Set in Lancashire in the 1860s, this is the story of Emma Grady, who lives with her uncle, a tough mill owner who tries to trick her out of her inheritance.

     Can Chloe bring order to the Montrose family? Regency England As a practical doctor’s daughter living in the countryside, Chloe Norris has had little experience among the aristocracy. But when she leaves her quiet existence to act as a temporary social secretary to the Montrose family, Chloe finds herself caught in a whirlwind of wedding plans, star-crossed lovers and unacknowledged family tensions. Amid the chaos, Chloe is surprised to find solace in intellectual conversation with the intriguing but aloof Lord Ivor Montrose, the family’s eldest son. And as their connection grows stronger, her cool-headed attitude is soon put to the test… The Courtship of Chloe by Dorothy Mack is a classic Regency romance full of twists and surprises.

    It includes recreated images of Lincoln and his contemporaries from photographs, daguerreotypes, prints and cartoons of the day.

    This book may have occasional imperfectionssuch as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed worksworldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Catherine De Medici; Or, The Queen Mother (part II, Marguerite De Valois). Alexandre Dumas Century, 1909

      Luke McQuade travels to Kansas with revenge on his mind. He plans to bring the pro-slavery killer who murdered his father to brutal justice. But his mission is sidetracked when he meets a beautiful woman whose fiery nature matches his own.   Valeria Walters is not one to be trifled with, and the simmering passion she feels for Luke, and that he feels for her, makes him question his bloody mission, and whether salvation and peace can exist instead in her arms.   “Power, passion, tragedy and triumph are Rosanne Bittner’s hallmarks. Again and again, she brings readers to tears.” —RT Book Reviews

    For two hours, Yankees and Rebels mingle, with some of the latter even assisting the former in their grisly work. Newspapers are exchanged. Northern coffee is swapped for Southern tobacco. Yanks crowd around two Rebel generals, soliciting and obtaining autographs.As they part, a Confederate calls to a Yankee, "I hope to miss you, Yank, if I happen to shoot in your direction." "May I, never hit you Johnny if we fight again," comes the reply.The reprieve is short. A couple of months, dozens of battles, and more than 30,000 casualties later, the North takes Atlanta.One of the most dramatic and decisive episodes of the Civil War, the Atlanta Campaign was a military operation carried out on a grand scale across a spectacular landscape that pitted some of the war's best (and worst) general against each other.In Decision in the West, Albert Castel provides the first detailed history of the Campaign published since Jacob D. Cox's version appeared in 1882. Unlike Cox, who was a general in Sherman's army, Castel provides an objective perspective and a comprehensive account based on primary and secondary sources that have become available in the past 110 years.Castel gives a full and balanced treatment to the operations of both the Union and Confederate armies from the perspective of the common soldiers as well as the top generals. He offers new accounts and analyses of many of the major events of the campaign, and, in the process, corrects many long-standing myths, misconceptions, and mistakes. In particular, he challenges the standard view of Sherman's performance.Written in present tense to give a sense of immediacy and greater realism, Decision in the West demonstrates more definitively than any previous book how the capture of Atlanta by Sherman's army occurred and why it assured Northern victory in the Civil War.

    This study of the battle is based on research in archives from Connecticut to California and includes a pioneering study of the terrain of the sprawling battlefield, as well as an examination of soldiers' personal experiences, the use of Native American troops, and the role of Pea Ridge in regional folklore.

    Features the "House Divided" speech, the Emancipation Proclamation, the Gettysburg Address, and 75 other selections.

    In this volume, Professor Leakey provides a comprehensive guide to the understanding and appreciation of Les Fleurs du Mal, offering new insights into its composition, themes and style, setting it in its historical context, and devoting a whole chapter to Baudelaire's crowning achievement, Le Cygne.

    It's the greatest pioneering story in history, uniquely combining the heroic colonization of an intractable virgin land, the ghastly dangers & high adventure of Arctic exploration, & the grimmest saga of penal servitude. 400 years of continual human striving chart its course, a drama of unremitting extremes & elemental confrontations, pitting man against nature, & man against man. East of the Sun, a work of panoramic scope, is the 1st complete account of this strange & terrible story. To most Westerners, Siberia is a vast & mysterious place. The richest resource area on the face of the earth, its land mass covers 5 million square miles-7.5% of the total land surface of the globe. From the 1st foray in 1581 across the Ural Mountains by a band of Cossack outlaws to the fall of Gorbachev, East of the Sun is history on a grand scale. With vivid immediacy, Bobrick describes the often brutal subjugation of Siberia's aboriginal tribes & the cultures that were destroyed; the great 18th-century explorations that defined Siberia's borders & Russia's attempt to "extend" Siberia further with settlements in Alaska, California & Hawaii; & the transformation of Siberia into a penal colony for criminal & political exiles, an experiment more terrible than Australia's Botany Bay. There's the building of the stupendous Trans-Siberian Railway across 7 time zones; Siberia's key role in the bloody aftermath of the October Revolution in 1917; & Stalin's dreaded Gulag, which corrupted its very soil. Today, Siberia is the hope of Russia's future, now that all her appended republic have broken away. Its story has never been more timely.

    Arranged chronologically and containing many pieces restored to the form in which Twain intended them to appear, the volumes show with unprecedented clarity the literary evolution of Mark Twain over six decades of his career.The nearly two hundred separate items in this volume cover the years from 1852 to 1890. As a riverboat pilot, Confederate irregular, silver miner, frontier journalist, and publisher, Twain witnessed the tragicomic beginning of the Civil War in Missouri, the frenzied opening of the West, and the feverish corruption, avarice, and ambition of the Reconstruction era. He wrote about political bosses, jumping frogs, robber barons, cats, women’s suffrage, temperance, petrified men, the bicycle, the Franco-Prussian War, the telephone, the income tax, the insanity defense, injudicious swearing, and the advisability of political candidates preemptively telling the worst about themselves before others get around to it.Among the stories included here are “Jim Smiley and His Jumping Frog,” which won him instant fame when published in 1865, “Cannibalism in the Cars,” “The Invalid’s Story,” and the charming “A Cat’s Tale,” written for his daughters’ private amusement. This volume also presents several of his famous and successful speeches and toasts, such as “Woman—God Bless Her,” “The Babies,” and “Advice to Youth.” Such writings brought Twain immense success on the public lecture and banquet circuit, as did his controversial “Whittier Birthday Speech,” which portrayed Boston’s most revered men of letters as a band of desperadoes.“Against the assault of laughter nothing can stand,” he once wrote. A master of deadpan hilarity, a storyteller who fashioned an exuberant style rooted in the idiom of his western origins, and an enemy of injustice who used scathing invective and subtle satire to expose the “humbug” of his time, Twain, like Franklin, Whitman, and Lincoln, helped shape the American language into a unique democratic idiom that was to be heard around the world.The publishing history of every story, sketch, and speech in this volume has been thoroughly researched, and in each instance the most authoritative text has been reproduced. This collection also includes an extensive chronology of Twain’s life, helpful notes on the people and events referred to in his works, and a guide to the texts.

    But it is Anthony as a husband and lover that intrigues her most. She looks at the nature of his love for his wife, Rose and at his love for Kate Field. The author does say that some of it is imagined and she cannot prove what she says happened or is said, but she is "sure of it" herself.

    Compact, inexpensive and printed in easy-to-read type, this handy volume is the perfect companion to pass around and take along on informal singing events throughout the holiday season. With this book, you don't have to worry about remembering every word of every carol-the complete lyrics are right at your fingertips. The carols in this volume include: Away in a Manger, Coventry Carol, Deck the Halls, The First Nowell, God Rest You Merry, Gentlemen, Good King Wenceslas, Hark! The Herald Angels Sing, I Heard the Bells on Christmas Day, I Saw Three Ships, It Came upon the Midnight Clear, Jingle Bells, Joy to the World, O Christmas Tree, O Come, All Ye Faithful, O Holy Night, O Little Town of Bethlehem, Silent Night, The Twelve Days of Christmas, We Three Kings of Orient Are, and We Wish You a Merry Christmas.

    

    Spanning the material world from mansions and silverware to etiquette books, city planning, and sentimental novels, Richard L. Bushman shows how a set of values originating in aristocratic court culture gradually permeated almost every stratum of American society and served to prevent the hardening of class consciousness. A work of immense and richly nuanced learning, The Refinement of America newly illuminates every facet of both our artifacts and our values.

    Edgar Allen Poe, Charles Dickens, Wilkie Collins, Arthur Conan Doyle, J.S. LeFanu, and a host of others pioneered a genre of fiction that remains among the most popular today. Now, in Victorian Tales of Mystery and Detection, Michael Cox provides a sampling of the finest detective stories written from the 1840s to the early twentieth century. Here readers will find a vast array of detectives and villains, and a multitude of murder methods and motives. In Edgar Allen Poe's "The Purloined Letter," the identity of the robber is known from the start--it is the surreptitious retrieval of the letter that is the mystery. In M. McDonnell Bodkin's "Murder By Proxy," a gentleman is shot in the head at close range, by a murderer who was not even in the same room. Charles Dickens's "Hunted Down" portrays a murderer who was slowly poisoning his very own nieces for their insurance money. And in Sir Arthur Conan Doyle's "The Lost Special," a train and its passengers vanish in thin air. In addition, Cox (who is rapidly becoming one of the foremost experts on Victorian popular fiction) arranges the stories in chronological order so that readers can follow the genre as it develops over time. For instance, in Conan Doyle's "The Adventure of the Blue Carbuncle" we see an example of the many Sherlock Holmes escapades that popularized and came to typify the detective story for the Victorian public. And in the progression of the stories, we witness the evolution of the investigator from Poe's brilliant and eccentric Chevalier C. August Dupin, to Doyle's scientific Sherlock Holmes, into Robert Barr's cavalier Valmont (a possible model for Agatha Christie's Hercule Poirot). Including well-known stories by famous authors, as well as little known gems reprinted for the first time, Victorian Tales of Mystery and Detection not only offers hours of enjoyment and escape for all lovers of crime fiction, but also brings alive the society, language, the sights, and sounds of the Victorian age.Contents:The purloined letter by Edgar Allan PoeThe murdered cousin by J.S. Le FanuHunted down by Charles DickensLevison's victim by Mary Elizabeth BraddonThe mystery at number seven by Mrs Henry WoodThe going out of Alessandro Pozzone by Richard DowlingWho killed Zebedee? by Wilkie CollinsA circumstantial puzzle by R.E. FrancillonThe mystery of Essex stairs by Sir Gilbert CampbellThe adventure of the blue carbuncle by Sir Arthur Conan DoyleThe great ruby robbery by Grant AllenThe sapient monkey by Headon HillCheating the gallows by Israel ZangwillDrawn daggers by C.L. PirkisThe greenstone god and the stockbroker by Fergus HumeThe arrest of Captain Vandaleur by L.T. Meade and Robert EustaceThe accusing shadow by Harry BlythThe ivy cottage mystery by Arthur MorrisonThe Azteck opal by Rodrigues OttolenguiThe long arm by Mary E. WilkinsThe case of Euphemia Raphash by M.P. ShielThe tin box by Herbert KeenMurder by proxy by M. McDonnell BodkinThe duchess of Wiltshire's diamonds by Guy BoothbyThe story of the Spaniards, Hammersmith by E. and H. HeronThe lost special by Sir Arthur Conan DoyleThe banknote forger by C.J. Cutcliffe HyneA warning in red by Victor L. Whitechurch and E. ConwayThe Fenchurch Street mystery by Baroness OrczyThe green spider by Sax RohmerThe clue of the silver spoons by Robert Barr

    It is the moving tale of Waguli (Whippoorwill") and Oconeechee, a young Cherokee man and woman separated by the Trail of Tears. Just as they are about to be married, Waguli is captured be federal soldiers and, along with thousands of other Cherokees, taken west, on foot and then by steamboat, to what is now eastern Oklahoma. Though many die along the way, Waguli survives, drowning his shame and sorrow in alcohol. Oconeechee, among the few Cherokees who remain behind, hidden in the mountains, embarks on a courageous search for Waguli.Robert J. Conley makes use of song, legend, and historical documents to weave the rich texture of the story, which is told through several, sometimes contradictory, voices. The traditional narrative of the Trail of Tears is told to a young contemporary Cherokee boy by his grandfather, presented in bits and pieces as they go about their everyday chores in rural North Carolina. The telling is neiter bitter nor hostile; it is sympathetic by unsentimental. An ironic third point of view, detached and often adversarial, is provided by the historical documents interspersed through the novel, from the text of the removal treaty to Ralph Waldo Emerson's letter to the president of the United States in protest of the removal. In this layering of contradictory elements, Conley implies questions about the relationships between history and legend, storytelling and myth-making.Inspired by the lyrics of Don Grooms's song "Whippoorwill," which open many chapters in the text, Conley has written a novel both meticulously accurate and deeply moving.

    John Michael Vlach explores the structures and spaces that formed the slaves' environment. Through photographs and the words of former slaves, he portrays the plantation landscape from the slaves' own point of view.The plantation landscape was chiefly the creation of slaveholders, but Vlach argues convincingly that slaves imbued this landscape with their own meanings. Their subtle acts of appropriation constituted one of the more effective strategies of slave resistance and one that provided a locus for the formation of a distinctive African American culture in the South.Vlach has chosen more than 200 photographs and drawings from the Historic American Buildings Survey--an archive that has been mined many times for its images of the planters' residences but rarely for those of slave dwellings. In a dramatic photographic tour, Vlach leads readers through kitchens, smokehouses, dairies, barns and stables, and overseers' houses, finally reaching the slave quarters. To evoke a firsthand sense of what it was like to live and work in these spaces, he includes excerpts from the moving testimonies of former slaves drawn from the Federal Writers' Project collections.

    Based on a thorough examination of all the firsthand sources, many of them never before used, this volume is filled with original portraits of Fuller's numerous friends and colleagues and the influential movements that enveloped them. Writing with a strong narrative sweep, Capper focuses on the central problem of Fuller's life--her identity as a female intellectual--and presents the first biography of Fuller to do full justice to its engrossing subject. This first volume chronicles Fuller's "private years": her gradual, tangled, but fascinating emergence out of the "private" life of family, study, Boston-Cambridge socializing, and anonymous magazine-writing, to the beginnings of her rebirth as antebellum America's female prophet-critic. Capper's biography is at once an evocative portrayal of an extraordinary woman and a comprehensive study of an avant-garde American intellectual type at the beginning of its first creation.

    From Anne Thackeray Ritchie's adaptations of "The Sleeping Beauty in the Wood" to Christina Rossetti's unsettling antifantasies in Speaking Likenesses, these are breathtaking acts of imaginative freedom, by turns amusing, charming, and disturbing. Besides their social and historical implications, they are extraordinary stories, full of strange delights for readers of any age."Forbidden Journeys is not only a darkly entertaining book to read for the fantasies and anti-fantasies told, but also is a significant contribution to nineteenth-century cultural history, and especially feminist studies."—United Press International"A service to feminists, to Victorian Studies, to children's literature and to children."—Beverly Lyon Clark, Women's Review of Books"These are stories to laugh over, cheer at, celebrate, and wince at. . . . Forbidden Journeys is a welcome reminder that rebellion was still possible, and the editors' intelligent and fascinating commentary reveals ways in which these stories defied the Victorian patriarchy."—Allyson F. McGill, Belles Lettres

    "I know of none since the "Iliad" that rivals it either in drama or in pathos...." "The Blue and The Gray" tells that story, the epic of the first great modern conflict. In so doing, it raises issues still of urgent concern in many lands today: What unifies a diverse nation? What justifies the formation of a new one? What sustains democracy and law in the range of the guns? What peace can follow the loss of 600,000 lives?Six chapters cover the conflict chronologically. Key characters in the saga are examined in biographical sketches throughout the volume, and a picture-and-text portfolio on a major social or technological theme accompanies each chapter. The book features color illustrations by National Geographic photographer Sam Abell and text by Thomas B. Allen, formerly a Society staff editor and a specialist in military studies. A judicious selection of historical photographs, specially commissioned new maps, and maps from the Civil War era enrich the pages.While tracing the drama of the battlefield, "The Blue and The Gray" lets the reader meet individuals of the 1860s -- on both sides of the front lines. Their own words, eloquent or earthy, funny or pitiful or noble, express the ideals they lived by and died for as family members fought one another and the war toll became the highest in American history.With accompanying guidebook and map supplement, this volume is designed to show and explain why, in Robert Penn Warren's words, "The Civil War is, for the Americanimagination, the great single event in our history," and why, in the opinion of Abraham Lincoln, it would affect "hope to the world for all future time."

    Presenting an interdisciplinary range of approaches that consider sentimental culture before and after the Civil War, these critical studies of American literature and culture fundamentally reorient the field. Moving beyond alignment with either pro- or anti-sentimentality camps, the collection makes visible the particular racial and gendered forms that define the aesthetics and politics of the culture of sentiment. Drawing on the fields of American cultural history, American studies, and literary criticism, the contributors include Lauren Berlant, Ann Fabian, Susan Gillman, Karen Halttunen, Carolyn L. Karcher, Joy Kasson, Amy Schrager Lang, Isabelle Lehuu, Harryette Mullen, Dana Nelson, Lora Romero, Shirley Samuels, Karen Sanchez-Eppler, Lynn Wardley, and Laura Wexler.

    This mesmerizing Phantom is traditional musical theatre in the finest sense. The Tony award winning authors of Nine have transformed Gaston Leroux' The Phantom of the Opera into a sensation that enraptures audiences and critics with beautiful songs and an expertly crafted book. It is constructed around characters more richly developed than in any other version, including the original novel. "Everything is first rate." - N.Y. Daily News

    These artists saw clothing not as a symbol of class distinction but as a force for shaping experience -- an opportunity to make things new, to go beyond the traditional boundaries of art. For many artists, therefore, dress design was too important to be left to the fashion designers; they would appropriate clothing as an art form that could break through the traditional boundaries of "pure" art to act directly on life.Against Fashion is the history of the modern relationship between artists and this ideal "anti-fashion." Radu Stern traces the development of clothes as art by artists of the late nineteenth and early twentieth centuries. He discusses contributions to the new art form by various artistic movements of the historical avant-garde, including Art Nouveau, the Werkbund, Cubism, Futurism, Constructivism, and the Bauhaus; he examines the work of such key figures as Henry van de Velde, Gustav Klimt, and Sonia Delaunay. The book includes more than 100 illustrations, many in color, as well as an anthology of essential writings and documents by artists and writers of the period, some of them translated into English for the first time. The artists and works examined display a diversity of styles and ideas, but all share the desire to reject the mercantile logic of commercial fashion and replace it with a utopian "anti-fashion."

    Established as a class at the beginning of the Meiji period, the kazoku ranked directly below the emperor and his family. Officially dissolved in 1947, this group of social elites is still generally perceived as nobility. Lebra gained entry into this tightly knit circle and conducted more than one hundred interviews with its members. She has woven together a reconstructive ethnography from their life histories to create an intimate portrait of a remote and archaic world.As Lebra explores the culture of the kazoku, she places each subject in its historical context. She analyzes the evolution of status boundaries and the indispensable role played by outsiders.But this book is not simply about the elite. It is also about commoners and how each stratum mirrors the other. Revealing previously unobserved complexities in Japanese society, it also sheds light on the universal problem of social stratification.

    Today, however, this aspect of Mark Twain's career is barely known. His writings on the war have never been collected in a single volume, and a number of them are published here for the first time. Although he was a vice president of the Anti-Imperialist League from 1901 to 1910, until now no thorough study had been made of his relationship with the organized opposition to the war. Drawing upon the unpublished manuscripts of Mark Twain and various leaders of the League, Jim Zwick's Introduction and headnotes provide the most complete account of Twain's involvement in the anti-imperialist movement. Mark Twain's writings sparked intense controversy when they were written. Readers will appreciate the continuing relevance and quotability of his statements on the abuse of patriotism, the "treason" of requiring school children to salute the flag, the right to dissent, the importance of self-government, and the value of America's democratic and anticolonial traditions. This book will prove valuable to all who are interested in Twain and his works as well as to teachers of literature, peace studies, and history.

    Uniquely, it also reveals the cultural and social setting in which the writers, musicians, architects and artists of the age worked. This period was one of transformation, characterised by the growth of industry, new scientific discoveries and inventions, an upsurge in population and the emergence of a new bourgeoisie and working class. In the arts, Blake, Keats, Wordsworth, Turner, Constable and Nash were prominent, while the cult of Handel flourished in musical circles. The novel flowered with Jane Austen, Dickens and Scott, and British crafts and manufacturing design went on show in the Great Exhibition as products of 'the workshop of the world'. An introductory chapter offers a cultural and social backdrop to the period. Fully illustrated chapters follow, written by foremost specialists. One major branch of the arts is explored in each. Special topics include the transformation of the British countryside by the Enclosure movement, and the founding of the Athenaeum Club in London. This is a unique bringing-together in a single volume of all the main strands of creative life of the Romantic age in Britain.

    Taking an ethnographic, cross-cultural approach, The Rites of Assent traces the meanings and purposes of 'America' back to the colonial typology of mission, and specifically (in chapters on Puritan rhetoric, Cotton Mather, Jonathan Edwards, and the movement from Revival to Revolution) to the legacy of early New England."A terrifying and strange America is revealed in these remarkable essays. Bercovitch has changed the map of American studies." -- Richard Sennett, NYU"The Rites of Assent may be not only Sacvan Bercovitch's most accessible book, but his most important as well. In it Bercovitch applies his massively influential earlier analysis of the Puritan jeremiad, the Puritan self, and the ideology of American liberal consensus to a broader range of American literature and culture. Superbly written and powerful in its sustained critique, The Rites of Assent will be required reading for students of American culture." -- Gerald Graff, University of Chicago

    Set in Lancashire in the 19th century, this is the story of a woman whose life becomes a search for revenge against the rich landowner who helped ruin her childhood.

    Capitol forms a remarkably coherent program of the early course of North American empire, from discovery and settlement to the national development and westward expansion that necessitated the subjugation of the indigenous peoples.In Art and Empire, Vivien Green Fryd’s revealing cultural and political interpretation of the portraits, reliefs, allegories, and historical paintings commissioned for the U.S. Capitol, the reader is given an enhanced appreciation for the racial and ethnic implications of these works.This latest contribution to the United States Capitol Historical Society’s Perspectives on the Art and Architectural History of the United States Capitol series provides an affordable and accessible insight into one of our most visited, viewed, and revered national buildings. Professor Fryd demonstrates how the politics of our history is written in stone and painted on the walls of these hallowed halls.

    Revisiting one of the most celebrated trials in the history of art, this book details the late-nineteenth-century libel suit brought in London's courts by artist James McNeill Whistler against art critic John Ruskin.

    In his introduction, John C Ewers considers the influence of Secoy's book on scholars since its original publication in 1953.

    Considering specific furnishings and styles, it discusses the relationship of these objects to class and gender structure and to their place in Victorian ritual.