He owns an ice arena, a plane, and is a regular on Forbes' list of top money makers--yet his roots are firmly planted in the snows of St. Paul and the preachings of the church. This fully authorized portrait explores the Peanuts creator's extraordinary life.

    Because if you do, you may find out what happens when a former cop with a gun and nothing to lose decides to push back

    His work has been seen by millions—no, hundreds of millions—in the pages of Playboy, The New Yorker, Punch, The National Lampoon, and many other magazines; there is no telling, really, how many readers he has corrupted or comforted. He is revered for his playfully sinister take on childhood, adulthood, men, women, and monsters. His brand of humor makes you laugh until you cry. And it’s about time that a collection of his cartoons was published that did justice to his vast body of work.When Gahan Wilson walked into Hugh Hefner’s office in 1957, he sat down as Hefner was on the phone, gently rejecting a submission to his new gentlemen’s magazine: “I think it’s very well-written and I liked it very much,” Hefner reportedly said, “but it’s anti-sin. And I’m afraid we’re pro-sin.” Wilson knew, at that moment, that he had found a kindred spirit and a potential home for his cartoons. And indeed he had; Wilson appeared in every issue of Playboy from the December 1957 issue to today. It has been one of the most fruitful, successful, and long-lived relationships between a contributor and a magazine, ever.Gahan Wilson: 50 Years of Playboy Cartoons features not only every cartoon Wilson drew for Playboy, but all his prose fiction that has appeared in that magazine as well, from his first story in the June 1962 issue, “Horror Trio,” to such classics as “Dracula Country” (September 1978). It also includes the text-and-art features he drew for Playboy, such as his look at Madame Tussaud’s Wax Museum, his take on our country’s “pathology of violence,” and his appreciation of “transplant surgery.”Wilson’s notoriously black sense of comedy is on display throughout the book, leaving no sacred cow unturned (an image curiously absent in the book), ridiculing everything from state sponsored executions to the sober precincts of the nouveau rich, from teenage dating to police line-ups, with scalding and hilarious satirical jabs. Although Wilson is known as an artist who relishes the creepy side of modern life, this three-volume set truly demonstrates the depth and breadth of his range—from illustrating private angst we never knew we had (when you eat a steak, just whom are you eating?) to the ironic and deadpan take on horrifying public issues (ecological disaster, nuclear destruction anyone?).Gahan Wilson has been peeling back the troubling layers of modern life with his incongruously playful and unnerving cartoons, assailing our deepest fears and our most inane follies. This three-volume set is a testament to one of the funniest—and wickedly disturbing—cartoonists alive.Nominated for two 2010 Will Eisner Comic Industry Awards (Best Archival Collection/Project: Strips; Best Publication Design).

    Black humor is used in a series of cartoons depicting ironic situations in which people meet their end.

    But that was not so about his wit. At times, he behaved as if he had no sense or common knowledge at all. Finally, after a long long wait, he gets married. He gets an invitation from his in-laws place especially for the celebration of Diwali. His father warned him before leaving that he had to behave properly at his in-laws house as he is no more just anybody. On the contrary, he is now their son-in-law. So he must show attitude while being at their place.What happens then……………?

    Slump and one of the strangest places on Earth!

    The bloke can write. He rhapsodizes about heroin better than anyone since Jim Carroll. With the flick of his enviable pen, he can summarize childhood thus: ‘My very first utterance in life was not a single word, but a sentence. It was, ‘Don’t do that.’... Russell Brand has a compelling story." — New York Times Book ReviewThe gleeful and candid New York Times bestselling autobiography of addiction, recovery, and rise to fame from Russell Brand, star of Forgetting Sarah Marshall and one of the biggest personalities in comedy today.Picking up where he left off in My Booky Wook, movie star and comedian Russell Brand details his rapid climb to fame and fortune in a shockingly candid, resolutely funny, and unbelievably electrifying tell-all: Booky Wook 2. Brand’s performances in Arthur, Get Him to the Greek, and Forgetting Sarah Marshall have earned him a place in fans’ hearts; now, with a drop of Chelsea Handler’s Chelsea Chelsea Bang Bang, a dash of Tommy Lee’s Dirt, and a spoonful of Nikki Sixx’s The Heroin Diaries, Brand goes all the way—exposing the mad genius behind the audacious comic we all know (or think we know) and love (or at least, lust).

    Along the way, readers join the author in discovering: • The scary side of fishing; • Why it’s wrong when board games become blood sports; • The unexpected connection between cooking classes and true romance; • How the author's cat convinced him to take up yoga (and why that was a terrible idea); • Golfing for the ball challenged; • The thrill of jumping out of an airplane without risking your life; • The eternal appeal of Elly May Clampett; and, • How to do nothing without feeling guilty about it.

    Presents 10 short novels in comic strip form featuring Donald Duck and examines his development as a character in comic books, strips, and movies over the years.

    The 2009 National Cartoonists Award for Best Newspaper Comic Strip, Lio is unique in its pantomime content and drawing style. This treasury includes creator commentary and origins of Lio.It's slightly dark and terribly funny. Lio, the main character, a young boy with an imagination that has no limit, explores everything kid. From bumps in the night to things hiding under the bed, readers get an inside look at different shades of humor but always come out the other end unscathed and laughing."Lio is brilliant!" --Dallas Morning News

     Bedlam, is the first of four books in the hysterically funny series, “Diary of a Stressed Out Mother”. Dora Loveday (harassed mother of four kids, two unruly dogs, and a psychotic cat), records the daily chaos and madness of her family life in this laugh-out-loud, comic romp of a diary!

    It may be gross, but kids love this stuff, and that's the point! I originally wrote this book for my son, a first grader, who was struggling with sight words and reading speed. The sight word books, decodable word books, early reader books, and flash cards they offered him at school were boring, which made it a challenge to get him excited about reading. So I decided to write a series of children's books using sight words but with stories about the things I heard him and his friends laughing about. It worked! My son was able to read my Billy Bad sight word stories with speed and confidence. And because he was laughing I knew his reading comprehension was improving. This book is written using mostly Dolch sight words and a few other words that are easily decodable. Unlike most sight word books and decodable word books, Billy Bad's sight word books have stories that will capture the attention of early readers and make them laugh. When kids enjoy the stories they read they fall in love with reading. I hope your child enjoys these silly (and gross) sight word books as much as my son does.

    It was said to be the beginning of kali Yuga. This Amar Chitra Katha tells the story of the curse which dooms Pareekshit to die at the hands of the Serpent King, Takshaka, and how his son, Janamejaya, avenges his death.

    With some fo the most elaborate and explosive prusuits imaginable, Tom and Jerry have invented invisible paint, traveled back in time, and defied amost every law of physics. Explore and enjoy the Oscar-winning series that made Hanna-Barbera, delighted millions, and defined the word of Saturday morning cartoons.

    He used the elegant draftsmanship and single-panel format of the standard cartoons of the day, but turned them into more than just one-off jokes. With an inimitable mixture of wit, earnestness, and enigmatic surrealism, Dean uses this most ephemeral of forms to explore the deepest mysteries of human existence.What Am I Doing Here? depicts a world at once alien and familiar, in which everyone is naked but act like they’re clothed—a world of club-wielding commuters and byzantine inventions, secret fears, and perverse satisfactions. Through it all strolls (or crawls, or floats, or stumbles) Dean’s unclad Everyman, searching for love, happiness, and the answers to life’s biggest questions.