Originally titled “Three Lives,” the memoir describes Vienna of the late Austro-Hungarian Empire, the world between the two world wars and the Hitler years.Translated from the German by Benjamin W. Huebsch and Helmut Ripperger; with an introduction by Harry Zohn, 34 illustrations, a chronology of Stefan Zweig’s life and a new bibliography, by Randolph Klawiter, of works by and about Stefan Zweig in English.“The best single memoir of Old Vienna by any of the city’s native artists.” — Clive James“A book that should be read by anyone who is even slightly interested in the creative imagination and the intellectual life, the brute force of history upon individual lives, the possibility of culture and, quite simply, what it meant to be alive between 1881 and 1942.” — The Guardian“It is not so much a memoir of a life as it is the memento of an age.” — The New Republic

    It is the only story in which Zweig looks at Nazism, and he does so with characteristic emphasis on the psychological.Travelers by ship from New York to Buenos Aires find that on board with them is the world champion of chess, an arrogant and unfriendly man. They come together to try their skills against him and are soundly defeated. Then a mysterious passenger steps forward to advise them and their fortunes change. How he came to possess his extraordinary grasp of the game of chess and at what cost lie at the heart of Zweig's story.This new translation of Chess Story brings out the work's unusual mixture of high suspense and poignant reflection.

    A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depicted reality has taught generations how to read Western literature. This new expanded edition includes a substantial essay in introduction by Edward Said as well as an essay, never before translated into English, in which Auerbach responds to his critics.A German Jew, Auerbach was forced out of his professorship at the University of Marburg in 1935. He left for Turkey, where he taught at the state university in Istanbul. There he wrote "Mimesis," publishing it in German after the end of the war. Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how from antiquity to the twentieth century literature progressed toward ever more naturalistic and democratic forms of representation. This essentially optimistic view of European history now appears as a defensive--and impassioned--response to the inhumanity he saw in the Third Reich. Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach used his remarkable skills in philology and comparative literature to refute any narrow form of nationalism or chauvinism, in his own day and ours. For many readers, both inside and outside the academy, "Mimesis" is among the finest works of literary criticism ever written.

    Absorbing and complex, it chronicles the family’s saga from the economic panic of 1873 through the dramatic rise of American industry and trade unionism, through waves of immigration, class conflict, natural disaster, World War I, and Pearl Harbor. In 1945 it was made into a major motion picture starring Greer Garson and Gregory Peck.             This reissue features a new foreword by noted steel industry historian John Hoerr, author of And the Wolf Finally Came, who places the novel in context as a classic depiction of twentieth-century America.

    But what a world! Only Thurber could picture a seal peering nearsightedly over a headboard or a former husband crouched atop the armoire. Titles in this selection, all vintage Thurber, hint at the range of his whimsy and include "Courtship Through the Ages," "The Secret Life of Walter Mitty," "Interview with a Lemming" and "You Know How the French Are." "Few writers have re-created daydreams and nightmares as Thurber re-creates them. He manages, somehow, to pin them while the nerve filaments are alive and wriggling...." (The New York Times)

    His name represents steamy, suspenseful fiction, chilling encounters on the dark and sultry landscape of urban America in the 1930s and 1940s. Here, in this special collection, are his classic thrilers, including 'Rear Window', the story of Hal Jeffries who, trapped in his apartment because of a broken leg, takes to watching his neighbours through his rear window, and becomes certain that one of those neighbours is a murderer. Also included are such haunting, heart-stopping tales as those involving a man who finds his wife buried alive; a girl trapped with a deranged murderer who likes to knife his victims while dancing; and a woman seizing her chance to escape a sadistic husband, only to find her dream go terrifyingly wrong.Rear window --I won't take a minute --Speak to me of death --The dancing detective --The light in the window --The corpse next door --You'll never see me again --The screaming laugh --Dead on her feet --Waltz --The book that squealed --Death escapes the eye --For the rest of her life

    She had enough money for her holiday, and when it was over she would find useful work. Her plans were vague, but she would have plenty of time to think things out when she got to Cairn. One thing only was certain—she was never going back to prison again. Young Frances Field arrives in a scenic coastal village in Scotland, having escaped her dreary life as an orphan treated as little more than a servant by an uncle and aunt. Once there, she encounters an array of eccentric locals, the occasional roar of enemy planes overhead, and three army wives—Elise, Tommy, and Tillie—who become fast friends. Elise warns Frances of the discomforts of military life, but she’s inclined to disregard the advice when she meets the dashing and charming Captain Guy Tarlatan.The ensuing tale, one of D.E. Stevenson’s most cheerful and satisfying, is complicated by a local laird with a shady reputation, a Colonel’s daughter who's a bit too cosy with Guy, a spring reputed to guarantee marriage within a year to those who drink from it, and a series of misunderstandings only finally resolved in the novel’s harrowing climax.Spring Magic, first published in 1942, is here reprinted for the first time in more than three decades. Furrowed Middlebrow and Dean Street Press are also reprinting four more of Stevenson's best works—Smouldering Fire, Mrs. Tim Carries On, Mrs. Tim Gets a Job, and Mrs. Tim Flies Home. This new edition includes an introduction by Alexander McCall Smith.“The author tells of what befell a young woman who, while on a seaside holiday in Scotland, enters the social life surrounding a battalion of troops and of how she found personal happiness. Lively and charming.” Sunday Mercury“The cheeriest company . . . charmingly told” Sunday Times

    In a secluded woodland castle an old General prepares to receive a rare visitor, a man who was once his closest friend but who he has not seen in forty-one years. Over the ensuing hours host and guest will fight a duel of words and silences, accusations and evasions. They will exhume the memory of their friendship and that of the General’s beautiful, long-dead wife. And they will return to the time the three of them last sat together following a hunt in the nearby forest--a hunt in which no game was taken but during which something was lost forever. Embers is a classic of modern European literature, a work whose poignant evocation of the past also seems like a prophetic glimpse into the moral abyss of the present

    They are drawn to the suspiciously inexpensive Cliff End, feared amongst locals as a place of disturbance and ill omen. Gradually, the Fitzgeralds learn of the mysterious deaths of Mary Meredith and another strange young woman. Together, they must unravel the mystery of Cliff End's uncanny past - and keep the troubled young Stella, who was raised in the house as a baby, from returning to the nursery where something waits to tuck her in at night... The second in Tramp's Recovered Voices series, this strange, bone-chilling story was first published in 1942, and was adapted for the screen as one of Hollywood's most successful ghost stories, The Uninvited, in 1944.

    Woods

    Written and illustrated by Hendrik Willem Van Loon

    This book presents a study of human intelligence beginning with a semantic theory and leading into a critique of music. By implication it sets up a theory of all the arts; the transference of its basic concepts to other arts than music is not developed, but it is sketched, mainly in the chapter on artistic import. Thoughtful readers of the original edition discovered these far-reaching ideas quickly enough as the career of the book shows: it is as applicable to literature, art and music as to the field of philosophy itself. The topics it deals with are many: language, sacrament, myth, music, abstraction, fact, knowledge--to name only the main ones. But through them all goes the principal theme, symbolic transformation as the essential activity of human minds. This central idea, emphasizing as it does the notion of symbolism, brings Mrs. Langer's book into line with the prevailing interest in semantics. All profound issues of our age seem to center around the basic concepts of symbolism and meaning. The formative, creative, articulating power of symbols is the tonic chord which thinkers of all schools and many diverse fields are unmistakably striking; the surprising, far-reaching implications of this new fundamental conception constitute what Mrs. Langer has called "philosophy in a new key." Mrs. Langer's book brings the discussion of symbolism into a wider general use than criticism of word meaning. Her volume is vigorous, effective, and well written and will appeal to everyone interested in the contemporary problems of philosophy.

    -from "Lesson X: The Riddle of the Universe" New Thought proponents at the turn of the twentieth century sought to use mysticism to unleash the forces of the universe in themselves. One of the most influential thinkers of this early "New Age" philosophy promises here, in this 1904 book, to show the reader "to see with the clear vision of the Spirit" and how to "achieve the peace of the awakened and conscious soul." As the yogi reminds us, "No occult teaching is ever wasted-all bears fruit in its own good time." With this significant document of the New Thought movement back in print, now may be the time. American writer WILLIAM WALKER ATKINSON (1862-1932)-aka Yogi Ramacharaka-was born in Baltimore and had built up a successful law practice in Pennsylvania before professional burnout led him to the religious New Thought movement. He served as editor of the popular magazine New Thought from 1901 to 1905, and as editor of the journal Advanced Thought from 1916 to 1919. He authored dozens of New Thought books-including The Philosophies and Religions of India, Arcane Formula or Mental Alchemy and Vril, or Vital Magnetism-under numerous pseudonyms, some of which are likely still unknown today.

    He That is Spiritual defines true Christian living and unfolds the biblical teaching concerning spirituality -- what it is, and how it is secured. Nothing could be more important to Christians than the theme of this book. Its sound teaching corrects many false impressions and presents a scriptural pattern for the full life in Christ.

    The journeys in this volume carry the reader through the surreal vistas of an underground city that appears aboveground as a bizarre theater of facades and a fire-ravaged landscape where souls turn to ash. By playing with the format of the ghost story or horror tale, Brion transforms the romantic waystations in this volume into stages on an inward journey into lucid dreams and no less lucid nightmares.Waystations evokes a deep night of strange encounters, enigmatic transformations, and labyrinthine journeys. A young castrato sings his heart out in a lost baroque garden; a timeless warrior retires from battle to an uncanny final resting place; a child falls under the fateful spell of an enchanted painting; a traveler in a burned-out landscape encounters the Prince of Death; dancing cats engage in mortal combat in the cellars of an abandoned port city. These stories give substance to Brion’s claim that "the fantastic comes to us in the great tidal waves of night, phosphorescent plankton drawn by dark waves that break on humanity as soon as the sun of evidence and reason has disappeared."A self-declared heir of Achim von Arnim and E. T. A. Hoffmann, Brion was also an admirer of the German Romantic writer Novalis and his Hymns to the Night, but his own imaginative homages to the night are more troublingly ambiguous, possibly an indirect reflection of the dark times in which they were written.Over the course of a long and productive career, Marcel Brion (1895–1984) published twenty novels, four volumes of short stories, and sixty-eight nonfiction books covering music, art, literature, history, and travel, and a large number of shorter essays and editorial introductions.

    He loses everything, he puts the fireworks on the fire by mistake, he tries to read the herrings and feed the newspapers to the cat, forgets the dog and takes the lead for a walk, and try as he might, he can't remember anything.

    In the days when C. S. Lewis and J. R. R. Tolkien trod the greens of Oxford, those lectures were provided by the wise and witty Msgr. Ronald Knox, himself a convert to the Catholic Church. Erudite and profound, Monsignor Knox not only helped keep the Catholic students aflame with faith, but also led many lapsed Catholics and non-Catholics into the Church. His writings continue to provide inspiration and instruction to all those confronting questions of life and faith. Some of the best talks by Knox are gathered in this volume. "If God Exists", "The Unholiness of the Church" and "Unselfishness in Marriage" are but a few of the topics he deftly discussed in a manner as entertaining and pertinent now as when they were first given at Oxford in the 1920s and 30s. "In what Msgr. Knox calls the ‘4 a.m.’ mood, a sense of futility creeps in, a suspicion that the Christian system does not really hang together, that there are flaws in the logic . . . that there are too many unresolved contradictions. To this mood with its temptation to despair, Msgr. Knox talks with unfailing kindness . . . Those who have left their formal education far behind them will find huge solace in reading and re-reading this book. It should be at every bedside, ready to be opened at 4 a.m." – Evelyn Waugh, Author, Brideshead Revisited

    In fact it's the beginning of the gestalt therapy by one of the founding fathers of this therapy.-- Ehrenwald Frederick Perls received his M.D. in Berlin in 1921. Like Wilhelm Reich he started out as a Freudian analyst, but under the influence of Kohler, Wertheimer & Kurt Goldstein developed his own school of analysis: Gestalt Therapy. His principles of gestalt therapy have been adopted by countless encounter & sensitivity groups. He aims in this book to examine some psychological & psychopathological reactions of the human organism within its environment. The author is criticsl of orthodox psychoanalysis, & claims that the use of the new intellectual tools holism (field conception) & semantics (the meaning of meaning) can greatly improve our theoretical outlook.

    He enlists private detectives Edward and Cynthia Randall to follow him and uncover his identity, entangling them in a web of intrigue and nightmarish encounters… causing all to question their own and each others' sanity. From the bestselling author of STRANGER IN A STRANGE LAND, GLORY ROAD and STARSHIP TROOPERS.

    It has become a modern Irish classic, promising to make immortal the Tailor and his irrepressible wife, Ansty. The Tailor never travelled further than Scotland, yet the breadth of the world could not contain the wealth of his humour and fantasy. All human life is here - marriages, inquests, matchmaking, wakes - and always the Tailor, his wife and their black cow.

    Forester came up with the premise for the book while he was at home in the Berkeley hills, minding his two boys while his wife Kathleen was away. The younger of the two, 8 year old George, went on a hunger strike; he refused to eat. Forester made up the stories to tell during dinnertime, but would only tell them if George would eat. If George stopped eating, Forester stopped talking mid-sentence. By the time Kathleeen returned home and everything returned to normal, there were a number of Poo-Poo stories, and 3 dragons. Forester collected the stories in manuscript form and Little Brown published it.

    But why wouldn't anyone believe her? And why has her own husband turned against her?

    It describes the spring of 1941, the coldest for a hundred years, and June days as grey as January; a reassuring mid-summer of foxgloves and fishing trips; an autumn of kingfishers and trees heavy with fruit; and the rural isolation of a harsh winter with bushes still laden with berries in December. Bates also recalls the darker moments, on hearing reports from Dunkirk and the August Sunday when a black bomber hurtled to the ground.This book, with its depth of thoughtful charm and nostalgia, by the author of The Darling Buds of May, will delight all lovers of the country.

    The author managed to keep her head but recorded the life of the people with her paintings and sketches. Its become a minor travel classic.

    Members of this same family are involved in some of the Mardi Gras traditions still being practiced. The story of the family is very well done but the explanation of the Carnival customs is superb.

    He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance.” —William Faulkner, on receiving the Nobel Prize Go Down, Moses is composed of seven interrelated stories, all of them set in Faulkner’s mythic Yoknapatawpha County. From a variety of perspectives, Faulkner examines the complex, changing relationships between blacks and whites, between man and nature, weaving a cohesive novel rich in implication and insight.

    Given the Nazis' appreciation for propaganda, this fact alone would be unremarkable, but her writings take on special interest when coupled with the knowledge that she received such access while openly proclaiming her own Jewish background and anti-Nazi sympathies. As she dutifully reported on the countless dinners, galas, and cultural events attended by German high society, Fromm also kept a secret diary that chronicled the seemingly inexplicable growth and horrifying consequences of National Socialism: "It's not curious that all this is beginning to make me feel like a stranger in my own country, that I am beginning to be aware of a feeling of hostility...." Fearing for her life, Fromm fled Germany in 1938, smuggling her incriminating diary out in separate parcels before she left. First published in 1943, these recollections wear the patina of an Allied effort at public relations, but the prescient accuracy of her dire predictions is intriguing nonetheless. And, while invariably placing herself in the shining glow of absolute moral and ethical integrity, her insightful observations offer an interesting record of the many actions--both heroic and cowardly--she witnessed during this particularly ugly period of mass hysteria. --George Laney

    Booksellers in fiction appear to conform to one of several stereotypes, and Muir’s protagonist certainly conforms to the most obvious; the autodidact who believes that his hard-learned knowledge entitles him to a better life than the lot he has been cast. Despite the inevitable bitterness that accompanies such a character, Baxter is someone to whom it is impossible not to warm as the book unfolds, and his final realization that he is content with his quiet life in a small Scottish bookshop comes as no surprise at the conclusion of the book.

    "There were thousands killed last night, so the bus conductor told me."“You certainly are our little ray of sunshine,” said Elsie scornfully.Marjorie Wilenski's only novel, as biting and funny as Barbara Pym at her crankiest, follows an office of women translators at the fictional Ministry of Foreign Intelligence in London as they bicker, manuever, and shift allegiances just before and then in the thick of the London Blitz. Its two main characters are sharply contrasted — the clever, efficient but terminally bitter middle-aged Elsie Pearne and the cheerful, pretty young newcomer Anne Shepley-Rice, whose once affluent family has fallen on hard times. Their colleagues include a fresh air fanatic, a busybody, an inept supervisor and her trusty deputy, the dithering, chatty Mrs Jolly, and a former lady’s companion who delights in bad news and disaster.The cast of Table Two are instantly recognizable to any office worker of today. But this portrayal of a 1940s office is a rare treasure for modern readers, showing, with vivid detail and dark humour, how a group of independent, capable women experienced some of the darkest days of World War II.'The most striking novel about women war workers this war has produced' Elizabeth Bowen

    The usual stages of courtship are dispensed with, and the two begin an affair. But their idyll is soon to be shattered by the realities of war.

    

    "The Form of the Sword" is a short story by Argentinian author Jorge Luis Borges, first published in July 1942 in La Nación, and included in the 1944 collection Ficciones, part two.

    We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.