The Woman of the Pharisees--one of Mauriac's most accomplished novels--is a penetrating evocation of the moral and religious values of a Bordeaux community. In Brigitte, we see how the ideals of love and companionship are stifled in the presence of a self-righteous woman whose austere religious principals lead her to interfere--disastrously--in the lives of others. One by one the unwitting victims fall prey to the bleakness of her "perfection." A conscientious schoolteacher, a saintly priest, her husband and stepdaughter and an innocent schoolboy are all confronted with tragedy and upheaval. But the author's extraordinary gift for psychological insight goes on to show how redeeming features inevitably surface from disaster. The unfolding drama is seen through the discerning eye of a young Louis--Brigitte's stepson--whose point of view is skillfully blended into the mature and understanding adult he later becomes.

    Charles Wright’s translation, Jonathan Galassi’s introduction, and, as afterword, Montale’s thoughtful essay on Campana, identify the heart of this poet’s achievement.

    Fresh and candid, by turns earthy, tender, defiant, and romantic, Cummings's poems celebrate the uniqueness of each individual, the need to protest the dehumanizing force of organizations, and the exuberant power of love.

    S. Eliot. In this definitive edition, French and English texts appear on facing pages. Preface by T. S. Eliot.

    A collection of astonishing originality and intensity, it spoke of politics, sexual emancipation, and what it meant to be an American. From the joyful “Song of Myself” and “I Sing the Body Electric” to the elegiac “When Lilacs Last in the Dooryard Bloom’d,” Whitman’s art fuses oratory, journalism, and song in a vivid celebration of humanity. Containing all Whitman’s known poetic work, this edition reprints the final, or “deathbed,” edition of Leaves of Grass (1891–92). Earlier versions of many poems are also given, including the 1855 “Song of Myself.”Features a completely new—and fuller—introduction discussing the development of Whitman's poetic career, his influence on later American poets, and his impact on the American cultural sensibilityIncludes chronology, updated suggestions for further reading, and extensive notes

    In this revised and expanded collection, renowned translators Chana Bloch and Stephen Mitchell have selected Amichai's most beloved and enduring poems, including forty new poems from his recent work.from Tourists:Once I was sitting on the steps near the gate at David's Citadel and I put down my two heavy baskets beside me. A group of tourists stood there around their guide, and I became their point of reference. "You see that man over there with the baskets? A little to the right of his head there's an arch from the Roman period. A little to the right of his head." "But he's moving, he's moving!" I said to myself: Redemption will come only when they are told, "Do you see that arch over there from the Roman period? It doesn't matter, but near it, a little to the left and then down a bit, there's a man who has just bought fruit and vegetables for his family."

    Eliot, contains essays from five earlier volumes: Pavannes and Divisions (1918), Instigations(1920), How to Read(1931), Make it New(1934), and Polite Essays(1937). The thirty-three essays contained in this collection are separated into three categories: The Art of Poetry, The Tradition, and Contemporaries. These essays showcase the range of Pound's interests, with topics ranging from modernist poetry to Japanese iconography, troubadour songs, and much more. Pound's influence on the modernist movement and literature as a whole makes this collection an important piece of literary history. With an introduction by T.S. Eliot.

    "By turns hilarious and chilling....the culmination of this playwright's work to date....Riveting theater."-Frank Rich, New York Times; "A brilliant black comedy, a dazzling dissection of Hollywood cupidity and another tone poem by our foremost master of the language of moral epilepsy... On its deepest level it belongs with the darker disclosures of movie-biz pathology like Nathanael West's The Day of the Locust and F. Scott Fitzgerald's The Last Tycoon. In a sense Speed-the-Plow distills all of these to a stark quintessence: there's hardly a line in it that isn't somehow insanely funny or scarily insane... [It is a] scathingly comic play."-Jack Kroll, Newsweek

    "On gray days when most modern poetry seems one dull colorless voice speaking through a hundred rival styles, one turns to Stevie Smith and enjoys her unique and cheerfully gruesome voice. She is a charming and original poet," commented Robert Lowell about the book that introduced Stevie to American readers, her Selected Poems (New Directions, 1964). The Selected won her many enthusiasts, but it was not until the release of Hugh Whitemore’s film Stevie in 1981 that her poetry found a wider audience and sent that little book repeatedly back to press. The title of Miss Smith’s first published collection (London, 1937) was A Good Time Was Had By All, and indeed that is what her poetry, embroidered by her delightful, apposite doodles, provides. It brings us too into the company of wit, irony, and, as Brendan Gill remarked, "images of joy and terror." A Newsweek reviewer wrote, "Even in the lightest of her verse, the briefest epigram, there is a resonance, the reverberation of a triangle, if not a gong."

    This volume also includes poems and translations never previously collected, and a selection of drafts that demonstrate the poet's constant drive to reimagine his work. Collected Poems at last offers readers the opportunity to take in, in its entirety, one of the great careers in twentieth-century poetry.

    It's the tale of Bobby Pickens, assistant manager of Sonny Boy Bargain Store, who gains a new lease on life, though he almost comes to regret it. Bobby's handsome half brother F.X.-ex-con, ex-actor, and ex-husband three times over-moves in, and things go awry all over town. Mistaken identities; entangled romances with Burma, Toinette, and Donna Lee; assault and battery; charges of degeneracy; a nervous breakdown-it all comes to a head at a Christmas Eve party in a cabin on a poisoned swamp. This is sly, madcap romp that offers readers the gift of abundant laughter.

    With both the general reader and the student in mind, editor Louis L. Martz of Yale University (who also edited H.D.'s Collected Poems 1912-1944) has provided generous examples of H.D.'s work. From her early "Imagist" period, through the "lost" poems of the thirties where H.D. discovered her unique creative voice, to the great prophetic poems of the war years combined in Trilogy, the selection triumphantly concludes with portions of the late sequences Helen in Egypt and Hermetic Definition which focus on rebirth, reconciliation, and the reunion of the divided self.

    Set in the towers and tunnels of the quintessential American city, Alain Robbe-Grillet's novel turns this urban space into a maze where politics bleeds into perversion, revolution into sadism, activist into criminal, vice into art—and back again. Following the logic of a movie half-glimpsed through a haze of drugs and alcohol, Project for a Revolution in New York is a Sadean reverie that bears an alarming resemblance to the New York, and the United States, that have actually come into being.

    The work interrogates the social and linguistic space between regimes of power enacted on the body, and thereby the soul.

    In these pages, Oliver shares the wonder of dawn, the grace of animals, and the transformative power of attention. Whether studying the leaves of a tree or mourning her adored dog, Percy, she is ever patient in her observations and open to the teachings contained in the smallest of moments.Our most precious chronicler of physical landscape, Oliver opens our eyes to the nature within, to its wild and its quiet. With startling clarity, humor, and kindness, A Thousand Mornings explores the mysteries of our daily experience.