James's --The worm in the apple --The trouble of Marcie Flint --The bella lingua --The Wrysons --The country husband --The duchess --The scarlet moving van --Just tell me who it was --Brimmer --The golden age --The lowboy --The music teacher --A woman without a country --The death of Justina --Clementina --Boy in Rome --A miscellany of characters that will not appear --The chimera --The seaside houses --The angel of the bridge --The brigadier and the golf widow --A vision of the world --Reunion --An educated American woman --Metamorphoses --Mene, mene, tekel, upharsin --Montraldo --The ocean --Marito in città --The geometry of love --The swimmer --The world of apples --Another story --Percy --The fourth alarm --Artemis, the honest well digger --Three stories --The jewels of the Cabots.

     MAX PERKINS: Editor of Genius by A. Scott Berg took the literary world by storm upon its publication in 1978, garnering rave reviews and winning the National Book Award. A meticulously-researched and engaging portrait of the man who introduced the public to the greatest writers of this century, Berg's biography stands as one of the finest books on the publishing industry ever written. Unavailable for the last few years, MAX PERKINS is now being re-released (on the fiftieth anniversary of the great editor's death. The driving force behind such literary superstars as F. Scott Fitzgerald, Ernest Hemingway, and Thomas Wolfe, Max Evarts Perkins was the most admired book editor in the world. From the first major novel he edited (Fitzgerald's This Side of Paradise) to the last (James Jones's bestselling From Here to Eternity), Perkins revolutionized American literature. Perkins was tirelessly committed to nurturing talent no matter how young or unproven the writer. Filled with colorful anecdotes about everything from Perkins's struggles to convince the old guard at Scribners to publish his visionary (and often controversial) authors to his falling out with one of his most brilliant discoveries, Thomas Wolfe, MAX PERKINS reveals with insight and humor the professional and personal life of one of the most legendary figures in the history of American publishing. Given unprecedented access to the correspondence between Perkins and his writers, Berg has fashioned a compellingly thorough biography that is as entertaining as it is informative. A vivid portrait of one man's life and a revealing behind-the-scenes look at the creation of literature, A. Scott Berg's MAX PERKINS: Editor of Genius is a masterful achievement in scholarship and writing.

    All others are Shadows, playthings for Amber's royal family -- sibling rivals who vault between worlds using tarot-like Trump cards and walk the labyrinthine Pattern, which confers the power to manipulate reality. Far removed from his native land, Merlin, son of Corwin of Amber and Dara of Chaos, has tried to build himself a normal Earthly life -- a life free of the cabals, vendettas and feuds that have torn his family apart. And he's done quite well for himself. . . except when it comes to April 30th. Because on that day, every year for the past eight years, someone -- or something -- has tried to kill him. Gunshots. Fires. Gas leaks. Car accidents. This year's attempt comes in the form of a huge, dog-like beast that tears his former girlfriend to bits -- and tries to do the same to him. Somebody must have it in for him, but who?

    S. Garp, the bastard son of Jenny Fields—a feminist leader ahead of her times. This is the life and death of a famous mother and her almost-famous son; theirs is a world of sexual extremes—even of sexual assassinations. It is a novel rich with "lunacy and sorrow"; yet the dark, violent events of the story do not undermine a comedy both ribald and robust. In more than thirty languages, in more than forty countries—with more than ten million copies in print—this novel provides almost cheerful, even hilarious evidence of its famous last line: "In the world according to Garp, we are all terminal cases."

    She becomes addicted to diet pills in her obsessive quest, while her junkie son, Harry, along with his girlfriend, Marion, and his best friend, Tyrone, have devised an illicit shortcut to wealth and leisure by scoring a pound of uncut heroin. Entranced by the gleaming visions of their futures, these four convince themselves that unexpected setbacks are only temporary. Even as their lives slowly deteriorate around them, they cling to their delusions and become utterly consumed in the spiral of drugs and addiction, refusing to see that they have instead created their own worst nightmares."Selby's place is in the front rank of American novelists. HIs work has the power, the intimacy with suffering and morality, the honesty and moral urgency of Doestoevsky's. To understand Selby's work is to understand the anguish of America." - The New York Times Book Review

    No other poem in the English language is filled with as much daily love, light, intellect, and music. As William Carlos Williams once wrote of Zukofsky’s poetry, “I hear a new music of verse stretching out into the future.”

    Writer and critic Vivian Gornick's classic exploring how Left politics gave depth and meaning to American life."Before I knew that I was Jewish or a girl I knew that I was a member of the working class." So begins Vivian Gornick's exploration of how the world of socialists, communists, and progressives in the 1940s and 1950s created a rich, diverse world where ordinary men and women felt their lives connected to a larger human project.The Romance of American Communism is a landmark work of new journalism, profiling American Communist Party members and fellow travelers as they joined the Party, lived within its orbit, and left in disillusionment and disappointment as Stalin's crimes became public.

    Drawing from a wide range of sources - traditional narratives, Indian autobiographies, government transcripts, firsthand interviews, and more - Nabokov has assembled a remarkably rich and vivid collection, representing nothing less than an alternative history of North America. Beginning with the Indian's first encounters with the earliest explorers, traders, missionaries, settlers, and soldiers and continuing to the present, Native American Testimony presents an authentic, challenging picture of an important, tragic, and frequently misunderstood aspect of American history.

    When an old friend tells him about a surefire way to quit, he's more than willing to give it a shot. But what Dick doesn?t know is that Quitters, Inc. demands a high price from anyone who strays from their rigid rules? Forced to choose between his desperate need for cigarettes and the dire consequences of giving in to his addiction, Dick must decide just how important another drag really is.

    A naïve young secretary, fresh out of Cleveland, tumbles headlong into a brave new world of laundromat Lotharios, pot-growing landladies, cut throat debutantes, and Jockey Shorts dance contests. The saga that ensues is manic, romantic, tawdry, touching, and outrageous—unmistakably the handiwork of Armistead Maupin.

    While fighting in World War II, they find their dreams become all too real—and their lives are changed forever.In Birdy, William Wharton crafts an unforgettable tale that suggests another notion of sanity in a world that is manifestly insane.

    Less than one month later, Britain's most promising comic playwright was murdered by his lover in the London flat they had shared for fifteen years. Lahr chronicles Orton's working-class childhood and stagestruck adolescence, the scandals and disasters of his early professional years, and the brief, glittering success of his blistering comedies, Entertaining Mr. Sloane, Loot, and What the Butler Saw.Prick Up Your Ears is a watershed biography; it paved the way for Orton's revival and ensured his rightful place in the English repertoire.

    The twenty stories in this collection are a fresh, exuberant celebration of the new American South — a land of high school band contests, where good old boys from Vicksurg are reunited in Vietnam and petty nostalgia and the constant pain of disappointed love prevail. Airships is a striking demonstration of Barry Hannah's mature and original talent.

    Jim Carroll grew up to become a renowned poet and punk rocker. But in this memoir of the mid-1960's, set during his coming-of-age from 12 to 15, he was a rebellious teenager making a place and a name for himself on the unforgiving streets of New York City. During these years, he chronicled his experiences, and the result is a diary of unparalleled candor that conveys his alternately hilarious and terrifying teenage existence. Here is Carroll prowling New York City--playing basketball, hustling, stealing, getting high, getting hooked, and searching for something pure.

    This is a marvelous rags-to-riches autobiography, thoughtful, dramatic and funny, filled with perceptive details about events and personalities. In his parade of people and events, we meet Douglas MacArthur, both as outcast and conqueror; listen to a troubled Eisenhower preparing to lay aside his uniform and plunge into politics; visit Mao Tse-tung in his cave in Henan; and trace the power-curve of America's greatness across the glory years at home and abroad.Prologue: The StorytellerBoston: 1915-38Asia: 1938-45 Europe: 1948-53 America: 1954-63Epilogue: Outward BoundAcknowledgmentsIndex

    It depicts the adventures of Malone, a beautiful young man searching for love amid New York's emerging gay scene. From Manhattan's Everard Baths and after-hours discos to Fire Island's deserted parks and lavish orgies, Malone looks high and low for meaningful companionship. The person he finds is Sutherland, a campy quintessential queen -- and one of the most memorable literary creations of contemporary fiction. Hilarious, witty, and ultimately heartbreaking, Dancer from the Dance is truthful, provocative, outrageous fiction told in a voice as close to laughter as to tears.

    This resource encourages a deeper understanding of the life, death, and resurrection of Jesus Christ by harmonizing the accounts of Matthew, Mark, Luke, and John so as to assemble as many details as possible into a chronologically meaningful sequence.

    Aaron Greidinger, an aspiring Yiddish writer and the son of a distinguished Hasidic rabbi, struggles to be true to his art when faced with the chance at riches and a passport to America. But as he and the rest of the Writers' Club wait in horror for Nazi Germany to invade Poland, Aaron rediscovers Shosha, his childhood love-still living on Krochmalna Street, still mysteriously childlike herself-who has been waiting for him all these years.

    All readers who have admired Muir’s ruggedly individualistic lifestyle, and those who wish a greater appreciation for the history of environmental preservation in America, will be enthralled and enlightened by this splendid biography.The story follows Muir from his ancestral home in Scotland, through his early years in the harsh Wisconsin wilderness, to his history-making pilgrimage to California.This book, originally published in 1945 and based in large part on Wolfe’s personal interviews with people who knew and worked with Muir, is one that could never be written again. It is, and will remain, the standard Muir biography.

    They were two scared kids in love – and reaching for the stars…That’s how it was for Ben and Ginnie in 1951.Ben, the writer who couldn’t seem to make it.Ginnie, the dancer who couldn’t seem to miss.Together the world was theirs for the asking.In the exhilarating world of show biz,from the neon glamour of New York to the starry glitter of Hollywood,it was love and glory – pure, intense, and perfect – all the way.Together they soared on wings of joy and laughter – until it all came flying apart.Could an enchanted love like theirs end, become mere memory, when it deserved minstrels and bold knights on white chargers and pennants flapping gaily from tall towers?

    This indispensable guide is bigger and better than ever, covering nearly 600 of the country's best local eateries from Maine to California. With more than 175 completely new listings and updates of old favorites, the new Roadfood offers an extended tour of the most affordable, most enjoyable dining options along America's highways and back roads. Filled with enticing alternatives for chain-weary travelers, Roadfood provides vivid descriptions and regional maps that direct readers to the best lobster shacks on the East Coast; the ultimate barbecue joints down South; the most indulgent steak houses in the Midwest; and dozens of top-notch diners, hotdog stands, ice-cream parlors, and uniquely regional finds in between. Each entry delves into the folkways of a restaurant's locale as well as the dining experience itself, and each is written in the Sterns' entertaining and colorful style. A cornucopia for road warriors and armchair epicures alike, Roadfood is a road map to some of the tastiest treasures in the United States.

    Fox. These six stories, available again in this new edition, continue Mosher’s career-long exploration of Kingdom County, Vermont. “Within the borders of his fictional kingdom,” the Providence Journal has noted, “Mosher has created mountains and rivers, timber forests and crossroads villages, history and language. And he has peopled the landscape with some of the truest, most memorable characters in contemporary literature.”

    By demystifying the fantasies surrounding cancer, Sontag shows cancer for what it is - just a disease. Cancer, she argues, is not a curse, not a punishment, certainly not an embarrassment and, it is highly curable, if good treatment is followed. Almost a decade later, with the outbreak of a new, stigmatized disease replete with mystifications and punitive metaphors, Sontag wrote a sequel to Illness as Metaphor, extending the argument of the earlier book to the AIDS pandemic.These two essays now published together, Illness as Metaphor and AIDS and Its Metaphors, have been translated into many languages and continue to have an enormous influence on the thinking of medical professionals and, above all, on the lives of many thousands of patients and caregivers.

    Two white house maids, a remarkable mother and her daughter, reveal what it was really like upstairs, downstairs at the white house.

    Lerner, one of America’s most acclaimed and popular lyricists. Large-hearted, humorous, and often poignant in its reverence for a celebrated era in the American theater, this is the story of what Lerner calls "the sundown of wit, eccentricity, and glamour." Try as he might to keep himself out of these pages, Lerner reveals himself to be a man of great talent, laughter, and love. Along the way, we meet a sensational supporting cast: Moss Hart, Fritz Loewe, Julie Andrews, Richard Burton, Rex Harrison, Cecil Beaton, Louis Jourdan, and Maurice Chevalier, to name a few. They are seen in moments of triumph and disaster, but all are professionals at the creation of theater. And the creation of theater is the matrix of this wonderful book. Included are the complete lyrics to My Fair Lady, Gigi, and Camelot.

    Often we judge our faces to be either good or bad, right or wrong, while failing to recognize the potential of each of them to make us fuller, more balanced human beings. In her own unique and exciting style, Virginia Satir demonstrates that the key to opening the door to new responsibilities in your life rests first in recognizing and accepting that you need all "YOUR MANY FACES" - and then in learning to manage them for your good.

    Nearly 800 masterpieces by 115 American poetics are included in this single volume beginning with Anne Bradstreet. Read the graceful love poetry of Emily Dickinson, the powerful voice of Walt Whitman, the dark musings of Edgar Allan Poe; poems by T.S. Eliot, Robert Lowell, Henry Wadsworth Longfellow, Henry David Thoreau, Herman Melville, Langston Hughes, Theodore Roethke, Sylvia Plath, Robert Frost, Carl Sandburg, Gertrude Stein, E.E. Cummings, Edna St. Vincent Millay, Ogden Nash, Anne Sexton, Hart Crane, Erica Jong, Adrienne Rich, among others. Fully indexed by poet, title, and first line. Sure to bring years of browsing and reading pleasure.

    Today these stories -- "A Vintage Thunderbird;" "The Lawn Party, " " La Petite Danseuse de Quatorze Ans," to name a few -- seem even more powerful, and are read and studied as classics of the short-story form. Spare and elegant, yet charged with feeling and with the tension of things their characters cannot say, they are masterly portraits of improvised lives.

    The faucet in the kitchen always becomes the reality we believe, and the periodic droughts, one of which for much of the nineties savaged the West, remain a fantasy. This happens each and every day as the water roars from the faucet and the skies remain dangerously blue.”—Charles BowdenIn the quarter-century since his first book, Killing the Hidden Waters, was published in 1977, Charles Bowden has become one of the premier writers on the American environment, rousing a generation of readers to both the wonder and the tragedy of humanity’s relationship with the land. Revisiting his earliest work with a new introduction, “What I Learned Watching the Wells Go Down,” Bowden looks back at his first effort to awaken people to the costs and limits of using natural resources through a simple and obvious example—water. He drives home the point that years of droughts, rationing, and even water wars have done nothing to slake the insatiable consumption of water in the American West. Even more timely now than in 1977, Killing the Hidden Waters remains, in Edward Abbey’s words, “the best all-around summary I’ve read yet, anywhere, of how our greed-driven, ever-expanding urban-industrial empire is consuming, wasting, poisoning, and destroying not only the resource basis of its own existence, but also the vital, sustaining basis of life everywhere.”

    Home Style, which won the 1979 Woodrow Wilson Foundation Award and the 1980 D.B. Hardeman prize, has been re-issued in a "Longman Classics" Edition and features a new Foreword by renowned scholar John Hibbing of The University of Nebraska.

    Their poetry was also a central inspiration for Dante and his Italian contemporaries, propagators of the modern vernacular lyric, and seven centuries later it was no less important to the modernist Ezra Pound. These poems, a source to which poetry has returned again and again in search of renewal, are subtle, startling, earthy, erotic, and supremely musical.The poet Paul Blackburn studied and translated the troubadours for twenty years, and the result of that long commitment is Proensa, an anthology of thirty poets of the eleventh through thirteenth centuries, which has since established itself not only as a powerful and faithful work of translation but as a work of poetry in its own right. Blackburn’s Proensa, George Economou writes, “will take its place among Gavin Douglas’ Aeneid, Golding’s Metamorphoses, the Homer of Chapman, Pope, and Lattimore, Waley’s Japanese, and Pound’s Chinese, Italian, and Old English.”

    

    Author Biography: George F. Butterick had a long familiarity with Olson's writings. He studied with the poet at the State University of New York at Buffalo, prepared the definitive Guide to "The Maximus Poems" of Charles Olson, and served as Curator of Literary Archives at the University of Connecticut (Storrs), which houses Charles Olson's papers.

    (John Hammond) Also: A warm-hearted but probing book on the bluesmen, great and little known,who prepared the ground for the rock revolution. For those who are interested in the roots, the aesthetics, and the sociology of contemporary pop music, this book will prove invaluable.

    Immediately the Los Angeles Police Department concluded that the assassin, Sirhan Sirhan, had acted alone. The FBI conducted a parallel inquiry and concurred. And the vast majority of the American people accepted their opinion.In this compelling book—mysteriously suppressed on its initial publication—former FBI agent William Turner and investigative reporter Jonn Christian expose convincing evidence that Sirhan did not act alone.Based on more than ten years of intensive research, Turner and Christian raise serious questions about RFK’s murder:•What was the virtually apolitical Sirhan’s motive?•Why, if Sirhan was standing in front of his victim, were the fatal wounds in the back of Kennedy’s head?•Why were there too many spent bullets (some the wrong size) for Sirhan’s gun?•Did the LAPD discredit witnesses, try to make them alter their stories, and destroy key records?•Was Sirhan, in fact, a “Manchurian Candidate,” programmed through hypnosis either to kill Kennedy or divert attention while others did the job?The Assassination of Robert F. Kennedy makes the case that the murder of RFK, and the subsequent police and government investigations, bear all the hallmarks of the conspiracy surrounding the assassination of John F. Kennedy and the resulting Warren Commission. It is a fascinating and chilling reexamination of the tragic events that undoubtedly changed the course of American history.

    

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    Book by Rousas John Rushdoony

    Author Donald Newlove edited his critically acclaimed novels of jazz-playing alcoholic Siamese twins, Leo & Theodore (1972) and The Drunks (1974), into a single volume for the release, explaining in his Author's Note that "the story loses scope and focus when halved into two books." Further, he stated that his original texts were "forever CANCELLED and do not represent my final thoughts about my twins." The New York Times called Leo & Theodore "One of the most desperately funny books we've been given in a long time." And, of The Drunks, The New Yorker wrote, "A dazzling highwire act ... the sheer inventiveness and strength of his writing turn risk into triumph, drunken monologues into subtle satire, A.A. meetings into riveting dramas, and what in another writer might be bathos into brilliant comedy ... probably the most clear-eyed and moving--and certainly one of the most honest--books ever written about alcoholics."

    They came from inner space.

    oversized hardcover

    Author Kernochan followed around a real duo before writing this riotous, raunchy novel. The story: a conniving (and big-breasted) scam queen named Kristal schools a young (small-breasted) naif in the art of the "dry hustle." Starting in a Times Square dance hall, the two women travel across bicentennial America, targeting hapless males in a string of Hilton hotels - until they run into Cody, a con man who is a master seducer in his own right. First published in 1977, Dry Hustle is now considered a classic."Serves up some of the raunchiest, explicit sex scenes yet...ferociously funny..." - Barbara Bannon, Publishers Weekly"Entertaining, ingenious scams. It's raunchy...fast-paced and funny!" - San Francisco Examiner"What's a nice girl from Sarah Lawrence doing writing a dirty book like this?" - US Magazine

    A screenplay.

    More than a retelling of the athletic triumphs and the personal tragedy of his life, Jesse is a remarkable spiritual pilgrimage.

    His autobiography encompasses a personal story openly told; an inside look at New York's innermost intellectual circles; strong and intimate revelations of many of the most important writers of the century; and brilliantly astute observations of the literary accomplishments, atmosphere, and fads of the 1940s, 50s, and 60s in the context of America's shifting political gales.

    In the years between thesis and book, Markson became Lowry’s close friend (see the invaluable reminiscence at the end of the book) and an accomplished novelist in his own right. His critical reputation has only grown in the past two decades. Markson’s holds Under the Volcano to be the greatest English language novel after Ulysses—and very like it in ambition and method. While acknowledging that the novel’s primary pleasure is its literal, dramatic story, he argues here that Lowry’s book is a Joycean endeavor, both in its reliance on the mythic and in its allusive texture. Far from being incidental to the story—bits and pieces of learning merely stuffed into the text, as Lowry’s one-time mentor Conrad Aiken thought them—the dense web of reference is an intrinsic part of Lowry’s plan, and demonstrates his mastery. Working through the novel chapter by chapter, Markson conducts “an inductive investigation,” of the mythic dimension of Lowry’s great tragedy: “The guilt of the protagonist is that of Adam after the expulsion, his agony that of Christ at Golgotha, his frailty Don Quixote’s,” Markson writes. Lowry’s hero becomes, for example—through analogy, allusion, and metaphor—Faust, Dante, Prometheus, Oedipus, Judas, Hamlet, Prospero and Macbeth, as well as Scrooge and Peter Rabbit. Malcolm Lowry’sVolcano is more than just the first and most trenchant analysis of this great novel. It reveals the mind of a gifted contemporary novelist confronting the work of one of his own early masters. For, if Under the Volcano is a modern masterpiece, it has become increasingly clear that Markson is a master as well. Ten years after the appearance of this, his only non-fiction work, he published Wittgenstein’s Mistress, a novel that David Foster Wallace has called “pretty much the high point of experimental fiction in this country.” Praise for Malcolm Lowry's Volcano“A tour-de-force of literary detection.” —Sven Birkerts “An important addition to the Lowry canon.” —Chicago Tribune Book World“A major achievement in scholarly sleuthing, the sine qua non for apprehending Lowry’s great work.” —Fort-Worth Star Telegram

    Just after the turn of the century, New Orleanians could often hear Bolden's powerful horn from the city's parks and through dance hall windows. Despite his lack of formal training, his unique style--both musical and personal--made him the first "king" of New Orleans jazz and the inspiration for such later jazz greats as King Oliver, Kid Ory, and Louis Armstrong.For years the legend of Buddy Bolden was overshadowed by myths about his music, his reckless lifestyle, and his mental instability. In Search of Buddy Bolden overlays the myths with the substance of reality. Interviews with those who knew Bolden and an extensive array of primary sources enliven and inform Donald M. Marquis's absorbing portrait of the brief but brilliant career of the first man of jazz. This paperback edition includes a new preface and appendix relating events and discoveries that have occurred since the book's original publication in 1978.

    Two girls, one a runaway slave, are forced together to survive in the Alabama wilderness of 1836.

    This city, its monuments and ideology, have today almost totally vanished, replaced by a modern metropolis of reflective glass and abstractionist concrete. Dallas Rediscovered examines this city in all its turn of the century splendor through hundreds of period photographs expertly reproduced by a duotone printing process, complemented by a lively and informative text. The author searched for nearly two years -- in museums, archives, and private collections -- for the rich cross-section of photographs, many of which are in print for the first time. He explores Dallas through its architecture, its system of spatial growth and land utilization, and through the developers, land speculators, and urban designers who were so extremely important to the creation of the modern city. This wealth of fascinating material will be of interest to historians, architects, sociologists, urban planners, collectors of old photographs or anyone interested in the shaping of a city.