. .thoughtful, beautiful, and enlightening...” —Jane Jacobs   “This book will have a lasting infl uence on the future quality of public open spaces. By helping us better understand the larger public life of cities, Life between Buildings can only move us toward more lively and healthy public places. Buy this book, fi nd a comfortable place to sit in a public park or plaza, begin reading, look around. You will be surprised at how you will start to see (and design) the world differently.” —Landscape Architecture

    In her revolutionary essay, Nochlin refused to answer the question of why there had been no “great women artists” on its own corrupted terms, and instead, she dismantled the very concept of greatness, unraveling the basic assumptions that created the male-centric genius in art.With unparalleled insight and wit, Nochlin questioned the acceptance of a white male viewpoint in art history. And future freedom, as she saw it, requires women to leap into the unknown and risk demolishing the art world’s institutions in order to rebuild them anew.In this stand-alone anniversary edition, Nochlin’s essay is published alongside its reappraisal, “Thirty Years After.” Written in an era of thriving feminist theory, as well as queer theory, race, and postcolonial studies, “Thirty Years After” is a striking reflection on the emergence of a whole new canon. With reference to Joan Mitchell, Louise Bourgeois, Cindy Sherman, and many more, Nochlin diagnoses the state of women and art with unmatched precision and verve. “Why Have There Been No Great Women Artists?” has become a slogan and rallying cry that resonates across culture and society. In the 2020s, Nochlin’s message could not be more urgent: as she put it in 2015, “There is still a long way to go.”

    It is considered a pioneering essay for both feminist art history and feminist art theory.In this essay, Nochlin explores the institutional – as opposed to the individual – obstacles that have prevented women in the West from succeeding in the arts. She divides her argument into several sections, the first of which takes on the assumptions implicit in the essay's title, followed by "The Question of the Nude," "The Lady's Accomplishment," "Successes," and "Rosa Bonheur." In her introduction, she acknowledges "the recent upsurge of feminist activity" in America as a condition for her interrogation of the ideological foundations of art history, while also invoking John Stuart Mill's suggestion that "we tend to accept whatever is as natural". In her conclusion, she states: "I have tried to deal with one of the perennial questions used to challenge women's demand for true, rather than token, equality by examining the whole erroneous intellectual substructure upon which the question "Why have there been no great women artists?" is based; by questioning the validity of the formulation of so-called problems in general and the "problem" of women specifically; and then, by probing some of the limitations of the discipline of art history itself."

    They were also used as guerrilla theatre. The poems in this edition address some of the history of the past 20 years and were written as the various occasions arose.

    The thoroughly updated Fifth Edition is completely reorganized and has new, expanded treatment and exercise sections in each chapter. Other features include a new section on post-polio syndrome, additional case studies comparing Guillain-Barré to polio muscle tests, a new full-color design, and a first-of-its-kind chart of upper extremity articulations. A bonus Primal Anatomy CD-ROM contains a three-dimensional interactive model of the human body. Students can rotate the model and add or subtract layers of anatomy to strengthen their knowledge.

    To draw the figure, the artist must "have an idea of what the figure to be drawn is doing" — he must "sense the nature and condition of the action, or inaction." In this book, Mr. Bridgman, who for nearly 50 years lectured and taught at the Art Students League of New York, explains in non-technical terms and illustrations in hundreds of finely rendered anatomical drawings how best to find the vitalizing forces in human forms and how best to realize them in drawing.Mr. Bridgman begins by examining movement. After abstracting the main masses of the body — head, chest, and hips — into their rough geometrical equivalents, he gives complete instructions for building a simple model which mounts these masses on wire. By manipulating this scale model, the student may observe how these masses move in space and into what relationships such movement brings them.Once the student understands how the human form moves, the author tackles the actual problems of drawing the human figure in motion. He first covers simple drawing and building of the figure, then balance, rhythm, turning or twisting, wedging, passing and locking, and the more complex relationship of the masses — distribution, light and shade, mouldings (concave and convex), proportion and how to measure it, and movable masses. From here instruction turns to specific areas of the anatomy; the head and features, including the neck; the torso, front and back views; the abdominal arch; the shoulder girdle; the upper limbs, hands, and fingers; and the lower limbs, thigh and leg, knee, and finally foot. Every point of instruction and principle is illustrated in one of nearly 500 of Mr. Bridgman's own "life" drawings.There is no student nor serious artist, either amateur or professional, who cannot profit greatly from Bridgman's instruction. Like his famous anatomy course at the Art Students League, it is likely to vitalize your work with the human form.

    The authors present a boldly comprehensive, brilliant new theory to explain the comparative underdevelopment of the U.S. welfare state among advanced industrial nations. Their conceptual framework promises to shape the debate within current and future administrations as they attempt to rethink the welfare system and its role in American society."Uncompromising and provocative. . . . By mixing history, political interpretation and sociological analysis, Piven and Cloward provide the best explanation to date of our present situation . . . no future discussion of welfare can afford to ignore them." --Peter Steinfels, The New York Times Book Review

    150 and c. 750, came to differ from "Classical civilization."These centuries, as the author demonstrates, were the era in which the most deeply rooted of ancient institutions disappeared for all time. By 476 the Roman empire had vanished from western Europe; by 655 the Persian empire had vanished from the Near East.Peter Brown, Professor of History at Princeton University, examines these changes and men's reactions to them, but his account shows that the period was also one of outstanding new beginnings and defines the far-reaching impact both of Christianity on Europe and of Islam on the Near East. The result is a lucid answer to a crucial question in world history; how the exceptionally homogeneous Mediterranean world of c. 200 became divided into the three mutually estranged societies of the Middle Ages: Catholic Western Europe, Byzantium and Islam. We still live with the results of these contrasts.

     But as Ernle Bradford details, the Mediterranean, while geologically young, is home to a long and oft times bloody history. As he illustrates, it is a sea that has witnessed many an empire rise and fall. From its origins as arguably the cradle of both Western and Eastern Civilisations, where early Phoenicians used it traverse the known world for trade. Or the rise of the Ancient Greeks, whose early innovations allowed them to become the dominant empire, only to fall in the face of the Romans – the great tacticians. Only for the likes of the Byzantines, and later the Norseman and even the Venetians to make their own kingdoms, empires and republics. A sea later crossed by warring Crusaders and Moors. Bradford shows in great detail how the sea and innovations made in naval, navigational knowledge and shipbuilding often made or conversely, broke an empire. Everyone from Napoleon to Suleiman the Great to even pirates saw the importance of such waters – and the decisive battles fought on them. But Bradford also shows the importance of the Mediterranean in the spread of culture – in science, in art, in language, in religion, in agriculture and in philosophy. After all, it is the same sea where Homer set The Odyssey and where Lord Byron and Keats were inspired to write a wealth of poetry. Where arguably the filtering of scientific thought and art from the Islamic Golden Age, gave way to the birth of the Renaissance. Where the spread of advancements in agricultural enabled those ancient empires and kingdoms of Greece, Rome, Sparta and Catharge to thrive in the first place. For Bradford, this is the Portrait of A Sea, where life and death have reigned as long as human civilization has… Mediterranean is a fascinating read of maritime and military history from ancient to modern times across the Mediterranean. Praise for Ernle Bradofrd… 'A gripping story' - The Economist ‘a superior, readable treatment of an important but little-discussed epic from the Renaissance past ... An astonishing tale’ - Kirkus Reviews About the author… Ernle Bradford (1922-1986) was an historian who wrote books on naval battles and historical figures. Among his subjects were Lord Nelson, the Mary Rose, Christopher Columbus, Julius Caesar and Hannibal. He also documented his own voyages on the Mediterranean Sea.

    This bestselling classic uses the well-known psychological method called transactional analysis (TA) to uncover the roles we unconsciously act out day after day. Its fifty gestalt exercises have helped a generation realize how they communicate with others and think about themselves. If you want to have more control over your life, work more efficiently, and love others happily, Born to Win will help bring out the insight and confidence of a born winner."For the general reader [Born to Win] is probably the clearest and most up-to-date statement of the current thinking in transactional analysis, and easily the best of the popular books."--Psychology Today "Enriching, stimulating, rewarding reading is here for anyone interested in understanding himself, his relationship with others, and his goals."--Kansas City Times

    In search of a subject matter for sociology that would distinguish it from all other social sciences and humanistic disciplines, he charted a new field for discovery and proceeded to explore a world of novel topics in works that have guided and anticipated the thinking of generations of sociologists. Such distinctive concepts of contemporary sociology as social distance, marginality, urbanism as a way of life, role-playing, social behavior as exchange, conflict as an integrating process, dyadic encounter, circular interaction, reference groups as perspectives, and sociological ambivalence embody ideas which Simmel adumbrated more than six decades ago."—Donald N. Levine Half of the material included in this edition of Simmel's writings represents new translations. This includes Simmel's important, lengthy, and previously untranslated "Group Expansion and Development of Individuality," as well as three selections from his most neglected work, Philosophy of Money; in addition, the introduction to Probleme der Geschichtsphilosophie, chapter one of the Lebensanschauung, and three essays are translated for the first time.

    Poetry was at the center of Jack Kerouac’s sense of mission as a writer. “I’d better be a poet / Or lay down dead,” he wrote in “San Francisco Blues.” The celebrated “spontaneous bop prosody” of his prose was a direct outgrowth of the poetry that filled his notebooks throughout his writing life. This landmark edition gathers for the first time all of Kerouac’s major poetic works—Mexico City Blues, The Scripture of the Golden Eternity, Book of Blues, Pomes All Sizes, Old Angel Midnight, Desolation Pops, Book of Haikus—along with a rich assortment of his uncollected poems, six published here for the first time.Kerouac wrote poetry in forms as diverse as the classical Japanese haiku (and his own American variants of it, which he sometimes called “Pops”), the Buddhist sutra, the prose poetry of Old Angel Midnight (which he described as “the haddal-da-babra of babbling world tongues coming in thru my window at midnight”), doggerel ballads and free-form songs, the psalms preserved in early notebooks, and the poetic “blues” he developed in Mexico City Blues and other serial works, seeing himself as “a jazz poet blowing a long blues in an afternoon jam session on Sunday.”But his sense of form was closely allied to a commitment to spontaneous utterance—to a poetry awake to “All the endless conception of living beings / Gnashing everywhere in Consciousness / Throughout the ten directions of space”—and a longing for transcendent experience that marked his work from the beginning. “My only ambition,” he wrote in 1943, “is to be free in art.” That freedom came at a high personal price. Kerouac’s collected poems immerse us in what editor Marilène Phipps-Kettlewell describes as “the impenetrable complexities, engulfing vulnerabilities, and insoluble demands that life made on his heart and mind.”Many poets have found Kerouac a liberating influence on their work. Robert Creeley called him “a genius at the register of the speaking voice, a human voice talking”; Michael McClure saw him as using “the whole of his life . . . as an instrument of perception”; for Allen Ginsberg he was “a poetic influence over the entire planet”; and Bob Dylan singled out Mexico City Blues as crucial to his own artistic development.

    Klein describes the day to day course of the analysis interpreting Richard`s drawing, play, verbal associations and reports of dreams. Also included is the reproduction of the drawings made by the patient, the analysis of which is elaborated in this text.This fascinating and deeply instructive case study shows the fluctuations which characterise a psycho-analysis and reveals the dynamics of the steps which eventually lead to progress in treatment.In a series of notes accompanying the clinical description, Melanie Klein comments upon the clinical material, linking the actual instances to more theoretical conclusions. In doing so, she has provided an invaluable guide to the technique of psycho-analysing children.

    Controversial issues are discussed in point/counterpoint essays in "Contemporary Voices in Psychology" boxes. Research is applied to real world problems in "Frontiers of Psychological Research" boxes. A biological orientation, a trend which is changing the way psychological topics are viewed, is exemplified by integrated bio-evolutionary research and coverage.

    Approach to vibration analysis is clear, concise, and simple, backed up by a wealth of problems and examples. Multi-degree-of-freedom problems are well-prefaced with two-degree-of-freedom cases. There is a special treatment of damping, including non-viscous problems (standard texts make much use of viscous damping, but most practical examples are not viscous). Now includes an excellent development of Rayleigh's principle and an introduction to finite element vibration analysis. Contains 100 new problems.

    Speaking directly to students, helpful chapter introductions and end-of-chapter summaries focus on key points before and after reading each chapter. This seventh edition includes meticulous updating of research and scholarship, especially in the very active field of physical anthropology and archaeology. A new feature - "America Now Updates" - turns an anthropological eye on the contemporary U.S., emphasizing the comparative aspects of anthropology and making the discipline relevant to students.

    Not simply revised, but completely re-written, the Second Edition of this classic text is a fresh reinterpretation of the theories and events surrounding the Cuban Missle Crisis, incorporating all new information from the Kennedy tapes and recently declassified Soviet files. Essence of Decision Second Edition, is a vivid look at decision-making under pressure and is the only single volume work that attempts to answer the enduring question: how should citizens understand the actions of their government?

    Keynes begins by laying out data showing the serious fluctuations in the value of money that began in 1914 and subjected North America, Europe, and India to injurious cycles of inflation and deflation. He describes the various effects on investors, business people, and wage earners of this erratic underlying influence and makes it clear that policies limiting such fluctuations must be implemented to ensure greater economic and social stability. He finds the gold standard, which was used as the basis of value for many currencies, including the U.S. dollar at that time, to be ultimately unreliable since gold itself is also prey to unstable valuations. In the final analysis he recommends the implementation of policies by Great Britain and the United States that aim at achieving stability of the commodity value of the dollar rather than the gold value. "[T]he ideal state of affairs," he argues, "is an intimate co-operation between the Federal Reserve Board and the Bank of England, as a result of which stability of prices and of exchange would be achieved at the same time."As always, Keynes proved to be amazingly prescient: The United States did eventually abandon the gold standard and the U.S. dollar is indeed the basis of currency values today. Keynes's brilliant, clear analysis of the world monetary situation at the beginning of the twentieth century, with his many suggestions and his masterful elucidation of economic principles, is still well worth reading today at the beginning of the twenty-first century.

    S. Lewis) that the poet's sympathies are obviously with God and the angels loyal to him.The achievement of Stanley Fish's Surprised by Sin was to reconcile the two camps by subsuming their claims in a single overarching thesis: Paradise Lost is a poem about how its readers came to be the way they are--that is, fallen--and the poem's lesson is proven on a reader's impulse every time he or she finds a devilish action attractive or a godly action dismaying.Fish's argument reshaped the face of Milton studies; thirty years later the issues raised in Surprised by Sin continue to set the agenda and drive debate.

    The book description for the previously published Cairo is not yet available.

    Part I, The Approach to Newtonian Dynamics, is intended to serve two purposes. First, it does discuss the basic concepts of kinematics and dynamics, more or less from scratch. Second, it seeks to place the study of mechanics squarely in the context of the world of physical phenomena and of necessarily imperfect physical theories.Part II, Classical Mechanics at Work, is undoubtedly the heart of the book. The initial emphasis is on Newton's second law applied to individual objects. Later, the emphasis shifts to systems of two or more particles, and to the conservation laws for momentum and energy. A fairly lengthy chapter is devoted to the subject that deserves pride of place in the whole Newtonian scheme-the theory of universal gravitation and its successes, which can still be appreciated as a pinnacle in man's attempts to discover order in the vast universe in which he finds himself.Part III, Some Special Topics, concerns itself with the problems of noninertial frames, central-force motions, and rotational dynamics.

    Book II is full colour throughout, with a clear layout of stories and language notes. Featuring a glossary for quick reference and comprehension questions, the book also includes a full explanation of language points and grammar practice exercises.

    It is rare that these four movements are considered in a single inquiry, for there are profound differences of emphasis, focus, terminology, and approach represented by these styles of thought. Many philosophers believe that similarities among these movements are superficial and that a close examination of them will reveal only hopelessly unbridgeable cleavages. While respecting the genuine fundamental differences of these movements, this inquiry is undertaken in the spirit of showing that there are important common themes and motifs in what first appears to be a chaotic babble of voices. I intend to show that the concern with man as an agent has been a primary focal point of each of these movements and further that each contributes something permanent and important to our understanding of the nature and context of human activity.

    Also contains many new exercises and illustrations.

    

    Han parses every verb as it occurs in the Greek New Testament. A welcome tool for students who need some help in working their way through the Greek New Testament. It will save time in searching for forms in the current analytical lexicons. This parsing guide follows the twenty-fifth edition of the Nestle-Aland Greek text. Designed for use by seminary and Bible college students, New Testament scholars, ministers, and Bible translators.

    A new introductory chapter offering an overall view of the history of economics and a bibliographic survey of the economic literature of the 1980s and early 1990s have been added. Maintaining the link between economics and the humanities, Spiegel’s text will continue to introduce students to a wide range of topics in the history of economic thought.From reviews of previous editions:“The history of economic thought to end all histories of economic thought.”—Robert D. Patton, Journal of Economic Literature“The book is in the grand tradition of the history of doctrines. It is a history of economic thought broadly conceived—and superbly written to boot. It is not to much to say that Spiegel’s book will become and remain a leading text in the field.”—Warren J. Samuels, Social ScienceThe author conveys the essence of an idea simply and clearly, yet in a graceful style.”—William F. Kennedy, Journal of Economic Literature

    Basic Programming provides a wide variety of sophisticated applications that do not require advanced techniques or complicated mathematics.

    This edition discusses these changes and ponders the implications of developments in publishing by the end of the 20th century, while concentrating upon the dissemination of scientific ideas and knowledge from antiquity to the industrial age. In this shift of focus, it departs from previous editions and for the first time, a chapter on Islamic science is included.

    

    Robert Nisbet accuses universities of having betrayed themselves. Over the centuries they earned the respect of society by attempting to remain faithful to what he terms "the academic dogma," the pursuit of knowledge for its own sake. The measure of a university's greatness and of the stature of an individual scholar was determined not by the immediate usefulness of the work done, but by how much it contributed to scholarship, learning, and teaching.American universities abandoned this ideal, Nisbet charges, after World War II, welcoming onto their campuses academic entrepreneurs engaged in the "higher capitalism," the highly profitable sale of knowledge. This "reformation," says Nisbet, has resulted in the greatest change in the structure and values of the university that has occurred since their founding as guilds in the Middle Ages. And it may be responsible, for reasons he spells out in convincing detail, for their eventual demise as centers of learning.In her introduction, Gertrude Himmelfarb pays tribute to Robert Nisbet for his prescience in analyzing the reformation of the university in the postwar period. A second reformation, she says, has further undermined the academic dogma, first by applying the principles of affirmative action and multiculturalism to the curriculum as well as to student admissions and faculty hiring, and then by "deconstructing" the disciplines, thus subverting the ideas of truth, reason, and objectivity. The Degradation of the Academic Dogma is even more pertinent today than when it was first published a quarter of a century ago. For those concerned with the integrity of the university and of intellectual life, Robert Nisbet has once again proved himself a prophet and a mentor.