A rushing river of words that reflects the chaos and humanity of the place from which he hails. [McClanahan] aims to lasso the moon. . . . He is not a writer of half-measures. The man has purpose. This is his symphony, every note designed to resonate, to linger."—New York Times Book ReviewAnd so there was the falling and the falling and then the gasping for air--this love which is only a reminder of death--a spell cast to kill one another. Or perhaps it was from long ago in a play that wasn't a play anymore but an actual garden. And there was a man and there was a woman who were growing old together. And this was their only wish: Let us be young again. I thought about the play and the words of that world.These were not the last lines of a play but words from long ago that someone spoke to a someone--words that sounded like this. I was saying this now.For wherever she was—there was my Eden.The Sarah Book is Scott McClanahan's continuation of the semi-autobiographical portrait he's been writing over the years about his life in West Virginia. This one is the portrait of his love there.Scott McClanahan is the author of Hill William, Crapalachia, and many more. He lives in West Virginia.

    Since her death in 1965, her place in the landscape of twentieth-century fiction has grown only more exalted.As we approach the centenary of her birth comes this astonishing compilation of fifty-six pieces—more than forty of which have never been published before. Two of Jackson’s children co-edited this volume, culling through the vast archives of their mother’s papers at the Library of Congress, selecting only the very best for inclusion.Let Me Tell You brings together the deliciously eerie short stories Jackson is best known for, along with frank, inspiring lectures on writing; comic essays about her large, boisterous family; and whimsical drawings. Jackson’s landscape here is most frequently domestic: dinner parties and bridge, household budgets and homeward-bound commutes, children’s games and neighborly gossip. But this familiar setting is also her most subversive: She wields humor, terror, and the uncanny to explore the real challenges of marriage, parenting, and community—the pressure of social norms, the veins of distrust in love, the constant lack of time and space.For the first time, this collection showcases Shirley Jackson’s radically different modes of writing side by side. Together they show her to be a magnificent storyteller, a sharp, sly humorist, and a powerful feminist.This volume includes a foreword by the celebrated literary critic and Jackson biographer Ruth Franklin.

    Life in post civil war Iowa was harsh, especially if you were Amish, but this was the only life Hannah Troyer had ever known. Not long after Hannah marries Benjamin Stoltz she and her husband agree to move to the untamed open plains of Kansas to help start a new community. In Kansas, Hannah is faced with dangers and hardships that are foreign to her. When she and one of her brothers are kidnapped by marauding Indians, Hannah is thrust into a nightmare that tests her strength and brings into question the love of those at the very core of her family circle. In the midst of this crisis, Hannah and her little brother discover an unlikely heroine. This heroine's acts of bravery and kindness will forever challenge everything Hannah has ever been taught.Books in this Series1. On the Winds of Change2. Forbidden Heritage

    Checking in at nearly 400 pages, Scientific Principles is co-authored by Dr. Mike Israetel (author of The Renaissance Diet), Dr. James Hoffmann (Exercise Science Professor at Temple University) and Chad Wesley Smith (Top 10 Raw Powerlifter of All-Time). This trio of authors has given Scientific Principles a unique combination of scientific and practical knowledge, not found in any other text. Covered in Scientific Principles of Strength Training are...-In depth definitions of important strength training and programming terms.-Nuanced discussions of the following foundational training principles and how they can influence your training and program design...SpecificityOverloadFatigue ManagementSRAVariationPhase PotentiationIndividual Differences-Various powerlifting periodization schemes and their strengths/weaknesses-Myths, Fallacies and Fads in PowerliftingScientific Principles goes far beyond just giving you sets and reps to use for a few weeks or months, rather it will empower you with knowledge to create effective training programs and make informed answers to tough training problems for a lifetime.

    She is restless, curious, and wry. She listens to Black Flag, speaks her mind, and joins her grandmother’s fight against mountaintop removal mining almost in spite of herself. “I write by ear,” says Robert Gipe, and Dawn’s voice is the essence of his debut novel, Trampoline. Jagged and honest, Trampoline is a portrait of a place struggling with the economic and social forces that threaten and define it. Inspired by oral tradition and punctuated by Gipe’s raw and whimsical drawings, it is above all about its heroine, Dawn, as she decides whether to save a mountain or save herself; be ruled by love or ruled by anger; remain in the land of her birth or run for her life.

    in the wake of one of the most notorious and incendiary trials of the 1990s.At 3:15 p.m. on April 29, 1992, a jury acquitted three white Los Angeles Police Department officers charged with using excessive force to subdue a black man named Rodney King, and failed to reach a verdict on the same charges involving a fourth officer. Less than two hours later, the city exploded in violence that lasted six days. In nearly 121 hours, fifty-three lives were lost. But there were even more deaths unaccounted for: violence that occurred outside of active rioting sites by those who used the chaos to viciously settle old scores.A gritty and cinematic work of fiction, All Involved vividly re-creates this turbulent and terrifying time, set in a sliver of Los Angeles largely ignored by the media during the riots. Ryan Gattis tells seventeen interconnected first-person narratives that paint a portrait of modern America itself—laying bare our history, our prejudices, and our complexities. With characters that capture the voices of gang members, firefighters, graffiti kids, and nurses caught up in these extraordinary circumstances, All Involved is a literary tour de force that catapults this edgy writer into the ranks of such legendary talents as Dennis Lehane and George V. Higgins.

    His adventures range across Utah, Arizona, New Mexico, and southwestern Colorado, and illuminate the mysteries of the Ancestral Puebloans and their contemporary neighbors the Mogollon and Fremont, as well as of the more recent Navajo and Comanche.

     In this baker’s dozen of all new and original stories from Rusty Wilson, the World’s Greatest Bigfoot Storyteller, you’ll see an Alaska that few see, an Alaska that maybe even fewer want to see, and an Alaska that puts all the other states to shame for mysterious places and happenings, as well as having the highest number per capita of people who go missing without a trace. Come read about a photographer who finally gets his wish to see the Northern Lights, only to find there are other things that glow in the Arctic wilds—then read about the Kodiak bear guide who finds much more than he was hunting for—and there’s the soldier who ends up finding something just a little unusual while out surveying the Alcan Highway—then read about the native Alaskan who’s haunted by a dream of epic proportions—and, if you dare, ride along with a young native girl on a snowmachine as her attempt to save her mother’s life looks like it may end in sinister disaster—and there’s the strange sight seen by two roustabouts out checking an oil pipeline—and the bush pilot who sees a chilling sight on one of Alaska’s largest glaciers—and the story of almost catching something besides salmon in fish camp—then read about the elusive and very destructive Copper People—two guys who go hunting with a drone and find exactly what they were looking for after they’ve changed their minds—and a woman who finds there’s much more to the deep wilderness than what can be seen—then read about unexpected trouble in Alaska’s version of the Bermuda Triangle—and finally, explore the deep rainforest of strange and mysterious Yakobi Island, hoping you live to tell about it. All these and more great campfire tales are guaranteed to make you happy you’re safe and sound in your house instead of listening to a strange howling in the darkness from inside your thin nylon tent, deep in the Alaskan wilds. Or, if you’re truly the adventurous type, maybe you’ll want to buy a thin nylon tent and head to Alaska, but good luck if you do! Fly-fishing guide Rusty Wilson spent years collecting these stories from his clients around the campfire, stories guaranteed to scare the pants off you—or make you want to meet the Big Guy! “I don’t typically get a lot of clients from Alaska, as they have their own great fishing holes up there, but I do have many who were originally from Alaska and have moved Outside (what the Alaskans call the rest of the world). Some of the absolute best stories I’ve ever heard came from these intrepid souls, many who are far braver than I think I could ever be, given the often hairy circumstances they experienced.” —Rusty Wilson

    Now, the woman who was barraged by editors and agents to tell her story invites us into her home to taste the food she loves best.  These are the intensely satisfying dishes at the heart of Dora's beloved Savannah: Shrimp and Rice; Simple Smoky Okra; Buttermilk Cornbread from her grandmother; and of course, a truly incomparable Fried Chicken. Each dish has a "secret ingredient" for a burst of flavor: mayonnaise in the biscuits; Savannah Seasoning in her Gone to Glory Potato Salad; sugar-glazed bacon in her deviled eggs. All the cornerstones of the Southern table are here, from Out-of-This-World Smothered Catfish to desserts like a jaw-dropping Very Red Velvet Cake.  With moving dignity, Dora describes her motherless upbringing in Savannah, the hard life of her family, whose memories stretched back to slave times, learning to cook at age six, and the years she worked at the restaurant. “Talking About” boxes impart Dora’s cooking wisdom, and evocative photos of Savannah and the Low Country set the scene.

    As he passes through Missouri, he rescues Jenny Calhoun, a lonely girl in trouble. To join a wagon train bound for Oregon, Mac and Jenny pose as a married couple. On the arduous six-month trek, they confront raging rivers, rugged mountains, and untrustworthy companions. Together, Mac and Jenny face the best and worst in themselves and in each other, while discovering the beauty and danger of the western frontier. Fans of Lonesome Dove and True Grit will enjoy Lead Me Home—a gripping saga of courage, sacrifice, and enduring friendship.

    Kennedy. But the same week the world stood transfixed by the possibility of nuclear war between the United States and the Soviet Union, Kennedy was also consumed by a war that has escaped history’s attention, yet still reverberates significantly today: the Sino-Indian conflict.As well-armed and equipped troops from the People’s Republic of China surged into Indian-held territory in October 1962, Kennedy ordered an emergency airlift of supplies to the Indian army. At the same time, he engaged in diplomatic talks that kept the neighboring Pakistanis out of the fighting. The conflict came to an end with a unilateral Chinese cease-fire, relieving Kennedy of a decision to intervene militarily in support of India.Bruce Riedel, a CIA and National Security Council veteran, provides the first full narrative of this crisis, which played out during the tense negotiations with Moscow over Cuba. He also includes another, nearly forgotten episode of US espionage during the war between India and China: covert US support of Tibetan opposition to Chinese occupation of Tibet. He details how the United States, beginning in 1957, trained and parachuted Tibetan guerrillas into Tibet to fight Chinese military forces. The covert operation to help precipitate the conflict but the United States did not end its support of it until relations between the United States and China were normalized in the 1970s.Riedel tells this story of war, diplomacy, and covert action with authority and perspective. He draws on newly declassified letters between Kennedy and Indian leader Jawaharlal Nehru along with the diaries and memoirs of key players and other sources make this the definitive account of JFK’s forgotten crisis. This is, Riedel writes, Kennedy’s finest hour as you have never read it before.

    Thomas, and readers’ expectations. This edition is packed with wit, wisdom, tips, advice, facts, fun, and recipes, including: • traditionally 80 percent–accurate weather forecasts • how to make sausages at home • “creatures from hell” • grow your own beer (ingredients) • time- and money-saving tips • unmasked mysteries of plant seed dispersal • bale, key, and concrete block gardens • quirky origins of American horse breeds • history, lore, and more about birthstones Plus, Moon phases and other celestial sightings, tides, gardening tables, best days to do things, and more.   Added value this year: • 96 full-color pages • full-color winter and summer weather maps • updated Reference section Often imitated, but never equaled. Accept no substitutes!

    The art explodes with a succulent, indulgent blend of design, illustration, typography, and hilarious copywriting. Written and curated by Tom “The Dude Designs” Hodge, poster artist extraordinaire and VHS obsessive, with a foreword by Mondo’s Justin Ishmael, this collection contains over 240 full-scale, complete video sleeves in the genres of action, comedy, horror, kids, sci-fi, and thriller films. It’s a world of mustached, muscled men, buxom beauties, big explosions, phallic guns, and nightmare-inducing monsters. From the sublime to the ridiculous, some are incredible works of art, some are insane, and some capture the tone of the films better than the films themselves. All are amazing and inspiring works of art that captivate the imagination. It’s like stepping back in time into your local video store!

    A complicated marriage to a boorish husband; an early widowhood spent longing for her congressman lover; the loss of her child, a shell shocked WWI hero — her road has not been easy. But somehow she manages to find moments of grace, more often than not through the genial voice of P.G. Wodehouse, the beloved British novelist. Spanning the first half of the twentieth century, Good Night, Mr. Wodehouse celebrates the power of great novels — from Austen to Chekhov — to transform, console, and teach us the value of friendship and love.We first traveled to Harvester, Minnesota, twenty-five years ago in the bookclub favorite and New York Times best-selling novel, The Cape Ann. This new book, which brings us home to that small town on the prairie along with all of the wonderful characters who live there, is sure to be a classic.

    Folks come to The Grinnin' Gator for the liquor and burlesque girls, but they keep coming back for Big George, the giant alligator Croker keeps in the pond out back. Croker is rumored to have fed ex-wives and enemies to his pet, so when Smitty and Grace embark on a torrid affair…what could possibly go wrong?Inspired by true events, Gator Bait mixes hardboiled crime (James M. Cain's The Postman Always Rings Twice) with creature horror (Tobe Hooper's Eaten Alive) to create a riveting tale of suspense.

    P. Kinsella (Shoeless Joe), as well as the 25th anniversary of Field of Dreams, the film that he inspired.In addition to his classic baseball tales, W. P. Kinsella is also a critically-acclaimed short fiction writer. His satiric wit has been celebrated with numerous honors, including the Order of British Columbia.Here are his notorious First Nation narratives of indigenous Canadians, and a literary homage to J. D. Salinger. Alongside the “real” story of the 1951 Giants and the afterlife of Roberto Clemente, are the legends of a pirated radio station and a hockey game rigged by tribal magic.Eclectic, dark, and comedic by turns, The Essential W. P. Kinsella is a living tribute to an extraordinary raconteur.Table of Contents Introduction by Rick WilberTruthHow I Got My NicknameThe Night Manny Mota Tied the RecordFirst Names and Empty PocketsSearching for JanuaryLieberman in LoveThe Grecian UrnThe FogBeefDistancesHow Manny Embarquadero Overcame and Began His Climb to the Major LeaguesThe Indian Nation Cultural Exchange ProgramK MartThe FirefighterDr. DonBrother Frank’s Gospel HourThe Alligator Report—with Questions for DiscussionKing of the StreetWavelengthsDo Not Abandon MeMarco in ParadiseOut of the PictureThe Lightning BirdsPunchlinesThe Last Surviving Member of the Japanese Victory SocietyThe JobRisk TakersThe Lime TreeDoves and ProverbsWaiting on Lombard StreetShoeless Joe Jackson Comes to IowaAfterward - Where It Began: Shoeless Joe

    Stories in the collection have been previously published by Hunger Mountain, Iron Horse Literary Review, Hawaii Review, Los Angeles Review, and others.

    Paul reveals an intensely personal side as he reflects on growing up during World War II. The book also provides a powerful critique of the corruption and corrosion produced by a 20th century full of war and killing. Ever the optimist, however, Paul leaves behind the ashes of a 20th century of war to finish with a stirring, liberating view of the future we may choose if we turn from war and violence.

    Time-trip back to the frightening era of 1957-1972, when monsters stomped into the American mainstream! Once Frankenstein and fiends infiltrated TV in 1957, an avalanche of monster magazines, toys, games, trading cards, and comic books crashed up

    Magazine article in the New Yorker

    It blew me along, lifting my rear so I was up on my hands...It was hot but I didn't feel burned--until I felt my ears curl."--Mike HubbardA napping volcano blinked awake in March 1980. Two months later, the mountain roared. Author Richard Waitt was one of the first to arrive following the mountain's early rumblings. A geologist with intimate knowledge of Mount St. Helens, Waitt delivers a detailed and accurate chronicle of events. His eruption story unfolds through unforgettable, riveting narratives--the heart of a masterful chronology that also delivers engrossing science, history, and journalism.

    This collection follows the pilgrimage she undertook to put her childhood dread to rest. Standing at Buddy Holly’s memorial in the middle of a farmer’s field recalls Doom Town—the model American suburb built in the Nevada desert to measure the devastation of a nuclear bomb. Wandering the abandoned shop floors of shuttered factories in her hometown conjures landscapes submerged by flooding. And her visceral experience of remote Alaskan wilderness merges into a meditation on the sublime instinctual joy, as well as the unutterable sorrow, that can result from a woman carrying a child in her body.Tevis builds these essays with the raw materials of our world—nails and beams, dirt and stone, bones and blood—and fills them with the essence of our popular culture: Liberace’s trills, Freddy Mercury’s pleas, and Buddy Holly’s hypnotic gaze. What results is a whole empowered by the richness and deep interconnection of its parts: In courageously facing up to the worst that may befall us, she has created a living testament to the promise and necessity of death and rebirth.

    Kennedy was murdered, was a blood-red carpet installed in the Oval Office? If Abraham Lincoln never slept in the Lincoln Bedroom, where did he sleep?Why was one president nearly killed in the White House on inauguration day—and another secretly sworn in? What really happened in the Situation Room on September 11, 2001?History leaps off the page in this “riveting,” “fast-moving” and “highly entertaining” book on the presidency and White House in Under This Roof, from award-winning White House-based journalist Paul Brandus. Reporting from the West Wing briefing room since 2008, Brandus—the most followed White House journalist on Twitter (@WestWingReport)—weaves together stories of the presidents, their families, the events of their time—and an oft-ignored major character, the White House itself.From George Washington—who selected the winning design for the White House—to the current occupant, Barack Obama—the story of the White House is the story of America itself, Brandus writes. You’ll walk with John Adams through the still-unfinished mansion, and watch Thomas Jefferson plot to buy the Louisiana Territory Feel the fear and panic as British invaders approach the mansion in 1814—and Dolley Madison frantically saves a painting of Washington Gaze out the window with Abraham Lincoln as Confederate flags flutter in the breeze on the other side of the Potomac Be in the room as one president is secretly sworn in, and another gambles away the White House china in a card gameStand by the presidential bed as one First Lady—covering up her husband’s illness from the nation—secretly makes decisions on his behalf Learn how telephones, movies, radio, TV changed the presidency—and the nation itselfThrough triumph and tragedy, boom and bust, secrets and scandals, Brandus takes you to the presidential bedroom, movie theater, Situation Room, Oval Office and more. Under This Roof is a “sensuous account of the history of both the home of the President, and the men and women who designed, inhabited, and decorated it. Paul Brandus captivates with surprising, gloriously raw observations.”

    It’s got your Christmas goose and the maple syrup with which to glaze it. It’s most of the reason author Ellen Stimson made Vermont her home. Here she shares recipes that have been in her family for generations, mixes up a cocktail or two, and invites readers to make their own traditions.

    GQ recently declared it “Nowville,” and it has become the music hotspot for both country and rock. But as hot as the music scene is, the food scene is even hotter.   In Nashville Eats, more than 100 mouthwatering recipes reveal why food lovers are headed South for Nashville’s hot chicken, buttermilk biscuits, pulled pork sandwiches, cornmeal-crusted catfish, chowchow, fried green tomatoes, and chess pie. Author Jennifer Justus whips up the classics—such as pimento cheese and fried chicken—but also includes dishes with a twist on traditional Southern fare—such as Curried Black Chickpeas or Catfish Tacos. And alongside the recipes, Jennifer shares her stories of Nashville—the people, music, history, and food that make it so special.

    The Los Angeles, Orange County, and South Bay punk scenes, populated by blue collar kids who responded to the violence and aggression of punk songs and shows. A number of them formed punk gangs that got into beatings, drug dealing and murder. Among them, no gang was more notorious than La Mirada Punks, or LMP. Says LMP chieftain Frank the Shank after getting arrested by police for murder: "After having my hands in so much bloodshed over the years, I most certainly had it coming. I deserved whatever I got." Unexpectedly Frank was bailed out from prison by his father's friend, a mob gangster."Too many people died at the hands of punk rock violence," said Frank. "I got lucky, some didn't. As an ultra-violent punk rock gangster, I admit my part in ruining the scene. L.A. punk was a magical moment of youth expression like no other. And the gangs ruined punk rock. I still have people telling me today that they quit punk because of LMP. I dig graves at a small cemetery just outside Los Angeles. What else would you expect for Frank the Shank?"

    I prefer the good to the bad, the articulate to the mumbling, the aesthetically developed to the merely primitive, and full to partial consciousness. I love the spectacle of skill, whether it’s an expert gardener at work, or a good carpenter chopping dovetails . . . I don’t think stupid or ill-read people are as good to be with as wise and fully literate ones. I would rather watch a great tennis player than a mediocre one . . . Consequently, most of the human race doesn’t matter much to me, outside the normal and necessary frame of courtesy and the obligation to respect human rights. I see no reason to squirm around apologizing for this. I am, after all, a cultural critic, and my main job is to distinguish the good from the second-rate.” Robert Hughes wrote with brutal honesty about art, architecture, culture, religion, and himself. He translated his passions—of which there were many, both positive and negative—brilliantly, convincingly, and with vitality and immediacy, always holding himself to the same rigorous standards of skill, authenticity, and significance that he did his subjects. There never was, and never will be again, a voice like this. In this volume, that voice rings clear through a gathering of some of his most unforgettable writings, culled from nine of his most widely read and important books. This selection shows his enormous range and gives us a uniquely cohesive view of both the critic and the man. Most revealing, and most thrilling for Hughes’s legions of fans, are the never-before-published pages from his unfinished second volume of memoirs. These last writings show Robert Hughes at the height of his powers and can be read only with pleasure and a tinge of sadness that his extraordinary voice is no longer here to educate us as well as to clarify and define our world.

    This memoir of poetic, lighthearted stories highlights the family's passion for art and food, fashion and social life. Family rituals--from having lunch each January at the delightful Le Grand Vefour to haunting favorite antique shops and seeking out-of-the-ordinary spots, like a little known garden or a gypsy circus--are interspersed with serendipitous moments: hearing Bono sing "Happy Birthday" to a friend in a bistro, adopting an abandoned lap dog, and the simple pleasures of Parisian street life.     Coggins's delicate and intimate drawings capture classic Parisian scenes as well as family and friends against the backdrop of the elegant City of Light under the cloak of winter. Across cafés and hotels, apartments and galleries, the family mixes with a lively group of Parisian and international actors, designers, writers, and students. Furthermore, Coggins weaves in fascinating bits of the city's history and artistic lore, from Victor Hugo's interior designs to the painting that legend has it started Impressionism, to delight Francophiles all over.

    Lee wrote to General Ulysses S. Grant asking for peace. Peace was beyond his authority to negotiate, Grant replied, but surrender terms he would discuss. As Gregory Downs reveals in this gripping history of post Civil War America, Grant s distinction proved prophetic, for peace would elude the South for years after Lee s surrender at Appomattox."After Appomattox" argues that the war did not end with Confederate capitulation in 1865. Instead, a second phase commenced which lasted until 1871 not the project euphemistically called Reconstruction but a state of genuine belligerency whose mission was to shape the terms of peace. Using its war powers, the U.S. Army oversaw an ambitious occupation, stationing tens of thousands of troops in hundreds of outposts across the defeated South. This groundbreaking study of the post-surrender occupation makes clear that its purpose was to crush slavery and to create meaningful civil and political rights for freed people in the face of rebels bold resistance.But reliance on military occupation posed its own dilemmas. In areas beyond Army control, the Ku Klux Klan and other violent insurgencies created near-anarchy. Voters in the North also could not stomach an expensive and demoralizing occupation. Under those pressures, by 1871, the Civil War came to its legal end. The wartime after Appomattox disrupted planter power and established important rights, but the dawn of legal peacetime heralded the return of rebel power, not a sustainable peace."

    Notable for their exceptional understanding of an organic environment, as well as for their use of steel and glass to revolutionize the interface of indoor and outdoor, Wright s designs helped announce the age of modernity, as much as they secured his own name in the annals of architectural genius. This meticulous compilation from TASCHEN s previous three-volume monograph assembles the most important works from Wright s extensive, paradigm-shifting oeuvre into one authoritative and accessibly priced overview of America's most famous architect. Based on unlimited access to the Frank Lloyd Wright Archives in Taliesin, Arizona, the collection spans the length and breadth of Wright s projects, both realized and unrealized, from his early Prairie Houses, through the Usonian concept home, epitomized by Fallingwater, the Tokyo years, his progressive living architecture buildings, right through to later schemes like the Guggenheim Museum, New York, and fantastic visions for a better tomorrow in the living city. Author Bruce Brooks Pfeiffer, who served as Wright s apprentice during the 1950s, discusses recent research on Wright and gives his own insights on these game-changing buildings. Text in English, French, and German"

    

    Lincoln and the Jews: A History provides readers both with a captivating narrative of his interactions with Jews, and with the opportunity to immerse themselves in rare manuscripts and images, many from the Shapell Lincoln Collection, that show Lincoln in a way he has never been seen before.Lincoln's lifetime coincided with the emergence of Jews on the national scene in the United States. When he was born, in 1809, scarcely 3,000 Jews lived in the entire country. By the time of his assassination in 1865, large-scale immigration, principally from central Europe, had brought that number up to more than 150,000. Many Americans, including members of Lincoln's cabinet and many of his top generals during the Civil War, were alarmed by this development and treated Jews as second-class citizens and religious outsiders. Lincoln, this book shows, exhibited precisely the opposite tendency. He also expressed a uniquely deep knowledge of the Old Testament, employing its language and concepts in some of his most important writings. He befriended Jews from a young age, promoted Jewish equality, appointed numerous Jews to public office, had Jewish advisors and supporters starting already from the early 1850s, as well as later during his two presidential campaigns, and in response to Jewish sensitivities, even changed the way he thought and spoke about America. Through his actions and his rhetoric—replacing "Christian nation," for example, with "this nation under God"—he embraced Jews as insiders.In this groundbreaking work, the product of meticulous research, historian Jonathan D. Sarna and collector Benjamin Shapell reveal how Lincoln's remarkable relationship with American Jews impacted both his path to the presidency and his policy decisions as president. The volume uncovers a new and previously unknown feature of Abraham Lincoln's life, one that broadened him, and, as a result, broadened America.

    Eight were first-generation immigrants. It was in recognition of the mixed European background of so many Americans that John Adams, Benjamin Franklin, and Thomas Jefferson proposed that the seal of the United States bear the national emblems of France, Germany, Holland, Ireland, Scotland, and England, thus "pointing out the countries from which these States have been peopled." Many came, as Thomas Paine stated, in search of asylum. But they also came with an intent to preserve and refresh aspects of life in their homelands. In 1776, Europe boasted a rich civilization, alive with dynamic ideas, flourishing arts, and promising concepts in science. The foundations of industry and business were established, and social reforms were being undertaken, which Europeans took with them as they colonized and traded. They had come in contact with Eastern civilizations, above all, China. Here, from award-winning historian Marshall B. Davidson, is the story of the world of 1776.

    It finds its ferment at the intersection of ecological and economic catastrophe. Its feminist and celebratory energy is fueled by street protests and their shattered windows. Amid oil spills and austerity measures and shore birds and a child holding its mother’s hand and hissing teargas canisters, it reminds us exactly what we must fight to defend with a wild ferocity, and what we’re up against."In her poems, love does not resist the world beyond; love lets it in. Politics demands feeling rather than denuding it."  —Los Angeles Review of Books"Geography, economics, ecology, hydrology, local and international history; repetition, flat limited diction, lengthy chant; intersections of incompatible discourses, such as a field biologist’s checklist plus memoir, medical record plus ode, incantation plus site report: Spahr draws on these resources and procedures to make poems that feel like bizarre, careful essays, and essays that feel like sad, extended poems."  —The Nation"...a work of crisp wit, bizarre conjunctions and ultimately enduring moral authority."  —Publisher’s WeeklyExcerpt: It was Non-Revolution. Or it was me. Or it was Non-Revolution and me. I was unsure what it really was. Maybe it was my thoughts. My thoughts at one minute about Non-Revolution. About the smell of Non-Revolution. Sweat, urine, sage, pot, rotting food, hay, all mixed together. Perhaps about Non-Revolution’s body. I am sure I am not the only one who has thought it exceptional, but I am also just as sure that by the standards of bodies, Non-Revolution’s is fine but not exceptional. That is the point. That is why Non-Revolution is called Non-Revolution, why they have revolution as a possibility in their name but it is a modified and thus negated possibility so as to suggest they are possibly neither good nor fucked. Still something about Non-Revolution’s smell and body had gotten into me.

    Hurricane Season.Tens of thousands of black and white men scarred by their experiences of war in Europe return home to find themselves abandoned to destitution by the US government.The tiny, segregated community of Heron Key is suddenly overwhelmed by broken, disturbed men with new ideas about racial equality and nothing left to lose.Tensions flare when a black veteran is accused of committing the most heinous crime of all against a white resident’s wife.And not far off the strongest and most intense hurricane America has ever witnessed is gaining force.For fans of The Help and To Kill a Mockingbird, this is the story of the greatest tragedy you've never heard of.(Summertime is the title of the UK edition of Under a Dark Summer Sky)

    Here lies the true power of the American empire: This behind-the-scenes web is unelected, unaccountable, and immune to popular resistance. Peter Dale Scott calls this entity the deep state, and he has made it his life’s work to write the history of those who manipulate our government from the shadows. Since the aftermath of World War II, the deep state’s power has grown unchecked, and nowhere has it been more apparent than at sun-dappled Dealey Plaza on November 22, 1963.   The central mystery of the JFK assassination is not who fired the guns that fateful day, but the untouchable forces behind the shooters. In this landmark volume, Scott traces how culpable elements in the CIA and FBI helped prepare for the assassination, and how such elements continue to influence our politics today.   In his 1993 publication Deep Politics and the Death of JFK, Scott looked closely at the foreground of the assassination: Lee Harvey Oswald, Jack Ruby, and their connections to Dallas law enforcement, to the underworlds of Dallas and New Orleans, and to Cuba. This new book, in contrast, looks at the assassination as an event emanating from the American deep state, including actions of the CIA and FBI in Washington and Mexico City, and apparent continuities with later deep events, notably Watergate, the Iran-Contra affair, and 9/11. Dallas ’63 concludes with an overview of the 2 pivotal decades between the death of JFK and the Reagan Revolution, when all 4 presidents following Kennedy were increasingly at odds with deep state ambitions for world hegemony and saw their presidential careers prematurely terminated.

    Lansdale’s tale of the life and love and work of one Dot Sherman, who delivers on her promise that her story is “the real thing from beginning to end.”Dot waitresses on roller skates at the Dairy Bob, doesn’t care for smoking at least partly on account of her dad having never returned from a cigarette run, and carries on the family tradition of philosophizing. Life hasn’t done her any favors in her seventeen years so far. But if there was ever a heroine built for turning things upside down and seeing what shakes out, it’s Dot. Determined to find out who she is and why she’s the way she is, an opportunity presents itself when her heretofore-unknown uncle suddenly moves his camper into the front yard. As in his classic novels The Bottoms and The Magic Wagon, multiple-award-winning Lansdale instills place with character and character with place. Here is an overlooked world and a cast of real folks that prove unforgettable, all rendered in one of American fiction’s most authentic voices.

    8 in December 1941, the warrior Amazon Princess is a feminist icon whose strength is equaled by her empathy and compassion. Appearing in comic books, newspaper strips, and TV shows for almost 75 years, Wonder Woman stands as a towering figure in pop culture, and arole model in her fight for justice, love, peace, and gender equality. Her creator, William Moulton Marston, said she was as beautiful as Aphrodite, as wise as Athena, as fast as Mercury, and as strong as Hercules but she s all that and more! With 192 pages of the greatest Wonder Woman images and text by Paul Levitz, author of the Eisner Award winning75 Years of DC Comics, The Little Book of Wonder Womanis your definitive guide to themost popular female comic-book Super Hero of all time. DC Comics characters and all elements are trademarks of and (c) DC Comics. (s15) "

    She knew that she was witnessing the beginning of a new era for the human race. Would she play a part? Rhea Seddon was ten years old.As years went by, humans ventured off the planet and walked on the moon. The astronauts were men but she felt that would change. At Berkeley in the tumultuous late 1960s, in medical school and a surgery residency she learned that the world no longer belonged solely to males. When NASA announced a selection of new astronauts for the space shuttle program in 1977, she knew: this was her chance.As one of the first female astronauts in 1978 her quest for space began. But she would do this job her own way, blazing a new path for others to follow.Venturing into space on three spectacular missions, working on important projects for NASA, weathering the storm of Challenger, marrying a fellow astronaut, and bearing Astrotots, that child who looked skyward long ago is an inspiration to all who aim high to find their own orbit.

    Though Joe Wilkins's new collection of short fiction set under the big Montana sky may have all the trappings of a traditional Western—long shots of sage flats and blue mountains, late nights at the dingy local watering hole, and a hard-working cowboy making time with the boss's daughter—FAR ENOUGH is far from traditional. A series of short prose fragments told from several viewpoints, FAR ENOUGH follows Willie Benson, Wade Newman, and young Jackie Newman as they crisscross the high plains of eastern Montana, each searching for something to hold onto. Wilkins's narratives—splintered, wending, intertwined—sprawl out beneath a huge, dazzling sky filled with "blue lightning run the wrong way, red eruptions and the slow fade to gold, a white ache along the horizon." Poetic, darkly humorous, subversive—FAR ENOUGH is a Western for our time. "Equal parts rocketing narrative and arresting imagery, FAR ENOUGH trains a grave attention on the longings and flaws of ranch people, and the injustices they inflict and suffer. In these fiercely- charged 'fragments, ' Joe Wilkins distills small-town, Big-Sky culture into a brilliant, austere, yet addictive liquor."—Anna Keesey, author of Little Century"Joe Wilkins's portrait of the modern American West is told via one-page dramatic tableaux that read like those suddenly captured moments in poetry, in language as simple and unadorned in its beauty as the Montana prairie. These men and women are laconic and unassuming in their wants, fears, desires, and Wilkins reveals them to us wholly, unsparingly, vividly. The vision here is clear-eyed and humane. If Chekhov were born in Billings instead of Taganrog, he might very well have written about people like this, just as Wilkins has."—Daniel Orozco, author of Orientation: And Other Stories"When I'm asked what an ideal story for our magazine would be, I think but don't say: like a Joe Wilkins story. FAR ENOUGH is tight, chiseled and beautiful, full of language so physical it seems like landscape itself. You can feel the West in these words. But you can feel the people too, their stories equal to the place. I love Joe Wilkins's stories. I always have."—David Gessner, Editor-in-Chief at Ecotone

    Segal fills his book with worthy stories...funny anecdotes and heart."-- Publishers Weekly "The stories are interesting, unexpected, and witty."-- Library Journal "Activist Mark Segal who was present at Stonewall and later went on to found the Philadelphia Gay News was a featured judge at Miss'd America and the recipient of a lifetime achievement award the night of the pageant. In his new Memoir And Then I Danced: Traveling the Road to LGBT Equality, he writes about how he was kicked off a television show in the 1970s called Summertime on the Pier because he was dancing with another man, but four decades later, he cut a rug with his husband Jason Villemez while the Marine Corps Band played Barbra Streisand at the White House's first ever Gay Pride reception hosted by President Obama."-- Huffington Post "A historic memoir, chronicling [Mark's] life in the LGBT political scene in Philadelphia....Segal also presents his personal and family life in a warm, engaging matter and this writing extends to his interactions with public figures."-- Huffington Post , Living History: Three Books to Find Yourself In"Much this book focuses on his work, but the more telling pages are filled with love gained and lost, raising other people's children, finding himself, and aging in the gay community. A must-read."-- The Advocate , 30 Best Books You Missed in 2015"A conversational, nicely constructed combination autobiography and history lesson that recounts Segal's contribution to LGBT activism, from his early days as a member of the Gay Liberation Front in New York to his stewardship of a successful weekly newspaper."-- Philadelphia Inquirer "Segal’s writing style is engrossing and never ponderous....And Then I Danced is highly recommended for all LGBT history collections and especially for readers with interest in Pennsylvania/Philadelphia politics."--ALA’s GLBT Round TableOn December 11, 1973, Mark Segal disrupted a live broadcast of the CBS Evening News when he sat on the desk directly between the camera and news anchor Walter Cronkite, yelling, "Gays protest CBS prejudice!" He was wrestled to the studio floor by the stagehands on live national television, thus ending LGBT invisibility. But this one victory left many more battles to fight, and creativity was required to find a way to challenge stereotypes surrounding the LGBT community. Mark Segal's job, as he saw it, was to show the nation who gay people are: our sons, daughters, fathers, and mothers.Because of activists like Mark Segal, whose life work is dramatically detailed in this poignant and important memoir, today there are openly LGBT people working in the White House and throughout corporate America. An entire community of gay world citizens is now finding the voice that they need to become visible.

    Throughout his collected works, Papa's sensuous explorations of the delights of imbibing engaged both his characters and his readers.In To Have and Have Another: A Hemingway Cocktail Companion , Philip Greene, cocktail historian, spirits consultant, and cofounder of the Museum of the American Cocktail, offers us a view of Papa through the lens Papa himself preferred--the bottom of a glass.A bartender's manual for Hemingway enthusiasts, this revised and expanded volume offers a unique take on Hemingway's oeuvre that privileges the tastes, smells, and colors of the cocktails he enjoyed and the drinks he placed so prominently in his stories they were nearly characters themselves. To Have and Have Another delivers fascinating and lively background on the various drinks, their ingredients, their histories, and the characters--real and fictional--associated with them.

    A West Coast native, Diebenkorn captured the light and color of the land and sea in a way that resonates with anyone who has spent time there. This volume contains a biographical introduction by Sarah C. Bancroft, an essay on Diebenkorn’s influences by Steven Nash, and an essay on Diebenkorn’s works on paper by Edith Devaney. Together these bring the artist’s rich, four-decade-long career into focus. The book covers Diebenkorn’s three distinct periods, which saw him gain recognition as a leading Abstract Expressionist in the early 1950s, then turn to figurative painting, before embarking on a highly successful period of abstract paintings and drawings— the Ocean Park Series. It is the perfect introduction to the work of this seminal California artist.

    Written with clarity and verve, Radicals in America shows how radical leftists, while often marginal or ostracized, could assume a catalytic role as effective organizers in mass movements, fostering the imagination of alternative futures. Beginning with the Second World War, Radicals in America extends all the way down to the present, making it the first comprehensive history of radicalism to reach beyond the sixties. From the Communist Party and the Black Panther Party for Self-Defense, its coverage extends to the Battle of Seattle and Occupy Wall Street. Each chapter begins with a particular life story, including a Harlem woman deported in the McCarthy era, a gay Japanese-American opponent of the Vietnam War, and a Native American environmentalist, vignettes that bring to life the personal within the political.

    In Fatal Politics, Hughes turns to the final years of the war and Nixon's reelection bid of 1972 to expose the president's darkest secret.While Nixon publicly promised to keep American troops in Vietnam only until the South Vietnamese could take their place, he privately agreed with his top military, diplomatic, and intelligence advisers that Saigon could never survive without American boots on the ground. Afraid that a preelection fall of Saigon would scuttle his chances for a second term, Nixon put his reelection above the lives of American soldiers. Postponing the inevitable, he kept America in the war into the fourth year of his presidency. At the same time, Nixon negotiated a "decent interval" deal with the Communists to put a face-saving year or two between his final withdrawal and Saigon's collapse. If they waited that long, Nixon secretly assured North Vietnam's chief sponsors in Moscow and Beijing, the North could conquer the South without any fear that the United States would intervene to save it. The humiliating defeat that haunts Americans to this day was built into Nixon's exit strategy. Worse, the myth that Nixon was winning the war before Congress "tied his hands" has led policy makers to adapt tactics from America's final years in Vietnam to the twenty-first-century conflicts in Iraq and Afghanistan, prolonging both wars without winning either.Forty years after the fall of Saigon, and drawing on more than a decade spent studying Nixon's secretly recorded Oval Office tapes--the most comprehensive, accurate, and illuminating record of any presidency in history, much of it never transcribed until now-- Fatal Politics tells a story of political manipulation and betrayal that will change how Americans remember Vietnam. Fatal Politics is also available as a special e-book that allows the reader to move seamlessly from the book to transcripts and audio files of these historic conversations.

    But though these diseases were devastating, their impact has been widely exaggerated. Warfare, enslavement, land expropriation, removals, erasure of identity, and other factors undermined Native populations. These factors worked in a deadly cabal with germs to cause epidemics, exacerbate mortality, and curtail population recovery.Beyond Germs: Native Depopulation in North America challenges the “virgin soil” hypothesis that was used for decades to explain the decimation of the indigenous people of North America. This hypothesis argues that the massive depopulation of the New World was caused primarily by diseases brought by European colonists that infected Native populations lacking immunity to foreign pathogens. In Beyond Germs, contributors expertly argue that blaming germs lets Europeans off the hook for the enormous number of Native American deaths that occurred after 1492. Archaeologists, anthropologists, and historians come together in this cutting-edge volume to report a wide variety of other factors in the decline in the indigenous population, including genocide, forced labor, and population dislocation. These factors led to what the editors describe in their introduction as “systemic structural violence” on the Native populations of North America. While we may never know the full extent of Native depopulation during the colonial period because the evidence available for indigenous communities is notoriously slim and problematic, what is certain is that a generation of scholars has significantly overemphasized disease as the cause of depopulation and has downplayed the active role of Europeans in inciting wars, destroying livelihoods, and erasing identities.

    In this revealing history of Cherokee migration and resettlement, Gregory Smithers uncovers the origins of the Cherokee diaspora and explores how communities and individuals have negotiated their Cherokee identities, even when geographically removed from the Cherokee Nation headquartered in Tahlequah, Oklahoma. Beginning in the eighteenth century, the author transports the reader back in time to tell the poignant story of the Cherokee people migrating throughout North America, including their forced exile along the infamous Trail of Tears (1838–39). Smithers tells a remarkable story of courage, cultural innovation, and resilience, exploring the importance of migration and removal, land and tradition, culture and language in defining what it has meant to be Cherokee for a widely scattered people.

    

    Wade Dias agreed to oversee the hypnosis of two subjects as part of an investigation being conducted by a nationally recognized organization dedicated to all things UFO and paranormal, he had no reason to believe he would soon be drawn into the strange phenomena associated with the infamous Skinwalker Ranch and the neighboring ridge known as the path of the Skinwalker. Skinwalker Ranch, In the Shadow of the Ridge, is the intriguing narrative of Dr. Dias' experience with a local family seemingly targeted by the very entities routinely encountered on the Ranch property and by others living along the ridge, and a must read for fans of Skinwalker Ranch and anyone with an interest in portals and alternate dimensions.

    Kennedy just over eight years earlier. It also raised the question 'What do you do next, after landing on the Moon?' It fell to President Richard M. Nixon to answer this question. After Apollo? Richard Nixon and the American Space Program traces in detail how Nixon and his associates went about developing their response.

    Though contemporary archaeologists and anthropologists have uncovered significant evidence of its presence in the art of the ancient peoples which inhabited the Great Basin and surrounding lands prior to the tribes which were to follow, there is no explanation for its origin—beyond an alternate plane or spirit world—or its eventual, and temporary, disappearance. Regardless, history documents that the Skinwalker was again drawn forth by the Shaman of the Navajo to avenge the cruelty of their enemy, the Ute. To this day, the Skinwalker remains among us, haunting a corridor among the hills and canyons known as the Path of the Skinwalker. Here in these pages is a collection of actual modern Skinwalker encounters told by those who came face to face with this frightening and supernatural being.

    His obscurity persists even though his Hollywood pedigree rivals or exceeds that of Cain, Chandler, and Hammett.What Woolrich lacked in literary prestige he made up for in suspense. Nobody was better at it." - Richard Dooling, from his Introduction to the print edition.“He was the greatest writer of suspense fiction that ever lived.” — Francis M. Nevins, Cornell Woolrich Biographer"For the Rest of Her Life" was first published in Ellery Queen's Mystery Magazine in May of 1968 and has a special distinction among Woolrich stories. It was the last story that Woolrich would see to be published during his lifetime and some critics will tell you it was one of the best he had written during the last years of his life. It has sometimes been published over the years as "Now I've Got You" and is a dark story about a woman who marries a man that is sadistic and a wife beater.Linda, the wife, meets Garry and tells him of her unfortunate circumstances and together they try to escape her brutality. But the couple seems to make one bad choice after another and as a reader you feel the tightness in your chest as the characters move toward one of the darkest endings in a Woolrich story. Cornell George Hopley-Woolrich (4 December 1903 – 25 September 1968) is one of America's best crime and noir writers who sometimes wrote under the pseudonyms William Irish and George Hopley. He's often compared to other celebrated crime writers of his day, Dashiell Hammett, Erle Stanley Gardner and Raymond Chandler.Woolrich is considered the godfather of film noir and is often referred to as the Edgar Allen Poe of the 20th century, writing well over 250 works including novels, novelettes, novellas and short stories.He attended New York's Columbia University but left school in 1926 without graduating when his first novel, "Cover Charge", was published. "Cover Charge" was one of six of his novels that he credits as inspired by the work of F. Scott Fitzgerald.Woolrich soon turned to pulp and detective fiction, often published under his pseudonyms. His best known story today is his 1942 "It Had to Be Murder" for the simple reason that it was adapted into the 1954 Alfred Hitchcock movie "Rear Window" starring James Stewart and Grace Kelly. It was remade as a television film by Christopher Reeve in 1998.

    It focuses on those who, from colonial days to the present, dissented against the ruling paradigm of their time: from the Puritan Anne Hutchinson and Native American chief Powhatan in the seventeenth century, to the Occupy and Tea Party movements in the twenty-first century. The emphasis is on the way Americans, celebrated figures and anonymous ordinary citizens, responded to what they saw as the injustices that prevented them from fully experiencing their vision of America.At its founding the United States committed itself to lofty ideals. When the promise of those ideals was not fully realized by all Americans, many protested and demanded that the United States live up to its promise. Women fought for equal rights; abolitionists sought to destroy slavery; workers organized unions; Indians resisted white encroachment on their land; radicals angrily demanded an end to the dominance of the moneyed interests; civil rights protestors marched to end segregation; antiwar activists took to the streets to protest the nation's wars; and reactionaries, conservatives, and traditionalists in each decade struggled to turn back the clock to a simpler, more secure time. Some dissenters are celebrated heroes of American history, while others are ordinary people: frequently overlooked, but whose stories show that change is often accomplished through grassroots activism.The United States is a nation founded on the promise and power of dissent. In this stunningly comprehensive volume, Ralph Young shows us its history.

    These chapters capture the central ideas and debates in political science research on polarization, and are written by leading scholars in this subfield. Each chapter is accompanied by discussion questions and a guide to further reading, making this a great addition to any course looking at issues of polarization.

     This fascinating work of narrative history tells the little-known story of this exploratory mission and reveals how it set the stage for the climactic Battle of the Little Bighorn two years later.What is the significance of this obscure foray into the Black Hills? The short answer, as the author explains, is that Custer found gold. This discovery in the context of the worst economic depression the country had yet experienced spurred a gold rush that brought hordes of white prospectors to the Sioux's sacred grounds. The result was the trampling of an 1868 treaty that had granted the Black Hills to the Sioux and their inevitable retaliation against the white invasion.The author brings the era of the Grant administration to life, with its "peace policy" of settling the Indians on reservations, corrupt federal Indian Bureau, Gilded Age excesses, the building of the western railroads, the white settlements that followed the tracks, the Crash of 1873, mining ventures, and the clash of white and Indian cultures with diametrically opposed values.The discovery of gold in the Black Hills was the beginning of the end of Sioux territorial independence. By the end of the book it is clear why the Sioux leader Fast Bear called the trail cut by Custer to the Black Hills "thieves' road."

    In fact, there exist only three collections of essays concerning Henry Miller's oeuvre. Since these books appeared, a new generation of international Miller scholars has emerged, one that is re-energizing critical readings of this important American Modernist.Henry Miller: New Perspectives presents new essays on carefully chosen themes within Miller and his intellectual heritage to form the most authoritative collection ever published on this author.

    Literary Nonfiction. "The world has long been full of praise for Jim Sallis's crime novels' poetic prose and richly-described landscapes. It is time that we simply call Sallis a poet, one who depicts and reveals our inner landscape. These poems in Black Night's Gonna Catch Me Here are both musical and plainspoken; they do not employ 'exalted speech' (as he says, 'we fought it. Took barrooms / home to bed, the American idiom, real warts / on imaginary frogs') but instead use language for the best reasons, to 'find beauty, try to understand, survive.'"—Katrina Vandenberg

    That’s a remarkable change from the Civil Rights era—but does this public commitment to diversity constitute a civil rights victory? What does diversity mean in contemporary America, and what are the effects of efforts to support it? Ellen Berrey digs deep into those questions in The Enigma of Diversity. Drawing on six years of fieldwork and historical sources dating back to the 1950s and making extensive use of three case studies from widely varying arenas—housing redevelopment in Chicago’s Rogers Park neighborhood, affirmative action in the University of Michigan’s admissions program, and the workings of the human resources department at a Fortune 500 company—Berrey explores the complicated, contradictory, and even troubling meanings and uses of diversity as it is invoked by different groups for different, often symbolic ends. In each case, diversity affirms inclusiveness, especially in the most coveted jobs and colleges, yet it resists fundamental change in the practices and cultures that are the foundation of social inequality. Berrey shows how this has led racial progress itself to be reimagined, transformed from a legal fight for fundamental rights to a celebration of the competitive advantages afforded by cultural differences. Powerfully argued and surprising in its conclusions, The Enigma of Diversity reveals the true cost of the public embrace of diversity: the taming of demands for racial justice.

    I believe it is peace for our time." (McDonough, 1998, 70). The man addressing the crowd, British Prime Minister Neville Chamberlain, had just returned from the heart of Nazi Germany following negotiations with Adolf Hitler, and the crowd gathered outside the English leader's house on September 30, 1938 greeted these ringing words with grateful cheers. The piece of paper Chamberlain flourished exultantly seemed to offer permanent amity and goodwill between democratic Britain and totalitarian Germany. In it, Britain agreed to allow Hitler's Third Reich to absorb the Sudeten regions of Czechoslovakia without interference from either England or France, and since high percentages of ethnic Germans – often more than 50% locally – inhabited these regions, Hitler's demand for this territory seemed somewhat reasonable to Chamberlain and his supporters. With Germany resurgent and rearmed after the disasters inflicted on it by the Treaty of Versailles following World War I, the pact – known as the Munich Agreement – held out hope of a quick end to German ambitions and the return of stable, normal international relations across Europe. Of course, the Munich agreement is now notorious because its promise proved barren within a very short period of time. Chamberlain's actions either failed to avert or actually hastened the very cataclysm he wished to avoid at all costs. The "Munich Agreement" of 1938 effectively signed away Czechoslovakia's independence to Hitler's hungry new Third Reich, and within two years, most of the world found itself plunged into a conflict which made a charnelhouse of Europe and left somewhere between 60-80 million people dead globally. Many people hailed Chamberlain's "success" at defusing Nazi aggression by handing over Czechoslovakia tamely to Hitler's control, but others remained dubious. Édouard Daladier, the French prime minister, "later told Amery that he turned up his coat collar to protect his face from rotten eggs when he arrived in Paris." (Gilbert, 1963, 179-180). A Foreign Office man, Orme Sargent, was disgusted, and he later said bitterly, "For all the fun and cheers, you might think they were celebrating a major victory over an enemy instead of merely the betrayal of a minor ally." (Gilbert, 1963, 180). Winston Churchill, the deal’s most famous critic, bitterly remarked, “England has been offered a choice between war and shame. She has chosen shame, and will get war.” Munich is widely reviled today and is held up as the epitome of appeasement, but historians still debate its effects on the Second World War, as well as Neville Chamberlain's character and motivations. Some believe the attempted appeasement of Nazi Germany hastened, or even caused, the mayhem occupying the next seven years. Others believe that the pact merely failed to alter war's inevitable arrival in either direction. Historians and authors alternately interpret Chamberlain as a bumbling, arrogant fool, a strong-willed statesman who simply miscalculated the nature of Hitler and Nazi Germany, or even a man with dictatorial ambitions surreptitiously inserting himself into the Fuhrer's orbit and prevented from further damaging democracy only by his fall and death from bowel

    In this new essay, Jay Cost explains what it is, and why we should be so worried about it. By mingling private and public interests, cronyism costs us hundreds of billions of dollars per year and threatens to transform our republic into an oligarchy, where the rich dominate the middle class. Worse, modern cronyism has become embedded into the laws themselves, so politicians in Washington assume that such corruption is just the way things should be. To confront the dangers of cronyism, reformers need to think outside the box, paying special attention to how the political process functions.

    People's radically different perceptions of it have ranged from treasured food plant to cash crop to trash tree. Having studied the patterns of tanoak use and abuse for nearly twenty years, botanist Frederica Bowcutt uncovers a complex history of cultural, sociopolitical, and economic factors affecting the tree's fate.Still valued by indigenous communities for its nutritious acorn nut, the tree has also been a source of raw resources for a variety of industries since white settlement of western North America. Despite ongoing protests, tanoaks are now commonly killed with herbicides in industrial forests in favor of more commercially valuable coast redwood and Douglas-fir. As one nontoxic alternative, many foresters and communities promote locally controlled, third-party certified sustainable hardwood production using tanoak, which doesn't depend on clearcutting and herbicide use.Today tanoaks are experiencing massive die-offs due to sudden oak death, an introduced disease. Bowcutt examines the complex set of factors that set the stage for the tree's current ecological crisis. The end of the book focuses on hopeful changes including reintroduction of low-intensity burning to reduce conifer competition for tanoaks, emerging disease resistance in some trees, and new partnerships among tanoak defenders, including botanists, foresters, Native Americans, and plant pathologists.Watch the book trailer: https: //www.youtube.com/watch?v=xzY7QxOiI8I

    Breaking from dominant wisdom that casts the trend as wholly defined by Ronald Reagan's politics or the rise of postmodernism, Back to the Fifties reveals how Fifties nostalgia from 1973 to 1988 was utilized by a range of audiences for diverse and often competing agendas. Films from American Graffiti to Hairspray and popular music from Sha Na Na to Michael Jackson shaped - and were shaped by - the complex social, political and cultural conditions of the Reagan Era. By closely examining the ways that "the Fifties" was remade and recalled, Back to the Fifties explores how cultural memories were fostered for a generation of teenagers trained by popular culture to rewind, record, recycle and replay.

    A household name for his reality-television show and his tawdry tabloid history, he has connected with an underappreciated strain of right-wing populists by focusing his fire on a single issue: immigration.In this Broadside, Kevin D. Williamson takes a hard look at the Trump phenomenon and the failures of the national Republican leadership – and defects in our national character – that gave it life. Trump may or may not be in the race for the long haul, but in either case, Trumpism will remain a force.

    Brian Phillips Murphy follows the collaborations between political leaders and a group of unelected political entrepreneurs, including Robert R. Livingston and Alexander Hamilton, who persuaded legislative powers to grant monopolies corporate status in order to finance and manage civic institutions. Murphy shows how American capitalism grew out of the convergence of political and economic interests, wherein political culture was shaped by business strategies and institutions as much as the reverse.Focusing on the state of New York, a onetime mercantile colony that became home to the first American banks, utilities, canals, and transportation infrastructure projects, Building the Empire State surveys the changing institutional ecology during the first five decades following the American Revolution. Through sustained attention to the Manhattan Company, the steamboat monopoly, the Erie Canal, and the New York & Erie Railroad, Murphy traces the ways entrepreneurs marshaled political and financial capital to sway legislators to support their private plans and interests. By playing a central role in the creation and regulation of institutions that facilitated private commercial transactions, New York State's political officials created formal and informal precedents for the political economy throughout the northeastern United States and toward the expanding westward frontier. The political, economic, and legal consequences organizing the marketplace in this way continue to be felt in the vast influence and privileged position held by corporations in the present day.

    The French in Quebec established a somewhat reluctant alliance with the Illinois Indians while Jesuits and fur traders planted defiant outposts in the Illinois River Valley beyond the Great Lakes. These autonomous early settlements were brought into the French empire only after the fact. As the colony grew, the authority that governed the region was often uncertain. Canada and Louisiana alternately claimed control over the Illinois throughout the eighteenth century. Later, British and Spanish authorities tried to divide the region along the Mississippi River. Yet Illinois settlers and Native people continued to welcome and partner with European governments, even if that meant playing the competing empires against one another in order to pursue local interests."Empire by Collaboration" explores the remarkable community and distinctive creole culture of colonial Illinois Country, characterized by compromise and flexibility rather than domination and resistance. Drawing on extensive archival research, Robert Michael Morrissey demonstrates how Natives, officials, traders, farmers, religious leaders, and slaves constantly negotiated local and imperial priorities and worked purposefully together to achieve their goals. Their pragmatic intercultural collaboration gave rise to new economies, new forms of social life, and new forms of political engagement. "Empire by Collaboration" shows that this rugged outpost on the fringe of empire bears central importance to the evolution of early America.

    All who are buried here understood their duty. All stood to protect America. And all carried with them memories of a family that they hoped to keep safe by their sacrifice.” – President George W. Bush, 2005Cemeteries are by their very nature tragic places, as they would never exist were it not for the inevitably cold hand of death that will certainly take out each person eventually. Given that fact, each bears its own unique history, whether it be the Valley of the Kings in Egypt or a small family plot in rural Georgia. Naturally, Arlington National Cemetery, sitting as it does on the very edge of the nation’s capital upon a hill across the Potomac River, bears its own tragic aura, but it’s certainly ironic that it was never intended to be a cemetery at all. Indeed, the very land was not meant to house the nation’s dead but to support the family of the nation’s father, George Washington himself. How Arlington went within just a few tragic months from stately mansion to solemn sepulcher is one of the most unusual stories in American history, but in many ways it is also one of the most fitting. As author Karl Decker observed in 1892, “It stands as a connecting link between the historic time of struggle, in which the Government was first established, and the later and equally important years of strife that saw the principles for which the colonists fought once more triumphant, and the fabric of Constitutional Government more firmly based upon a federation of loyal States. With every important epoch in the history of the country Arlington has had its connection. It brings forth recollections of Washington as vividly as phantoms of the past century.”Nothing could emphasize how divisive the Civil War was than the fate of Arlington, which was the place Confederate general Robert E. Lee called home. By marrying into the Custis family, Lee merged his family with relatives of Washington, but during the war, the fact that the Confederacy’s most famous general had a house overlooking the Union capital bedeviled many, especially politicians. When the war’s ghastly carnage filled up cemeteries around Washington, U.S. Army Quartermaster General Montgomery Meigs ultimately proposed using Arlington as a cemetery, both for its location and for its connection with Lee, and Union soldiers were being buried near Lee’s estate nearly a year before the war ended. Although the government would negotiate with Lee’s family over the property after the war, from that point forward the cemetery expanded, and in addition to becoming the resting place for veterans, memorials and monuments of all kinds are scattered across the grounds. While the Lee house is still a tourist attraction, the grave site of slain president John F. Kennedy is on the grounds, as is a monument to the USS Maine and similar other tragedies. Arlington National Cemetery: The History of America’s Most Famous Military Cemetery traces the history and legacy of the national park. Along with pictures of important people, places, and events, you will learn about the history of Arlington Cemetery like never before, in no time at all.