Geared to what today's students need to know, SparkNotes provide: Chapter-by-chapter analysis Explanations of key themes, motifs, and symbols A review quiz and essay topics Lively and accessible, these guides are perfect for late-night studying and writing papers.

    The Tree of Meaning is a book of critical prose composed in the same way.” Together these 13 lectures present a superbly grounded approach to the study of language, focusing on storytelling, mythology, comparative literature, humanity, and the breadth of oral culture. Spanning 10 years of lectures, The Tree of Meaning presents the best of Robert Bringhurst’s thinking. The author’s commitment to what he calls “ecological linguistics” emerges in his striking studies of Native American art and storytelling, his understanding of poetry, and his championing of a universal conception of what constitutes literature. This collection features an in-depth look at Haida culture (including the work of storytellers Skaay and Ghandl, and artist Bill Reid), the process of translation, and the relationship between being and language.

    Almost all of Hockney's paintings and graphic works to date, as well as many of his drawings are reproduced here. 434 illustrations including 60 plates in full color.

    

    They address the secrets, inequities, and issues they all confront in their daily negotiations with a system that often seeks to subvert their very existence. They have to struggle daily not only with the racism that pervades our lives, but also with the overwhelming male domination of the "macho" Chicano and Mexican culture.

    A genre-bending work of nonfiction, Samantha Hunt’s The Unwritten Book explores ghosts, ghost stories, and haunting, in the broadest sense of each. What is it to be haunted, to be a ghost, to die, to live, to read? Books are ghosts; reading is communion with the dead. Alcohol is a way of communing, too, as well as a way of dying. Each chapter gathers subjects that haunt: dead people, the forest, the towering library of all those books we’ll never have time to read or write. Hunt, like a mad crossword puzzler, looks for patterns and clues. Through literary criticism, history, family history, and memoir, inspired by W. G. Sebald, James Joyce, Ali Smith, Toni Morrison, William Faulkner, and many others, Hunt explores motherhood, hoarding, legacies of addiction, grief, how we insulate ourselves from the past, how we misinterpret the world. Nestled within her inquiry is a very special ghost book, an incomplete manuscript about people who can fly without wings, written by her father and found in his desk just days after he died. What secret messages might his work reveal? What wisdom might she distill from its unfinished pages? Hunt conveys a vivid and grateful life, one that comes from living closer to the dead and shedding fear for wonder. The Unwritten Book revels in the randomness, connectivity, and magic of everyday existence. And at its heart is the immense weight of love.

    She also edited selected writings of such European writers as Roland Barthes and Antonin Artaud (1976). Homo Poeticus (1995) is a selection of Danilo Kis' essays and interviews, in which Sontag wrote an introduction. Among Sontag's several awards are American Academy Ingram Merrill Foundation Award (1976), National Book Critics Circle Award (1977), Academy of Sciences and Literature Award (Germany, 1979). She was appointed in 1979 Member of American Academy. In 1990 Sontag received a five-year fellowship from the MacArthur Foundation. Her private life Sontag kept carefully guarded. However, in an interview in The New York Times she told that she had loved both men and women. With Joseph Brodsky, whom she dated for a period, she ate often at the Silver Palace, a New York Chinese reataurant. Sontag died of complications of leukemia in Manhattan on December 28, 2004. She had been ill with cancer intermittently from the 1970s. The famous white streak in her hair was the only part that was its true color: chemotherapy thinned her thick, black hair and mostly white or grey grew back. Sontag's last essays included 'Regarding the Torture of Others,' about the abuse of prisoners in Iraq (May 23, 2004, The New York Times Magazine).

    35; he became a well-known and prosperous teacher of rhetoric in Rome, probably the first to receive a salary as such from public funds. His "Institutio Oratoria" ("Training of an Orator"), a comprehensive training program in twelve books, draws on his own rich experience. Here Quintilian gives guidelines for proper schooling (beginning with the young boy); analyzes the structure of speeches and recommends devices for engaging listeners and appealing to their emotions; reviews a wide range of Greek and Latin authors of use to the orator; and counsels on memory, delivery, and gestures. This practical guide, in lucid style, provides valuable insight on Roman education. The work also yields many a memorable comment on the styles of various writers.

    

    

    Overthe past twenty-four centuries the mirror of satirical literaturehas itself taken many shapes. Nevertheless, certai n techniq uescontinually recur, and certain themes are timeless. Pol itics,the mismanagement of men by other men, has always been atarget of satire, as has the war between sexes. The universalityof satire is proved by the high development of lampoon andtravesty even among primitive peoples; its long roots and itsvariety are shown by the persistence of allegory, fable,aphorism and other satirical genres in literature.Professor Hodgart analyses satire at some of its most effectivemoments in Western literature from Aristophanes to Brecht.His analysis is augmented by a selection of prints andcartoons to show the similarities and differences between theliterary and visual media of satire.Matthew Hodgart is Professor of English at the Universityof Sussex. His interests include both classical and modernliterature. He has written books on Joyce, Samuel Johnsonand the ballad.With 14 colour and 49 black and white photographsThe cover illustration by Bruno Paul appeared originally inSimplicissimus (1904)

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    The gadfly of American journalism interviewed all of the important men of his generation ranging from Hitler, Mussolini, and Stalin, to FDR and Harry Truman. Seldes' weekly newsletter In Fact put newspapers to the test of honesty and accuracy. Seldes books such as Lords Of The Press are still used in journalism schools. This collection of his finest writing offers a sweeping view of the twentieth century.

    Eve Kosofsky Sedwick's 'Queer and Now' essay in Tendencies.

    

    Memories of her Caribbean girlhood haunt the four short and piercingly brilliant novels that Rhys wrote during her extraordinary years as an exile in 1920s Paris and later in England, a body of fiction—above all, the extraordinary Wide Sargasso Sea—that has a passionate following today. And yet her own colorful life, including her early years on the Caribbean island of Dominica, remains too little explored, until now.In I Used to Live Here Once, Miranda Seymour sheds new light on the artist whose proud and fiercely solitary life profoundly informed her writing. Rhys experienced tragedy and extreme poverty, alcohol and drug dependency, romantic and sexual turmoil, all of which contributed to the “Rhys woman” of her oeuvre. Today, readers still intuitively relate to her unforgettable characters, vulnerable, watchful, and often alarmingly disaster-prone outsiders; women with a different way of moving through the world. And yet, while her works often contain autobiographical material, Rhys herself was never a victim. The figure who emerges for Seymour is cultured, self-mocking, unpredictable—and shockingly contemporary.Based on new research in the Caribbean, a wealth of never-before-seen papers, journals, letters, and photographs, and interviews with those who knew Rhys, I Used to Live Here Once is a luminous and penetrating portrait of a fascinatingly elusive artist.