For centuries, wolves have haunted the human imagination. It has been accepted as conventional wisdom that they are savage predators, creatures of nightmare. Determined to overcome such misconceptions, Jim and Jamie Dutcher spent six years in a tented camp on the edge of Idaho's wilderness, living with and filming a pack of wolves. Now, in this lyrical memoir, the Dutchers share their experience of life among these intelligent and elusive animals. By socializing with the pack from the time they were pups, the Dutchers were able to gain the wolves' trust and observe their behavior in a way that few people ever have. What they witnessed was remarkable: a complex nature oriented toward family life and strong social bonds. Wolves at Our Door is much more than a behind-the-scenes look at the making of the Dutchers' Emmy Award-winning Discovery Channel documentary. It is the story of two people brought together by their devotion to wildlife and held together by their belief in each other. It is about their struggle to keep the project alive amid marauding mountain lions, forest fires, subzero temperatures—and the never-ending storm of controversy that surrounds the wolf.

    It is hard enough to find thesequalities in trained photographers with the benefit of schooling and mentors and a community of fellow artists and aficionados supporting and rewarding their efforts. It is incredibly rare to find it in someone with no formal training and no network of peers.Yet Vivian Maier is all of these things, a professional nanny, who from the 1950s until the 1990s took over 100,000 photographs worldwide—from France to New York City to Chicago and dozens of other countries—and yet showed the results to no one. The photos are amazing both for the breadth of the work and for the high quality of the humorous, moving, beautiful, and raw images of all facets of city life in America’s post-war golden age.It wasn’t until local historian John Maloof purchased a box of Maier’s negatives from a Chicago auction house and began collecting and championing her marvelous work just a few years ago that any of it saw the light of day. Presented here for the first time in print, Vivian Maier: Street Photographer collects the best of her incredible, unseen body of work.

    Animals are shown walking, running, leaping, flying — in typical actions. The horse alone is shown in more than 40 different ways: galloping with nude rider, trotting, pacing with sulky, cantering, jumping hurdles, carrying, rolling on barrels, and 36 other actions. All photos taken against ruled backgrounds; most actions taken from 3 angles at once: 90 degrees, 60 degrees, rear. Foreshortened views are included. These are true action photos, stopped in series, taken at speeds up to 1/2000th of a second. Actions are illustrated in series, with as many as 50 shots per action. Muybridge worked with the University of Pennsylvania for three years, made more than 100,000 exposures, and spent more than $50,000. His work has never been superseded as a lifetime reference for animators, illustrators, artists, and art directors.

    This is his masterful chronicle of one penguin colony’s astonishing journey of life, death, and rebirth—and of the extraordinary human experience of living amongst them in the planet’s harshest environment.My Penguin Year recounts McCrae's remarkable adventure to the end of the Earth. He observed every aspect of a breeding emperor's life, facing the inevitable sacrifices that came with living his childhood dream, and grappling with the personal obstacles that, being over 15,000km away from the comforts of home, almost proved too much. Out of that experience, he has written an unprecedented portrait of Antarctica’s most extraordinary residents.

    The ability to see the potential for a strong picture and then organize the graphic elements into an effective, compelling composition has always been one of the key skills in making photographs.Digital photography has brought a new, exciting aspect to design - first because the instant feedback from a digital camera allows immediate appraisal and improvement; and second because image-editing tools make it possible to alter and enhance the design after the shutter has been pressed. This has had a profound effect on the way digital photographers take pictures.Now published in sixteen languages, The Photographer's Eye continues to speak to photographers everywhere. Reaching 100,000 copies in print in the US alone, and 300,000+ worldwide, it shows how anyone can develop the ability to see and shoot great digital photographs. The book explores all the traditional approaches to composition and design, but crucially, it also addresses the new digital technique of shooting in the knowledge that a picture will later be edited, manipulated, or montaged to result in a final image that may be very different from the one seen in the viewfinder.

    In many countries, books are delivered in unusual way: by bus, boat, elephant, donkey, train, even by wheelbarrow. Why would librarians go to the trouble of packing books on the backs of elephants or driving miles to deliver books by bus? Because, as one librarian in Azerbaijan says, "Books are as important to us as air or water!" This is the intriguing photo essay, a celebration of books, readers, and libraries.

    His 1976 exhibition, Photographs by William Eggleston, at the Museum of Modern Art in New York, marked a turning point in the history of photography: this was when color photography gained recognition as a medium of artistic expression. His intense and dramatic use of color and "democratic" approach to mundane subject matter continue to have an enormous impact on contemporary photographic practice. Published to accompany a French exhibition, this book brings together Eggleston's most significant works, from his first experiments in black-and-white to a series of photographs of Kyoto produced specifically for the exhibit. Drawing on public and private collections in Europe and the United States, the book includes vintage prints executed in the technique most characteristic of his work, the dye transfer process, as well as many lesser-known and previously unseen photographs. From Mississippi to Berlin, Kenya to Asia, Eggleston has tirelessly explored the wider world, transforming, through his camera, the ordinary into the extraordinary. Distributed on behalf of the Fondation Cartier pour l'art contemporain. 160 color photographs.

    In the 1980s celebrated writer Douglas Adams teamed up with zoologist Mark Carwardine and together they embarked on a groundbreaking expedition, travelling the globe in search of the world's endangered animals. Twenty years later, comic genius Stephen Fry is returning with Mark to see if the species still exist. A major BBC television series follows the two on six separate journeys which take them to the Amazon basin, East Africa, Madagascar, New Zealand, Indonesia and Mexico to look for a flightless parrot, the Amazonian manatee, man-eating Komodo dragons, man's closest living relative, the northern white rhino and an animal so bizarre it seems to have been assembled from bits of other creatures. These are not just travels to the four corners of the world, but a journey in time to open our eyes to what humans have done to the Earth in the 20 years since the original Last Chance to See expeditions. It is a unique insight into the disappearing world around us, by one of the most extraordinary, informed, enthusiastic and amusing partnerships.

    The photobooth was born. Within 20 years there were more than 30,000 in the United States alone, an explosive growth due largely to World War II, as soldiers and loved ones exchanged photos, hoping to cling to memories or moments in a world turned upside down. But by the 1960s the advent of Polaroid photography spelled the doom of the "four strip" that had become a fixture at arcades and drugstores everywhere. The recent resurgence of photo sticker machines has recaptured the fun and intimacy of the photobooth. With no photographer to please, people are at liberty to be whoever they like: brave or sexy, cocksure or wise, without fear of censure or ridicule. Free in the certainty of their solitude, families, couples young and old, best friends, and individual after individual have presented to the camera both real and imagined selves for three-quarters of a century.Photobooth presents over 700 such photographs from the last 75 years, images at turns spontaneous and uninhibited, often goofy, and occasionally touching. It is a fascinating portrait of everyday people and a testament to the ongoing fascination with both the process and the result.

    In Nocturne: Creatures of the Night, celebrated animal photographer Traer Scott takes the viewer on a journey through nighttime in the animal kingdom, revealing some of nature's most elusive creatures. Bats, big cats, flying squirrels, tarantula, owls, kangaroo mice, giant moths, sloth, several species of snakes, and a Madagascar hissing cockroach are only a few of the animals illuminated in these lushly detailed portraits. Seventy-five full-color photographs of forty different species are accompanied by informed but accessible descriptions of each animal's habits and habitats, and an introduction provides personal insight into how Scott captures her astonishing images. Nocturne is a compelling view of the rarely seen darkness dwellers who populate the night.

    Within two years, he had succeeded. In Jaguar he provides the only first-hand account of a scientist's experience with jaguars in the wild. Jaguar presents an irresistible blend of natural history and adventure; intensely personal, it is a portrait of an elusive, solitary predator and the Mayas with which it shares the jungle. Strong and sensitive, the book excitingly describes the rewards and hardships of fighting to protect this almost mythical cat." - George Schaller, author of The Last Panda and Wildlife of the Tibetan Stepp. The glimpse which Rabinowitz's painstaking and careful research gives us of the world of the mysterious jaguar is tantalizing ....... Packed with interest and adventure." - Jane Goodall, author of Reason for Hope and In the Shadow of Ma. "An intimate look at the lives of rural Central Americans. At times Rabinowitz resembles a character from Joseph Conrad ... the tension between man and beast becomes startlingly vivid." - The Washington Pos. "A jungle adventure story in the classic mold, of a daredevil westerner who penetrates the deepest jungles of Belize in search of his quarry. There are thrills and chills aplenty in this quest for the mighty feline." - Kirkus Review. Originally published in 1986, this edition includes a new preface and epilogue by the author that bring the story up to date with recent events in the region and around the world.

    A lavishly illustrated journal based on the author's experiences of raising an orphaned coyote documents the first year of their relationship, during which the author, the pup, and her cat shared an unusual life in a Wyoming log cabin.

    By all accounts, Ernie was a phenomenon, selling an estimated 100,000 copies. Photographer Tony Mendoza had captured the mercurial character of that irascible, self-possessed, utterly lovable cat, telling the curiously moving story of their relationship in the voices of both himself and Ernie. Our beautifully produced hardcover edition of this classic tale is poised to charm legions of new readers. Featuring never-before-published pictures, and a few more private thoughts from Ernie himself, Ernie is sure to steal hearts all over again.

    There is no question that Robert Frank's The Americans is the most famous and influential photography book ever published. It was 1959 when the book first came out: a series of deceptively simple photographs that Frank took on a trip through America in '55 and '56, pictures of normal people, everyday scenes: lunch counters, bus depots, cars, and the stangely familiar faces of people we don't quite know but have seen somewhere. They are pictures that saw the "American way of life" as we hadn't yet quite been able to see it ourselves, photographs that condensed the entire life of a nation in classic images that still speak to us today, forty years and several generations later.

    But they are under threat as never before, and their problems are spreading across the continent. The Death and Life of the Great Lakes is prize-winning reporter Dan Egan’s compulsively readable portrait of an ecological catastrophe happening right before our eyes, blending the epic story of the lakes with an examination of the perils they face and the ways we can restore and preserve them for generations to come.