But it is Anthony as a husband and lover that intrigues her most. She looks at the nature of his love for his wife, Rose and at his love for Kate Field. The author does say that some of it is imagined and she cannot prove what she says happened or is said, but she is "sure of it" herself.

    Edgar Allen Poe, Charles Dickens, Wilkie Collins, Arthur Conan Doyle, J.S. LeFanu, and a host of others pioneered a genre of fiction that remains among the most popular today. Now, in Victorian Tales of Mystery and Detection, Michael Cox provides a sampling of the finest detective stories written from the 1840s to the early twentieth century. Here readers will find a vast array of detectives and villains, and a multitude of murder methods and motives. In Edgar Allen Poe's "The Purloined Letter," the identity of the robber is known from the start--it is the surreptitious retrieval of the letter that is the mystery. In M. McDonnell Bodkin's "Murder By Proxy," a gentleman is shot in the head at close range, by a murderer who was not even in the same room. Charles Dickens's "Hunted Down" portrays a murderer who was slowly poisoning his very own nieces for their insurance money. And in Sir Arthur Conan Doyle's "The Lost Special," a train and its passengers vanish in thin air. In addition, Cox (who is rapidly becoming one of the foremost experts on Victorian popular fiction) arranges the stories in chronological order so that readers can follow the genre as it develops over time. For instance, in Conan Doyle's "The Adventure of the Blue Carbuncle" we see an example of the many Sherlock Holmes escapades that popularized and came to typify the detective story for the Victorian public. And in the progression of the stories, we witness the evolution of the investigator from Poe's brilliant and eccentric Chevalier C. August Dupin, to Doyle's scientific Sherlock Holmes, into Robert Barr's cavalier Valmont (a possible model for Agatha Christie's Hercule Poirot). Including well-known stories by famous authors, as well as little known gems reprinted for the first time, Victorian Tales of Mystery and Detection not only offers hours of enjoyment and escape for all lovers of crime fiction, but also brings alive the society, language, the sights, and sounds of the Victorian age.Contents:The purloined letter by Edgar Allan PoeThe murdered cousin by J.S. Le FanuHunted down by Charles DickensLevison's victim by Mary Elizabeth BraddonThe mystery at number seven by Mrs Henry WoodThe going out of Alessandro Pozzone by Richard DowlingWho killed Zebedee? by Wilkie CollinsA circumstantial puzzle by R.E. FrancillonThe mystery of Essex stairs by Sir Gilbert CampbellThe adventure of the blue carbuncle by Sir Arthur Conan DoyleThe great ruby robbery by Grant AllenThe sapient monkey by Headon HillCheating the gallows by Israel ZangwillDrawn daggers by C.L. PirkisThe greenstone god and the stockbroker by Fergus HumeThe arrest of Captain Vandaleur by L.T. Meade and Robert EustaceThe accusing shadow by Harry BlythThe ivy cottage mystery by Arthur MorrisonThe Azteck opal by Rodrigues OttolenguiThe long arm by Mary E. WilkinsThe case of Euphemia Raphash by M.P. ShielThe tin box by Herbert KeenMurder by proxy by M. McDonnell BodkinThe duchess of Wiltshire's diamonds by Guy BoothbyThe story of the Spaniards, Hammersmith by E. and H. HeronThe lost special by Sir Arthur Conan DoyleThe banknote forger by C.J. Cutcliffe HyneA warning in red by Victor L. Whitechurch and E. ConwayThe Fenchurch Street mystery by Baroness OrczyThe green spider by Sax RohmerThe clue of the silver spoons by Robert Barr

    From Anne Thackeray Ritchie's adaptations of "The Sleeping Beauty in the Wood" to Christina Rossetti's unsettling antifantasies in Speaking Likenesses, these are breathtaking acts of imaginative freedom, by turns amusing, charming, and disturbing. Besides their social and historical implications, they are extraordinary stories, full of strange delights for readers of any age."Forbidden Journeys is not only a darkly entertaining book to read for the fantasies and anti-fantasies told, but also is a significant contribution to nineteenth-century cultural history, and especially feminist studies."—United Press International"A service to feminists, to Victorian Studies, to children's literature and to children."—Beverly Lyon Clark, Women's Review of Books"These are stories to laugh over, cheer at, celebrate, and wince at. . . . Forbidden Journeys is a welcome reminder that rebellion was still possible, and the editors' intelligent and fascinating commentary reveals ways in which these stories defied the Victorian patriarchy."—Allyson F. McGill, Belles Lettres

    In middle age, with three grown children, she began to study painting and photography, set up a portrait studio on New York's Fifth Avenue, and became one of the finest and best-known portraitists and photographic artists of her day. 116 illustrations.

    Expertly blending social history and cultural criticism, Judith Walkowitz shows how these narratives reveal the complex dramas of power, politics, and sexuality that were being played out in late nineteenth-century Britain, and how they influenced the language of politics, journalism, and fiction.Victorian London was a world where long-standing traditions of class and gender were challenged by a range of public spectacles, mass media scandals, new commercial spaces, and a proliferation of new sexual categories and identities. In the midst of this changing culture, women of many classes challenged the traditional privileges of elite males andasserted their presence in the public domain.An important catalyst in this conflict, argues Walkowitz, was W. T. Stead's widely read 1885 article about child prostitution. Capitalizing on the uproar caused by the piece and the volatile political climate of the time, women spoke of sexual danger, articulating their own grievances against men, inserting themselves into the public discussion of sex to an unprecedented extent, and gaining new entree to public spaces and journalistic practices. The ultimate manifestation of class anxiety and gender antagonism came in 1888 with the tabloid tales of Jack the Ripper. In between, there were quotidien stories of sexual possibility and urban adventure, and Walkowitz examines them all, showing how women were not simply figures in the imaginary landscape of male spectators, but also central actors in the stories of metropolotin life that reverberated in courtrooms, learned journals, drawing rooms, street corners, and in the letters columns of the daily press.A model of cultural history, this ambitious book will stimulate and enlighten readers across a broad range of interests.

    This mesmerizing Phantom is traditional musical theatre in the finest sense. The Tony award winning authors of Nine have transformed Gaston Leroux' The Phantom of the Opera into a sensation that enraptures audiences and critics with beautiful songs and an expertly crafted book. It is constructed around characters more richly developed than in any other version, including the original novel. "Everything is first rate." - N.Y. Daily News

    In the Victorian era, the best poets and literary minds created a special world for children. Today these poems, with their rollicking energy and old-fashioned values, are still brimming with charm, whimsy, and truth.Here are offerings from Amy Lowell, Edward Lear, James Whitcomb Riley, Lewis Carroll, Emily Dickinson, and Robert Louis Stevenson combined with treasures hidden for a century or more in scrapbooks, anthologies, and dusty copies of The Youth's Companion and St. Nicholas Magazine. Poems on the virtues of home and family, the seasons, animals, patriotism-and silly poems that mean nothing at all. Charming full-color pictures of the period decorate each page, and for parents and older readers, there is marginalia on the poem or poet. 30,000 copies in print.

    Scented with Penhaligon's Gardenia, this title evokes the nostalgic and romantic spirit of the time-honored English garden.

    I am an agitator, he once said. My work has consisted of trying to stir up a divine discontent with wrong. Widely regarded at the time of his death in 1915 as a failure, he is seen today as the inspirational founder of the Labour party, his name a source of pride. It was not just his socialism, but his utter and genuine principle in pursuing it. He believed in it almost religiously and was willing to suffer for that belief.

    This monumental book is the first general history of the Shakers from their origins in eighteenth-century England to the present day.Drawing on written and oral testimony by Shakers over the past two centuries, Stephen J. Stein offers a full and often revisionist account of the movement: their charismatic leaders, the early years in revolutionary New York and New England, the expansion into the West, the maturation and growth of the sect before the Civil War, the decline in their fortunes after the war, the painful adjustments to society Shakers had to make during the first half of the twentieth century, the renaissance of interest after 1950, and the “forbidden topic” within contemporary Shakerism—the conflict between the two remaining villages at Canterbury, New Hampshire, and Sabbathday Lake, Maine. Stein provides many new interpretations of the Shaker experience. He reassesses the role of founder Ann Lee, emphasizes the impact of the western Shaker settlements on the course of the society’s history, and describes the variety of cultural enterprises that have obscured the religious and historical dimensions of the Shakers. Throughout Stein places the Shaker experience within the wider context of American life and shows how the movement has evolved to deal with changing times. Shattering the romantic myth that has been perpetuated about the quaint and peaceful Shakers, Stein portrays a group that is factious, practical, and fully human.

    Set in Lancashire in the 19th century, this is the story of a woman whose life becomes a search for revenge against the rich landowner who helped ruin her childhood.

    Then the handsome British agent had gone…Suddenly, Nadina was in danger, sought by the Grand Vizier to be his third wife! The lovely orphan turned to her only hope – Lyle Westley of the British Embassy… In disguise, the two flee toward England, the home Nadina had never known. But soon they were caught – willing captives of the Wonder and Glory of Love…

    225 pictures and drawings; 16-page color insert.

    Undaunted by her reputation as Lady Disdain, he wagers he will win the hand—and heart—of Miss Melissa Hampton. Heiress Melissa Hampton holds her suitors in contempt, but the handsome, witty, and charming viscount woos her like no other. Is the man more than what he seems, or is he just another fortune hunter? And in this game of love, who is in danger of losing all? “Fortune Hunter is a light-hearted, delicious Regency romp that tickles the reader’s funny bone.”- Romantic Times The Regency Collection: Witty Regencies with a Touch of Mystery Two-time RITA Finalist Deborah Simmons is the author of twenty-eight romances published by Avon, Harlequin, and Berkley, as well as a romantic comedy. Visit her at: www.DeborahSimmons.com Friend her at: www.Facebook.com/AuthorDeborahSimmons

    The book features authentic recipes for 18 Victorian cakes, cookies and pies, plus reproductions of vintage trade cards and product labels. 50 full-color illustrations.

    

    By focussing on the period between the 1860s and the 1880s, this book sets out to explain why and how that happened, and to examine the people who supported it, their beliefs, and the way in which the latter related to one another and to reality. Popular suport for the Liberal party was not irrational in either its objectives or its motivations: on the contrary, its dissemination was due to the fact that the programme of reforms proposed by the party leaders offered convincing solutions to some of the problems perceived as being the most urgent at the time. This is a revealing, innovative synthesis of the history of popular support for the Liberal party, which emphasises the extent to which Liberalism stood in the common heritage of European and American democracy.

    

    This book by Tamar Heller—the most comprehensive study of Collins's work ever written--places Collins within Victorian literary history, showing how his fiction transforms the conventions of the traditionally female genre of the Gothic novel and can be read as a critique of the gender and class distinctions that structured Victorian society. Heller offers an insightful account of the ways in which Collins's work in the female Gothic tradition influenced his characteristic themes and imagery. She also explores how this association with the genres of the Gothic and with controversial "sensation fiction" linked Collins with women writers and literary and social marginality during an era when novel writing was increasingly a male-defined and male-dominated profession. Heller argues that Collins's fictions reflect his own contradictory status as a Victorian writer; his novels focus on the relation of the writer to the literary marketplace and also on the intricate and ambivalent dialectic of masculine literary authority and feminine marginality. This study of Collins makes an original contribution to feminist literary criticism by demonstrating its value for the reexamination of an important male writer. In addition, by exploring the complexity of the relationship of a male writer to a feminine literary tradition, the book breaks new ground in the study of literary influence and in critical discussions of the literary canon.

    In Child-Loving, James Kincaid writes a fresh chapter in the history of the Victorian era. Dealing with one of the most intimate and troubling notions of the modern period - how the Victorians (and we, their descendants) - imagine children within the continuum of human sexuality, Kincaid's work compels us to consider just how we love the children we love. Throughout the nineteenth century, the child developed as a symbol of purity, innocence, asexuality - the angelic child perhaps not wholly real. Yet the child could also be a figure of fantasy, obsession, suppressed desires. Think of Lewis Carroll's Alice (or, a few years later, James Barrie's Peter Pan). The image of the child as both pure and strangely erotic is part of the mythology of Victorian culture. And so, Kincaid argues, the Victorians viewed children in ways that seem to us now complex and perhaps bizarre. But do we fare much better today? Contemporary society sees children at risk, in need of protection from pedophiles. Yet as our culture recoils from the horror of child molestation, we offer children's bodies as spectacle in the media and advertising, giving children the erotic attention we wish to deny. Built on a decade of research into literary, medical, cultural, and legal materials, Child-Loving traces for the first time the growth of our conceptions of the body, the child, and sexuality, and the stories we tell about them.

    The moving story of two newsboys who r ally their colleagues against greedy price increases of publishing giants Hearst and Pulitzer will capture the hearts of young moviegoers. This novelized version is illustrated with color stills from the film.