Africa and Afro-diaspora to map the centrality of sex, gender, desire, and eroticism to black freedom struggles. In lyrical, meditative prose, Macharia invigorates frottage as both metaphor and method with which to rethink diaspora by reading, and reading against, discomfort, vulnerability, and pleasure.

    In the US, someone is sexually assaulted every 98 seconds. More than 320,000 Americans over the age of twelve are sexually assaulted each year. Men are victims too. One in thirty-three American men will be sexually assaulted or raped in his lifetime. Yet only 3 percent of rapists ever serve time in jail. Learn about the patriarchal constructs that support rape culture and how to dismantle them: redefining healthy manhood and sexuality, believing victims, improving social and legal systems and workplace environments, evaluating media with a critical eye, and standing up to speak out. Case studies provide a well-rounded view of real people on all sides of the issues.-- "Journal"

    This one-of-a-kind intersectional anthology features the writings of the most well-known suffragists, such as Elizabeth Cady Stanton and Susan B. Anthony, alongside accounts of those often overlooked because of their race, from Native American women to African American suffragists like Ida B. Wells and the three Forten sisters. At a time of enormous political and social upheaval, there could be no more important book than one that recognizes a group of exemplary women--in their own words--as they paved the way for future generations. The editor and introducer, Sally Roesch Wagner, is a pre-eminent scholar of the diverse backbone of the women's suffrage movement, the founding director of the Matilda Joslyn Gage Foundation, and serves on the New York State Women's Suffrage Commission.

    We laughed, and immediately we knew--she was one of us already.Brindle fur with streaks of brown and black swirled all over her like a patchwork quilt. She was as pretty as an apple tree in full bloom. We called her Sallie.During the Civil War, Sallie came to the 11th Pennsylvania Volunteer Infantry as a gift from a townsperson, but she quickly became a favorite among her men. She marched with them from battle to battle, always guarding the unit's colors, and even met President Lincoln. And over three long days at the battle of Gettysburg, Sallie stayed with the dead, guarded their bodies, and nearly died herself from hunger and thirst as the conflict raged on. Though she fell in battle, her loyalty was rewarded years later when her men met again on the battlefield at Gettysburg to erect her likeness in bronze so that she might eternally guard them. This beautiful story about a dog's dedication and loyalty shows that bravery comes in all shapes and forms!

    We may not be direct agents of harm, but we may still contribute to, inhabit, or benefit from regimes of domination that we neither set up nor control. Arguing that the familiar categories of victim, perpetrator, and bystander do not adequately account for our connection to injustices past and present, Michael Rothberg offers a new theory of political responsibility through the figure of the implicated subject. The Implicated Subject builds on the comparative, transnational framework of Rothberg's influential work on memory to engage in reflection and analysis of cultural texts, archives, and activist movements from such contested zones as transitional South Africa, contemporary Israel/Palestine, post-Holocaust Europe, and a transatlantic realm marked by the afterlives of slavery. As these diverse sites of inquiry indicate, the processes and histories illuminated by implicated subjectivity are legion in our interconnected world. An array of globally prominent artists, writers, and thinkers—from William Kentridge, Hito Steyerl, and Jamaica Kincaid, to Hannah Arendt, Primo Levi, Judith Butler, and the Combahee River Collective—speak to this interconnection and show how confronting our own implication in difficult histories can lead to new forms of internationalism and long-distance solidarity.

    What he found is that they form an urban family, bound together by architecture, commerce, and politics spanning more than 400 years.The result of this research is a new book—The North Atlantic Cities—that takes readers on a journey that begins in Amsterdam in 1600 and ends in the present day. It covers Dutch, British, Irish, and American cities that house millions of people.

    That is the alarming conclusion by intelligence analyst Daryl Johnson, an expert on domestic extremism with more than twenty-five years of experience tracking radicalized groups for the U.S Government.      In this book, Johnson dissects the rapidly expanding forms of American hatred and radicalization, including white nationalists, anti-government militias, antifascists (Antifa), militant black nationalists, and extremist Islamic groups. The author develops a concise model that explains how extremists on both the far right and the far left use the same techniques to recruit and radicalize individuals into violent offenders. He also examines the political forces that fuel this threat and have kept the US government from properly identifying and developing countermeasures to deal with it, including an disproportional emphasis on Islamic terrorism.     The author concludes by recounting individual stories of deradicalization, each of which was the result of personal reevaluations of formerly held extremist convictions. He recommends more resources at the state and federal levels for combatting radical movements. He also urges greater communication and coordination between law enforcement agencies. This in-depth analysis of a growing menace that has taken America hostage by a leading expert throws a stark light on the darkest segments of American society and provides practical means for dealing with their violent threats.

    Sierakowski's Sandinistas: A Moral History offers a bold new perspective on the liberation movement that brought the Sandinista National Liberation Front to power in Nicaragua in 1979, overthrowing the longest-running dictatorship in Latin America. Unique sources, from trial transcripts to archival collections and oral histories, offer a new vantage point beyond geopolitics and ideologies to understand the central role that was played by everyday Nicaraguans. Focusing on the country's rural north, Sierakowski explores how a diverse coalition of labor unionists, student activists, housewives, and peasants inspired by Catholic liberation theology came to successfully challenge the legitimacy of the Somoza dictatorship and its entrenched networks of power. Mobilizing communities against the ubiquitous cantinas, gambling halls, and brothels, grassroots organizers exposed the regime's complicity in promoting social ills, disorder, and quotidian violence while helping to construct radical new visions of moral uplift and social renewal.Sierakowski similarly recasts our understanding of the Nicaraguan National Guard, grounding his study of the Somozas' army in the social and cultural world of the ordinary soldiers who enlisted and fought in defense of the dictatorship. As the military responded to growing opposition with heightened state terror and human rights violations, repression culminated in widespread civilian massacres, stories that are unearthed for the first time in this work. These atrocities further exposed the regime's moral breakdown in the eyes of the public, pushing thousands of previously unaligned Nicaraguans into the ranks of the guerrilla insurgency by the late 1970s. Sierakowski's innovative reinterpretation of the Sandinista Revolution will be of interest to students, scholars, and activists concerned with Latin American social movements, the Cold War, and human rights.

    Although she might look like an ordinary little girl, she’s about to change the world.Augusta Ada Byron, better known as Ada Lovelace, is an inquisitive child. Like her clever mother, she loves solving problems—big problems, little problems, and tricky, complicated problems. Ada invents crazy contraptions and reads all the books in the library of her father, the poet Lord Byron; but most of all she loves to solve mathematical problems. Together with her teacher, the mathematician Charles Babbage, Ada invents the world’s first computer program. Her achievements made her a pioneer for women in the sciences. Zoë Tucker’s words capture the adventurous life of Ada succinctly, and debut picture book illustrator Rachel Katstaller’s art infuses Victorian London with humor.

    James Whistler’s monster rocks in her chair. Monsters invade masterpieces by Dorthea Tanning, Paul Cezanne, M.C. Escher, Jean Michel Basquiat, Giuseppe Archimboldo, Rene Magritte, Henri Rousseau, Franz Kline, Frida Kahlo, Bob Thompson, Henri Toulouse-Lautrec, Thomas Hart Benton, and Helen Frankenthaler. The monster emerging from Claude Monet’s waterlilies is unforgettable.  Our guide for this romp through re-imagined masterpieces is an engaging hamster. Thumbnail biographies of the artists identify their iconic works.

    Paul Getty Museum, found itself confronted by a century-old genocide. The Armenian Church was suing for the return of eight pages from the Zeytun Gospels, a manuscript illuminated by the greatest medieval Armenian artist, Toros Roslin. Protected for centuries in a remote church, the holy manuscript had followed the waves of displaced people exterminated during the Armenian genocide. Passed from hand to hand, caught in the confusion and brutality of the First World War, it was cleaved in two. Decades later, the manuscript found its way to the Republic of Armenia, while its missing eight pages came to the Getty.The Missing Pages is the biography of a manuscript that is at once art, sacred object, and cultural heritage. Its tale mirrors the story of its scattered community as Armenians have struggled to redefine themselves after genocide and in the absence of a homeland. Heghnar Zeitlian Watenpaugh follows in the manuscript's footsteps through seven centuries, from medieval Armenia to the killing fields of 1915 Anatolia, the refugee camps of Aleppo, Ellis Island, and Soviet Armenia, and ultimately to a Los Angeles courtroom.Reconstructing the path of the pages, Watenpaugh uncovers the rich tapestry of an extraordinary artwork and the people touched by it. At once a story of genocide and survival, of unimaginable loss and resilience, The Missing Pages captures the human costs of war and persuasively makes the case for a human right to art.

    They are complicated and arcane, and few people understand why they should care about copyright, patents, and trademarks. In this lustrous collection, Claudy Op den Kamp and Dan Hunter have brought together a group of contributors - drawn from around the globe in fields including law, history, sociology, science and technology, media, and even horticulture - to tell a history of IP in 50 objects. These objects not only demonstrate the significance of the IP system, but also show how IP has developed and how it has influenced history. Each object is at the core of a story that will be appreciated by anyone interested in how great innovations offer a unique window into our past, present, and future.

    The book can also be used for related courses in LGBTQ, queer, and gender/feminist studies.It encompasses and connects global contexts, intersecting identities, historic and contemporary issues, literature, history, politics, art, and culture. Ardel Haefele-Thomas embraces the richness of intersecting identities--how race, ethnicity, sexual orientation, class, nation, religion, and ability have cross-influenced to shape the transgender experience and trans culture across and beyond the binary. Written by an accomplished teacher with experience in a wide variety of higher learning institutions, this new text inspires readers to explore not only contemporary transgender issues and experiences but also the global history of gender diversity through the ages.Introduction to Transgender Studies features:-A welcoming approach that creates a safe space for a wide range of students, from those who have never thought about gender issues to those who identify as transgender, trans, nonbinary, agender, and/or gender expansive.-Writings from the Community essays that relate the chapter theme to the lived experiences of trans and LGB people and allies from different parts of the world.-Key concepts, film and media suggestions, topics for discussion, activities, and ideas for writing and research to engage students and serve as a review at exam time.-Instructors' resources that will be available that include key teaching points with discussion questions, activities, research projects, tips for using the media suggestions, PowerPoint presentations, and sample syllabi for various course configurations.Intended for introductory transgender, LGBTQ+, or gender studies courses through upper-level electives related to the expanding field of transgender studies, this text has been successfully class-tested in community colleges and public and private colleges and universities.

    In the 1950s the space race between the USA and the USSR was well and truly on, and was for both a matter of pride and propaganda. But before man ventured into the cosmos, his four-legged friends would pave the way for space exploration. The first canine cosmonaut was Laika, meaning 'barker'. The little stray could never have anticipated that she would one day float 200 miles above the Moscow streets. She would be canonized as a proletarian hero, appearing on stamps, postcards and souvenirs. Her successors were Belka and Strelka, the first dogs to successfully return safely to Earth, and with them, the cult of the space dog was born.In a regime that eschewed celebrating individual achievement, the space dogs became Soviet superstars, with a vast array of merchandise, books and films in their honor.A must for read for fans of Soviet Space Dogs by Olesya Turkina and Designed in the USSR: 1950-1989 by Moscow Design Museum..

    Essential Essays—a landmark two-volume set—brings together Stuart Hall's most influential and foundational works. Spanning the whole of his career, these volumes reflect the breadth and depth of his intellectual and political projects while demonstrating their continued vitality and importance.Volume 2: Identity and Diaspora draws from Hall's later essays, in which he investigated questions of colonialism, empire, and race. It opens with “Gramsci's Relevance for the Study of Race and Ethnicity,” which frames the volume and finds Hall rethinking received notions of racial essentialism. In addition to essays on multiculturalism and globalization, black popular culture, and Western modernity's racial underpinnings, Volume 2 contains three interviews with Hall, in which he reflects on his life to theorize his identity as a colonial and diasporic subject.

    First elaborated by philosophers such as John Locke and Voltaire, religious tolerance gradually gained ground in Europe and North America. But with the resurgence of fanaticism and terrorism, religious tolerance is increasingly being challenged by frightened publics.In this book, Denis Lacorne traces the emergence of the modern notion of religious tolerance in order to rethink how we should respond to its contemporary tensions. In a wide-ranging argument that spans the Ottoman Empire, the Venetian republic, and recent controversies such as France's burqa ban and the white-supremacist rally in Charlottesville, The Limits of Tolerance probes crucial questions: Should we impose limits on freedom of expression in the name of human dignity or decency? Should we accept religious symbols in the public square? Can we tolerate the intolerant? While acknowledging that tolerance can never be entirely without limits, Lacorne defends the Enlightenment concept against recent attempts to circumscribe it, arguing that without it a pluralistic society cannot survive. Awarded the Prix Montyon by the Acad�mie Fran�aise, The Limits of Tolerance is a powerful reflection on twenty-first-century democracy's most fundamental challenges.

    But in the intervening four years, both Union and Confederate forces surrendered en masse on scores of other occasions. Indeed, roughly one out of every four soldiers surrendered at some point during the conflict. In no other American war did surrender happen so frequently. David Silkenat here provides the first comprehensive study of Civil War surrender, focusing on the conflicting social, political, and cultural meanings of the action. Looking at the conflict from the perspective of men who surrendered, Silkenat creates new avenues to understand prisoners of war, fighting by Confederate guerrillas, the role of southern Unionists, and the experiences of African American soldiers. The experience of surrender also sheds valuable light on the culture of honor, the experience of combat, and the laws of war.

    His very image has become associated with a spirit of rebellion, but Ernesto Guevara--known around the world simply as Che--didn't dream of becoming a revolutionary. Author Ellen Labrecque takes readers on a journey through Che's life starting with his childhood in Argentina, to his travels through South and Central America as a young physician, and ending with his final years as a key player in the Cuban revolution. His legacy--as the author of The Motorcycle Diaries, a champion of the poor, and a force for change in Cuba--is both personal and political.

    Robinson is considered one of the doyens of Black Studies and a pioneer in study of the Black Radical Tradition. His works have been essential texts, deconstructing racial capitalism and inspiring insurgent movements from Ferguson to the West Bank.For the first time, Robinson's essays come together, spanning over four decades and reflective of his diverse interests in the interconnections between culture and politics, radical social theory and classic and modern political philosophy. Themes explored include Africa and Black internationalism, World politics, race and US Foreign Policy, representations of Blackness in popular culture, and reflections on popular resistance to racial capitalism, white supremacy and more.Accompanied by an introduction by H. L. T. Quan and a foreword by Ruth Wilson Gilmore, this collection, which includes previously unpublished materials, extends the many contributions by a giant in Black radical thought.Cedric Robinson was a Professor in the Department of Black Studies and the Department of Political Science at the University of California, Santa Barbara (UCSB). He headed the Department of Black Studies and the Department of Political Science and served as the Director of the Center for Black Studies Research. His books include Black Marxism: The Making of the Black Radical Tradition (1983); Black Movements in America (1997); and Terms of Order: Political Science and the Myth of Leadership (1980).

    In Beyond Broadway, author Stacy Wolf considers the widespread presence and persistence ofmusical theatre in U.S. culture, and examines it as a live, pleasurable, participatory experience of creating, watching, and listening. Why does local musical theatre flourish in America? Why do so many Americans passionately engage in a century-old artistic practice that requires intense, person-to-person collaboration? Why do audiences flock to see musicals in their hometowns? How do corporations like Disney and Music Theatre International enable musical theatre's energetic movement through American culture? Touring from Maine to California, Wolf visits elementary schools, a middleschool performance festival, afterschool programs, high schools, summer camps, state park outdoor theatres, community theatres, and dinner theatres, and conducts over 200 interviews with practitioners and spectators, licensors and Disney creatives. In Beyond Broadway, Wolf tells the story of musicaltheatre's abundance and longevity in the U.S. as a thriving, joyful activity that touches millions of lives.

    Independent of any one set value, memes are famously the mode of conveyance for the alt-right, the irony left, and the apoliticos alike, and they are impervious to many economic valuations: the attempts made in co-opting their discourse in advertising and big business have made little headway, and have usually been derailed by retaliative meming. POST MEMES: SEIZING THE MEMES OF PRODUCTION takes advantage of the meme's subversive adaptability and ripeness for a focused, in-depth study. Pulling together the interrogative forces of a raft of thinkers at the forefront of tech theory and media dissection, this collection of essays paves a way to articulating the semiotic fabric of the early 21st century's most prevalent means of content posting, and aims at the very seizing of the memes of production for the imagining and creation of new political horizons.With contributions from Scott and McKenzie Wark, Patricia Reed, Jay Owens, Thomas Hobson and Kaajal Modi, Dominic Pettman, Bogna M. Konior, and Eric Wilson, among others, this essay volume offers the freshest approaches available in the field of memes studies and inaugurates a new kind of writing about the newest manifestations of the written online. The book aims to become the go-to resource for all students and scholars of memes, and will be of the utmost interest to anyone interested in the internet's most viral phenomenon.ABOUT THE EDITORSALFIE BOWN is the author of several books including "The Playstation Dreamworld" (Polity, 2017) and "In the Event of Laughter: Psychoanalysis, Literature and Comedy" (Bloomsbury, 2018). He is also a journalist for the Guardian, the Paris Review, and other outlets.DAN BRISTOW is a recovering academic, a bookseller, and author of "Joyce and Lacan: Reading, Writing, and Psychoanalysis" (Routledge, 2016) and "2001: A Space Odyssey and Lacanian Psychoanalytic Theory" (Palgrave, 2017). He is also the co-creator with Alfie Bown of Everyday Analysis, now based at New Socialist magazine.

    Civil War, as legal and cultural understandings of citizenship became more racially restrictive, black writers articulated an expansive, practice-based theory of citizenship. Grounded in political participation, mutual aid, critique and revolution, and the myriad daily interactions between people living in the same spaces, citizenship, they argued, is not defined by who one is but, rather, by what one does.In The Practice of Citizenship, Derrick R. Spires examines the parallel development of early black print culture and legal and cultural understandings of U.S. citizenship, beginning in 1787, with the framing of the federal Constitution and the founding of the Free African Society by Absalom Jones and Richard Allen, and ending in 1861, with the onset of the Civil War. Between these two points he recovers understudied figures such as William J. Wilson, whose 1859 Afric-American Picture Gallery appeared in seven installments in The Anglo-African Magazine, and the physician, abolitionist, and essayist James McCune Smith. He places texts such as the proceedings of black state conventions alongside considerations of canonical figures such as Frances Ellen Watkins Harper and Frederick Douglass.Reading black print culture as a space where citizenship was both theorized and practiced, Spires reveals the degree to which concepts of black citizenship emerged through a highly creative and diverse community of letters, not easily reducible to representative figures or genres. From petitions to Congress to Frances Harper's parlor fiction, black writers framed citizenship both explicitly and implicitly, the book demonstrates, not simply as a response to white supremacy but as a matter of course in the shaping of their own communities and in meeting their own political, social, and cultural needs.

    In her latest body of work, collected in this new publication, Galembo turns to Mexico, where she captures cultural performances with a subterranean political edge. Using a direct, unaffected portrait style, Galembo captures her subjects informally posed but often strikingly attired in traditional or ritualistic dress. Masking is a complex tradition in which the participants transcend the physical world and enter the spiritual realm. Masks, costumes and body paint transform the human body and encode a rich range of political, artistic, theatrical, social and religious meanings on the body. In her vibrant color photographs, Galembo highlights the artistry of the performers, how they use materials from their immediate environment to morph into a fantastical representation of themselves and an idealized vision of a mythical figure. In a gorgeous, fascinating photographic survey of Mexico’s masking practices, Galembo captures her subjects suspended between past, present and future, with their religious, political and cultural affiliations—their personal and collective identifications—displayed on their bodies. Photographer Phyllis Galembo (born 1952) received her MFA from the University of Wisconsin–Madison in 1977, and was Professor in the Fine Arts Department of SUNY Albany from 1978 to 2018. A 2014 Guggenheim Fellow, Galembo has photographs in numerous public and private collections, including the Metropolitan Museum of Art and the New York Public Library. Her photographs of ritual masks in Africa, the Diaspora and beyond have been the subject of several monographic publications, including Maske (Aperture, 2016).

    1976: John Lydon proclaims himself an "antichrist," helps launch a movement to "destroy passersby," and permanently changes popular culture. Coincidence? In Lana Lesley's graphic adaptation of the Rude Mechs' stage adaptation of Greil Marcus's text, Dr. Narrator and the Sex Pistols' manager Malcolm McLaren recount an alternative history of the 20th century via the Sex Pistols, the Cabaret Voltaire, the May '68 riots, and a handful of medieval heretics. Lipstick Traces is a graphically gritty and intellectually nervy rendition of a theatrically irreverent and physically ecstatic production of a history of "movements in culture that raised no monuments...movements that barely left a trace."

    In Decomposed, Kyle Devine offers another perspective. He shows that recorded music has always been a significant exploiter of both natural and human resources, and that its reliance on these resources is more problematic today than ever before. Devine uncovers the hidden history of recorded music--what recordings are made of and what happens to them when they are disposed of.Devine's story focuses on three forms of materiality. Before 1950, 78 rpm records were made of shellac, a bug-based resin. Between 1950 and 2000, formats such as LPs, cassettes, and CDs were all made of petroleum-based plastic. Today, recordings exist as data-based audio files. Devine describes the people who harvest and process these materials, from women and children in the Global South to scientists and industrialists in the Global North. He reminds us that vinyl records are oil products, and that the so-called vinyl revival is part of petrocapitalism. The supposed immateriality of music as data is belied by the energy required to power the internet and the devices required to access music online. We tend to think of the recordings we buy as finished products. Devine offers an essential backstory. He reveals how a range of apparently peripheral people and processes are actually central to what music is, how it works, and why it matters.

    As everyone knows, libertarians view the State and the individual as fundamentally opposed. People who freely interact in the market create on their own a wonderful society that advances progress. In Against the Left, we examine some key battlegrounds in the struggle to preserve and advance real libertarianism against its enemies. These include the assault on the family, civil rights and “disabilities,” immigration, environmentalism, economic egalitarianism, and the left–libertarian impostors who want to take libertarianism away from us.

    Memes are not simply humorous shorthands or pithy assertions, but play a significant role in the machinations of politics and how the public comes to understand and respond to their government and compatriots. Using the tools of rhetorical criticism, the authors detail how memetic persuasion operates, with a particular focus on the 2016 election of Donald J. Trump. Make America Meme Again reveals the rhetorical principles used to design Alt-right memes, outlining the myriad ways memes lure mainstream audiences to a number of extremist claims. In particular, this book argues that Alt-right memes impact the culture of digital boards and broader public culture by stultifying discourse, thereby shaping how publics congeal. The authors demonstrate that memes are a mechanism that proliferate white nationalism and exclusionary politics by spreading algorithmically through network cultures in ways that are often difficult to discern. Alt-right memes thus present a significant threat to democratic praxis, one that can begin to be combatted through a rigorous rhetorical analysis of their power and influence. Make America Meme Again illuminates the function of networked persuasion for scholars and practitioners of rhetoric, media, and communication; political theorists; digital humanists; and anyone who has ever seen, crafted, or proliferated a meme.

    Take a journey with Stephan Mitsch into this melting pot of cultures and savour 120 glorious authentic recipes of Catalan cuisine, from the rustic wine cellars, hidden kitchens and stylish tapas bars of this cult city.

    Bringing together contributions from Cultural, American and Theatre Studies for the first time, the chapters offer fresh perspectives on musical theatre history, calling for a radical and inclusive new approach. By questioning ideas about what the musical is about and who it for, this groundbreaking book retells the story of the musical, prioritising previously neglected voices to reshape our understanding of the form.Timely and engaging, this is required reading for undergraduate and postgraduate students of Musical Theatre. It offers an intersectional approach which will also be invaluable for theatre practitioners.

    The essays collated here locate The Clash in theirown explosive cultural moment of punk's year zero and examine how the group speaks from beyond the grave to the uncanny parallels of other moments of social and political crisis. In addition, the collection considers the impact of the band in a range of different geopolitical contexts, with variouscontributors exploring what the band meant in settings as diverse as Italy, England, Northern Ireland, Australia and the United States. The diverse essays gathered in Working for the clampdown cast a critical light on both the cultural legacy and contemporary resonance of one of the most influentialbands ever to have graced a stage.

    In Lesbian Cinema after Queer Theory, Clara Bradbury-Rance argues that this contradictory context has yielded new kinds of cinematic language through which to give desire visual form. By offering close readings of key contemporary films such as Blue Is the Warmest Colour, Water Lilies and Carol alongside a broader filmography encompassing over 300 other films released between 1927 and 2018, the book provokes new ways of understanding a changing field of representation.Bradbury-Rance resists charting a narrative of representational progress or shoring up the lesbian's categorisation in the newly available terms of the visible. Instead, she argues for a feminist framework that can understand lesbianism's queerness. Drawing on a provocative theoretical and visual corpus, Lesbian Cinema after Queer Theory reveals the conditions of lesbian legibility in the twenty-first century.

    The May 1968 events—with their embrace of radical individualism and antiauthoritarianism—triggered a break from the past, and the women’s movement split into two strands. One became universalist and intensely activist, the other particularist and less activist, distancing itself from contemporary feminism. This theoretical debate manifested itself in battles between women and organizations on the streets and in the courts.   The history of French feminism is the history of women’s claims to individualism and citizenship that had been granted their male counterparts, at least in principle, in 1789. Yet French women have more often donned the mantle of particularism, advancing their contributions as mothers to prove their worth as citizens, than they have thrown it off, claiming absolute equality. The few exceptions, such as Simone de Beauvoir or the 1970s activists, illustrate the diversity and tensions within French feminism, as France moved from a corporatist and tradition-minded country to one marked by individualism and modernity.

    But ask him about his wife Connie and her ordeal at work, and he beams with pride. Everyone at the General Services Administration Building in Kansas City, Missouri knew Connie was a Christian because of the Bible on her desk and the Christian trinkets adorning her work area. One co-worker constantly harassed and ridiculed Connie as he passed her desk. He would often say, "How can you believe that rubbish?" Connie believed the implications of Genesis 1:26-28 and treated this co-worker with dignity and respect, just as she treated the rest of her co-workers. With the Spirit's enablement, Connie regularly produced the fruit of the Spirit (Galatians 5:22-23), living a beautifully attractive life at her workplace. The scattered church, I believe, is missing an opportunity for an embodied apologetic to address some of these racial economic disparities and inequalities. The church is divinely and uniquely equipped and empowered to attack and eradicate our racialized economy. But what is a racialized economy?

    And he showed great innovation with his determination to build his most inventive car--one completely made of soybeans.With a mind for ingenuity, Henry Ford looked to improve life for others. After the Great Depression struck, Ford especially wanted to support ailing farmers. For two years, Ford and his team researched ways to use farmers' crops in his Ford Motor Company. They discovered that the soybean was the perfect answer. Soon, Ford's cars contained many soybean plastic parts, and Ford incorporated soybeans into every part of his life. He ate soybeans, he wore clothes made of soybean fabric, and he wanted to drive soybeans, too. Award-winning author Peggy Thomas and illustrator Edwin Fotheringham explore this American icon's little-known quest.

    Yet as Eva Haifa Giraud contends in What Comes after Entanglement?, for all their conceptual power in implicating humans in ecologically damaging practices, these theories can undermine scope for political action. Drawing inspiration from activist projects between the 1980s and the present that range from anticapitalist media experiments and vegan food activism to social media campaigns against animal research, Giraud explores possibilities for action while fleshing out the tensions between theory and practice. Rather than an activist ethics based solely on relationality and entanglement, Giraud calls for what she describes as an ethics of exclusion, which would attend to the entities, practices, and ways of being that are foreclosed when other entangled realities are realized. Such an ethics of exclusion emphasizes foreclosures in the context of human entanglement in order to foster the conditions for people to create meaningful political change.

    You'll also go behind the scenes of Tarantino's latest epic, Once Upon a Time in Hollywood. As you make your way through Tarantino's incredible career, discover what inspired him, his working methods and the breadth of his talent.Packed with stunning pictures from the Kobal archives, this biography explores the genesis of Tarantino's unique directorial style and provides insight into his inspirations and his frequent collaborations with favoured actors.

    Heijin Lee, Christina H. Moon, and Thuy Linh Nguyen Tu train our eyes on sites as far-flung, varied, and intimate as Guangzhou and Los Angeles, Saigon and Seoul, New York and Toronto. They map the transregional connections, ever-evolving aspirations and sensibilities, and new worlds and life paths forged through engagements with fashion and beauty.Contributors consider American influence on plastic surgery in Korea, Vietnamese debates about "the fashionable," and the costs and commitments demanded of those who make and wear fast fashion, from Chinese garment workers to Nepalese nail technicians in New York who are mandated to dress fashionably. In doing so, this interdisciplinary anthology moves beyond common characterizations of Asians and the Asian diaspora as simply abject laborers or frenzied consumers, analyzing who the modern Asian subject is now: what they wear and how they work, move, eat, and shop.

    Egypt’s Stella beer (which only coincidentally shares a name with the Belgian beer Stella Artois) became a particularly meaningful symbol of the changes that occurred in Egypt after British Occupation.Weaving cultural studies with business history, Egypt’s Beer traces Egyptian history from 1880 to 2003 through the study of social, economic, and technological changes that surrounded the production and consumption of Stella beer in Egypt, providing an unparalleled case study of economic success during an era of seismic transformation. Delving into archival troves—including the papers of his grandfather, who for twenty years was CEO of the company that produced Stella—Omar D. Foda explains how Stella Beer achieved a powerful presence in all popular forms of art and media, including Arabic novels, songs, films, and journalism. As the company’s success was built on a mix of innovation, efficient use of local resources, executive excellence, and shifting cultural dynamics, this is the story of the rise of a distinctly Egyptian “modernity” seen through the lens of a distinctly Egyptian brand.

    Jungmin Kwon names the Korean female fandom for gay portrayals as “FANtasy” subculture, and argues that it adds to the present visibility of the gay body in Korean mainstream media, thus helping to change the public’s perspective toward sexually marginalized groups. The FANtasy subculture started forming around text-based media, such as yaoi, fan fiction, and U.S. gay-themed dramas (like Will & Grace), and has been influenced by diverse social, political, and economic conditions, such as the democratization of Korea, an open policy toward foreign media products, the diffusion of consumerism, government investment in the culture, the Hollywoodization of the film industry, and the popularity of Korean culture abroad. While much scholarly attention has been paid to female fandom for homoerotic cultural texts in many countries, this book seeks to explore a relatively neglected aspect of the subculture: its location in and influence on Korean society at large.

    In this book, scholars, rabbis, and activists explore the history of veganism and vegetarianism among Jews and present compelling new directions in Jewish thought, ethics, and foodways. Jewish Veganism and Vegetarianism asks how Judaism, broadly considered, has inspired people to eschew animal products and how those choices have enriched and defined Jewishness. It offers opportunities to meditate on what makes Jewish veganism and vegetarianism particularly Jewish and to pursue the intellectual, religious, and historical roots of those movements. It also tests their boundaries, examines connections to other movements, and calls attention to divisions among Jewish vegans and vegetarians and to the resistance they have faced. In part one, "Studies," authors present Jewish veganism and vegetarianism in historical, literary, and sociological context: from the time of the Talmud until the present, in North America, Europe, and Israel, and among rabbis, chefs, artists, activists, punks, and farmers. Part two, "New Directions," is focused on contemporary currents in Jewish vegan and vegetarian thought. The authors represent the cultural, theological, and ideological diversity among Jews invested in such conversations and introduce prominent debates within their movements. As a whole, the volume presents a wide-ranging survey of the place of veganism and vegetarianism in Judaism past and present"--

    It is a compendium that includes insights from artistic and activist experimentation. Each chapter investigates a different aspect of citizenship, such as identity and belonging, rights and responsibilities, bodies and materials, agencies and spaces, and limitations and interventions. It rewrites and rethinks the many-layered concept of citizenship by emphasising the performative tensions produced by various uses, occupations, interpretations and framings.

    It is a striking-yet all too familiar-fact about human beings that our belief-forming processes can be so distorted by fears, desires, and prejudices that an otherwise sensible person may sincerely uphold a false claim about the world despite overwhelming evidence to the contrary. When we describe someone as being "in denial," we mean that he or she is personally threatened by some set of facts and consequently fails to assess the situation properly according to the evidence, instead arguing and interpreting evidence in light of a pre-established conclusion.In a world polarized over politics, culture, race, and religion, it is evident that ideological commitments can influence one's perception of reality in socially destructive ways, especially when one perceives a threat to these commitments. When group interests, creeds, or dogmas are threatened by unwelcome factual information, biased thinking can become ideological denialism. This is a problem that affects everybody: Whereas denial can interfere with individual well-being, ideological denialism can stand in the way of urgent advancements in public policy.This book offers an accessible, historically and scientifically informed overview of our understanding of denial and denialism. Adrian Bardon introduces the reader to the latest developments in the interdisciplinary study of denial, and then investigates the role of human psychology and ideology in, respectively, science denial, economic policy, and religious belief.

    Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post-Civil War era to the present day.The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery's influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of Slavery and the University stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education.