The melodrama unfolds as Waldo (ferocious but foppish wolf) labors to abduct Rainbow (resourceful but saucy hen) and make her his dinner. Enter Jimmy Tractorwheel, the farmer's sturdy son; add inspirational plot changes by Michael and imaginative leaps (even in traffic) by the storytelling father, and Waldo is brought to a well-adjusted end. At least this time. For now. Until the next Wolf Story. . . .

    

    Though victorious, these exhausted men were nevertheless too grief-stricken over the loss of comrades, too guilt-ridden that they had survived, and too numbed by trauma to share in the country’s euphoria. Most never saw a ticker-tape parade, or stole a Times Square kiss. All they wanted was to settle back into quiet workaday lives without fear. How tragic that the forces unleashed by World War II made this simple wish impossible.Willie & Joe: Back Home brilliantly chronicles the struggles and disillusionments of these early postwar years and, in doing so, tells Bill Mauldin’s own extraordinary story of his journey home to a wife he barely knew and a son he had only seen in pictures. The drawings capture the texture and feel, the warp and woof, of this confusing time: the ubiquitous hats and cigarettes, the domestic rubs, the rising fear of another war, and new conflicts over Civil Rights, civil liberties, and free speech. This volume of Mauldin’s work identifies and restores the dozens of cartoons censored by Mauldin’s syndicate for their attacks on racial segregation and McCarthy-style “witch hunts.” Mauldin pleaded with his syndicate to let him out of his contract so that he could return to the simple quiet life so desired by Willie & Joe. The syndicate refused, so Mauldin did battle, as always, through pen and ink.(less)

    In this collection, Perelman puzzles over the nature of the secret chocolate blend in Hostess Cupcakes, captures the excesses of Russian prose style in a story about cigarettes, and ponders the question of our time: poisonous mushrooms--yes or no?

    Ellison makes a valiant effort to prevent her brother, the Admiral, from visiting her while her children are at home for the Easter holidays. The Admiral, however, overrides all her objections. Unable to cope single-handed with a testy brother, a convalescent elder son and two younger children, Henry and Sue, Mrs. Ellison enlists the aid of a homeless refuge, Miss Eider, and the charming, but faintly mysterious girl from Scotland, Ellice Brook. To add to the numbers comes Aunt Adeline, who proves a staunch support to Mrs. Ellison in her attempts to smooth the tangles of her son Charles’s romance with Ellice. The young Henry and Sue do their share towards bringing the affair to a successful conclusion.