Over beers and a sea of freely spoken words, the conversation flows between two individuals, Santiago and Ambrosia, who talk of their tormented lives and of the overall degradation and frustration that has slowly taken over their town. Through a complicated web of secrets and historical references, Mario Vargas Llosa analyzes the mental and moral mechanisms that govern power and the people behind it. More than a historic analysis, Conversation in The Cathedral is a groundbreaking novel that tackles identity as well as the role of a citizen and how a lack of personal freedom can forever scar a people and a nation.

    This extraordinarily sensitive and insightful portrait of religious life centers on Philippa Talbot, a highly successful professional woman who leaves her life among the London elite to join a cloistered Benedictine community.

    It embraces a wide range of social milieux, from the miseries of the tenements to the cultivated, bourgeois Bradshaws. It introduces a memorable cast of characters: the main protagonist, Fitz, a model of the hard-working, loyal and abused trade unionist; the isolated, well-meaning and ineffectual Fr O'Connor; the wretched and destitute Rashers Tierney. In the background hovers the enormous shadow of Jim Larkin, Plunkett's real-life hero.Strumpet City's popularity derives from its realism and its naturalistic presentation of traumatic historical events. There are clear heroes and villians. The book is informed by a sense of moral outrage at the treatment of the locked-out trade unionists, the indifference and evasion of the city's clergy and middle class and the squalor and degradation of the tenement slums.

    Ada, or Ardor is no less than the superb work of an imagination at white heat.This is the first American edition to include the extensive and ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom.

    These poems explore a more emotional side of Charles Bukowski.

    D. Wright), often cited as a Nobel contender and one of Europe's most revered poets. On its publication in 1969, it took Denmark by storm, winning critical praise and becoming a huge popular favorite. Translated into many languages, it won international acclaim and is now a classic of modern Scandinavian poetry.it is both a collection of poems and a single poetic epic, forming a philosophical statement on the nature of language, perception, and reality. The subject matter, though, is down to earth: amoebas, stones, and factories; fear, sea urchins, and mental institutions; sand, sexuality, and song. The words and images of it recur in ways reminiscent of Christensen's other works, but here is a younger poetry, wilder, and crackling with energy. The marvelous and complex use of mathematical structure in it is faithfully captured in Susanna Nied's English translation, which won a 2005 PEN Translation Fund Award.

    But no ghosts appeared - until the day Lucy and her brother Jamie stood in the garden and watched two pale figures, a girl and a boy, coming toward them.That was the beginning of a strange and dangerous friendship between Lucy and Jamie and two children who had died a century before.The ghost children desperately needed their help. But would Lucy and Jamie have the courage to venture into the past - and change the terrible events that had led to murder?

    The revision covers all the poems published in Princeton's earlier bilingual edition, "George Seferis: Collected Poems" (expanded edition, 1981). Winner of the Nobel Prize for Literature in 1963, George Seferis (1900-71) has long been recognized as a major international figure, and Keeley and Sherrard are his ideal translators. They create, in the words of Archibald MacLeish, a "translation worthy of Seferis, which is to praise it as highly as it could be praised."Although Seferis was preoccupied with his tradition as few other poets of the same generation were with theirs, and although he was actively engaged in the immediate political aspirations of his nation, his value for readers lies in what he made of this preoccupation and this engagement in fashioning a broad poetic vision. He is also known for his stylistic purity, which allows no embellishment beyond that necessary for precise yet rich poetic statement.

    On the way he bestows upon angels, fellow passengers, and the world at large a magnificent monologue on alcohol, politics, society, alcohol, philosophy, the pains of love, and, of course, alcohol.

    It tells the story of two young boxers out of Stockton, California: Ernie Munger and Billy Tully, one in his late teens, the other just turning thirty, whose seemingly parallel lives intersect for a time. Set in an ambiance of glittering dreams and drab realities, it tells of the two fighters' struggles to escape the confinements of their existence, and of the men and women in their world. Fat City is a novel about the sporting life like no other ever written: without melodrama or false heroics, written with a truthfulness that is at once painful and beautiful.Denis Johnson: "Between the ages of 19 and 25 I studied Leonard Gardner’s book so closely that I began to fear I’d never be able to write anything but imitations of it, so I swore it off(...)When I was about 34 (the same age Gardner was when he published his), my first novel came out. About a year later I borrowed Fat City from the library and read it. I could see immediately that ten years’ exile hadn’t saved me from the influence of its perfection — I’d taught myself to write in Gardner’s style, though not as well. And now, many years later, it’s still true: Leonard Gardner has something to say in every word I write."Joan Didion: "Leonard Gardner's Fat City affected me more than any new fiction I have read in a long while, and I do not think it affected me only because I come from Fat City, or somewhere near it. He has got it exactly right--the hanging around gas stations, the field dust, the relentless oppressiveness of the weather, the bleak liaisons sealed on the levees and Greyhound buses--but he has done more than just get it down, he has made it a metaphor for the joyless in heart."David Wagoner: "The people he writes about are alive and three-dimensional, and have that meaty, sweaty immediacy I admire in novels and find so seldom. It's an odd, interesting world he explores here--as tense and vivid as the prose."Ivan Gold: "Gardner writes with power, with an insider's knowledge, and with a vividness and love for his characters which redeem them even when they're lost and beaten."Harry Mark Petrakis: "A man of real talent. He makes the savage world he writes of come alive to the point where the reader can smell the sweat, and feel the anguish of unremitting failure."Ross Macdonald: "In his pity and art Gardner moves beyond race, beyond guilt and punishment, as Twain and Melville did, into a tragic forgiveness. I have seldom read a novel as beautiful and individual as this one."Originally published in 1969, Fat City is an American classic whose stature has increased over the years. Made into an acclaimed film by John Huston, the book is set in and around Stockton, California.

    The rest is darkness and dismay." Finally, though, The Iron Tonic could be seen as Edward Gorey's version of a winter afternoon in one of the great Russian novels of the nineteenth century.

    In it author Unica Zurn traces the roots of her obsessions: The exotic father she idealized, the "impure" mother she detested, the masochistic fantasies and onanistic rituals which she said described "the erotic life of a little girl based on my own childhood." Dark Spring is the story of a young girl's simultaneous introduction to sexuality and mental illness, revealing a different aspect of the "mad love" so romanticized by the (predominantly male) Surrealists. Unica Zurn (1916-1970) emigrated in 1953 from her native Berlin to Paris in order to live with the artist Hans Bellmer. There she exhibited drawings as a member of the Surrealist group and collaborated with Bellmer on a series of notorious photographs of her nude torso bound with string. In 1957, a fateful encounter with the poet and painter Henri Michaux led to the first of what would become a series of mental crises, some of which she documented in her writings. She committed suicide in 1970--an act foretold in this, her last completed work.

    Composed in the late 1960's, Blythe's volume paints a vivid picture of a community in which the vast changes of the twentieth century are matched by deep continuities of history, tradition, and nature.

    By considering some of the president's opinions, Wills comes to the controversial conclusion that Nixon was actually a liberal. Both entertaining and essential, Nixon Agonistes captures a troubled leader and a struggling nation mired in a foolish Asian war, forfeiting the loyalty of its youth, puzzled by its own power, and looking to its cautious president for confidence. In the end, Nixon Agonistes reaches far beyond its assessment of the thirty-seventh president to become an incisive and provocative analysis of the American political machine.

    This new English translation reveals it as one of Thailand's most entertaining and enduring modern novels, and one of the few portrayals of the immigrant Chinese experience in urban Thailand.Letters from Thailand is the story of Tan Suang U, a young man who leaves China to make his fortune in Thailand at the close of World War II, and ends up marrying, raising a family, and operating a successful business. The novel unfolds through his letters to his beloved mother in China.In Tan Suang U's lively account of his daily life in Bangkok's bustling Chinatown, larger and deeper themes emerge: his determination to succeed at business in this strange new culture; his hopes for his family; his resentment at how easily his children embrace urban Thai culture at the expense of the Chinese heritage which he holds dear; his inability to understand or adopt Thai ways; and his growing alienation from a society that is changing too fast for him.

    Charley's favorite part is when Lizzie is alone at night, homeless, and walking along looking longingly into the lighted windows of the cozy homes she's passing. A middle child trapped between a clever older brother and a sickly little brother, Charley dreams of being alone and outcast, set apart.When she's sent to stay with a favorite aunt, Charley's thrilled - until she reads a note not meant for her eyes, and realizes that aunt Louie hadn't wanted her to come. Betrayed, Charley gets off the train early and sneaks into town instead of going to Louie's house. Finding an old chicken house, Charley seizes on her chance to become Lizzie Scrotten. She decides to call herself Rowan, after the beautiful tree. And for a season, the protected middle-class child becomes a free-spirited child of poverty - albeit a somewhat romantic, Boxcar Childrenesque poverty.It was dawn when she woke properly. The sky was lightening and the air was full of the twitter of birds. She sprang up and scrambled through the hedge, which was hung with great glistening spiders' webs.Sleeping in her chicken house and drinking from a garden hose in a nearby yard, Charley keeps a watchful eye on her aunt's house and plays different roles with different people she encounters - a gypsy with a local child, a mute with a shopkeeper, a cripple with a minister - for a variety of reasons both practical and playful. Her most meaningful encounter, though, is with a young man who is also running away, and the conversation they have about it. When a crisis comes, though, Charley discovers that she can't be Lizzie any longer. A cheerful, interesting read that draws its power from the mundane-turned-fascinating details of Charley's hobo life, and her quick, deep store of tales to spin for the strangers in her aunt's village.

    Burroughs at work, attacking our traditional values, condemning what he calls "the American nightmare," and expressing his often barbed views on Scientology, the police, orgone therapy, history, women, writing, politics, sex, drugs, and death. His conversation splices images of death-by-hanging with elevators and airports, the story of his drug addiction and cure with ideas on the use of hieroglyphs.

    this page was created by "Russian-Language".

    Never having been awarded the Nobel Prize, which his readers worldwide believed he deserved, this story writer, poet, essayist, and man of letters died at age eighty-six.This anthology of interviews with him features more than a dozen conversations that cover all phases of his life and work.Conducted between 1964 and 1984, the interviews reveal Borges to be a remarkably candid, humorous man, by turns skeptical and enthusiastic, and always a singularly incisive and adventurous thinker.He discusses his blindness, his family and childhood, early travels, literary friends, and struggles to find his literary identity. In depth he examines the meanings and intentions of his own famous stories and poems, and he speaks of the writers whose works he has loved-Dante, Cervantes, Emerson, Dickinson, H. G. Wells, Kafka, Stevenson, Kipling, Whitman, Frost, and Faulkner-and of those whom he disliked, such as Hemingway and Lorca. Borges expresses his contempt for P ron and assesses the tumultuous politics of Argentina. He speaks also of the imagination as a type of dreaming, about issues of collaboration and translation, about philosophy, and about time.Many of the interviews were conducted by notable figures, including Alastair Reid, Willis Barnstone, and Ronald Christ.As Borges speaks in these conversations, readers who have fallen under the spell of his magical prose and poetry will find additional sustenance.Richard Burgin's books include the story collections "Feat of Blue Skies," "Private Fame," and "Man without Memory." In his first book on Borges, "Conversations with Jorge Luis Borges" (now out of print), he was the sole interviewer. Burgin is the editor of "Boulevard" magazine and an associate professor of communication and English at Saint Louis University.

    Infused with the rhythmic drive of a jazz improvisation, the immediacy of a newspaper headline and the epic scope of a historical novel, Fo and his wife/collaborator Franca Rame have performed Mistero Buffo throughout the world to over 10,000,000 people. One of the major theatrical artists of the 20th century, Italy's Dario Fo was awarded the 1997 Nobel Prize for Literature. Ron Jenkins' translations of Dario Fo have been performed across the country. He is the theatre department chair at Wesleyan University.

    Shortly before the outbreak of World War II, he is sent to an obscure village with one week's ration of canned meat and orders to guard a downed plane. Apparently forgotten by his unit, Chonkin resumes his life as a peasant and passes the war tending the village postmistress's garden. Just after the German invasion, the secret police discover this mysterious soldier lurking behind the front line. Their pursuit of Chonkin and his determined resistance lead to wild skirmishes and slapstick encounters.

    Far from representing the rejection of morality, selfishness, in Rand�s view, actually demands the practice of a systematic code of ethics. This book explains the fundamental virtues that Rand considers vital for a person to achieve his objective well-being: rationality, honesty, independence, justice, integrity, productiveness, and pride. Tara Smith examines what each of these virtues consists in, why it is a virtue, and what it demands of a person in practice.

    Set far from Moscow in the remote Kazakhstan capital of Alma-Ata, The Keeper of Antiquities begins with a leisurely, almost scholarly air - like a devious story by Borges. But very soon we find ourselves watching with horror as professional rivalry between the keeper of the town's museum and the chief librarian turns into a deadly struggle for control over the meaning of the past - and therefore over the present.While Dombrovsky does not have the wit, the suave cynicism of Bulgakov, he is-or was-immensely drawn to the tragi-comic potential of the bureaucratic flap, endemically Russian. Water boils drearily for tea in noisily peopled conferences; lank-jawed, heavily smoking females whine and bark in outrage; minor officials threaten and soothe; mass grievances are unburdened. The narrator is an open-hearted, straightforward young man with the title of Keeper of Antiquities in the archaeological section of a museum in rural Soviet Central Asia. The Keeper is moderately happy in his eyrie of catalogues and modest displays, sharing varieties of pickling alcohol with an earthy old carpenter and enjoying a secret hoard of carnival views of ""Beauties of the World"" in their natural state. His aim is to go quietly on his way ""without interfering with anybody."" But ""Your business is history"" to prove and demonstrate, and there is no escape. An attempt to improve the local library by a critical comment; the friendship with a collective brigade leader whose brother was shot (unjustly?) as a traitor; the defense of a young archaeologist fired by the library-all forbode disaster. The keeper of pristine truths unsullied by expedient exploitation thinks of flight, but in the end simply waits for the closing in of ""history,"" party style. A spirited, often anguished, indictment of mindless officialdom wherever it appears.

    The much loved John Ploughman's Picture (978-1-87157-623-5) & John Ploughman's Talk (978-0-90673-173-4) are in the process of being combined to become The Complete John Ploughman's (978-1-84550-278-2) to be released September 2007.

    His quietly phrased, brief devotions are -described as "miniatures," yet are monumental, capturing the pressure of history upon daily moments. By reducing the world to its small objects, every detail, every image becomes imbued with meaning.This bilingual volume, celebrating the centennial of Jean Follain's birth, is translated by W.S. Merwin, who writes in his introduction: "Follain's concern is finally with the mystery of the present--the mystery which gives the recalled concrete details their form, at once luminous and removed, when they are seen at last in their places, as they seem to be in the best of his poems."

    The daily routine of a man in charge of children at a state welfare organization and the demands that are made upon him are depicted in this novel set in present day Hungary.

    This comprehensive volume is composed of essays derived from the lectures he gave all over the world during the 1960's. Fuller's thesis is that humanity - for the first time in its history - has the opportunity to create a world where the needs of 100% of humanity are met. This is Fuller in his prime, relaying his urgent message for earthians critical moment and presenting pioneering solutions which reflect his commitment to the potential of innovative design to create technology that does "more with less" and thereby improves human lives . . . "This is what man tends to call utopia. It's a fairly small word, but inadequate to describe the extraordinary new freedom of man in a new relationship to universe - the alternative

    Now this definitive work on Bauhaus is available again in a boxed hardcover edition.Documents in Bauhaus are taken from a wide array of sources--public manifestos, private letters, internal memoranda, jotted-down conversations, minutes of board and faculty meetings, sketches and schemata, excerpts from speeches and books, newspaper and magazine articles, Nazi polemics, official German government documents, court proceedings, budgets, and curricula. The illustrations include architectural plans and realizations, craft and industrial model designs (furniture, ceramics, metalwork, textiles, stained glass, typography, wallpaper), sculpture, paintings, drawings, etchings, woodcuts, posters, programs, advertising brochures, stage settings, and formal portraits of such Bauhaus masters as Walter Gropius, Lyonel Feininger, Wassily Kandinsky, Paul Klee, L�szl� Moholy-Nagy, Josef Albers, Hebert Bayer, Marcel Breuer, and Ludwig Mies van der Rohe.

    

    More than just a clever piece of black humour, in Joko's Anniversary Topo urges the reader to a very serious consideration of the potential degredation of any individual by society.

    One of the great figures of Romanticism, Keats poured his tragically short and troubled life into creating poetry: in Robert Gittings's words, "With no other poet are the life and the works so closely linked". He offers insights into Keats's family background, his financial difficulties, illnesses and unhappy love affair with Fanny Brawne, interpreting evrey poem in the context of Keats's experience. Meticulously researched using original sources, this is the most complete picture of Keats that has ever appeared.Contents: ForewordPrologue to BiographyApprentice YearsYears of TrialThe Living YearThe Last YearEpilogue to LifeAppendices: The Jennings & Sweetinburgh Families Keats' Father Keats & Venereal Disease Keats' Use of BawdyIndex

    This funny, exciting and best-selling story takes you behind the scenes as eight-year-old Edward trains for the greatest swimming marathon of all!

    The lyrical age, according to Kundera, is youth, and this novel, above all, is an epic of adolescence; an ironic epic that tenderly erodes sacrosanct values: childhood, motherhood, revolution, and even poetry. Jaromil is in fact a poet. His mother made him a poet and accompanies him (figuratively) to his love bed, and (literally) to his deathbed. A ridiculous and touching character, horrifying and totally innocent ("innocence with its bloody smile"!), Jaromil is at the same time a true poet. He's no creep, he's Rimbaud. Rimbaud entrapped by the communist revolution, entrapped in a sombre farce.

    Salka, an actress in Europe, now married to theater director Bertold Viertel, finds herself living in LA and becoming a scriptwriter. She befriends arriving emigres like Thomas Mann, Brecht and Franz Werfel. Her story turns dark with W2 and then the Blacklist.

    

    

    He never went to school but received most of his education in the streets of Dublin, and taught himself to read at the age of fourteen. He was successively a newspaper-seller, docker, stone-breaker, railway-worker and builders' labourer. In 1913 he helped to organise the Irish Citizen Army which fought in the streets of Dublin, and at the same time he was learning his dramatic technique by reading Shakespeare and watching the plays of Dion Boucicault. His early works were performed at the Abbey Theatre, Dublin, and Lady Gregory made him welcome at Coole, but disagreement followed and after visiting America in the late thirties O'Casey settled in Devonshire. He lived there until his death in 1964, though still drawing the themes of many of his plays from the life he knew so well on the banks of the Liffey. Out of the ceaseless dramatic experimenting in his plays O'Casey created a flamboyance and versatility that sustain the impression of bigness of mind that is inseparable from his tragi-comic vision of life.

    

    The critic's job becomes one of the interpreting human symbolizing wherever he finds it, with the aim of illuminating human motivation. Thus the reach of the literary critic now extends to the social and ethical.A Grammar of Motives is a "methodical meditation" on such complex linguistic forms as plays, stories, poems, theologies, metaphysical systems, political philosophies, constitutions. A Rhetoric of Motives expands the field to human ways of persuasion and identification. Persuasion, as Burke sees it, "ranges from the bluntest quest of advantage, as in sales promotion or propaganda, through courtship, social etiquette, education, and the sermon, to a 'pure' form that delights in the process of appeal for itself alone, without ulterior purpose. And identification ranges from the politician who, addressing an audience of farmers, says, 'I was a farm boy myself,' through the mysteries of social status, to the mystic's devout identification with the sources of all being."

    

    Daily trips to sweep the moon clean of Russian and American cameras and mechanical shovels seem quite normal when the method of transport is the age-old witch's broomstick. The boy hero Peter's allies include a kangaroo with a bottomless pouch and an intriguingly up-to-date Willy Willy Man who has starting trouble because he runs on a 2-stroke.Whispering in the Wind is a tale with as wide an appeal as Wind in the Willows. Full of courage, kindess and humour the exciting enchanting characters will enthrall all ages while the allegory interests and enlightens adults."

    Morton seized the chance to explore a part of Italy that was comparatively unknown. He went from the heel to the toe of Italy and explored the undeveloped rivers of the Tyrrhenian and Ionian coastlines, met local peoples and learned about their traditions and folklore, and discovered an Italy not previously exposed to travellers.

    This edition, edited by Durrell's friend and bibliographer Alan C. Thomas, comprises letters spanning thirty years, excerpts from his first two novels (neither available in the U.S.), short fiction, and travel essays. "My books are always about living in places, not just rushing through them.... the important determinant of any culture is after all -- the spirit of place".

    Already his widely celebrated gifts of precision, thoughtfulness, and musicality were everywhere apparent.

    He spent his early childhood in Astrakhan where his father worked as a shipping agent, but when the boy was only five years old, his father died, and he was sent to live with his maternal grandparents. This was not a happy time for the young Gorky as conditions were poor and often violent. At the age of eight, the boy's grandfather forced him to quit school and apprenticed him to several tradesmen including a shoemaker and an icon painter. Fortunately, Gorky also worked as a dishwasher on a Volga steamer where a friendly cook taught him to read, and literature soon became his passion. At the age of twelve, Gorky ran away from home and barely survived, half starving, moving from one small job to the next. He was often beaten by his employers and seldom had enough to eat. The bitterness of these early experiences led him to choose the name Maxim Gorky (which means "the bitter one") as his pseudonym.

    Written with Coward's inimitable poise and wit, the stories variously describe back-stage intrigues, Hollywood champagne breakfasts, suburban romances and gossip round the captain's table. He reveals himself as a consummate prose stylist demonstrating why, for all his success in virtually every other field of entertainment, he returned again and again to the short story.

    3 books in one. Includes: Friday The Rabbi Slept Late, Saturday The Rabbi Went Hungry, and Sunday The Rabbi Stayed Home. Meet an unorthodox sleuth, in three of his best and most baffling cases !

    True story of a couple's quest to adopt a Vietnamese orphan and the hurdles, red-tape and health issues they encountered.

    The internationally known historian Roy Medvedev has included more than one-hundred new interviews, unpublished memoirs, and archives from survivors of Stalin's death camps. This updated version of a classic work was written during a time of great change in the Soviet Union. With the advent of perestroika and glasnost, more progressive leadership has sought to demolish the Stalinist system which had finally crippled the Soviet Union and incited public discontent.Let History Judge contains new material on purges in 1929-1931 and terror against the peasantry; the Kirov assasination and show trials; the "great terror" from 1936-1938, which caused irreparable damage to the Soviet Union and left it vulnerable for Hilter's attack in 1941; the trial of Bukharin; Trotsky's revolutionary activity and Stalin's involvement with his murder in Mexico; Stalin's miscalculations and errors during the war, which cost the Soviet Union nearly 25 million in casualties; new purges from 1946-1953; and the actual vote of the Seventeenth Congress, which decided Stalin's candidacy.Since the first edition was finished by the author in 1969 and published in 1971, dozens of new informants have come forward to give their evidence to Roy Medvedev. Distinguished Soviet literary, cultural, and political figures like the late Alexander Twardovsky, Ilja Ehrenburg, Konstantin Simonov, Yuri Trifono, Mikhail Romm and many others have accumulated documentary records of Stalinism in anticipation of an expanded version.

    Beginning with the foreboding events of 3/31-4/6, they plunge onward thru the primaries to the conventions, paying rather less attention to the anti-climactic Nixon-Humphrey bout which followed. Using the mass-psychoanalytic approach developed by the better journalism since '63, the authors probe the styles & personalities of the major figures, & interpret phenomena such as Daley, Abby Hoffman & the Kennedy intellectuals. They comment on American violence, on the role of the media & on the conflict between rhetoric & reality in American life. Their insights will not startle readers of liberal-left periodicals, but they write with wit & concision, & have some sharp moments, as in their dissection of Johnson's Vietnam advisers, or in their remarks on Mayor Daley's Newspeak version of the Chicago police frolic. Their acquaintance with American history & idiom is impressive. Some flaws: an attempt to say too much & a paucity of straight political analysis (votegetting strategies etc.) which renders the book less valuable as campaign history than the White studies on '60 & '64. Still, until the mists clear further, this will serve to keep alive the drama of a fantastic & frightening election year.--Kirkus

    Then one day was different....the only trouble was that the magic had caused him to fly through Time instead of Space. Catweazle ended up at a place called Hexwood Farm, nine centuries later, where everything he saw appeared to happen by magic.

    Time and the Conways.-I have been here before.-An inspector calls.-The linden tree.

    Originally published in 1969, Melvyn Dubofsky's We Shall Be All has remained the definitive archive-based history of the IWW. While much has been written on aspects of the IWW's history in the past three decades, nothing has duplicated or surpassed this authoritative work. The present volume, an abridged version of this labor history classic, makes the compelling story of the IWW accessible to a new generation of readers. In its heyday, between 1905 and 1919, the IWW nourished a dream of a better America where poverty-–material and spiritual–-would be erased and where all people, regardless of nationality or color, would walk free and equal. More than half a century ago the Wobblies tried in their own ways to grapple with issues that still plague the nation in a more sophisticated and properous era. Their example has inspired radicals in America and abroad over the greater part of a century

    "There are images in this book that burn the mind." — Publishers Weekly.

    Dorothy L. Sayers will be eagerly sought by the many thousands of readers who already know her vigorous and vivid translation of the Inferno. As those who have heard Miss Sayer's lectures on Dante can testify, she brings to the interpretation of the Divine Comedy a vitalizing power of analysis and re-creation. Readers of Dante often become discouraged by the mass of factual detail which the older school of historical criticism has made available; mere aestheticism, however, unrelated to the time and space, is nor likely to satisfy them either. They will find in Miss Sayers' essays enough scholarly assistance to put themselves in the position of a contemporary reader; but their attention will chiefly be drawn to the relevance of the Divine Comedy to our present day world and way of life. Miss Sayers' emphasis on the ethical, rather than on the aesthetic, or historical, significance of Dante's work, comes as a welcome and bracing challenge to the confusion regarding values, whether of literature or of life, which characterizes the present age.

    Day after day he camps at Devil's Head and takes his surfboard over the outer reef, hoping the sharp rocks will claim him and save him from his nightmares. From the shop on the beach, Brenda -- scarred by her brief marriage to an air-force pilot -- watches his crazy dance of death. A starving and homeless Aboriginal boy trying to find enough food to survive after his parents' death becomes an intermediary between the two misfits consumed by their own demons. One day the two are forced out of their introspection when tragedy intervenes.

    Under the rubric of "the collapse of mass-based radical movements," Lasch examines the decline of populism, the disintegration of the American socialist party, and the weaknesses of black nationalism. Also included is a history of the Congress for Cultural Freedom and a discussion of the '60's revival of ideological controversy.

    This is the story of a bomber crew in World War II, always accompanied by an eighth passenger - fear.

    illustrated by Eloise Wilkin"A little word that means hello is Hi! A Wink is a little blink with one eye" & so begins this delightful rhyming story of all things little.

    There’s another world where life is different."These are stories of that world. The word m’hashish (equivalent in Moghrebi of “behashished” or “full of hashish”) is used only in a literal sense, but also figuratively, to describe a person whose behavior seems irrational or unexpected. The tales here deal with some of the possible results, desirable and questionable, of being in that state.Mohammed Mrabet was born in Tangier in 1936. Since meeting in the early 1960's, Paul Bowles has taped and translated numerous strange legends and lively stories recounted by Mrabet: Love with a Few Hairs (novel), The Lemon (novel), The Boy Who Set Fire (stories), Harmless Poisons, Blameless Sins (stories), The Beach Café & Look & Move On (autobiography), and The Big Mirror (novella). After moving back to Tangier after living in New York for four years, Mrabet resumed his role as a fisherman and began painting. He continues to paint while living in the Souani area of Tangier.

    And that was before she met the attractive Nicholas Muir!

    [Penguin Readers Level 6]Autobiography.

    

    A family moves into a big Victorian house and discovers clues to a treasure hunt.

    Having joined a cavalry unit during the Mexican Revolution, she finds herself at the Revolution's end in Mexico City, far from her native Oaxaca, abandoned by her husband and working menial jobs. So begins Jesusa's long history of encounters with the police and struggles against authority. Mystical yet practical, undaunted by hardship, Jesusa faces the obstacles in her path with gritty determination.Here in its first English translation, Elena Poniatowska's rich, sensitive, and compelling blend of documentary and fiction provides a unique perspective on history and the place of women in twentieth-century Mexico.

    The individual is the Japanese admiral who, as architect of the Pearl Harbor raid and commander of the Combined Fleet throughout the first part of World War II, is one of the most widely known of Japanese wartime leaders. The organization is the Japanese Imperial Navy, whose "gentlemanly" traditions and outlook contrasted strongly with those of the Japanese army and whose failure to check the latter in its headstrong course makes one of the sadder episodes of recent history.Here, for the first time, Yamamoto emerges as the complex, sympathetic, and in many ways contradictory character that he was. A realist who foresaw the future importance of the airplane for the navy long before his contemporaries and who believed that Japan would inevitably be defeated in any war with America and Britain, he was also an inveterate gambler with an odd streak of superstition. A tough leader, he had at the same time a vein of sentimentality that would allow him to burst into tears at the funeral of a young subordinate. In public the very epitome of the dignified national hero, in private he often showed a schoolboyish playfulness that was sometimes endearing and occasionally embarrassing. He was always ready to express his views with a frankness uncommon in his day, yet he revealed in the end the same readiness as most of his fellow countrymen to accept passively "the call of duty."The author, refusing the temptation to indulge in speculation or "reconstruction," has gone straight to the original sources--accounts written by those who worked with Yamamoto; scores of interviews with men and women who knew him personally; above all, letters written by Yamamoto himself. The latter range from his more circumspect, semi-official communications to intimate letters addressed to his mistress or long-standing friends of both sexes, in which he bares his private doubts and pessimism. It is these personal documents and reminiscences that make the character so human and, ultimately, give such a moving quality to the account of his dramatic wartime death in the South Pacific.An intimate portrait of the man who planned the attack on Pearl Harbor and died a dramatic death in the South Pacific.

    Jensen's study explores popular political mobilization on the eve of American independence. It reconstructs the complex decisions that slowly, often painfully transformed a colonial rebellion into a genuine revolution. Jensen's well-paced narrative never loses sight of the ordinary men and women who confronted the most powerful empire in the world." --T.H. Breen, William Smith Mason Professor of American History, Northwestern University

    In its day this book led the way in showing the philogically trained student how to be a critic; equally it can show the critically trained student the importance of a sound philogical base today.

    Protected by the flowers who loved her, Star Bright didn't know she was ugly, or even that she was a toad, until an evil butterfly arrived to destroy her.

    A History of Greek Philosophy Volume III: The Fifth-Century Enlightenment - Part 1: The Sophists; Part 2: Socrates (1971)

    Set against the backdrop of a Greek island, Clean Straw for Nothing follows the story of successful war correspondent and retired journalist David Meredith as he abandons his career for a life in exile with his beautiful wife Cressida. Johnston focuses on the developing relationship between David and Cressida, exploring the complex and reflective character of David as he questions the nature of success, sexual tensions, expatriation and ill-health. The questions are almost entirely unanswerable and the freedom David craves nearly impossible. In the final episode of the trilogy, David Meredith travels back to Australia, rediscovering his deep affection for his native land after having been so long in Greece. Coming to terms with his new home's deep faults and failings, as well as virtues, it is here that he reviews his life, his pursuit of success and his unfortunate failures. Still without a conclusion to his philosophical concerns, David comes to accept that the meaning of life is the journey we take and is not a price to be given at the end.

    

    The weaving of time, space, plot, real-and-imagined characters, sexual liberation, and surrealist imagery made Marat/Sade a sensation. Little did audiences realize that this counterculture classic was written by a German Jew. At that time, Weiss was also at work on a play about Auschwitz: The Investigation. These two dramas are in this volume along with The Shadow of the Body of the Coachman. All are cogently introduced and edited by Robert Cohen.

    It is the expression of a society living in an environment singularly like our own, mainly democratic, filled with a spirit of free inquiry, troubled by obstinate feuds and still more obstinate problems. Militarism, nationalism, socialism and communism were well known, the preachers of some of these doctrines being loud, ignorant and popular. The defence of a maritime empire against a military oligarchy was twice attempted by the most quick-witted people in history, who failed to save themselves on both occasions. Antecedently then we might expect to find some lessons of value in the record of a people whose experiences were like our own.Further, human thought as expressed in literature is not an unconnected series of phases; it is one and indivisible. Neglect of either ancient or modern culture cannot but be a maiming of that great body of knowledge to which every human being has free access. No man can be anything but ridiculous who claims to judge European literature while he knows nothing of the foundations on which it is built. Neither is it true to say that the ancient world was different from ours. Human nature at any rate was the same then as it is now, and human character ought to be the primary object of study. The strange belief that we have somehow changed for the better has been strong enough to survive the most devilish war in history, but few hold it who are familiar with the classics.Yet in spite of its obvious value Greek literature has been damned and banned in our enlightened age by some whose sole qualification for the office of critic often turns out to be a mental darkness about it so deep that, like that of Egypt, it can be felt. Only those who know Greek literature have any right to talk about its powers of survival. The following pages try to show that it is not dead yet, for it has a distinct message to deliver. The skill with which these neglected liberators of the human mind united depth of thought with perfection of form entitles them at least to be heard with patience.

    Once a Hollywood stuntman until he miscalculated on a complex stunt and sent his colleague Angelo Sacchetti to a watery grave, Edward Cauthorne is forced by Mafia enforcers to search for the stuntman he thought he had accidentally killed in Singapore two years earlier.

    Above all it gives a detailed, documented account of the assassination of Reinhard Heydrich, the most gruesome of the Nazi murderers, by Czech resisters parachuted from London but aided in their task by the Czech underground." William L. Shirer, author of The Rise and Fall of the Third Reich If you only read one book about what it felt like to be present during the worst time in modern human history, a time when your life could be snuffed out for having the mere thought of opposition against the Nazi regime, this should be the book because it is told by survivors and by one of the greatest survivors of them all, Jan Wiener.

    Includes The Gentle Maiden and The Landlady

    It is the only edition of Breton's poetry available in the English language."

    Book by Ida Macalpine, Richard Hunter

    

    It is, in every respect, an impressive achievement.”—The New York Times, 1969“Often compared to the work of Zora Neale Hurston, the novel was unusual in its exploration of the black experience from a woman’s perspective, anticipating fiction by writers like Toni Morrison and Alice Walker.”—The New York Times, 2009Originally published in 1969 to broad critical acclaim, This Child's Gonna Live is an unsurpassed testament to human endurance in the face of poverty, racism, and despair. Set in a fishing village on Maryland's Eastern Shore in the 1930s, this story has as its main character the unforgettable Mariah Upshur, a hard-working, sensual, resilient woman, full of hope, and determination despite living in a society that conspires to keep her down. In her mind, she carries on a conversation with Jesus, who, like Mariah herself, is passionate and compassionate, at times funny and resolutely resilient to fatalism. Often compared to Zora Neale Hurston for her lyrical and sure-handed use of local dialect, Wright, like Hurston, powerfully depicts the predicament of poor African American women, who confront the multiple oppressions of class, race, and gender.

    The earlier work was described by Arthur Koestler as the "twofold story of a courageous and lovable person's struggle to come to terms with his Grecian heresy and of a brilliant journalist's fight against colonial jingoism" and it scandalized the "respectable" world with its opening sentence: "This is the life history of a lover of boys".Davidson's sequel is still more revealing. Some Boys is a fond memoir of the author's young friends across four decades and as many continents: from Marrakech to Saigon, Ischia to Lahore. Written with the discernment and observation of a brilliant journalist, these recollections combine erotic intenseness with an unerring personal empathy, and show throughout a keen and sensitive perception for the diversity of international customs and culture in the middle twentieth century -- much of which is now gone forever.

    Williams tirelessly defended and promoted the best in modern literature and art. He contributed widely to leading literary magazines, wrote prefaces and introductions, and lectured at many universities. This selection represents his finest work in criticism. Much of it concerns poetry and poets––T. S. Eliot, Dylan Thomas, Karl Shapiro, E. E. Cummings, Ezra Pound, Carl Sandburg, Robert Lowell and many others. Williams also spoke out on painters and paintings as well as music and literature. There are essays on James Joyce, Shakespeare, Federico Garcia Lorca, the basis of faith in art, the American Revolution, H. L. Mencken's The American Language, Ford Madox Ford, American primitive painters, Antheil's music, and the work of Gertrude Stein.

    Although a grande amoureuse in her day, she's now just a sick old lady about to lose her home and she had appealed for help to four of her previous lovers. And what do you do if you're Pierre Leclair, too tall, too thin, with a large Adam's apple, stumbling feet and eyes that look sad even when you're happy? What do you do if you're madly in love with a brisk, efficient ever-so-accomplished English beauty? What do you do? You pursue her!