Vail is certain to lose, but Vail uses his unorthodox ways to good advantage when choosing his legal team—a tight group of men and women who must uncover the extraordinary truth behind the archbishop's slaughter. They do, in a heart-stopping climax unparalleled for the surprise it springs on the reader...

    For speaking a few innocuous words in French to a white woman, Armstrong is killed. And the precariously balanced world and its determined people--white and black--are changed, then and forever, by the horror of poverty, the legacy of justice, and the singular gift of love's power to heal.

    Yet with all the racial, social, and cultural intolerance that marked the day—seemingly immovable mountains in the lives of these characters—God works through the tragedy, the laughter, the pain, the joy, the dramatic, and the ordinary to create a yearning in their hearts for a faith that moves mountains.

    Against all odds they made their dreams come true, building one of the world's largest trading companies and most luxurious hotels... They had only each other--and bloody secrets to bury even as they rose to dizzying heights, wary of love yet vulnerable to passion in its most dangerous forms... The Mandarin would pass his multi-billion-dollar empire only to the women in the Lai Tsin dynasty--along with one last devastating truth....Sweeping from the turn of the century through the 1960's, from the Orient to San Francisco and New York, Elizabeth Adler has written a magnificent novel of new wealth and old privilege, family passions and secret shame, of women surviving, triumphant, in the riveting saga of romantic intrigue.

    At the heart of this story is Ruth Anne Boatwright, known simply as Bone, a bastard child who observes the world around her with a mercilessly keen perspective. When her stepfather Daddy Glen, "cold as death, mean as a snake," becomes increasingly more vicious toward her, Bone finds herself caught in a family triangle that tests the loyalty of her mother, Anney—and leads to a final, harrowing encounter from which there can be no turning back.

    In this enchanting holiday collection, Miss Read shares three of her most beloved and memorable Christmas tales.In Village Christmas, the Emery family is preparing to celebrate their first Christmas in Fairacre, having moved from London just three months before, and to welcome the birth of their fourth child. When the unexpected happens on Christmas morning, their new neighbors, the elderly Waters sisters, are fortunately nearby to lend a hand.The Christmas Mouse takes us to the nearby village of Caxley. Mrs. Berry has just finished her Christmas Eve preparations when a winter storm brings two visitors seeking refuge to her hospitable home. Their chance encounter will make this an unforgettable Christmas for them all.In No Holly for Miss Quinn, a family emergency disrupts Miss Quinn’s plans for a quiet and fuss-free holiday. She agrees to look after her brother’s three young children while their mother is ill and soon finds herself swept away by holiday traditions, the infectious enthusiasm of the children, and the surprising arrival of someone from her past.For uplifting reading, no one rivals Miss Read. Her delightful Christmas tales brim with good cheer and the spirit of Christmas itself.

    But this unruly utopia is imperiled when the demon-harried Cardinal Guzmán decides to inaugurate a new Inquisition, with Cochadebajo as its ultimate target.       On his side, the Cardinal has an army of fanatics who are all too willing to destroy bodies in order to save souls. The Cochadebajeros have precious little ammunition, unless you count chef Dolores's incendiary Chicken of a True Man, and a civil defense that deems nothing more crucial than the act of love. Part epic, part farce, The Troublesome Offspring of Cardinal Guzmán confirms de Bernières's reputation as England's answer to Gabriel García Márquez.

    Will the men of this restless country take advantage of her innocence? Will she recognize God's unexpected gift of love? Can she keep her family safe until her father returns? Grief turns to triumph and innocence to maturity as Kaitlin lifts her heart to God for the strength to face whatever tomorrow brings.

    Ninety three weeks on the best-seller list.Sotah introduces a family with three daughters approaching the age of marriage: Devorah, Dina and Chaya Leah. In the strict orthodoxy of their world, a Sotah is a wife suspected of infidelity who can be tried by ordeal to prove she is guiltless. Which sister could be capable of such a thought, let alone the act? Into the pious world of strict chaperoning and modest clothing, where a married woman's hair must never be seen by a man other than her husband--insinuates this serpent suggestion of evil. Ragen's powerful tale of three sisters spins endless questions: Which one? Could she? Did she? What changes could come into this orderly world because of unthinking actions?

    Named a New York Times Notable Book of the Year, nominated for the 1992 National Book Critics Circle Award, and given the Lambda Award.

    An expert at romantic intrigue, power ploys, and family feuds is in top form in three sensational, best-selling novels, Bloodline, A Stranger in the Mirror, and The Naked Face, brought together in one hardcover edition.

    Set in a diner where the food isn't very good and the ambience veers between heaven and hell, this bestselling novel from the author of Mama Day and The Women of Brewster Place is a feast for the senses and the spirit.

    The story of friendship between four African American women who lean on each other while "waiting to exhale": waiting for that man who will take their breath away.

    When Marietta's mother dies, she heads to Charleston in search of her uncle - only to find a lover and return pregnant with twins two years later. She raises her sons back home in the low country before moving the family to Charleston, where she takes a growing interest in football and the civil rights movement. The boys grow huge and talented at the game, playing pro football in California. A new world and new travails await, but Marietta's great resilience endures.

    It was done at last. They were married. The wedding took place in Naples, a city of burning rubble and poverty – for the time was 1944 and the Germans were in retreat. Thousands of Italians were starving and prepared to do anything to survive. Liana was more determined than most, not only to survive, but to get out of the hell-hole that Naples had become. She had lied, cheated, played provocative games, and now stood in a crumbling church before an emaciated priest. Beside her stood Nicholas Hamilton-Howard, Earl of Wessex, a young English officer who was totally bewitched by the exquisite Italian girl. Even during the service she was terrified – terrified that someone would reveal the truth about her, but when the final blessing was given she knew she was safe and she vowed to devote her life to making Nicholas happy, even though she did not love him – even though their life together was to be built on lies and deception… Angela Arney was born in Hampshire, where she still lives with her husband. She has been a teacher, a hospital administrator and a cabaret singer. The author of a number of romances, Cast the First Stone is her first full-length novel.

    Reprint.

    There's no such thing as too many laughs! Dave Barry's quirky take on American life will shed new light on popular culture.

    Concealing her dangerous beauty beneath the faded robes of an Arab boy, she embarks on the adventure of her life, harassed by vicious nomads, slave traders and the envious witch doctor, Isa. Only a handful of carnival magic tricks stand between her and oblivion. Then she discovers an inner magic so mysteriously compelling that the desert people call her a sorceress. With it she will secure her freedom and discover the love of her life....

    In an age of conformity and innocence, the 19-year-old is tired of conventional virtue. Resisting her easy life, she yearns for meaning and beauty, profundity and mystery. Impulsive and adventurous, she attends a midnight meeting of the Klan, and then repelled, hurls herself into the civil rights movement.Half-conscious of her unmet needs and desires, she vacillates between the world of her family and that of her dreams, flirting with danger, pressing against the edge -- with disturbing and tragic consequences."To say that Ellen Gilchrist can write is to say that Placido Domingo can sing. All you need to do is listen." (The Washington Post)

    "Word of Honor, Cathedral, "and" By the Rivers of Babylon "display the heroism, madness, treachery, sex, savagery, and masterful storytelling that keep this author's fans coming back for more.

    But then, in a single week, his whole world had been turned upside down by a dancer, Stephanie McQueen, who seemed to float across the stage of the Empire Music Hall where she was appearing as The Maltese Angel. To his amazement, the attraction was mutual, and after a whirlwind courtship she agreed to marry him.But a scorpion had already begun to emerge from beneath the stone of the local community, who considered that Ward had betrayed their expectations, and had led on and cruelly deserted Daisy. There followed a series of reprisals on his family, one of them serious enough to cause him to exact a terrible revenge; and these events would twist and turn the course of many lives through Ward's own and succeeding generations.

    Their theft tragically unleashes a series of events, among them murder and suicide.

    Danny's father, Bobjay Crell, has been at the mercy of doctors, unforgiving landlords, and cruel farm bosses ever since he lost an arm in a farm accident. His subsequent fits of rage and drunken jealousy have taken their toll on his wife and five children. The two hemophiliac boys, Danny and his younger brother Grove, have been particularly vulnerable. Bobjay isn't the same man that young Ellen Crell married years ago, but still she will go to terrible lengths to keep him home and sober and, failing that, to just hold the family together. In the midst of the worst violence, Ellen becomes a stranger to the children, as frightening in her own way as Bobjay in his worst rages. In a ramshackle cottage the children name "The Circle House" for its circle of rooms where one door opens on to the next in a dizzy escape leading nowhere, Ellen and the children must face at last the tormented man who terrorizes them all. Jim Grimsley's brilliant first novel unfolds in a strikingly unconventional way - as Danny tells himself his own story - and brings to light a shattering story of heartbreak, violence, and the endurance of the spirit.

    Distanced from her heritage, Amparo is nevertheless spellbound by the histories of her grandmother, aunt, and mother. Listening to the ancestral music, Amparo learns to hear its strains woven throughout her life.

    But not even Father Gunn, the parish priest, who knows most of what goes on behind Shancarrig's closed doors, or Dr. Jims, the village doctor, who knows all the rest, realizes that not everything in the placid village is what it seems. From the Hardcover edition.

    On the occasion of the Centennial of the University of Chicago and its Press, we take pleasure in reissuing this complete work in a handsome four-volume slipcased edition as well as in redesigned versions of the familiar paperbacks. For the Centennial Edition two of the original translations have been replaced. In the original publication David Grene translated only one of the three Theban plays, "Oedipus the King." Now he has added his own translations of the remaining two, "Oedipus at Colonus" and "Antigone," thus bringing a new unity of tone and style to this group. Grene has also revised his earlier translation of "Prometheus Bound" and rendered some of the former prose sections in verse. These new translations replace the originals included in the paperback volumes "Sophocles I" (which contains all three Theban plays), "Aeschylus II, Greek Tragedies, Volume I, "and "Greek Tragedies, Volume III," all of which are now being published in second editions. All other volumes contain the translations of the tragedies of Aeschylus, Sophocles, and Euripides for the most part from the original versions first published in the 1940s and 1950s. These translations have been the choice of generations of teachers and students, selling in the past forty years over three million copies.

    On the other side of a patch of woods are Melvina Williams, the Conyers' maid, her drunken husband Old Alfonso, and a yard full of kids, mostly boys--including Lucy's obsession, the wild and handsome Skippy.This is the early 1960s and the battle over integration is brewing even in Lucy's own home. Her stepfather clings to segregationist ways, while her independent-minded mother believes in the cause of civil rights. Lucy  understands that there are unspoken lines she is not to cross, but her curiosity leads her to trespass on the forbidden world next door. There, she learns the hard realities of love, race, and hatred.The story, told convincingly and compellingly in the voice of its young narrator, examines the complex relationships between family members, men and women, blacks and whites. Crossing Blood is a novel of making promises and struggling to keep them, of unlikely bonds and forbidden ones, of love gone wrong and love everlasting.

    S. Merwin vividly conveys his intimate knowledge of the people and the countryside in this ancient part of France (home of the Lascaux caves). In three narratives of small-town life, Merwin shows with matchless poetic and narrative power how the past is still palpably present.On its original publication in 1992 Jane Kramer wrote, "These stories are a gift from one of the great poets of the English language, a chronicle of the heartstopping seasons of one small corner of La France Profonde and of its stubborn and illusive characters. Merwin’s French peasants are a force of nature, like the blackberry brambles that used to choke his garden, and he cultivates them both with that attentive, exacting, and relentlessly patient genius that great poets and great gardeners share. This is, simply, the most beautiful writing about France I know."

    TempestuousRavishing but tough riverboat gambler Amanda Sites wants to be a proper lady and her newly won half of a Kentucky horse farm seems the answer to her prayers with a magnificently handsome partner thrown in to sweeten the pot!TemperamentalFirst his fool brother loses half of the family estate in a poker game and now Grant Gardner has to put up with a brazen hussy who thinks she has the right to run things turning his house upside-down, his servants against him and worst yet, driving him crazy with desire!TemptationCome hell or high water, Grant is determined to get the lovely, willful wildcat off his back and out of his life if only he can resist her scandalously lush body and the soul-searing fire that blazes in her eyes!

    Set in the stark, confining atmosphere of a Newfoundland milltown, this semi-autobiographical novel tells the story of the Stone family-caught in relentless poverty and tyranized by Saul Stone, an illiterate man whose primitive fury warps and twists his wife and children. A brilliant portrayal of existence bereft of tende ess, House of Hate is a Tale of human ordeal and of an anguished striving for love in the midst of bitte ess. It is, as Farley Mowet has observed, a book unique in Canadian Literature. Percy Janes is a Canadian author who was raised in Newfoundland and retu ed there to live after extended travels in Europe.

    Reprint. PW. K. LJ.

    Utterly accurate in its depiction of historical and military events and astoundingly rich in detail, Cafe Berlin is vivid and compelling.

    Best known for his novel The Sheltering Sky, he has for over forty-five years worked in a variety of genres, writing novels, stories, travel accounts, essays, poetry, journals, and autobiography, each distinctively shaped by his arresting vision and style. Since 1947 he has lived as an American expatriate in Tangier, Morocco, and his groundbreaking work has formed an important departure point for an international array of writers - most notably the Beats, whose literature and lifestyle he influenced greatly. Long heralded as a writer's writer and once considered primarily a literary cult figure, Bowles has in recent years been recognized as an original - an enduring visionary whose stark, often violent tales and dispassionate objectivity prefigured and shaped much of our current literary landscape. This striking and comprehensive collection documents the range of his influence and highlights his remarkable virtuosity, what Joyce Carol Oates calls "the rich and unexpectedly variegated achievement of a major American writer." First published in 1949 and included here in its entirety, The Sheltering Sky established Bowles as one of the most singular and promising of an extraordinary post-war generation of writers. His first collection of stories, The Delicate Prey, published in 1950, solidified that reputation. Too Far from Home: The Selected Writing of Paul Bowles is a testament to how forcefully and brilliantly he delivered on that early promise. Taking its title from a new novella published here for the first time, this volume also brings together a dozen of Bowles's best stories; excerpts from his three othernovels, Let It Come Down, The Spider's House, and Up Above the World; excerpts from Points in Time, Their Heads Are Green and Their Hands Are Blue, Days, and Without Stopping; as well as a group of poems, a selection of previously unpublished letters, and an interview conducted by

    This huge oratorio of a novel unfolds over seven days in the life of Joubert Jones, an aspiring playwright making ends meet tending bar at his Aunt Eloise's Night Lounge. A Rabelaisian cast of characters and a Shakespearean range of voices crowd the pages of this book, an infinitely rich and suggestive tapestry of Black-American life and identity.

    An exhilarating, fiercely honest, ultimately devastating book, The Furies confronts the claims of family and the lure of desire, the difficulties of independence, and the approach of death.Janet Hobhouse's final testament is beautifully written, deeply felt, and above all utterly alive.

    captures what it's like to grow up too fast amid the crushing poverty of the South Bronx. A gritty slice of New York Latino life—now reissued with a striking new cover.

    In the foreground, brought wholly alive, are relatives, neighbors, and family friends eccentric and otherwise.

    Edgar Allen Poe, Charles Dickens, Wilkie Collins, Arthur Conan Doyle, J.S. LeFanu, and a host of others pioneered a genre of fiction that remains among the most popular today. Now, in Victorian Tales of Mystery and Detection, Michael Cox provides a sampling of the finest detective stories written from the 1840s to the early twentieth century. Here readers will find a vast array of detectives and villains, and a multitude of murder methods and motives. In Edgar Allen Poe's "The Purloined Letter," the identity of the robber is known from the start--it is the surreptitious retrieval of the letter that is the mystery. In M. McDonnell Bodkin's "Murder By Proxy," a gentleman is shot in the head at close range, by a murderer who was not even in the same room. Charles Dickens's "Hunted Down" portrays a murderer who was slowly poisoning his very own nieces for their insurance money. And in Sir Arthur Conan Doyle's "The Lost Special," a train and its passengers vanish in thin air. In addition, Cox (who is rapidly becoming one of the foremost experts on Victorian popular fiction) arranges the stories in chronological order so that readers can follow the genre as it develops over time. For instance, in Conan Doyle's "The Adventure of the Blue Carbuncle" we see an example of the many Sherlock Holmes escapades that popularized and came to typify the detective story for the Victorian public. And in the progression of the stories, we witness the evolution of the investigator from Poe's brilliant and eccentric Chevalier C. August Dupin, to Doyle's scientific Sherlock Holmes, into Robert Barr's cavalier Valmont (a possible model for Agatha Christie's Hercule Poirot). Including well-known stories by famous authors, as well as little known gems reprinted for the first time, Victorian Tales of Mystery and Detection not only offers hours of enjoyment and escape for all lovers of crime fiction, but also brings alive the society, language, the sights, and sounds of the Victorian age.Contents:The purloined letter by Edgar Allan PoeThe murdered cousin by J.S. Le FanuHunted down by Charles DickensLevison's victim by Mary Elizabeth BraddonThe mystery at number seven by Mrs Henry WoodThe going out of Alessandro Pozzone by Richard DowlingWho killed Zebedee? by Wilkie CollinsA circumstantial puzzle by R.E. FrancillonThe mystery of Essex stairs by Sir Gilbert CampbellThe adventure of the blue carbuncle by Sir Arthur Conan DoyleThe great ruby robbery by Grant AllenThe sapient monkey by Headon HillCheating the gallows by Israel ZangwillDrawn daggers by C.L. PirkisThe greenstone god and the stockbroker by Fergus HumeThe arrest of Captain Vandaleur by L.T. Meade and Robert EustaceThe accusing shadow by Harry BlythThe ivy cottage mystery by Arthur MorrisonThe Azteck opal by Rodrigues OttolenguiThe long arm by Mary E. WilkinsThe case of Euphemia Raphash by M.P. ShielThe tin box by Herbert KeenMurder by proxy by M. McDonnell BodkinThe duchess of Wiltshire's diamonds by Guy BoothbyThe story of the Spaniards, Hammersmith by E. and H. HeronThe lost special by Sir Arthur Conan DoyleThe banknote forger by C.J. Cutcliffe HyneA warning in red by Victor L. Whitechurch and E. ConwayThe Fenchurch Street mystery by Baroness OrczyThe green spider by Sax RohmerThe clue of the silver spoons by Robert Barr

    It is the moving tale of Waguli (Whippoorwill") and Oconeechee, a young Cherokee man and woman separated by the Trail of Tears. Just as they are about to be married, Waguli is captured be federal soldiers and, along with thousands of other Cherokees, taken west, on foot and then by steamboat, to what is now eastern Oklahoma. Though many die along the way, Waguli survives, drowning his shame and sorrow in alcohol. Oconeechee, among the few Cherokees who remain behind, hidden in the mountains, embarks on a courageous search for Waguli.Robert J. Conley makes use of song, legend, and historical documents to weave the rich texture of the story, which is told through several, sometimes contradictory, voices. The traditional narrative of the Trail of Tears is told to a young contemporary Cherokee boy by his grandfather, presented in bits and pieces as they go about their everyday chores in rural North Carolina. The telling is neiter bitter nor hostile; it is sympathetic by unsentimental. An ironic third point of view, detached and often adversarial, is provided by the historical documents interspersed through the novel, from the text of the removal treaty to Ralph Waldo Emerson's letter to the president of the United States in protest of the removal. In this layering of contradictory elements, Conley implies questions about the relationships between history and legend, storytelling and myth-making.Inspired by the lyrics of Don Grooms's song "Whippoorwill," which open many chapters in the text, Conley has written a novel both meticulously accurate and deeply moving.

    This stunning collection of original tales, legends, and historical accounts explores the rich tapestry of Mesoamerican narrative myths that have survived the Conquest. Some of the narratives in this selection are presented here for the first time in English translations of their original texts, while other antiquated translations have been updated. "We are fortunate to be able to present what remains of one of the world's great mythological traditions," write the Markmans, "and even in these 'fragments shored against the ruins' we can still sense the magnificence of that tradition." From the ancient goddess of Zohalpico, perhaps the earliest known image of the village cultures, The Flayed God chronologically traces the development of the myths of creation, fertility, rulership, hero journeys, and migration within the urban mythic traditions of the Olmec, Toltec, Maya, Mixtec, and Aztec cultures. Richly illustrated throughout with the strange and compelling imagery of the original codices, stelae, friezes, murals, figurines, masks, and statues, The Flayed God is among the most coherent and eminently readable volumes to date on the Mesoamerican experience. The flayed god of the title is Xipe Totec, "the metaphoric embodiment of the cyclical pattern of all life, a pattern promising the rebirth of man and man's sustenance, the corn, but requiring sacrificial death for the accomplishment of that rebirth." He is depicted with his face covered by a mask made from the taut skin of a sacrificial victim, a mask through which we can see the wearer's own living eyes and mouth, and he also wears the skin of the flayed one as a garment. In the ritual

    But when she finds herself in the seductive embrace of her devastatingly handsome assistant, Donovan, she's not sure if it's love that's in his eyes - or a hungry desire to climb the corporate ladder.She only knows she's fallen under his spell ...Belonging to TaylorTrevor King would do anything for a woman in tears - anything but marry her! When he gallantly offers a hankie to a weeping Taylor Shannon, he's drawn into her world faster than he can say "I do," and is determined to resist her tearful marriage proposal. But how can a man keep from falling for a sexy spitfire who feminine wiles are coupled with mind-reading mischief?

    Chekhov's miraculous stories not only changed the face of the short story form, but have provided for the innumerable readers who have cherished his work and access to the quiet dramas of the soul, and a degree of human fellow-feeling never before offered by literature.

    Outrageously inventive, disarmingly comic, and urgently disturbing, this collection brings a disparate cast of characters face to face with fault lines of identity and the limbo of living between cultures.The Kind of Light That Shines on Texas was first published by Little, Brown and Company in 1992. This edition is published in cooperation with the Living Writers course at Colgate University.

    On the turbulent flight back to south Louisiana, Rory finds herself relating her family's past and its particular, poisonous brew of money, passion, infidelity, alcohol, religion, and Irish insanity. The Cades of Covington -- a dashing, drunken father; a mother and stepmother both dead at an early age; three young daughters raised in genteel chaos; a live-in grandmother and fiery maiden aunt. This broken, brave m�nage and their attendant circle of friends, lovers, and servants are realized with amazing penetration and deftness in a stirring, stinging survey of the cruel, humorous, unpredictable human heart.

    She's 13, wise-mouthed but wounded, having bid her childhood goodbye. Stranded in front of her bedroom TV, she spends the next few years nourishing herself with the Mallomars, potato chips, and Pepsi her anxious mother supplies. When she finally orbits into young womanhood at 257 pounds, Dolores is no stronger and life is no kinder. But this time she's determined to rise to the occasion and give herself one more chance before she really goes under.

    Set in resistance France, this is a grand and passionate story of forbidden love between an English Special Operations Executive and a German Abwehr officer.

    There are jibes at hypocrisy and prejudice, sexiness and sauciness, and a riotous overturning of the "Lady Poet" image. With poets spanning continents and centuries, this anthology abundantly demonstrates the ways in which women can be "wicked," and willfully so. Among the list of contributors are Maya Angelou, Margaret Atwood, Emily Dickinson, Carol Ann Duffy, Suniti Namjoshi, Grace Nichols, Dorothy Parker, Izumi Shikibu, and Stevie Smith.

    For centuries, writers have struggled to achieve the sublime through these tales, at times creating works of enduring interest. Horror novels have become one of the major bestselling forms of fiction in recent years, and Hollywood has given us a huge and varied supply of popular films, which has created an audience in the millions for horror. But throughout history, many of the finest achievements in horror have been in short fiction. From these masterpieces have been selected the contents of Foundations of Fear. This anthology presents an international selection of the strongest work by writers such as Clive Barker, H.P. Lovecraft, and Arthur Machen, who have been identified as category horror writers, and by writers such as Carlos Fuentes, Gerald Durrell, and Daphne Du Maurier, whose literary reputations transcend category. For horror in literature cuts across all category boundaries. Thus the reader will find in this volume domestic horror stories by Thomas Hardy, Violet Hunt and Mary Wilkins Freeman; and stories by Robert A. Heinlein and Philip K. Dick, masters of science fiction. The Introduction to Foundations of Fear takes particular note of women writers, who have made important contributions to the development of the horrific in literature; in addition to those already mentioned the collection includes works by Madeline Yale Wynne, Harriet Prescott Spofford, Gertrude Atherton, and others. Foundations of Fear challenges the notion that the supernatural in fiction has in modern times been supplanted by the psychological, the idea that horror is dead. Horror is one of the dominant literary modes of our time, a vigorous and living body of literature that continues to thrill us with the mystery and wonder of the unknown. Contents 1 • Introduction (Foundations of Fear) • (1992) • essay by David G. Hartwell 12 • Don't Look Now • (1966) • novella by Daphne du Maurier 41 • They • (1941) • shortstory by Robert A. Heinlein 52 • At the Mountains of Madness • [Cthulhu Mythos] • (1936) • novel by H. P. Lovecraft 115 • The Little Room • (1895) • shortstory by Madeline Yale Wynne 124 • The Shadowy Street • (1965) • novelette by Jean Ray (aka La ruelle ténébreuse 1932 ) 145 • Passengers • (1968) • shortstory by Robert Silverberg 154 • The Moonstone Mass • (1868) • shortstory by Harriet Prescott Spofford 163 • The Blue Rose • [Blue Rose] • (1985) • novella by Peter Straub (aka Blue Rose) 197 • Sandkings • (1979) • novelette by George R. R. Martin 223 • The Great God Pan • (1894) • novella by Arthur Machen 256 • Aura • (1965) • novelette by Carlos Fuentes 276 • Barbara, of the House of Grebe • (1890) • novelette by Thomas Hardy 295 • Torturing Mr. Amberwell • (1985) • novelette by Thomas M. Disch 317 • The Prayer • (1895) • novelette by Violet Hunt 334 • Who Goes There? • (1938) • novella by John W. Campbell, Jr. [as by John W. Campbell ] 370 • . . . and my fear is great • (1953) • novella by Theodore Sturgeon (aka . . . And My Fear Is Great . . .) 409 • When Darkness Loves Us • (1985) • novelette by Elizabeth Engstrom 439 • We Purchased People • (1974) • shortstory by Frederik Pohl 449 • The Striding Place • (1896) • shortstory by Gertrude Atherton 454 • In the Hills, the Cities • (1984) • novelette by Clive Barker 474 • Faith of Our Fathers • (1967) • novelette by Philip K. Dick 495 • The Bell in the Fog • (1905) • novelette by Gertrude Atherton 509 • The Sand-Man • (1816) • novelette by E. T. A. Hoffmann (aka Der Sandmann) 530 • Bloodchild • (1984) • novelette by Octavia E. Butler [as by Octavia Butler ] 543 • Duel • (1971) • novelette by Richard Matheson 558 • Longtooth • (1970) • novelette by Edgar Pangborn 580 • Luella Miller • (1902) • shortstory by Mary E. Wilkins Freeman [as by Mary Wilkins Freeman ] 589 • The Entrance • (1979) • novelette by Gerald Durrell 619 • The Lurking Duck • (1992) • shortfiction by Scott Baker 649 • Notes on the Writing of Horror: A Story • (1985) • novelette by Thomas Ligotti

    Then, on the journey to California, the undeniable attraction between them took on a force of its own ... until the danger they shared ignited a blazing, furious passion hotter than the Western sun ...

    Nineteenth-century Japanese novel concerned with man's loneliness in the modern world.

    But their luck is running out, and they're about to be hauled off to jail. When the wagon carrying them falls under attack, each sister is picked up by a different man. Unfortunately for Abigail, she's grabbed by a twit of a shoe salesman, Mr. Hershall Digman. She steals his horse and rides off to the nearest town, not giving him another thought...until she discovers those secret papers in his saddlebags. Could Mr. Digman be a Confederate spy?As if to prove it, the man who comes storming after her is no shoe salesman, but a handsome captain who wants his papers back...at any cost. And Abigail wants a ride back home. Together they embark on his mission, determined not to trust each other...or the God who won't seem to let them go.