Like Girls and Boys, Big Ideas features many of her greatest cartoons, including her menacing "Poodle with a Mohawk". Line drawings throughout.

    Originally drawn in 1996 over the pages of a Japanese book catalogue, Brian Chippendale's monumental 350-page graphic novel, Maggots, is reproduced here in a facsimile edition, with every nick and tear in tact. The line work, incredibly dense because Chippendale needed to cover up the Japanese catalogue, nearly vibrates off every page. As for the story, it concerns a group of characters who live in a place called Fort Thunder and wander around discovering little holes in their universe, battle a capitalist landlord, eat peanut butter sandwiches and embark on adventures somewhere between dirt punk and epic, cosmic science fiction. Chippendale's drawings are much like his famed drumming for the noise rock band Lightning Bolt: propulsive, soulful and chaotic. But, like his best songs, Maggots opens up into beautiful visual passages, vistas of temples and flowers all drawn in scorching black marks that tell a story in their own abstractions. This book has several built-in cult followings.

    She's been called an inimitable and masterful stylist, a kind of Edward Gorey who draws out the whimsical side of body-horror, and indeed, the spirit of Gorey's grotesques breathes through French's creations. In H Day, her first graphic novel in four years, French explores, through metaphor and in pictures, her struggles with migraine headaches, marshaling troops of insects, beasts and humanoids to envision the processes that result in such hideous sensations. A sweeping, often tense narrative of invasion, repulsion and liberation, H Day can be read both as an oblique autobiography and as a suspenseful fantasy story. This volume makes clear the qualities that led Myla Goldberg, author of Bee Season, to call Renee French "that rare gift among artists--one whose work finds its way into the most guarded corners of our psyches and allows us to revel in all that is awkward, embarrassing or sticky about being alive."

    The lead character in most is Bitchy Bitch, the perma-nently PMS'd and PO'd embodiment of the female id, who also stars in her own series of cartoon shorts on the Oxygen Network's X-Chromosome animated series.The raunchiest collection, focusing on Bitchy's sexual excapades.

    This graphic fantasy novel is the second of its kind, following on from "Raw" volume 1.

    The book is divided into six chapters, each focusing on a theme; one is a series of eerily compelling portraits based on a dozen family photographs Doucet found discarded in a garbage can in Berlin. In another series, Doucet explores gender issues as no one else can with twenty hilarious, somewhat unflattering portraits of the "modern man." She deftly explores other themes, ranging from fortune cookies to female sexuality (go figure ), and everything is neatly encompassed in this sharply-designed art book. Julie Doucet is internationally renowned for her wry, sexually-charged work, a sort of "female R. Crumb" of comics. She is the author of four books, including the 2000 Firecracker Award-Winner "My New York Diary. "

    All phone numbers, references to ex-girlfriends, "false starts," and embarrassing experiments with unfamiliar drawing media have been generously excised to present the reader with the most pleasant and colorful sketchbook reading experience available. Included are Ware's frustrated doodles for his book covers, angry personal assaults on friends, half-finished comic strips, and lengthy and tiresome fulminations of personal disappointments both social and sexual, as well as his now-beloved drawings of the generally miserable inhabitants of the city of Chicago. All in all, a necessary volume for fans of fine art, water-based media, and personal diatribe. This hardcover is attractively designed and easy to resell.

    The latter three-quarters will collect his acclaimed short stories from MOME, as well as several little-seen stories from elsewhere, and a new 20-page story.The Unclothed Man in the 35th Century A.D. is Shaw’s first book since his breakthrough graphic novel of 2008, Bottomless Belly Button, which was named Publishers Weekly’s best graphic novel of 2008, one of Entertainment Weekly’s top ten books of 2008, and one of Amazon.com’s top ten graphic novels of the year, amongst numerous other accolades.The book also collects Shaw’s acclaimed, genre-bending short stories from MOME, including “Look Forward, First Son of Terra Two,” a remarkable story of two lovers traveling in opposite directions… in time. Also featured: “Galactic Funnels,” the 2008 Ignatz Award nominee for “Outstanding Story,” about the parasitic relationship between an artist and his lover/mentor; “Satellite CMYK,” a sci-fi mindwarp that ingeniously drives the narrative through Shaw’s masterful control of color, and “Making the Abyss,” a fictionalized story of a surreal film set filled with nuclear tanks, hot tubs, and blind ambition.“Like the very best illustrated fiction, Shaw’s work moves between pathos and humor, between the fantastic and the familiar.”—The Christian Science Monitor“Shaw’s style deftly combines cartoon drawings with a slavish attention to detail…Masterfully using the comics medium to juggle all the different characters, weaving their stories together seamlessly.”—Publishers Weekly

    In the late 1980s his groundbreaking comic book series Eightball defined indie culture with wit, venom, and even a little sympathy. With each successive graphic novel (Ghost World, David Boring, Ice Haven, Wilson, Mister Wonderful ), Clowes has been praised for his emotionally compelling narratives that reimagine the ways that stories can be told in comics. The Art of Daniel Clowes: Modern Cartoonist is the first monograph on this award-winning, New York Times–bestselling creator, compiled with his complete cooperation. It includes all of Clowes’s best-known illustrations as well as rare and previously unpublished work, all reproduced from the original art, and also includes essays by noted contributors such as designer Chip Kidd and cartoonist Chris Ware.Praise for The Art of Daniel Clowes:"Even if you're not an avid reader of [Clowes’s] books and strips (your loss), this volume will entice and entertain." —The Atlantic"The real selling point of Modern Cartoonist is the art . . . some of which [has] been little-seen even by die-hard Clowes fans." —A.V. Club “This excellent retrospective of his work from the late 1980s onward, edited by Alvin Buenaventura, showcases his visual gifts and always evolving style; his beautiful early stuff looks nothing like his beautiful later stuff.” —Newsday “A perfect introduction.” —NPR.org“One of the greatest cartoonists of the past several decades finally gets his due.” —The Washington Post

    This novel tells the story of a mysterious tribal figure named Kokomo, who falls asleep to dream a wild picaresque interlude starring Jimbo and Bob War.

    Earth can move incredible distances in his improbable Distance Mover, a wondrous vehicle that reflects the fantastic world it traverses. He, and his young art-star protégée Mendel, explore culture-rich crystalline cities, challenge the mighty Council of the Misters, try to overcome the all-conquering Ooze, and much more!Patrick Kyle lives and works in Toronto, Ontario. He is the co-founder and editor of Wowee Zonk, a contemporary comic book anthology featuring up-and-coming international artists. He has been previously nominated for Doug Wright and Ignatz awards for his comic book series Black Mass and Distance Mover.

    To me, he is unquestionably one of ‘the greats.'" —Chris WareSkibber Bee ByeRon Regé, Jr., creates his own visual poetry that sets him apart from other cartoonists as one of the most original artists to enter the medium in the past decade. His storytelling is neither linear nor altogether accessible; however, his recognizable thin line and cute characters draw you into a dreamlike, sensitive fantasy world that, as odd as it seems, is entirely realistic.

    Widely considered to be some of his best work ever. Weirdo was a magazine-sized comics anthology created by Robert Crumb in 1981, which ran for 28 issues. It served as a "low art" counterpoint to its contemporary highbrow Raw. Early issues of Weirdo reflect Crumb's interests at the time: outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." The incredibly varied stories include TV Blues, Life of Boswell, People Make me Nervous, The Old Songs are the Best Songs, Uncle Bob's Mid-Life Crisis, Kraft Ebbing's' Psycopathia Sexualis, Goldilocks, The Life of Philip K Dick, and many more. Also within are several photo strip stories featuring Crumb himself and various of his trademark well-built women including his wife Aline Kominsky-Crumb in tales such as Get in Shape and Unfaithful Husband.

    These crisply rendered images reflect his life-long obsession with hidden worlds, alternate realities and the inexplicable resonance of the unprecedented and irrational in lucid art.Seeing Things collects the most toothsome of these drawings and arranges them in four sections. "Lazy Robinson" is a series of portraits of forms taken by a cognizant object during the course of a specific and identifiable stream of thought. "Frogs" celebrates the tender proclivities of the most noble of all animals, by placing them in situations that would dismay a horde of saints. "The Visible World" is a roundup of appalling scenes of sub-rational political activity involving catalytic entities with a high ratio of motivation to altruism. And "The Portfolio in Color" appears like a rainbow at the end of all this exalted storminess to send readers out into the world whistling with delight. Many of these images were created for "Mysterio Sympatico," Woodring's multimedia stage collaboration with guitarist Bill Frisell. There is plenty of echoless, glowing furniture to add to that already crowded storeroom which is briefly, but brilliantly, illuminated in the pages of this stately book.

    After the release of three startling, award-winning movies that have played around the world and been added to the permanent collection of the Museum of Modern Art, S. Craig Zahler wanted to return to his first artistic passion―illustration.With tools that he had developed as a director, screenwriter, cinematographer, novelist, and songwriter, he committed himself to writing, drawing, inking, and lettering his graphic novel debut, a full-length work of noir horror entitled, Forbidden Surgeries of the Hideous Dr. Divinus.Here’s the setup…Homeless people are disappearing in New Bastion, and occasionally, a dismantled corpse turns up in a dumpster. These crimes are left alone, until the day a comatose woman named Lillian Driscoll is kidnapped from the hospital. Her brothers―a grumpy detective named Leo and a slick mobster named Tommy―seek answers that lead them to darkness, arcane medicine, and pain.Fans of Bone Tomahawk (recently named best film of the decade by Conan O’Brien) will enjoy Zahler’s return to the supernatural, and the idiosyncratic, tough guy dialogue found in his crime pictures Dragged Across Concrete and Brawl in Cell Block 99 (both of which premiered at the Venice Film Festival) is also present in this starkly rendered, black-and-white graphic novel, a stylistic confluence of pre-code horror, vintage comic strip, and modern indie art styles.