A buxom, naïve sixteen-year-old, she yearns to leave behind hometown scandal, and joins the mass migration to the bustling boomtown of Shenzhen. There, she must navigate dangerous encounters with ruthless bosses, jealous wives, sympathetic hookers and corrupt policemen as she tries to find her place in the ever-evolving society.Hardship and tragedy are in no short supply as her journey takes her through a grinding succession of dead end jobs. To help her through this confusing maze, Xiaohong finds solace in the close ties she makes with the other migrant girls – the community of her fellow 'northern girls' – who quickly learn to rely on each other for humour and the enjoyment of life's simple pleasures.A beautiful coming-of-age novel, Northern Girls explores the inner lives of a generation of young, rural Chinese women who embark on life-changing journeys in search of something better.

    When he first arrives in Aayakudi to investigate a curious tip about a ghost, the place seems like an ordinary, traditional farming village. Soon, though, Rajendran finds himself entangled in a head-spinning mystery involving ancient treasure, spirit possession, and a series of grisly killings. There's also the beautiful, troubled daughter of the village panchayat president... and the notorious evil sorcerer who wants her dead. Indra Soundar Rajan, one of the stalwarts of the Tamil pulp fiction scene, has been writing his unique brand of supernatural mystery thrillers for over 30 years. He's also known for his television screenplays, such as the long-running superhit serial Marmadesam (Land of Mystery). He lives in Madurai.

    It is a dramatic feat with profound connotations and heart-stirring artistry. The story unfolded around Zhou Puyuan, a male character who had been to Germany to study. Cold-blooded, selfish and hypocritical, he was like a dictator of a dark dynasty in his home. Zhou Puyuan is a well-portrayed character in Thunderstorm. All sinful acts were attributable to his domestic autocracy. The profound significance of Thunderstorm lies in its exposure of the close political and ideological bond between Chinese capitalists and the deep-rooted feudal traditions.

    In the 300 years since its initial publication, Li Yu's book has been widely read in China, where it is recognized as a benchmark of erotic literature and currently enjoys the distinction of being a banned-in-Beijing classic.

    Humanity has migrated to domes at the bottom of the sea to escape devastating climate change. The world is dominated by powerful media conglomerates and runs on exploited cyborg labor. Momo prefers to keep to herself, and anyway she's too busy for other relationships: her clients include some of the city's best-known media personalities. But after meeting her estranged mother, she begins to explore her true identity, a journey that leads to questioning the bounds of gender, memory, self, and reality.First published in Taiwan in 1995, The Membranes is a classic of queer speculative fiction in Chinese. Chi Ta-wei weaves dystopian tropes--heirloom animals, radiation-proof combat drones, sinister surveillance technologies--into a sensitive portrait of one young woman's quest for self-understanding. Predicting everything from fitness tracking to social media saturation, this visionary and sublime novel stands out for its queer and trans themes. The Membranes reveals the diversity and originality of contemporary speculative fiction in Chinese, exploring gender and sexuality, technological domination, and regimes of capital, all while applying an unflinching self-reflexivity to the reader's own role. Ari Larissa Heinrich's translation brings Chi's hybrid punk sensibility to all readers interested in books that test the limits of where speculative fiction can go.

    Qù tama, zánmen chuqù feng ba. •Who farted? Shéi fàng de pì?•Wanna try doggy-style? Yàobù zánliar shìshì gou cào shì?•Son of a bitch!Gouniángyang de!•I’m getting smashed. Wo ganjué heduo le.•I can’t eat this shit! Wo chi bù xià qù!

    Included are extensive notes, a preface by renowned translator Red Pine, a findings list, and photographs of the cave and surrounding area where Han Shan (“Cold Mountain”) lived.Cold Mountain is one of the most revered poets in China. He was a Taoist/Buddhist hermit who begged for food at temples, often sang and drank with cowherds, and became an immortal figure in the history of Chinese literature and Zen. His poems were written twelve-hundred years ago on the rocks, trees, and temple walls of China’s Tientai Mountains. This revised edition also includes poems by Han Shan’s colleagues, Pickup (Shih-te) and Big Stick (Feng-kan), translated here for the first time.As Red Pine begins his Preface, “If China’s literary critics were put in charge of organizing a tea for their country’s greatest poets of the past, Cold Mountain would not be on many invitation lists. Yet no other poet occupies the altars of China’s temples and shines, where his statue often stands alongside immortals and bodhisattvas. He is equally revered in Korea and Japan. And when Jack Kerouac dedicated The Dharma Bums to him in 1958, Cold Mountain became the guardian angel of a generation of Westerners as well.”Reviews of Red Pine's Collected Songs of Cold Mountain:”The translator’s preface describes his rendition of the life of Cold Mountain, offering an excellent historical and philosophical context for the simple yet profound poems attributed to the poet."—Library Journal“These are poems one must taste fully and drink whole... The poems of Han-shan read like a journal or memoir, and they often work as Zen koans, challenging the mind to go beyond the words and reason.”—Parabola“Red Pine... has given us the first full collection of Han Shan’s songs in an idiom that is clear, graceful, and neutral enough to last... His translations are accurate and mirror the music of the originals... The Collected Songs of Cold Mountain is a considerable performance and a truly valuable book. Thanks to Copper Canyon's high standards of bookmaking, it is beautiful to hold and behold; thanks to Red Pine’s care, it will survive as the definitive text of Han Shan in English for many years. It belongs on the shelf of everyone with an interest in poetry and... should be opened often."—The Bloomsbury Review“An exquisite publication that captures the Taoist practice of passionate attention, of being still inside and relaxed in the comforts and discomforts around you, going nowhere else... We discover this in the poet’s vision and spirit, in the precision and balance of the translator’s scholarship and heart, and in the elegant wilderness of the bookmaker’s art around them. On every level this is a beautiful book.”—Judges’ comments on awarding the WESTAF Award in Translation“Cold Mountain’s colloquial poetry...sound like inspired raps—marvelously direct, with skips, jumps, verbal nudges and abrupt revelations... The volume is beautifully produced, with a long and careful introduction... This is an indispensable book.”—The Berkeley Monthly“More than anyone else, Red Pine has made [Han Shan’s] spontaneous poems accessible to Western readers... In this new, expanded edition, invaluable notes and an extensive new critical preface provide a contextual awareness, not just for the poems, but for their sources in Buddhist and Confucian culture.”—Inquiring MindRed Pine is one of the world’s leading translators of Chinese literary and religious texts. His other translations include Lao-tzu’s Taoteching (isbn 9781556592904) and Poems of the Masters: China’s Classic Anthology of T’ang and Sung Dynasty Verse (isbn 9781556591952).

    A-qing, the adolescent hero, comes from an impoverished family. His father casts him out after learning that his son is gay. A-qing drifts into New Park, a gay hangout in Taipei, and begins his life as a hustler. He meets other boys living on the street, also forsaken by their families: Little Jade, who is constantly searching for his unknown father; Mousey, an orphan and petty thief; and Wu Min, a shy tender kid, who attempts suicide when discarded by a middle-aged man. These four boys become fast friends and are taken under the protection of Chief Yang, a fiftyish gay guru in the Park. The boys begin to build a family of their own. Meanwhile, A-qing meets Dragon Prince, whose passionate and faithful love for Phoenix Boy has become a legend of the Park...The second part of the novel deals with the Cozy Nest, a gay bar run by Chief Yang, where the boys and other homosexual exiles have found refuge. The bar is sponsored by Papa Fu, whose young soldier son had shot himself when his homosexuality was exposed.In Taiwan, the gay community is known as the buoliquan, literally "glass community," while the individuals are called "glass boys" or "Crystal Boys."Crystal Boys was first published in Taiwan and has since appeared in Hong Kong and in mainland China: two editions (Beijing and Harbin) were published in 1987. A film, Outcasts, based on the novel and directed by Yu Kan-Ping (1986) is currently available in the United States on video cassette (subtitled).

    In their long-time talks, the former eunuch told his young friend lots of inside stories about the "last emperor" and the royal family. Sun allowed Jia to record these stories with a tape-recorder and a video-tape-recorder.Jia had already published the Chinese edition of the eunuch's biography and a Japanese-language edition.So far, Jia has written six books on the royal family. Jia said he wanted to translate his books into major foreign languages to help foreign readers better understand the history of China.(Xinhua News Agency February 28, 2009)http://www.china.org.cn/books&mag...Los Angeles Times Review - "Biography of last Chinese eunuch reveals a tumultuous life"http://www.latimes.com/news/nationwor...New Phoenix Intl LlcForeign Language Teaching &Foreign Language Teaching and Research P

    It has lifted over 600 million people out of poverty while half of the world - over three billion people - still live under the poverty line. The astronomical growth and the potential of China to become the next superpower has attracted wide attention.These dramatic changes haven't necessarily come by choice. Internal and external pressures, both deeply rooted in history, have compelled China to metamorphose from being a static agricultural society into a diverse modern nation.As a Beijing resident who has lived through the entire opening-up era that set the stage for today’s China, I’ve experienced the scale and thoroughness of economic and social change. From an historical perspective, such change is irreversible. The great sacrifices and efforts of the Chinese people, both through time and in current events, have not been in vain, despite all the negative implications associated with a country growing at, as some would say, an unsustainable speed.Understanding China through Comics includes 4 volumes:Volume 1: The Yellow Emperor through the Han Dynasty (ca. 2697 BC - 220 AD)Volume 2: The Three Kingdoms through the Tang Dynasty (220 - 907)Volume 3: The Five Dynasties and Ten Kingdoms through the Yuan Dynasty under Mongol rule (907 - 1368)Volume 4: The Ming and Qing Dynasties (1368 - 1911)

    In the most complete, well-ordered philosophical system of his day, Xunzi advocated the counteraction of man's evil through self-improvement, the pursuit of learning, the avoidance of obsession, and observance of ritual in life. Readers familiar with Xunzi's work will find that Burton Watson's lucid translation breathes new life into this classic. Those new to Xunzi will find his ideas on government, language, and order and safety in society surprisingly close to concerns of our own age.

    Featuring the original Chinese as well as english translations and historical introductions by Burton Watson, J.P. Seaton, Paul Hansen, James Sanford, and the editors, this book provides an appreciation and understanding of this elegant and traditional expression of spirituality."So take a walk with...these cranky, melancholy, lonely, mischievous poet-ancestors. Their songs are stout as a pilgrim's stave or a pair of good shoes, and were meant to be taken on the great journey."--Andrew Schelling, from his Introduction

    Set in the turbulent decades of the Cultural Revolution and the Tian'anmen Square incident, "A Private Life" exposes the complex and fantastical inner life of a young woman growing up during a time of intense social and political upheaval.At the age of twenty-six, Ni Niuniu has come to accept pain and loss. She has suffered the death of her mother and a close friend and neighbor, Mrs. Ho. She has long been estranged from her tyrannical father, while her boyfriend -- a brilliant and handsome poet named Yin Nan -- was forced to flee the country. She has survived a disturbing affair with a former teacher, a mental breakdown that left her in a mental institution for two years, and a stray bullet that tore through the flesh of her left leg. Now living in complete seclusion, Niuniu shuns a world that seems incapable of accepting her and instead spends her days wandering in vivid, dreamlike reveries where her fractured recollections and wild fantasies merge with her inescapable feelings of melancholy and loneliness. Yet this eccentric young woman -- caught between the disappearing traditions of the past and a modernizing Beijing, a flood of memories and an unknowable future, her chosen solitude and her irrepressible longing -- discovers strength and independence through writing, which transforms her flight from the hypocrisy of urban life into a journey of self-realization and rebirth.First published in 1996 to widespread critical acclaim, Ran Chen's controversial debut novel is a lyrical meditation on memory, sexuality, femininity, and the often arbitrary distinctions between madness and sanity, alienation and belonging, nature and society. As Chen leads the reader deep into the psyche of Ni Niuniu -- into her innermost secrets and sexual desires -- the borders separating narrator and protagonist, writer and subject dissolve, exposing the shared aspects of human existence that transcend geographical and cultural differences.

    Most of the songs are simple, erotic lyrics. Some are attributed to legendary courtesans, while others may have been sung at harvest festivals or marriage celebrations. In addition to the folk songs, Rexroth offers a wide sampling of Chinese verse: works by 60 different poets, from the third century to our own time. Rexroth always translated Chinese poetry—as he said—“solely to please myself.” And he created, with remarkable success, English versions which stand as poems in their own right.

    Instead, we are presented with akaleidoscope of characters and events, signs and emotions, linked by theuncanny repetition of certain details: blossoming almond trees, redberets, bleeding feet, accidents small and large. Michalopoulou’scharacters are both patently fictitious and profoundly real, as theymove through a world in which even the smallest of everyday occurrencescan take on enormous significance. I’d Like offers a touching, utterly unique reading experience from one of Greece’s most innovative young storytellers.