In Portraits, Berger connects art and history in revolutionary ways, from the prehistoric paintings of the Chauvet caves to Randa Mdah’s work about contemporary Palestine. In his penetrating and singular prose, Berger presents entirely new ways of thinking about art history, and artists both canonized and obscure, from Rembrandt to Henry Moore, Jackson Pollock to Picasso. Throughout, Berger maintains the essential connection between politics, art and the wider study of culture. A beautifully illustrated walk through many centuries of visual culture from one of the contemporary world's most incisive critical voices.

    A true comprehensive study, this catalog is the first in-depth look at McQueen and explores key themes of the exhibition—tailoring, gothic, primitivism, naturalism, and futurism. The book also features previously unseen material as well as groundbreaking essays and feature spreads by multiple authors and leading fashion commentators. This kaleidoscopic approach explores themes central to the designer’s work and his collections, such as the psychology of fashion, natural history, the theatre and spectacle of his shows, and the key creative collaborators during McQueen’s lifetime.Alexander McQueen also offers an encyclopedic survey of McQueen’s catwalk collections, illustrated with striking images by leading fashion photographers, and specially commissioned photographs that capture the breathtaking skill of his designs and awesome theatricality of his shows.

    Typical of Woodman's work in the way they cast the female body as simultaneously physical and immaterial, these photographs and the evocative title they share are apt choices to encapsulate the work of an artist whose legacy has been unavoidably colored by her tragic personal biography and her death, at age 22, by suicide. In less than a decade, Woodman produced a fascinating body of work--in black and white and in color--exploring gender, representation, sexuality and the body through the photographing of her own body and those of her friends. Since her death, Woodman's influence continues to grow: her work has been the subject of numerous in-depth studies and exhibitions in recent years, and her photographs have inspired artists all over the world. Published to accompany a travelling exhibition of Woodman's work, Francesca Woodman: On Being an Angel offers a comprehensive overview of Woodman's oeuvre, organized chronologically, with texts by Anna Tellgren, Anna-Karin Palm and the artist's father, George Woodman. Francesca Woodman (1958-81) was born in Denver, Colorado, to an artistic family and began experimenting with photography as a teenager. In 1975 she attended the Rhode Island School of Design, and in 1979 she moved to New York to attempt to build a career in photography. Woodman's working career was intense but brief, cut short by her death in 1981.

    In evocative shades of peach, gold, ochre and olive, his seductive compositions of patterns, flowers, and beautiful women became paradigms of the Belle Epoque years. Mucha's work permeated illustration, posters, postcards, and advertising designs of his day. His striking posters of star actress Sarah Bernhardt were particularly famous. Alongside this delicate decorative work, Mucha also harbored committed humanist ideals and nationalist beliefs. With monumental works such as The Slav Epic, he expressed his staunch support for Pan-Slavism, promoting the political independence of the Czech and Slavic nations from the Austro-Hungarian Empire.This book presents key works from Mucha's distinctive oeuvre to introduce an artist who, with few rivals, distilled the spirit of an age.About the Series: Each book in TASCHEN s Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions "

    It includes outtakes from classic album shoots and never-before-seen photographs from The Dreaming and Hounds of Love sessions, and rare candid studio shots and behind-the-scenes stills from video sets, including 'Army Dreamers' and 'Running Up that Hill'. These stunning images will be accompanied by two new essays by John Carder Bush: From Cathy to Kate, describing in vibrant detail their shared childhood and the early, whirlwind days of Kate's career, and Chasing the Shot, which vividly evokes John's experience of photographing his sister. John Carder Bush: For me, each of these images forms part of a golden thread that shoots through the visual tapestry of Kate's remarkable career. Storytelling has always been the heartbeat of Kate's body of work, and it has been a privilege to capture these photographic illustrations that accompany those magical tales

    The research and text are by Ross King (best-selling author), Anja Grebe (author or The Louvre and The Vatican), Cristina Acidini (former Superintendent of the public museums of Florence) and Msgr. Timothy Verdon (Director of the artworks for the Archdiocese of Florence).

    The modern world was changing rapidly with the emergence of an extensive railway network in Europe. And Vincent moved with the times!In The Vincent van Gogh Atlas, we follow Vincent’s route to all the different villages, towns and cities where he lived. We see what the world looked like back in those days: from the peaceful countryside of Brabant and the south of France to the hustle and bustle of big cities such as London and Paris. A rich and varied selection of his work shows how Vincent transformed the world around him into art. Travel with Vincent on his journey through Europe, to all the places where he lived... and where he became the artist he longed to be.

    In 1971 she published her essay “Why Have There Been No Great Women Artists?”—a dramatic feminist call-to-arms that called traditional art historical practices into question and led to a major revision of the discipline.Women Artists brings together twenty-nine essential essays from throughout Nochlin’s career, making this the definitive anthology of her writing about women in art. Included are her major thematic texts “Women Artists After the French Revolution” and “Starting from Scratch: The Beginnings of Feminist Art History,” as well as the landmark essay and its rejoinder “‘Why Have There Been No Great Women Artists?’ Thirty Years After.” These appear alongside monographic entries focusing on a selection of major women artists including Mary Cassatt, Louise Bourgeois, Cecily Brown, Kiki Smith, Miwa Yanagi, and Sophie Calle.Women Artists also presents two new essays written specifically for this book and an interview with Nochlin investigating the position of women artists today.

    The star of the restoration team is a handsome Italian named Anthony Bataglia, world renowned for his ability to bring pre-Renaissance treasures back to life. Despite a rocky start, the two form a close working relationship, which Mackenzie hopes will blossom into something more. But the more she works with him the more she notices peculiar patterns and unexplainable similarities in all of his restorations. Is Anthony really who he claims to be? Too many strange coincidences lead Mackenzie and her father, a retired detective, to think otherwise. Something is clearly not what it seems to be with the dashing Mr. Bataglia, and the resourceful Mackenzie is determined to get to the bottom of it. What she finds is even more incredible — and shocking — than she could ever imagine. Weaving its way between the dawn of the Renaissance and modern day New York, The Painter of Time explores the cost of pursuing fame and fortune at the expense of true art.

    After his death, his name was largely forgotten, except by a few Dutch art collectors and dealers. Outside of Holland, his works were even misattributed to other artists. It was not until the mid 19th century, that Vermeer returned to the attention of the international art world, which suddenly looked upon hisnarrative minutiae, meticulous textural detail, and majestic planes of light, spotted a genius, and never looked back.This XL edition brings together thecomplete catalogof Vermeer s work, gathering the calm yet compelling scenes treasured in galleries across Europe and the United States into one edition of utmost reproduction quality. From letter writing to music playing to preparations in the kitchen, it allows Vermeer s restrained, but richly evocative, repertoire of domestic actions to unfold in generous format, includingthree fold-out spreads. Many details, meanwhile, emphasize the artist s outstanding ability both to bear witness to the trends and trimmings of the Dutch Golden Age andto encapsulate an entire story in just one transient gesture, expression, or look. "

    E. Fischelis Award from the Victorian Society in America.Accompanying a major exhibition, this is the first book devoted to the career of this renowned American painter through his brilliant portraits. John Singer Sargent (1856–1925) was one of the leading painters of his generation, whose captivating portraits are universally admired for their insight into character, radiance of light and color, and painterly fluency and immediacy. This unprecedented book showcases Sargent’s cosmopolitan career in a new light—through his bold portraits of artists, writers, actors, and musicians, many of them his close friends—giving us a picture of the artist as an intellectual and connoisseur of the music, art, and literature of his day. Whether depicted in well-appointed interiors or en plein air, the cast of characters includes many famous subjects, among them Claude Monet, Auguste Rodin, Gabriel Fauré, Vaslav Nijinsky, W. B. Yeats, Robert Louis Stevenson, and Henry James. Structured thematically and according to the places Sargent worked and lived—Paris, London, New York, Italy, and the Alps—this book unites informative essays by noted scholars with a wealth of imagery to offer fresh insights into Sargent’s life and work.

    Known in the U.S. primarily as Merton's best friend and in Europe as a daringly original avant-garde poet, Lax left behind a promising New York writing career to travel with a circus, live among immigrants in post-war Marseilles and settle on a series of remote Greek islands where he learned and recorded the simple wisdom of the local people. Born a Jew, he became a Catholic and found the authentic community he sought in Greek Orthodox fishermen and sponge divers.In his early life, as he alternated working at the New Yorker, writing screenplays in Hollywood and editing a Paris literary journal with studying philosophy, serving the poor in Harlem and living in a sanctuary high in the French Alps, Lax pursued an approach to life he called pure act--a way of living in the moment that was both spontaneous and practiced, God-inspired and self-chosen. By devoting himself to simplicity, poverty and prayer, he expanded his capacity for peace, joy and love while producing distinctive poetry of such stark beauty critics called him "one of America's greatest experimental poets" and "one of the new 'saints' of the avant-garde."Written by a writer who met Lax in Greece when he was a young seeker himself and visited him regularly over fifteen years, Pure Act is an intimate look at an extraordinary but little-known life. Much more than just a biography, it's a tale of adventure, an exploration of friendship, an anthology of wisdom, and a testament to the liberating power of living an uncommon life.

    A connoisseur of an astonishing array of subjects, Cornell’s captivation with bygone imagery encompassed astronomical charts and geographical maps, Italian and Spanish Old Master paintings, historical ballet, early film, literature, poetry, and ornithology. Most iconic among his works are his box constructions—microcosmic curiosity cabinets—filled with once-precious fragments that he collected in thrift shops in his native New York.  Joseph Cornell: Wanderlust is a landmark publication examining this remarkable work. It brings together some of Cornell’s most compelling assemblages and box constructions (including Medici slot machines, soap-bubble sets, and animal habitats). The contributors raise questions about Cornell’s artistic processes while drawing parallels with historical modes of inquiry such as connoisseurship, exploration, and classification.

    His paintings are favorites of museum-goers, and recent restoration of his work has revealed more color, texture, and detail than was visible before while heightening interest in all of Caillebotte’s artwork. This lush companion volume to the National Gallery of Art’s major new exhibition, coorganized with the Kimbell Art Museum, explores the power and technical brilliance of his oeuvre. The book features fifty of Caillebotte’s strongest paintings, including post-conservation images of Paris Street; Rainy Day, along with The Floorscrapers and Pont de l’Europe, all of which date from a particularly fertile period between 1875 and 1882. The artist was criticized at the time for being too realistic and not impressionistic enough, but he was a pioneer in adopting the angled perspective of a modern camera to compose his scenes. Caillebotte’s skill and originality are evident even in the book’s reproductions, and the essays offer critical insights into his inspiration and subjects. This sumptuously illustrated publication makes clear why Caillebotte is among the most intriguing artists of nineteenth-century France, and it deepens our understanding of the history of impressionism.

    The catalogue surveys the radical experiments that challenged societal norms while proposing new kinds of technological, ecological and political utopia. It includes the counter-design proposals of Victor Papanek and the anti-design polemics of Global Tools; the radical architectural visions of Archigram, Superstudio, Haus-Rucker-Co and ONYX; the installations of Ken Isaacs, Joan Hills, Mark Boyle, Hélio Oiticica and Neville D'Almeida; the experimental films of Jordan Belson, Bruce Conner and John Whitney; posters and prints by Emory Douglas, Corita Kent and Victor Moscoso; documentation of performances by the Diggers and the Cockettes; publications such as Oz and The Whole Earth Catalog; books by Marshall McLuhan and Buckminster Fuller; and much more.While the turbulent social history of the 1960s is well known, its cultural production remains comparatively under-examined. In this substantial volume, scholars explore a range of practices such as radical architectural and anti-design movements emerging in Europe and North America; the print revolution in the graphic design of books, posters and magazines; and new forms of cultural practice that merged street theater and radical politics. Through a profusion of illustrations, interviews with figures including Gerd Stern and Michael Callahan of USCO, Gunther Zamp Kelp of Haus-Rucker-Co, Ken Isaacs, Ron Williams and Woody Rainey of ONYX, Franco Raggi of Global Tools, Tony Martin, Clark Richert and Richard Kallweit of Drop City, and new scholarly writings, this book explores the conjunction of the countercultural ethos and the modernist desire to fuse art and life.

    Many kids don't understand the big words written in the Bible. Having a book that is Bible based but puts words on their levels would be great. Children can watch the pages of the Bible come to life through illustrations and words they can understand. There's no reason why ever child wouldn't want a book about a man being eaten by a fish or a little boy killing a giant.

    The book, along with a companion volume on caterpillars, was never published, and it resides today in the Rare Book Collection of the American Museum of Natural History in New York. Now Peale’s color plates, lovingly prepared for the printer by the artist more than 100 years ago, will be published for the first time in this beautiful volume. At last, Peale’s life work, equivalent in scope and beauty to Audubon’s Birds of North America, will be available to a wide audience. The book includes a foreword by Ellen V. Futter and text by Kenneth Haltman and David A. Grimaldi that describes the art and science Peale brought to his extraordinary work. Also see: The Butterflies of Titian Ramsay Peale Notecards (978-1-4197-1806-9), The Butterflies of Titian Ramsay Peale Journal (978-1-4197-1805-2), and The Butterflies of Titian Ramsay Peale 2016 Wall Calendar (978-1-4197-1754-3)

    This utterly delicious book tells the story of a humble ice cream cone man whose search for work takes him many places and puts him in challenging situations as he tries to earn a living over the course of a week. Ice Cream Work features surreal characters living in real world situations bursting with color and detail. This book reminds us that everyone has unique traits which make them special and emphasizes the importance of creativity and imagination in daily life. Internationally acclaimed artist Naoshi has created a brilliant and fantastical world of her own full of quirky characters and situations that draw the reader into pages bursting with color. Using shiny colorful sand, known as Sunae in Japan, Naoshi’s distinctive style is instantly memorable and utterly original. In this, her first book for American audiences, Naoshi introduces Sunae through the story, but also in a crafty “How to Make Sunae” section where she provides a step by step process of making “sand paintings” like the ones seen in the book. There is also an interactive “Look and Find” page which challenges readers to spot details they might not have noticed before. Ice Cream Work will delight readers young and old while introducing an exciting new talent to American audiences.

    This handy volume presents the wide range of Hokusai's artistic production in terms of one of his most remarkable characteristics: his intellectual ingenuity. It explores the question of how the self-styled Man Mad about Drawing approached his subjects--how he depicted human bodies in motion, combined figures and landscapes, represented three-dimensional objects on two-dimensional surfaces and when he used the techniques of illusionism or adjusted reality for greater visual or emotional effect. Including some 50 stunning and unusual paintings, prints and drawings from the peerless Hokusai collection at the Museum of Fine Arts, Boston, this book is a treasure trove that introduces readers to a witty, wide-ranging and inimitably ingenious Hokusai.Known by at least 30 other names during his lifetime, Katsushika Hokusai (1760-1849) was an ukiyo-e painter and printmaker of the Edo period. In 1800, he published his two classic collections of landscapes, Famous Sights of the Eastern Capital and Eight Views of Edo. His influence extended to his Western contemporaries in nineteenth-century Europe, including Degas, Gauguin, Klimt, Franz Marc, August Macke, Manet and van Gogh.

    A contemporary of Jackson Pollock and Willem De Kooning, she is not as well known as her male counterparts because she was a woman and also because she spent most of her working life in France. Still, in 2013, Bloomsburg Business listed Mitchell as the bestselling female artist of all time. When asked to talk about her paintings, Joan Mitchell often responded, "If I could say it in words, I'd write a book." Here is her book. At once unique and universal, Blue Territory is at its core an exploration of love and life, and what it means to love - and live - what you do. Meticulously researched and lyrically written, it will appeal to anyone interested in passionate engagement with the world. The book eschews images so as to allow the words to form them, thereby freeing the reader to imagine the paintings, much as Mitchell would have to do before picking up her brush.

    Drawing on her conversations with Auerbach and from published and archival interviews, she offers rare insight into his professional life, working methods, and philosophy, as well as the places, people, and experiences that have shaped his life. These include arriving in Britain as a seven-year-old refugee from Nazi Germany in 1939, finding his way in the London art world of the 1950s and 60s, his friendships with Leon Kossoff, Francis Bacon, and Lucian Freud, among others, and his approaches to looking and painting throughout his working life. The text is complemented by illustrations of Auerbach’s paintings and drawings as well as by images from his studio and personal photographs that have never been published before.

    Often finding himself in random surroundings, Burton conveys thoughts, ideas and memories with simple sketches on the most convenient surface available – a napkin.

    Less well known, but no less relevant, is the artistic work that Tim Burton (*1958 in Burbank, California) creates outside of Hollywood. His drawings and paintings, his poems and short stories delight his fans just as much as his adventures on the silver screen. In the spirit of Surrealism, Burton playfully blends elements from popular culture, cartoons and comic books, B-movies, as well as gothic culture. The catalogue affords fascinating insight into the bizarre, magical imagination of this exceptional multimedia artist. And like the title of his new film, these pictures leave the viewer in amazement, inspired, and with Big Eyes.

    Twelve chapters then trace the various stages of the exhibition process in clear, informative language and using helpful diagrams and tables, from developing the concept to writing contracts and loan requests; putting together budgets and schedules; producing exhibition catalogues and interpretation materials; designing gallery spaces; working with artists, lenders, and art handlers; organizing private views; and documenting and evaluating a show.With advice and tips from a cast of international museum directors and curators—including Daniel Birnbaum (Moderna Museet, Stockholm); Aric Chen (M+,Hong Kong); Elizabeth Macgregor (Museum of Contemporary Art, Sydney); Hans Ulrich Obrist (Serpentine Gallery, London); Gao Peng (Today Art Museum, Beijing); Jennifer Russell (Metropolitan Museum of Art, New York); and Nicholas Serota (Tate, London)—this volume is a crucial guide for anyone involved in, or studying, the dynamic field of curation.

    In spite of his untimely death, he left behind a large body of work that would have a monumental influence on the course of art in the ensuing centuries. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing digital readers to explore the works of great artists in comprehensive detail. This volume presents Raphael’s complete works in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Raphael — over 120 paintings, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Raphael’s celebrated works in detail, as featured in traditional art books * Hundreds of images in stunning colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the complete paintings * Easily locate the paintings you want to view * Includes Raphael's drawings and cartoons - spend hours exploring the artist’s works * Features three bonus biographies, including Vasari’s original text - discover Raphael's artistic and personal life * Scholarly ordering of plates into chronological order Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights RESURRECTION OF CHRIST ST. SEBASTIAN THE MOND CRUCIFIXION THE MARRIAGE OF THE VIRGIN AN ALLEGORY (VISION OF A KNIGHT) MADONNA DEL GRANDUCA MADONNA OF THE GOLDFINCH MADONNA OF THE MEADOW PORTRAIT OF AGNOLO DONI THE CANIGIANI HOLY FAMILY THE DEPOSITION SAINT CATHERINE OF ALEXANDRIA THE SCHOOL OF ATHENS THE ALBA MADONNA THE PARNASSUS PORTRAIT OF POPE JULIUS II THE TRIUMPH OF GALATEA SISTINE MADONNA MADONNA DELLA SEGGIOLA PORTRAIT OF BALTHASAR CASTIGLIONE LA DONNA VELATA THE RAPHAEL CARTOONS THE TRANSFIGURATION The Paintings THE COMPLETE PAINTINGS ALPHABETICAL LIST OF PAINTINGS The Drawings LIST OF DRAWINGS The Biographies LIFE OF RAFFAELLO DA URBINO by Giorgio Vasari RAPHAEL SANTI: “THE PERFECT ARTIST, THE PERFECT MAN” by Jennie Ellis Keysor RAPHAEL by Estelle M. Hurll Please visit www.delphiclassics.com to browse through our range of exciting titles

    Sparse landscapes of Lake Superior's northern shores, boldvisions of the Rocky Mountains and haunting landscapes fromthe Eastern Arctic are hallmark themes of Lawren Harris'spaintings. He was a founding member of the renowned "Group ofSeven" artists' group, who believed that the Canadian landscapewas central to the foundation of a national identity. Focusingon Harris's most important work of the 1920s through the early1930s, this monograph features a selection of major worksthat are as iconic in Canada as those of Georgia O'Keeffe andEdward Hopper in the U.S. His remarkable use of color, light, andcomposition resulted in powerful scenes that reflect his progresstoward a universal vision of nature's spiritual power. Drawnfrom the Art Gallery of Ontario's substantial holdings as wellas other public collections throughout Canada, this publicationrepositions Harris's work and establishes him as major figurewithin the wider context of 20th-century modern painting in theAmericas.

    Here he chooses nineteen of the greatest figures and presents their conversations, offering the reader intimacy with the artists and insight into their creative processes. Inspired by the great Vasari, Lives of the Artists explores the meaning of art and artists today, their varying approaches to creating, and a sense of how their thinking evolves over time. Including David Hockney, Gilbert and George, Gerhard Richter, Michelangelo Pistoletto, Marina Abramovic, Louise Bourgeois, Rem Koolhaas, Jeff Koons and Oscar Niemayer, this is a wonderful and unique book for those interested in modern art.Hans Ulrich Obrist is a curator and writer. Since 2006 he has been co-director of the Serpentine Gallery, London. He is the author, with Ai Wei Wei, of Ai Wei Wei Speaks.

       • Close-up focus on 22 masterpieces, from Ancient Greek sculpture to 1960s Pop Art.    • Well-known icons along with lesser-known gems — carefully chosen to illuminate the points made in the text.    • Features on major schools and movements to explore and explain their stylistic trademarks, characteristics, and favored subjects. Art: A Visual History is a knowledgeable, thought-provoking, and accessible tour of the creators of Western art.

    Unprecedented in its scope, it examines the many different manifestations of the body in art, from Anthony Gormley and Maya Lin sculptures to eight-armed Hindu gods and ancient Greek reliefs, from feminist graphics and Warhol's empty electric chair to the blue-tinted complexion of Singer Sargent's Madame X. It is the most expansive examination of the human body in art, spanning western and non-western, ancient to contemporary, representative to abstract and conceptual.Over 400 artists are featured in chapters that explore identity, beauty, religion, absent body, sex and gender, power, body's limits, abject body and bodies & space. Works range from 11,000 BC hand stencils in Argentine caves to videos and performances by contemporary artists such as Marina Abramovic, Joan Jonas and Bruce Nauman? Its fresh, accessible and dynamic voice brings to life the thrilling diversity of both classical and contemporary art through the prism of the body. More than simply a book of representations, this is an original and thought provoking look at the human body across time, cultures and media.

    50 Years of Wildlife Photographer of the Year

    Even casual fans will recognize Event Horizon, a collection of thirty-one life-size casts of the artist’s body that have been installed atop buildings in places like London’s South Bank and New York’s Madison Square, and Field, formed by tens of thousands of standing clay figurines overflowing across a room’s floor. Projects like these demonstrate Gormley’s ongoing interest in exploring the human form and its relationships with the rest of the material world, and in Antony Gormley on Sculpture, he shares valuable insight into his work and the history of sculpture itself. Combining commentary on his own works with discussions of other artists and the Eastern religious traditions that have inspired him, Gormley offers wisdom on topics such as the body in space, how to approach an environment when conceiving an installation, bringing mindfulness and internal balance to sculpture, and much more. Lavishly illustrated, this book will be of interest to not only art lovers, curators, and critics, but also artists and art students. Dynamic and thought-provoking, Antony Gormley on Sculpture is essential reading for anyone fascinated by sculpture and its long and complex history as a medium.

    The patterns included reflect current trends for tribal, Aztec, and Native American designs, along with Scandinavian influences, and more mathematical and scientific looks. Product areas covered will include stationery, cards, and giftwrap, fabrics, wallpaper, rugs, ceramics, homewares, gadget skins, and more. Documenting the work of the best designers in the field, the book will be an invaluable source of reference and inspiration for surface designers, designer makers and craftspeople, graphic designers, illustrators, and textile designers.

    It also relates the extraordinary history of the museum's collection, a collection that has enabled the Van Gogh Museum to evolve into a world-renowned centre of knowledge about Van Gogh's work and the art of his time.

    Offered in three editions, a general-release Classic Edition, a Limited Special Edition of 250 copies, and a Roadcase Deluxe Limited Edition of 100 copies.

    Robert Doisneau’s ability to infuse images of daily life with poetic nuance has given enduring popular appeal to his work. In this new volume, he leads us on an entrancing tour into Parisian gardens, along the Seine, and through crowds of Parisians. Workers, beggars, lovers, jugglers, children, dancers—Doisneau’s lens captures all, in myriad lights and moods. Sometimes humorous, often ironic, and unfailingly tender, his oeuvre is iconic and reflects the Paris of our dreams. Composed, structured images are featured alongside impromptu snapshots of Parisian life, demonstrating the range of Doisneau’s talent as both artist and photojournalist.

    With over 250 illustrations and groundbreaking essays, the book illustrates a long and varied career. This volume follows Delaunay’s painting from her early period in Paris, influenced by Fauvism, through her interest in abstractionism, collaborations with artists and poets, and explorations of color theory together with her husband, Robert Delaunay. Also represented is her work retranslating her experiments in painting into the realm of fashion as well as costume and set design. Delaunay continued to develop her interest in different media, creating mosaics, tapestries, and lithographs. Her late paintings and gouaches evoked a renewed interest in abstraction and color, marking her seminal role in the development of postwar abstract and applied art.

    In the course of a gripping, headlong narrative, Price's unnamed protagonist moves in and out of contemporary non-spaces on a confounding and enigmatic quest, all the while meditating on art in the broadest sense: not simply painting and sculpture but also film, architecture, literature, and poetry. From boutique hotels and highway bridges to PC terminals and off-ramps; from Kanye West and Jeff Koons to George Bush and Patricia Highsmith; from the playground to the internet to the mirror, Price's hybrid of fiction, essay, and memoir gets to the central questions not only of art, but of how we live now

    Come join us for an exciting journey into the world of raised embroidery. There are over 400 clear step-by-step photographs and instructions presented in five easy to use sections and 20 stunning designs from around the world. Each design is beautifully presented with colour photograph, easy to follow instructions and full size pattern. There is expert advice on the materials and tools you need to ensure success and enjoyment, and tips and hints to help you perfect your stitches and techniques.

    Corbett's approach to writing is as polymorphous as the music, ranging from oral history and journalistic portraiture to deeply engaged cultural critique. Corbett advocates for the relevance of "little" music, which despite its smaller audience, is of enormous cultural significance. He writes on musicians as varied as Sun Ra, P.J. Harvey, Koko Taylor, Steve Lacy, and Helmut Lachenmann; and among other topics, he discusses recording formats, investigates the relationship between music and visual art, dance, and poetry, and with Terri Kapsalis, analyzes the role of female orgasm sounds in contemporary popular music. Above all, Corbett privileges the importance of improvisation; he insists on the need to pay close attention to “other” music, and celebrates its ability to open up pathways to new ideas, fresh modes of expression, and unforeseen ways of knowing.

    There is detailed information about the threads and equipment needed, with clearly illustrated instructions and many hints and tips to help you achieve the best results.

    In the 1930s, he produced some of the most visually arresting and politically hard-hitting artwork of the 20th century, appropriating the widely circulated propaganda of the time to create its total antithesis. In his own words, he used “laughter as a devastating weapon” to target the Nazis, which made him a target for Nazi censorship. In 1933, the Gestapo destroyed much of his work, after which he produced his brilliantly terrifying images in exile. This new book includes an insightful essay and more than 150 full-color reproductions of his works.

    More that 7000 people around the world have helped to make these gorgeous woolen seascapes, which have been exhibited at the Hayward Gallery, the Smithsonian, and many other venues. This lavishly illustrated book, written by the project's creators - Margaret and Christine Wertheim - brings together all the scientific content behind the project, along with essays about the artistic and cultural relevance of this unique experiment in radical craft practice. The book serves as a record of all the Crochet Reefs worldwide and names all 7000+ contributors in a specially designed section that constitutes an artwork in itself.

    When Hildebrand Gurlitt's trove became public in November 2013, it caused a worldwide media sensation. Catherine Hickley has delved into archives and conducted dozens of interviews to uncover the story behind the headlines. Her book illuminates a dark period of German history, untangling a web of deceit and silence that has prevented the heirs of Jewish collectors from recovering art stolen from their families more than seven decades ago by the Nazis. Hickley recounts the shady history of the Gurlitt hoard and brings its story right up to date, as 21st-century politicians and lawyers puzzle over the inadequacies of a legal framework that to this day falls short in securing justice for the heirs of those robbed by the Nazis. Hickley is a leading voice in German arts and culture and an expert on Nazi-looted art and appeared on the Imagine documentary on Gurlitt in 2014.

    Throughout this time, Van Gogh kept up a continuous correspondence with his brother Theo about his art, mental condition, hopes, and ambitions, along with his despair and sense of failure. His asylum year was Van Gogh’s most raw and desperate period, yet also his most creative, producing nearly a masterpiece a day. He painted many of his most famous works at the asylum, such as The Round of the Prisoners, Sorrowing Old Man, and Starry Night. In Van Gogh: The Asylum Year, Edwin Mullins offers a month-by-month account of that crucial penultimate chapter in Van Gogh’s life. Mullins examines this period as a self-contained episode, unique within the history of Van Gogh's artistic genius. Containing an excellent variety of paintings and sketches from that year, correspondence with his brother, and extensive biographical and historical material, this book is a magnificent study of this most impassioned and prolific year.

    This volume explores the close, symbiotic relationship between artists and gardens that developed during the latter part of the 19th and first part of the 20th centuries, centering on Monet, a great horticulturalist as well as a great artist who cultivated gardens wherever he lived, and the creation of his masterpiece garden at Giverny, where he painted his renowned water-lilies series.   Beautifully illustrated with masterpieces by Monet and later painters—Renoir, Bonnard, Sargent, Klee, Kandinsky, and Matisse, among others—Painting the Modern Garden traces the evolution of the garden theme from impressionist visions of light and atmosphere to retreats for reverie, sites for bold experimentation, sanctuaries, and, ultimately, signifiers of a world restored to order—a paradise regained.

    A woman ahead of her time, Maria Sibylla Merian (1647-1717) wasan intrepid explorer, naturalist, scholar, as well as a magnificentartist. This lovely, impeccably designed book tells Merian'sincredible life story alongside colorful reproductions of herengravings and watercolors of the butterflies she encounteredduring her lifetime in Germany and the Netherlands, and herseminal trip to the Dutch colony of Surinam. The book recountsMerian's monumental expedition, her work as an advocate forthe slave laborers of Surinam, and her important studies of theanatomy and life cycle of the butterfly. Author Boris Friedewaldemploys Merian's favorite insect as a metaphor for the artist'sown pioneering evolution from budding entomologist toeducator, activist, and artist. A visual treasure as well as asatisfying read, this exquisite volume is the perfect gift foranyone interested in Merian's amazing life and groundbreakingbody of work.

    Thinking about Art explores some of the greatest works of art and architecture in the world through the prism of themes, instead of chronology, to offer intriguing juxtapositions of art and history.The book ranges across time and topics, from the Parthenon to the present day and from patronage to ethnicity, to reveal art history in new and varied lights.With over 200 colour illustrations and a wealth of formal and contextual analysis, Thinking about Art is a companion guide for art lovers, students and the general reader, and is also the first A-level Art History textbook, written by a skilled and experienced teacher of art history, Penny Huntsman.The book is accompanied by a companion website at www.wiley.com/go/thinkingaboutart.

    Skies of Parchment, Seas of Ink offers the first full survey of Jewish illuminated manuscripts, ranging from their origins in the Middle Ages to the present day. Featuring some of the most beautiful examples of Jewish art of all time—including hand-illustrated versions of the Bible, the Haggadah, the prayer book, marriage documents, and other beloved Jewish texts—the book introduces readers to the history of these manuscripts and their interpretation.Edited by Marc Michael Epstein with contributions from leading experts, this sumptuous volume features a lively and informative text, showing how Jewish aesthetic tastes and iconography overlapped with and diverged from those of Christianity, Islam, and other traditions. Featured manuscripts were commissioned by Jews and produced by Jews and non-Jews over many centuries, and represent Eastern and Western perspectives and the views of both pietistic and liberal communities across the Diaspora, including Europe, Israel, the Middle East, and Africa.Magnificently illustrated with pages from hundreds of manuscripts, many previously unpublished or rarely seen, Skies of Parchment, Seas of Ink offers surprising new perspectives on Jewish life, presenting the books of the People of the Book as never before.

    Mapping a loosely chronological series of formative arguments, developments, and happenings, Mass Effect provides an essential guide to understanding the dynamic and ongoing relationship between art and new technologies.Mass Effect brings together nearly forty contributions, including newly commissioned essays and reprints, image portfolios, and transcribed discussion panels and lectures that offer insights and reflections from a wide range of artists, curators, art historians, and bloggers. Among the topics examined are the use of commercial platforms for art practice, what art means in an age of increasing surveillance, and questions surrounding such recent concepts as "postinternet." Other contributions analyze and document particular works by the artists of And/Or Gallery, Cory Arcangel, DIS, Cao Fei, the Radical Software Group, and others.Mass Effect relaunches a publication series initiated by the MIT Press and the New Museum in 1984, which produced six defining volumes for the field of contemporary art. These new volumes will build on this historic partnership and reinvigorate the conversation around contemporary culture once again.Copublished with the New Museum of Contemporary Art, New YorkImportant Notice: The digital edition of this book is missing some of the images found in the physical edition.ContributorsCory Arcangel, Karen Archey, Michael Bell-Smith, Claire Bishop, Dora Budor, Johanna Burton, Paul Chan, Ian Cheng, Michael Connor, Lauren Cornell, Petra Cortright, Jesse Darling, Anne de Vries, DIS, Aleksandra Domanovic, Harm van den Dorpel, Dragan Espenschied, Rozsa Zita Farkas, Azin Feizabadi, Alexander R. Galloway, Boris Groys, Ed Halter, Alice Ming Wai Jim, Jogging, Caitlin Jones, David Joselit, Dina Kafafi, John Kelsey, Alex Kitnick, Tina Kukielski, Oliver Laric, Mark Leckey, David Levine, Olia Lialina, Guthrie Lonergan, Jordan Lord, Jens Maier-Rothe, Shawn Maximo, Jennifer McCoy, Kevin McCoy, Gene McHugh, Tom Moody, Ceci Moss, Katja Novitskova, Marisa Olson, Trevor Paglen, Seth Price, Alexander Provan, Morgan Quaintance, Domenico Quaranta, Raqs Media Collective, Alix Rule, Timur Si-Qin, Josephine Berry Slater, Paul Slocum, Rebecca Solnit, Wolfgang Staehle, Hito Steyerl, Martine Syms, Ben Vickers, Michael Wang, Tim Whidden, Anicka Yi, and Damon Zucconi

    Over time, other artists came to the village, forming a community of artists and designers that remains active today. In the 1950s, these artists, including Bawden, Ravilious, John Aldridge, Michael Rothenstein, and Marianne Straub, among others, held now-famous “open house” exhibitions, displaying their modernist works to the public in their own homes. These informal shows brought acclaim to the artists, and also brought thousands of visitors to the quaint village. This richly illustrated book shows how that community, and its neigh- boring landscape, nurtured a distinctive style of art, design, and illustration

    

    Modernist criticism tended to privilege form over matter -- considering material as the essentialized basis of medium specificity -- and technically based approaches in art history reinforced connoisseurship through the science of artistic materials. But in order to engage critically with the meaning, for example, of hair in David Hammons's installations, milk in the work of Dieter Roth, or latex in the sculptures of Eva Hesse, we need a very different set of methodological tools.This anthology focuses on the moments when materials become willful actors and agents within artistic processes, entangling their audience in a web of connections. It investigates the role of materiality in art that attempts to expand notions of time, space, process, or participation. And it looks at the ways in which materials obstruct, disrupt, or interfere with social norms, emerging as impure formations and messy, unstable substances. It reexamines the notion of "dematerialization"; addresses materialist critiques of artistic production; surveys relationships between matter and bodies, from the hierarchies of gender to the abject and phobic; explores the vitality of substances; and addresses the concepts of intermateriality and transmateriality emerging in the hybrid zones of digital experimentation.Artists surveyed include Georges Adeagbo, Carl Andre, Janine Antoni, Amy Balkin, Artur Barrio, Helen Chadwick, Mel Chin, Mark Dion, Jimmie Durham, Tessa Farmer, Chohreh Feyzdjou, Romuald Hazoume, Pierre Huyghe, Ilya Kabakov, Mike Kelley, Anthony McCall, Teresa Margolles, Robert Morris, Michelangelo Pistoletto, Tino Sehgal, Shozo Shimamoto, Santiago Sierra, Robert Smithson, Simon Starling, Paul Thek, Paul Vanouse, Mierle Laderman Ukeles, Kara WalkerWriters include Joseph D. Amato, Karen Barad, Judith Butler, Elizabeth Grosz, Georges Didi-Huberman, Natasha Eaton, Jens Hauser, Dieter Hoffmann-Axthelm, Tim Ingold, Wolfgang Kemp, Julia Kristeva, Esther Leslie, Jean-Francois Lyotard, Dietmar Rubel, Monika Wagner, Gillian Whiteley"

    A West Coast native, Diebenkorn captured the light and color of the land and sea in a way that resonates with anyone who has spent time there. This volume contains a biographical introduction by Sarah C. Bancroft, an essay on Diebenkorn’s influences by Steven Nash, and an essay on Diebenkorn’s works on paper by Edith Devaney. Together these bring the artist’s rich, four-decade-long career into focus. The book covers Diebenkorn’s three distinct periods, which saw him gain recognition as a leading Abstract Expressionist in the early 1950s, then turn to figurative painting, before embarking on a highly successful period of abstract paintings and drawings— the Ocean Park Series. It is the perfect introduction to the work of this seminal California artist.

    Against the backdrop of the Great Depression and amid labor protests in the city, Rivera created his Detroit Industry murals, one of the most important and accomplished works of art made in the United States in the 20th century, for the Detroit Institute of Arts. Kahlo, meanwhile, developed her own artistic identity almost unnoticed, emerging with an oeuvre of extraordinarily expressive work.   For this highly anticipated catalogue, Mark Rosenthal and a team of scholars have written essays that examine the artists, the city of Detroit in this period, and the commissioning of the murals by Edsel Ford, the patron, and William Valentiner, then director of the Detroit Institute. Rivera’s cartoons for the murals, which have not been exhibited in decades, are highlighted here along with new archival research conducted by Rivera’s grandson, Juan Rafael Coronel Rivera. Featuring more than 100 color illustrations of works by both artists, this book presents Detroit as a profoundly important place for the artistic development of Rivera and Kahlo.

    This attractive man, adored by Cecil Beaton; a man who was called a legend by contemporaries, who was the subject of two scandalous novels, and who helped launch the careers of Francis Bacon, John Craxton and Lucian Freud, fell victim to a fortune-hungry lover. Elegant and hungrily sexual, Peter Watson had a taste for edgy boyfriends. He was the unrequited love of Cecil Beaton’s life – his ‘queer saint’ – but Peter preferred the risk of less sophisticated lovers, including the beautiful, volatile, drug-addicted prostitute Denham Fouts. Peter’s thirst for adventure took him through the cabaret culture of 1930s Berlin, the demi-monde and aristocratic salons of pre-war Paris, English high society, and the glitz of Hollywood’s golden age. Gore Vidal described him as ‘a charming man, tall, thin, perverse. One of those intricate English queer types who usually end up as field marshals, but because he was so rich he never had to do anything.’ Truman Capote called him ‘not just another rich queen, but – in a stooped, intellectual, bitter-lipped style – one of the most personable men in England’. More than just a gay playboy, Peter Watson was a renowned connoisseur, and fuelled the engine of mid-twentieth century art with his enormous wealth. Without his patronage, Bacon and Freud might have failed before they’d got started. He also founded the influential British arts journal Horizon with Cyril Connolly and Stephen Spender, and was one of the core founders of the Institute of Contemporary Arts, and organised most of its early exhibitions. From the mystery of his obscure family origins to the enigma surrounding his premature death, this book follows Peter Watson through an odyssey of the mid twentieth century, from high society to sweaty underworld, and discovers a man tormented by depression and doubt; he ultimately wanted love and a sense of self-worth but instead found angst and a squalid death. ‘PETER WATSON (1908–1956), LONG FORGOTTEN AS AN ASTUTE GREY EMINENCE IN THE ART WORLD OF HIS DAY, DISCERNING COLLECTOR OF PAINTINGS, PATRON OF THE YOUNG AND PROMISING, FOUNDER AND BENEFACTOR OF THE INSTITUTE OF CONTEMPORARY ARTS, IS AT LAST AND DESERVEDLY THE SUBJECT OF A SCRUPULOUS AND COMPELLING INVESTIGATION’ - BRIAN SEWELL ‘THIS COMPELLING REDISCOVERY OF THE LIFE AND DEATH OF PETER WATSON CASTS NEW LIGHT ON THE INTELLECTUAL AND ARTISTIC WORLD OF MID-TWENTIETH-CENTURY BRITAIN: THE WORLD OF BACON AND FREUD, CYRIL CONNOLLY AND STEPHEN SPENDER’ - LOYD GROSSMAN, CHAIRMAN OF THE HERITAGE ALLIANCE

    This handsomely illustrated catalogue places Kent in her rightful position among the foremost figures of pop art, such as Andy Warhol, Ed Ruscha, and Roy Lichtenstein. Although Kent has been largely excluded from the academic and critical discourses surrounding 1960s American art, this publication reevaluates her importance and highlights how her work questioned and expanded the boundaries of the pop art movement.   Four essays and nearly 90 catalogue entries pull together a variety of topics—art history, religion, politics, linguistics, race, gender, mass media, and advertising—that influenced Kent’s life and work during the 1960s. Eminent pop scholars delve into the relationship between her art and that of her contemporaries, and explore how her art both responded to and advanced the changes in modern-day Catholicism stemming from Vatican II. More than 200 vibrant images showcase Kent’s ingenious screenprints, which often combine handwritten text and commercial imagery. Offering an unparalleled, rigorous study of an artist who has been largely overlooked, this book is an important contribution to scholarship as well as a fascinating presentation of Kent and her work to a wider audience.

    In the Bahamas, tuxedoed students roll into prom in tricked-out sedans, staging grand red-carpet entrances that are designed to ensure they are seen being photographed. Throughout the United States and Jamaica friends pose in front of hand-painted backgrounds of Tupac, flashy cars, or brand-name products popularized in hip-hop culture in countless makeshift roadside photography studios. And visual artists such as Kehinde Wiley remix the aesthetic of Western artists with hip-hop culture in their portraiture. In Shine, Krista Thompson examines these and other photographic practices in the Caribbean and United States, arguing that performing for the camera is more important than the final image itself. For the members of these African diasporic communities, seeking out the camera's light—whether from a cell phone, Polaroid, or video camera—provides a means with which to represent themselves in the public sphere. The resulting images, Thompson argues, become their own forms of memory, modernity, value, and social status that allow for cultural formation within and between African diasporic communities.

    His intentions have been consistent: 'What I wanted to do was to record the life that seemed to me to be passionate and exciting and disappearing all the time'. This publication will accompany a retrospective of Auerbach's work at Tate Britain and the Bonn Kunstmuseum in 2015. The exhibition is curated by Catherine Lampert (who has sat for Auerbach since 1978) in close consultation with the artist, and will provide a wholly fresh survey of Auerbach's career. This book will be the only accessible, affordable survey of Auerbach's work on the market. Including a new essay by art historian T. J. Clark, the book also features statements from the artist and previously unseen documentary photographs.

    Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing digital readers to explore the works of great artists in comprehensive detail. This volume presents Rubens’ complete works in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Sir Peter Paul Rubens — over 300 paintings, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Rubens’ works in detail, as featured in traditional art books * Hundreds of images in stunning colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the complete paintings * Easily locate the paintings you want to view * Includes Rubens’ drawings - spend hours exploring the artist’s works * Features three bonus biographies - discover Rubens’ artistic and personal life * Scholarly ordering of plates into chronological order Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights ADAM AND EVE THE JUDGEMENT OF PARIS THE MADONNA DI VALLICELLA, ST. GREGORY THE GREAT AND SAINTS SAMSON AND DELIAH RUBENS AND ISABELLA BRUNT UNDER A HONEYSUCKLE BOWER THE DESCENT FROM THE CROSS LANDSCAPE WITH CARTERS THE RAPE OF THE DAUGHTERS OF LEUCIPPUS A TIGER HUNT PORTRAIT OF SUSANNA FOURMENT HENRY IV RECEIVING THE PORTRAIT OF MARIE DE’ MEDICI THE ASSUMPTION OF THE VIRGIN LUDOVICUS NONNIUS PEACE AND WAR THE GARDEN OF LOVE VENUS AND ADONIS CONSEQUENCES OF WAR SELF-PORTRAIT The Paintings THE COMPLETE PAINTINGS ALPHABETICAL LIST OF PAINTINGS The Drawings LIST OF DRAWINGS The Biographies RUBENS by S. L. Bensusan RUBENS by Jennie Ellis Keysor RUBENS by Sarah K. Bolton Please visit www.delphiclassics.com to browse through our range of exciting titles

    Freed from the constraints of royal and church patronage, artists created a rich outpouring of works that circulated through an open market to patrons and customers at every level of Dutch society. The closely observed details of daily life captured in portraits, genre scenes and landscapes offer a wealth of information about the possessions, activities and circumstances that distinguished members of the social classes, from the nobility to the urban poor. The dazzling array of paintings gathered here--by artists such as Frans Hals, Jan Steen, Pieter de Hooch and Gerard ter Borch, as well as Rembrandt and Vermeer--illuminated by essays from leading scholars, invites us to explore a vibrant early modern society and its reflection in a golden age of brilliant painting.

    The T-shaped, straight-seamed, front-wrapping kimono has changed its shape very little over the centuries, but the weaving, dyeing, and embroidery used to decorate its surface make each a unique, wearable work of art. Choice of color and pattern vary richly to indicate gender, age, status, wealth, and taste, and are executed in complex combination of weaving, dyeing, and embroidery techniques, with a single garment sometimes requiring the expert skills of a number of different artisans.Kimono showcases a magnificent range of kimonos from the the Khalili Collection, which comprises more than 200 garments and spans almost 300 years of Japanese textile artistry.Gorgeously illustrated and written by an international team of experts, the book surveys kimono of the imperial court, samurai aristocracy, and affluent merchant classes of the Edo period (1603–1868); the shifting styles and new color palette of Meiji period dress (1868–1912); and the bold and dazzling kimono of the Taisho (1912–26) and early Showa (1926–89) periods, when designers used innovative new techniques and fused traditional looks with inspiration from the modernist aesthetic then sweeping the world.

    The story of Ieyasu illustrates the close ties between people, things, and politics and offers us insight into the role of material culture in the shift from medieval to early modern Japan and in shaping our knowledge of history.This innovative and eloquent history of a transitional age in Japan reframes the relationship between culture and politics. Like the collection of meibutsu, or "famous objects," exchanging hostages, collecting heads, and commanding massive armies were part of a strategy Pitelka calls "spectacular accumulation," which profoundly affected the creation and character of Japan's early modern polity. Pitelka uses the notion of spectacular accumulation to contextualize the acquisition of "art" within a larger complex of practices aimed at establishing governmental authority, demonstrating military dominance, reifying hierarchy, and advertising wealth. He avoids the artificial distinction between cultural history and political history, arguing that the famed cultural efflorescence of these years was not subsidiary to the landscape of political conflict, but constitutive of it. Employing a wide range of thoroughly researched visual and material evidence, including letters, diaries, historical chronicles, and art, Pitelka links the increasing violence of civil and international war to the increasing importance of samurai social rituals and cultural practices. Moving from the Ashikaga palaces of Kyoto to the tea utensil collections of Ieyasu, from the exchange of military hostages to the gift-giving rituals of Oda Nobunaga and Toyotomi Hideyoshi, Spectacular Accumulation traces Japanese military rulers' power plays over famous artworks as well as objectified human bodies.

    Pierre Bonnard is often considered a painter of idyllic scenes, replete with color and serenity, however, this view overlooks many of the most striking aspects of Bonnard's oeuvre. Over the course of his career, Bonnard worked within--often expanding and challenging--many genres and techniques. Alternating between the traditions of Impressionism and the abstract visual modes of modernism, Bonnard addressed elements present within many movements in order to synthesize a world worthy of his utopian vision. As this exquisitely produced volume reveals, Bonnard's work evolved radically over the course of his career. Included in its pages are illustrations of well-known examples alongside rarely exhibited pieces, which represent the many thematic and stylistic compositions of Bonnard's work. The book features the murals and tapestries he created with the Nabis; his lush interiors and depictions of his wife, Marthe; his extraordinary use of rich color, brush strokes, and perspective; and his contemplative portraits. Interwoven throughout these dazzling reproductions are illuminating texts by acclaimed critics who draw on the latest research to present a multi-dimensional account of the artist. Readers of this gorgeous, authoritative book can look forward to a visual and intellectual treat in which Bonnard's status is elevated from a forerunner of modernism to one of the greatest painters of the 19th and 20th centuries.

    Few artists have captured the public’s imagination with the force of Frida Kahlo and Diego Rivera. Icons respectively of surrealism and the Mural Movement, their work reflected their immersion in indigenous Mexican culture while looking ahead to progressive ideals and wielding a defining influence on Mexican Modernism. Brought together for a unique exhibition at the Museum of Art Fort Lauderdale, this catalog includes more than thirty masterpieces by Kahlo and Rivera from the renowned Gelman Foundation Collection in Mexico City, among them such iconic works as Kahlo’s Autorretrato con Monos (Self-Portrait with Monkeys) and Diego en Mi Pensamiento (Diego on My Mind), and Rivera’s Autorretrato (Self-Portrait) and Retrato de Natasha Gelman (Portrait of Natasha Gelman). Set in the broader context of the Mexican modernist movement, Kahlo’s and Rivera’s pieces are accompanied by works by such other masters as José Clemente Orozco, Rufino Tamayo, and Leonora Carrington. This book is being published to coincide with the exhibition Frida Kahlo and Diego Rivera from the Jacques and Natasha Gelman Collection and Mexican Modernism from the Stanley and Pearl Goodman Collection, at the Museum of Art Fort Lauderdale.

    This book explores how Durand-Ruel discovered, exhibited, and shaped an audience for Impressionist paintings at a time when they were not yet appreciated.   Durand-Ruel first encountered key Impressionist painters in the early 1870s and guided many of their careers for decades. A passionate advocate of the Impressionists, he established personal ties with these artists and developed new markets for them by opening branches of his Paris gallery in London, Brussels, and New York. Featuring essays by leading scholars, this handsome volume provides a biography of the man and the trajectory of his career. It also examines his relationships with artists and buyers and his groundbreaking business practices, such as embracing the idea of the solo show, publishing art reviews, and paying artists stipends—often at great financial risk and personal cost to himself. Illustrated with archival documents, historic photographs, and paintings by artists such as Edgar Degas, Edouard Manet, Claude Monet, and Pierre-Auguste Renoir, among others, this major contribution to the study of art and commerce transforms our understanding of the development of Impressionism.

    This is an incredibly staggering price, especially considering that early in his life, Monet had been so poor and debt-ridden that some of his paintings were taken from him by creditors. How, exactly, did Monet progress from being an impoverished young Impressionist artist working at the vanguard of European art to the legendary Master whose works command prices near the very pinnacle of the art world?Naturally, Monet’s commercial success soared exponentially in the decades following his death in 1926, at a time in which the prices commanded by the great Masters of Western art began rising in price at exponential rates. Yet even during his own lifetime, Monet enjoyed a sharp rise to fame and was canonized as one of the greatest painters in France. Following sharply in the footsteps of Edouard Manet, Claude Monet was one of the first painters identified within the Impressionist circle (indeed, it was Monet himself who coined the label of Impressionist after using it in the title of one of his paintings). Where some artists reach the peak of their acclaim early in life, Monet’s star continued to rise even throughout his old age; although some would argue that the last decade or so of his life were anticlimactic, at least from an artistic standpoint, his landmark water lilies were made during his elderly years. And even though Monet would continue to paint well after the canonical period of Impressionism had ended, his name was and remains synonymous with Impressionism, along with cherished acquaintances of his, including such luminaries as Pierre-August Renoir, Camille Pissarro, and Edouard Manet. Simply put, Monet is a monumental figure when it comes to examining Western art during the second half of the 19th century.Like many other great artists, Monet’s artistic style developed in tandem with the unfolding changes in his personal life and the professional relationships he maintained. His upbringing was in certain respects unremarkable (at least before the premature death of his mother), but it was during his childhood that Monet cultivated his passion for painting, and even during that time that he met certain artists who would prove instrumental in the nurturing of his prodigious talents. Whether or not Monet was the most brilliant or gifted of the Impressionists is a matter of opinion, but either way, his abilities were molded by his upbringing, his temperament and personality, his formal style, and his standing within the Parisian art world. History’s Greatest Artists: The Life and Legacy of Claude Monet looks at the personal background that led to him becoming an artist and the cultural climate in which he rose to fame. Monet’s formal technique and artistic legacy are also analyzed, including his working methods and artistic education. Along with pictures of important people, places, and events, you will learn about Monet like never before, in no time at all.

    Charting over 45 years of feminist debate on the significance of gender in the making and understanding of art, the long-anticipated new edition of Feminism-Art-Theory has been extensively updated and reworked.Completely revised, retaining only one-third of the texts of the earlier edition, with all other material being new inclusions Brings together 88 revealing texts from North America, Europe and Australasia, juxtaposing writings from artists and activists with those of academics Embraces a broad range of threads and perspectives, from diverse national and global approaches, lesbian and queer theory, and postmodernism, to education and aesthetics Includes many classic texts, but is particularly notable for its inclusion of rare and significant material not reprinted elsewhere Provides a uniquely flexible resource for study and research due to its scale and structure; each of the seven sections focuses on a specific area of debate, with texts arranged chronologically in order to show how issues and arguments developed over time

    Written in a lively and accessible style, and incorporating the latest scholarship on the artist, Lee provides fresh analyses into the life and times of Delacroix and uncovers the creative process behind his most famous works.

    This highly refined, painterly technique, which consists of applying layers of gouache paint or watercolor to achieve bold blocks of saturated color, produced works of visual artistry previously unrivaled in the history of fashion illustration.Fashion and the Art of Pochoir presents a carefully curated selection of 300 of the most exceptional illustrations from albums produced by the leading French couturiers, as well as from high-end fashion magazines. Artists from Paul Iribe, Georges Lepape, and George Barbier to Umberto Brunelleschi, Eduardo Garcia Benito, and André E. Marty, these artists inaugurated the alliance between fashion and art with highly stylized depictions of the work of cutting edge designers such as Paul Poiret, Jeanne Lanvin, and Madeleine Vionnet, among others.Complete with biographical descriptions of the featured illustrators and fashion designers, Fashion and the Art of Pochoir celebrates the rare—and rarely seen—images that defined a short but magnificent golden age of fashion illustration.

    A staggering number of us spend as much as half our waking hours online. Right now, more people are gazing at a screen than looking out a window. As we are drawn deeper into a symbiotic relationship with the digital, there is also a growing desire for more tactile, immersive experiences. Touch screens don’t eliminate the need to touch something more palpable than an electronic visual display.It’s in this context that today’s "postdigital artisans" operate. Inescapably influenced by the digital world, they nonetheless reject strictly screen-based design and total reliance on automated production, such as 3D printing. They advocate a return to craft, with objects made from clay, metal, glass and wood. They neither turn their backs on technology nor glorify nostalgia, but the high-tech honeymoon is over. They see materials as the heart of art, design, fashion and architecture.Postdigital Artisans profiles sixty contemporary artists and designers, accompanied by rich illustrations of their work. Essays and interviews by and with leading figures such as Hans Ulrich Obrist, Nathan Jurgenson and Glenn Adamson deftly analyze all forms of postdigital creativity, from visual art and design to architecture and urban planning.

    Seattle is On the Verge. 2016 BookLife Prize Quarterfinalist"The sinewy plot...provides a solid matrix for imaginative insights into the relationship between art, creativity, and myth that hold the tale together." - Critic's Report, 2016 BookLife PrizeFreya is just a university student worried about grades and tuition until a gorgeous succubus interrupts her post-exam latte with a proposition: come work for her boss, Seattle’s reclusive heiress and antiquities collector Imogen Beldame. Eagerly agreeing despite a nagging feeling in the pit of her stomach, Freya finds herself swept up in a deadly quest at the behest of her psychopathic new employer. Beldame has given her until Halloween to collect three magical pigments that hold the key to crafting mesmerizing portraits that can access the Verge, a borderland on the edge of human reality, and the powerful beings that call it home. Freya’s reluctant journey takes her to a goblin stronghold in the Cascades for the color blue, to the Seattle Underground to request the color red from Baba Yaga, and to the Fremont home of a beautifully gruesome Cambodian ahp, or spirit of the night, for the color yellow. Working together with Rusty, an enigmatically disfigured man intimately connected with the Verge, and a motley crew of mercurial demons, Freya must come up with a plan to stop Beldame and preserve the fragile balance between fantasy and reality that is at its most vulnerable on Halloween.

    The experience was so profound that he built his career painting isolated Arctic Circle seascapes. His pictures were originally rooted in the 19th-century romanticism of artists such as Caspar David Friedrich and his compatriot, Johan Christian Dahl. Later in his career Balke created improvised seascapes with roughly applied brushwork—sometimes using his hands, a technique that was prescient of early modern expressionism. His profile as an artist had fallen into obscurity outside of Norway, but now this book brings together a group of Balke’s pictures from collections in Europe and the United States, and introduces readers to a unique artist and personality whose works bridged 19th-century romanticism and early modern expressionism.

    The book coincides with the fiftieth anniversary of the founding of the Association for the Advancement of Creative Musicians (AACM), a still-flourishing organization of Chicago musicians who challenge jazz’s boundaries. Combining archival materials such as brochures, photographs, sheet music, and record covers with contemporary art work that respond to the 1960s Black Arts Movement, The Freedom Principle explores this tradition of cultural expression from, as one AACM group used to put it, the “ancient to the future.” Essays by curators Naomi Beckwith and Dieter Roelstraete, AACM member and historian George Lewis, art historian Rebecca Zorach, and gallerist John Corbett accompany beautiful reproductions of work by artists such as Muhal Richard Abrams, Barbara Jones-Hogu, Cauleen Smith, Rashid Johnson, Nick Cave, and many more. A roundtable conversation features Beckwith, Roelstraete, curator Hamza Walker, current AACM member and cellist Tomeka Reid, and scholar and curator Romi Crawford, with additional comments from poet and scholar Fred Moten. A chronology and curated playlist of AACM-related recordings are also included. The resulting book offers a rich sense of a global movement, with crucial roots in Chicago, driven by a commitment to experimentation, improvisation, collective action, and the pursuit of freedom.

    From the glories of the High Renaissance in Italy to the emotional visions of the Romantics, and from the groundbreaking techniques of the Impressionists to the radical canvases of the Abstract Expressionists, this book provides a fascinating look at the major movements in the history of western painting.A clear chronological structure allows the reader to see each movement in its historical context, and to appreciate the patterns which emerge.The historical framework shows the extent to which the powers of royalty, religion and revolution have exerted their influence in the artistic sphere.From the sacred beauty of Botticelli's Birth of Venus to the revolutionary realism of David's Death of Marat, this book reveals the very best of the visual adventure that is western painting.Great artists change the way we look at the world and this book is a beautifully illustrated summary of painting's greatest works.More than 160 beautiful reproductions.

    From uses of body modification and physical extremity, to the creation of all-encompassing personae, to performance pieces lasting months or years, these artists have provoked and explored the vital limits between art and life. Their discussions with Johnson give us a glimpse of their artistic motivations, preoccupations, processes, and contexts. Despite the diversity of art forms and experiences featured, common threads weave between the interviews: love, friendship, commitment, death and survival. Each interview is preceded by an overview of the artist's work, and the volume itself is introduced by a thoughtful critical essay on performance art and oral history. The conversational tone of the interviews renders complex ideas and theoretical propositions accessible, making this an ideal book for students of theatre and performance, as well as for artists, scholars and general readers.

    Nearly all of the works within this remarkable volume—many of them never published before—have been drawn from North American collections. This catalogue accompanies the first exhibition to celebrate the Irish as artists, collectors, and patrons during a period known to scholars as the long 18th century.   Featuring the work of a wide range of artists—known and unknown—and a diverse array of media, the catalogue also includes an impressive assembly of essays by a pre-eminent group of international experts working on the art and cultural history of Ireland. Major essays discuss the subjects of the Irish landscape and tourism, Irish country houses, and Dublin’s role as a center of culture and commerce. Also included are numerous shorter essays covering a full spectrum of topics and artworks, including bookbinding, ceramics, furniture, glass, mezzotints, miniatures, musical instruments, pastels, silver, and textiles.

    Drawing from the collection of Ellen and Fred Wells at the Minneapolis Institute of Arts, it features the spectacular beauty portraits of Hashiguchi Goyo, Ito Shinsui (1898-1972), Yamakawa Shuho (1898-1944), and Torii Kotondo (1900-1976), the striking actors of Yamamura Toyonari (Koka; 1886-1942) and Natori Shunsen (1886-1960), as well as the evocative landscapes of Kawase Hasui (1883-1957). Essays by Andreas Marks, Chiaki Ajioka, Ishida Yasuhiro, Yuiko Kimura-Tilford, Amy Reigle Newland, Charles Walbridge, and Yano Haruyo offer extended biographies of each artist and insights into the enticing world of shin hanga. Richly illustrated with more than 300 images, the previously unpublished material in these essays deepens an understanding of the artists as painters and print designers.

    Perhaps his oddest authorial role was as a monthly contributor between 1944 and 1949 to the Illinois Dental Journal, an obscure trade publication for dentists, where writing as Philip Sparrow he produced a series of charming, richly allusive, and often quirky essays on a wildly eclectic assortment of topics. In Philip Sparrow Tells All, Jeremy Mulderig has collected thirty of these engaging but forgotten columns, prefacing them with revealing introductions that relate the essays to people and events in Steward’s life and to the intellectual and cultural contexts in which he wrote during the 1940s. In these essays we encounter such famous friends of Steward as Gertrude Stein, André Gide, and Thornton Wilder. We hear of his stint as a holiday sales clerk at Marshall Field’s (where he met and seduced fellow employee Rock Hudson), of his roles as an opera and ballet extra in hilariously shoddy costumes, of his hoarding tendencies, his disappointment with the drabness of men’s fashions, and his dread of turning forty. We go along with him to a bodybuilding competition and a pet cemetery, and together we wander the boulevards of Paris and the alleys of Algiers. Throughout, Mulderig’s entertaining annotations explain the essays’ wide-ranging allusions and also highlight their gay subtext, which constituted a kind of private game that Steward played with his mostly oblivious audience of Midwestern dentists. The first collection of any of Samuel Steward’s writings to be republished since his death in 1993, Philip Sparrow Tells All makes these lost essays available to a broad readership that Steward imagined but never actually enjoyed when he wrote them. In doing so, it takes a major step toward documenting his important place in twentieth-century gay literature and history.

    Upon completion, the corporation s transcontinental railway line was quickly complemented by a large fleet of passenger ships serving the Atlantic and the Pacific. In Canada, numerous fantastic hotels were built, and for a while Canadian Pacific was North America s, and possibly the world s biggest hotel operator. The company also sponsored immigration to Canada on a major scale, and was a pioneer in the field of tourism promoting Canada as a tourist destination, and offering luxury cruises throughout the world. The making of modern Canada is unimaginable without Canadian Pacific. No other entity influenced the nation s economic development and image to such an extent. A concise and compelling narrative recapitulating the first one hundred years of the company s history, beginning in the 1880 s, is brought to life by hundreds of advertisements, illustrations, designs, photos, and historical documents, many of which have never been published before. The printed materials allow the reader to experience the colorful universe of Canadian Pacific s publicity and corporate branding strategies targeting the adventurous world travelers of the late 19th century, the luxury passengers in the 1930 s, potential immigrants considering a move to Canada, or the company s airline customers in the 1950 s just to name a few examples. Meticulous care was taken not only in curating a fascinating visual storyline to accompany the text, but also in reproducing and digitally restoring all images as accurately as possible. This is more than a beautiful book, it is an indispensable testament to one of the greatest achievements of entrepreneurship the world has seen."

    There is no human activity, no matter how mundane, that cannot be enhanced by this formation in beauty. Such enhanced activity then resonates in harmony with the common good and, through its beauty, draws all people to the Church--and ultimately to the worship of God in the Sacred Liturgy. The Way of Beauty will be of profound interest not only to artists, architects, and composers, but also to educators, who can apply its principles in home and classroom for the formation and education of children and students of all ages and at all levels--family, homeschooling, high school, college, and university."Since the good, the true, and the beautiful are a manifestation of the Trinity, it is always a grievous fault to leave beauty out of any discussion of the relationship between faith and reason. This being so, I am thrilled at the way David Clayton illustrates how beauty stands in eternal communion with the good and the true."--JOSEPH PEARCE, Aquinas College"In spite of the great proclamation that the sacred liturgy is the font and apex of all we are about as Catholics, fifty years after the Council we still seem far from seeing and living this truth in all its fullness. Drawing upon years of experience as artist and teacher, David Clayton thoroughly unpacks this truth and shows, with an impressive range of examples, how it can and should play out every day in our schools, academic curricula, cultural endeavors, and practice of the fine arts. His treatment of the ways in which architecture, liturgy, and music reflect the mathematical ordering of the cosmos and the hierarchy of created being is illuminating and exciting. The Way of Beauty is a manifesto for the re-integration of the truth laid hold of in intellectual disciplines, the beauty aspired to in art and worship, and the good embodied in morals and manners. Ambitiously integrative yet highly practical, this book ought to be in the hands of every Catholic educator, pastor, and artist."--PETER KWASNIEWSKI, Wyoming Catholic College"In The Way of Beauty, David Clayton offers us a mini-liberal arts education. The book is a counter-offensive against a culture that so often seems to have capitulated to a 'will to ugliness.' He shows us the power in beauty not just where we might expect it--in the visual arts and music--but in domains as diverse as math, theology, morality, physics, astronomy, cosmology, and liturgy. But more than that, his study of beauty makes clear the connection between liturgy, culture, and evangelization, and offers a way to reinvigorate our commitment to the Good, the True, and the Beautiful in the twenty-first century. I am grateful for this book and hope many will take its lessons to heart."--JAY W. RICHARDS, Catholic University of America"Every pope who has promoted the new evangelization has spoken about how essential 'the way of beauty' is in engaging the modern world with the Gospel. What is it about the experience of beauty that can arrest the heart, crack it open, and stir its deepest longings, leading us on a pilgrimage to God? David Clayton's book provides compelling answers."--CHRISTOPHER WEST, Founder and President of The Cor ProjectDAVID CLAYTON is an internationally acclaimed Catholic artist, teacher, and published writer on sacred art, liturgy, and culture. He was Fellow and Artist in Residence at Thomas More College of Liberal Arts in New Hampshire from 2009 until May 2015 and is the founder of the Way of Beauty program, which has been taught for college credit, featured on television, and is now presented in this book.

    This book accompanies the British Museum exhibition Defining Beauty: the body in Ancient Greek art.

    Yet it was a time when artists throughout the Mediterranean developed new forms, dynamic compositions, and graphic realism to meet new expressive goals, particularly in the realm of portraiture. Rare survivors from antiquity, large bronze statues are today often displayed in isolation, decontextualized as masterpieces of ancient art. Power and Pathos gathers together significant examples of bronze sculpture in order to highlight their varying styles, techniques, contexts, functions, and histories.   As the first comprehensive volume on large-scale Hellenistic bronze statuary, this book includes groundbreaking archaeological, art-historical, and scientific essays offering new approaches to understanding ancient production and correctly identifying these remarkable pieces. Designed to become the standard reference for decades to come, the book emphasizes the unique role of bronze both as a medium of prestige and artistic innovation and as a material exceptionally suited for reproduction.  Power and Pathos is published on the occasion of an exhibition on view at Palazzo Strozzi in Florence from March 14 to June 21, 2015; at the J. Paul Getty Museum from July 20 through November 1, 2015; and at the National Gallery of Art in Washington, DC, from December 6, 2015, through March 20, 2016.

    Despite the crucial contribution of considerations of 'queer' to feminism in other disciplines of the humanities and the strong impact of feminist art history on queer visual theory, a visible and influential queer feminist art history has remained elusive. This book fills the gap by providing a range of chapters by key North American and European scholars, both emerging and established, who address the historiographic and political questions arising from the relationship between art history and queer theory in order to help map exclusions and to offer models of a new queer feminist art historical or curatorial approach.

    It recasts debates around abstraction and figuration in 1960s art through a discussion of gender’s mutability and multiplicity. In that decade, sculpture purged representation and figuration but continued to explore the human as an implicit reference. Even as the statue and the figure were left behind, artists and critics asked how the human, and particularly gender and sexuality, related to abstract sculptural objects that refused the human form. This book examines abstract sculpture in the 1960s that came to propose unconventional and open accounts of bodies, persons, and genders. Drawing on transgender and queer theory, David J. Getsy offers innovative and archivally rich new interpretations of artworks by and critical writing about four major artists—Dan Flavin (1933–1996), Nancy Grossman (b. 1940), John Chamberlain (1927–2011), and David Smith (1906–1965). Abstract Bodies makes a case for abstraction as a resource in reconsidering gender’s multiple capacities and offers an ambitious contribution to this burgeoning interdisciplinary field.

    In 1943 the Scottish Colourist John Duncan Fergusson confessed that although they never met, "his work opened up to me the way to free painting - not merely freedom in the use of paint, but freedom of outlook."This book offers a comprehensive survey of Arthur Melville's (1855-1904) rich and varied career as artist-adventurer, Orientalist, forerunner of The Glasgow Boys, painter of modern life and re-interpreter of the landscape of Scotland. His travels inspired spectacular watercolors and paintings. This book illustrates around sixty of his works, each with a catalogue entry, and an essay by Kenneth McConkey, which discusses Melville's art and career.

    This new book, published on the 500th anniversary of Bosch's death, explores his best-known paintings and drawings, revealing them as never before in amazing full-page close-up details. Organized by characteristic themes in Bosch’s work, such as faces, heaven and hell, the four elements, landscapes, and creatures both fantastic and monstrous, it offers exceptional views of masterpieces like The Garden of Earthly Delights, The Haywain Triptych, The Temptation of St. Anthony, and The Seven Deadly Sins. Till-Holger Borchert, an expert on Netherlandish art, guides readers through the painter’s work in clear and accessible language, and from less-familiar and surprising angles.Bosch in Detail is the latest in the successful series that also includes Bruegel in Detail and Caravaggio in Detail.

    It illustrates how illumination, also known as the art of tezhip, was applied to various articles during the Ottoman period, including pictures, royal edicts and insignia, tiles, chests, gun holsters, shields, and even costumes prepared for the Sultan and his family. It also shows how today illumination has extensively been applied on architectural surfaces, book covers, manuscripts, carpets, textiles, ceramics, glass and wood panels, and metal works. The author, a prominent illumination artist, displays her incredible pieces of art, skillfully swirling her imagination together with classical Turkish Islamic patterns of illumination. In richly illuminated designs using motifs such as buds and roses, as well as stylized and naturalistic flowers, she exhibits all of the geometrical, foliate, and floral patterns used in the art. She also takes a closer look at making illumination designs and using various application techniques, and she shows all of the steps used to make illumination. This book is for all those seeking to explore the rich history and profundity of the Islamic art of illumination, and its use from Ottoman to contemporary times."

    Originally Armenian, the family is responsible for some of the most famous Ottoman buildings in existence, many of which are regarded as masterpieces of their period – including the Dolmabahçe Palace (built between 1843 and 1856), parts of the Topkapi Palace, the Çiragan Palace and the Ortaköy Mosque. Forging a unique style based around European contemporary architecture but with distinctive Ottoman flourishes, the family is an integral part of Ottoman history. As Alyson Wharton's beautifully illustrated book reveals, the Balyan's own history, of falling in and out of favour with increasingly autocratic Sultans, serves as a record of courtly power in the Ottoman era and is uniquely intertwined with the history of Istanbul itself.

    Incredible new volume from PIE books featuring stunning works of graphic art from the early twentieth century Russian Avant-garde! Examples of collage, photography, typography, illustration are shown throughout, accompanied by short descriptions of Russian technological developments in design and printing techniques.Avante-Garde Graphics in Russia showcases about 300 works including examples of movie posters, propaganda posters, book designs, fashion and textile designs, ceramic art designs etc.This book's elegant design was created by the accomplished Reiko Harajo, whose past works with PIE include phenomenal texts on George Barbier, William Morris and Harry Clarke.

    Soon he had laid out the first of the three studios in which he could paint. Now the garden that was to be a constant source of inspiration for those paintings claimed all his attention. In 1893, work started on the excavation of the famous pond that he would plant with water lilies, and over which he would build a Japanese bridge festooned with wisteria. Richly illustrated with photographs taken as the seasons unfold, this guide takes us on a tour of the house and gardens, inviting us to explore the settings in which Monet and his family spent their daily lives, from the iconic yellow dining room to the famous salon-studio. Adrien Goetz leads us through the gardens laid out by the father of Impressionism, where we can admire the dazzling planting schemes and successive flowerings that inspired the paintings that now hang in the world's greatest galleries and museums: drifts and avenues of iris, tulips and narcissi, wallflowers, peonies and forget-me-nots, roses and cascades of clematis and wisteria, not forgetting the legendary water lilies.

    As well as providing an artistic window into the modern lives of Canadians during this transformational period of history, as a collective The Beaver Hall Group are exceptional for their inclusion of female artists as core members. Initially comprising of both genders, the group would become an all-female collective that includes some of Canada’s most celebrated modern painters.Through a series of comprehensive contextual essays The Beaver Hall Group: 1920s Modernism in Montreal interweaves the work of this pioneering artistic collective within a broader narrative of the arts in the first half of the twentieth century. Exploring the groups’ greater role in the modernity of Canada—and more specifically the cultural context of Montreal—the book takes on core themes such as the rise of the metropolis, juxtapositions between economic progress and cultural development, and the impact of gender on critical approaches to both artists and their work.The Beaver Hall Group: 1920s Modernism in Montreal sits alongside a major exhibition and is published in partnership with the Montreal Museum of Fine Art.

    Featuring iconic pieces by artists such as Calder, Hopper, Johns, O’Keeffe, and Warhol—as well as numerous works by under-recognized individuals—this is not only a guide to the Whitney’s collection, but also a remarkable primer on modern and contemporary American art.   Beautifully illustrated with abundant new photography, the book pairs scholarly entries on 350 artists with images of some of their most significant works. The museum’s history and the evolution of its collection, including the Whitney’s important distinction as one of the few American museums founded by an artist, and the notion of “American” in relation to the collection, are covered in two short essays. Published to coincide with the Whitney’s highly anticipated move to a new facility in downtown New York in the spring of 2015, this book celebrates the museum’s storied past and vibrant present as it looks ahead to its future.

    "Both Sides of Sunset: Photographing Los Angeles" reveals these dualities and more, in images captured by master photographers such as Bruce Davidson, Lee Friedlander, Daido Moriyama, Julius Shulman and Garry Winogrand, as well as many younger artists, among them Matthew Brandt, Katy Grannan, Alex Israel, Lise Sarfati and Ed Templeton, just to name a few. Taken together, these individual views by more than 130 artists form a collective vision of a place where myth and reality are often indistinguishable. Spinning off the highly acclaimed "Looking at Los Angeles" (Metropolis Books, 2005), "Both Sides of Sunset" presents an updated and equally unromantic vision of this beloved and scorned metropolis. In the years since the first book was published, the artistic landscape of Los Angeles has flourished and evolved. The extraordinary Getty Museum project "Pacific Standard Time: Art in L.A. 1945-1980" focused global attention on the city's artistic heritage, and this interest has only continued to grow. "Both Sides of Sunset" showcases many of the artists featured in the original book--such as Lewis Baltz, Catherine Opie, Stephen Shore and James Welling--but also incorporates new images that portray a city that is at once unhinged and driven by irrepressible exuberance. Proceeds from the sale of the book will benefit Inner-City Arts--an oasis of learning, achievement and creativity in the heart of Los Angeles' Skid Row that brings arts education to elementary, middle and high school students.

    She was introduced to the world of design and shortly after, in 1981, became a founding member of the iconic postmodern design movement Memphis. From 1981 to 1987 she didn't stop drawing. Every day she would draw a whole new modern world, from very small items like jewelry to entire cities. This world only existed in her head but would eventually be developed into real pieces for the Memphis exhibitions.   This unique book is the first and definitive compilation of all the unpublished drawings from those years, which had been sitting in the drawers of Nathalie's studio for over 30 years. Organized by the smallest objects to the biggest and divided into chapters, each with a text by Nathalie, it has been carefully edited and designed by Apartamento magazine's co-founder Omar Sosa together with Nathalie Du Pasquier.   Don’t Take These Drawings Seriously is an excellent reference for future generations and a welcome document of an important period in modern design.

    Ranging from climate studies to the study of a butterfly’s life cycle, this original and fascinating book examines the scientific quest for order in nature as an offshoot of ordering the garden and field. Laird follows a broad series of chronological events—from the Little Ice Age winter of 1683 to the drought summer of the volcanic 1783—to probe the nature of gardening and husbandry, the role of amateurs in scientific disciplines, and the contribution of women as gardener-naturalists. Illustrated by a stunning wealth of visual and literary materials—paintings, engravings, poetry, essays, and letters, as well as prosaic household accounts and nursery bills—Laird fundamentally transforms our understanding of the English landscape garden as a powerful cultural expression.

    Forward written by the Duke and Duchess of Devonshire, the owners.

    While remaining current with new discoveries and scholarship, the Reissued Eighth Edition maintains its focus on the object, its manufacture, and its visual character, and continues to consider the contribution of the artist as a key element of analysis. Throughout, the authors engage students by weaving a compelling narrative of how art has changed over time in the cultures that Europe has claimed as its heritage.Janson's History of Art: The Western Tradition, Reissued Eighth Edition is also available via Revel(TM), an immersive learning experience designed for the way today's students read, think, and learn.For enrollments of at least 25, the Pearson Custom Library allows you to create your own textbook by combining chapters from best-selling Pearson textbooks and by adding your own content, such as a guide to a local art museum, a map of monuments in your area, your syllabus, or a study guide you've created. Priced according to the number of chapters, a custom text may even save your students money.

    Their cultural riches are astonishing, not only for their quality and quantity, but also their diversity and interest. Fine art and architecture combine unpredictably with the functional, the curious, and the naïve, from prehistory to the present day. Because church treasures usually remain in the buildings they were created for, when properly interpreted they tell from thousands of local perspectives the history of the nation, its people, and their changing religious observance.John Goodall's weekly series in Country Life has celebrated particular objects in or around churches that are of outstanding artistic, social, or historical importance, to underline both the intrinsic interest of parish churches and the insights that they and their contents offer into English history of every period. Parish Church Treasures incorporates and significantly expands this material to tell afresh the remarkable history of the parish church. It celebrates the special character of churches as places to visit while providing an authoritative and up-to-date history at a time when the use and upkeep of these buildings and the care of their contents is highly contentious.

    Yet few have put forward a sustained defence of this development. Revolutionary Time and the Avant-Garde is the first book to look at the legacy of the avant-garde in relation to the deepening crisis of contemporary capitalism.An invigorating revitalization of the Frankfurt School legacy, Roberts’s book defines and validates the avant-garde idea with an erudite acuity, providing a refined conceptual set of tools to engage critically with the most advanced art theorists of our day, such as Hal Foster, Andrew Benjamin, Alain Badiou, Jacques Rancière, Paolo Virno, Claire Bishop, Michael Hardt, and Toni Negri.

    Invigorated by cultural connections to Iran, Turkey, East Africa, and Europe, Deccani art is celebrated for its unmistakable, otherworldly character: in painting, a poetic lyricism; in architecture, a somber grandeur; and in the decorative arts, lively creations in inlaid metalwork and dyed textiles. This beautifully illustrated catalogue, which includes extraordinary new site photographs and lush landscape images, along with discussions of 200 of the finest Deccani works, creates the most comprehensive examination to date of this fascinating and remote world. The text not only discusses paintings, drawings, textiles, arms, manuscripts, and other decorative arts from this rich culture, but also explores the history, architecture, literature, and music of the period. Essays by prominent international authors, supplemented by informative maps, illustrated appendices, and select primary sources, make this pioneering book a key resource on the subject.