It is the first anthology of Chinese philosophy to cover its entire historical development. It provides substantial selections from all the great thinkers and schools in every period--ancient, medieval, modern, and contemporary--and includes in their entirety some of the most important classical texts. It deals with the fundamental and technical as well as the more general aspects of Chinese thought. With its new translation of source materials (some translated for the first time), its explanatory aids where necessary, its thoroughgoing scholarly documentation, this volume will be an indispensable guide for scholars, for college students, for serious readers interested in knowing the real China.

    Robert Lifton constructs these case histories through personal interviews and outlines a thematic pattern of death and rebirth, accompanied by feelings of guilt, that characterizes the process of "thought reform." In a new preface, Lifton addresses the implications of his model for the study of American religious cults.

    What kind of fruit these golden peaches really were cannot now be guessed, but they have the glamour of mystery, and they symbolize all the exotic things longed for, and unknown things hoped for, by the people of the T'ang empire.This book examines the exotics imported into China during the T'ang Dynasty (A.D. 618-907), and depicts their influence on Chinese life. Into the land during the three centuries of T'ang came the natives of almost every nation of Asia, all bringing exotic wares either as gifts or as goods to be sold. Ivory, rare woods, drugs, diamonds, magicians, dancing girls—the author covers all classes of unusual imports, their places of origin, their lore, their effort on costume, dwellings, diet, and on painting, sculpture, music, and poetry.This book is not a statistical record of commercial imports and medieval trade, but rather a "humanistic essay, however material its subject matter."

    The selections in this first volume span a two-thousand-year period: from the Chou Dynasty (1122–221 B.C.) to the Y’an Dynasty (A.D. 1280–1367), from the ancient Songs to the dramas of the fourteenth century, every major genre of Chinese literature is represented by a crucial work. Highlights include, in addition to the great poems of the T’ang, outstanding examples of Han poetry, Six Dynasties satire, T’ang-sung prose essays and fiction, and the form of lyric known as “tz’u.”

    Considered one of the Four Great Classical Novels of Chinese literature, the novel is written in vernacular Chinese rather than Classical Chinese.The story, set in the Song Dynasty, tells of how a group of 108 outlaws gathers at Mount Liang (or Liangshan Marsh) to form a sizable army before they are eventually granted amnesty by the government and sent on campaigns to resist foreign invaders and suppress rebel forces. It has introduced to readers many of the most well known characters in Chinese literature, such as Wu Song, Lin Chong and Lu Zhishen.

    Considered one of the Four Great Classical Novels of Chinese literature, the novel is written in vernacular Chinese rather than Classical Chinese.The story, set in the Song Dynasty, tells of how a group of 108 outlaws gathers at Mount Liang (or Liangshan Marsh) to form a sizable army before they are eventually granted amnesty by the government and sent on campaigns to resist foreign invaders and suppress rebel forces. It has introduced to readers many of the most well known characters in Chinese literature, such as Wu Song, Lin Chong and Lu Zhishen.

    Chinese civilisation from its primitive farming beginnings (3rd millennium BC) to the early historic periods (2nd millennium AD).