More than 27 million visitors entered the grounds (now Jackson Park) to marvel at the exhibits and displays housed in some 200 buildings, including those of 79 foreign governments and 38 states. Although the Fair had its share of "firsts" (original Ferris wheel, first midway, Edison's kinetoscope, etc.), its chief marvel was its architecture. It is that aspect which is emphasized in this striking photographic record. Beginning with an overview of the fair's planning and conceptual stages, Stanley Appelbaum's well-researched text then proceeds to a fascinating discussion of the personalities, regional rivalries, and intense controversy surrounding the Beaux-Arts architecture (the "White City" style) of the fair, including its enormous impact on subsequent American architecture. The contributions of such outstanding architects and firms as R. M. Hunt; McKim, Mead and White; Frederick Law Olmsted; and Peabody and Stearns are described. The book then becomes a building-by-building walking tour of the fair — imaginatively reconstructed with the help of 128 sharply reproduced rare contemporary photographs, printed on fine coated stock, and a concise, fact-filled text. The placid basins, ponds, and Lagoon that graced the fairgrounds lend a serene aura to these priceless views of the great buildings and sights of the fair: the Beaux-Arts glories of the Administration and Agriculture Buildings; Daniel Chester French's statue of the Republic; the Columbian Fountain by Frederick MacMonnies; the Golden Door of Louis Sullivan's Transportation Building; the Peristyle; Mary Cassatt's mural in the Woman's Building; the pure classicism of the Palace of Fine Arts (now the Museum of Science and Industry); numerous state and foreign pavilions, and of course, the Midway — the first separate amusement area at a World's Fair, and the reputed location of Little Egypt's celebrated danse du ventre. In the concluding section, the author touches on other memorable aspects of the fair and its times: the Panic of 1893; the Pullman Strike; famous visitors (Archduke Ferdinand, the Spanish Infanta, etc.); cultural and social congresses, and finally, the disastrous fires that ultimately destroyed many of the buildings. For social and cultural historians, Chicagoans, and anyone interested in the special magic of a world's fair, this book is a loving and nostalgic look back — to a time bathed in the golden light of the fin-de-siècle years, when a colossal spectacle of human achievement in art, science, and industry captured the world's attention for one magic and unforgettable moment.

    "Eric Sloane's An Age of Barns" is filled with fabulous black-and-white illustrations from this great American artist. Covering all types of American and Canadian barns and everything associated with them-implements and tools, hex signs, silos, out buildings, hinges, barn raising, and more-"Eric Sloane's An Age of Barns" is a spectacular album tribute to this important facet of our architecture and agriculture. This book is sure to once again become a collector's item.

    

    This work recounts the adventurous life of his beloved 'Cello Prieto, ' tracing its history through each of its previous owners from Stradivari in 1720 to the author himself

    A. Scotti traces the defining event of a glorious epoch: the building of St. Peter's Basilica. Begun by the ferociously ambitious Pope Julius II in 1506, the endeavor would span two tumultuous centuries, challenge the greatest Renaissance masters--Michelangelo, Raphael, and Bramante--and enrage Martin Luther. By the time it was completed, Shakespeare had written all of his plays, the Mayflower had reached Plymouth--and Rome had risen with its astounding basilica to become Europe's holy metropolis. A dazzling portrait of human achievement and excess, Basilica is a triumph of historical writing.

     With freedom secured, the general has been persuaded to accept a second term as president of the new nation. But in his heart he wants to go back to being a farmer. And being a farmer means he has slaves. Leading a nation is a demanding and often lonely business and Lady Washington is unable to persuade her husband to give up his public ‘duty’. At least she has help. Oney Judge is her ‘personal servant’ – and soon-to-be confidante. Oney is a ‘quadroon’ – three parts white and one part black. So, unlike the white people who so recently gained their independence from the Mother Country, Oney is not free. She is Lady Washington’s inherited property, though the word ‘slave’ is never spoken. Oney works in “the big house” at Mount Vernon, sewing dresses and serving tea. Lady Washington treats her as well as her own grandchildren. But though she is often mistaken as a Washington relative by visitors, Oney remains in bondage. In the spring of 1796, Lady Washington tells Oney that she will make her granddaughter Eliza a nice wedding gift. Oney soon discovers this does not mean sewing a negligee or a quilt for a gift. No, it means that she will be the gift. This is the day that Oney decides to escape – to put her forced bondage behind her and make her bid for freedom. On May 21, 1796, Oney walks straight past the Washingtons and out the front door. Although they make several attempts to capture her, she lives the rest of her life in freedom. Diana Rubino’s Oney: My Escape From Slavery is a painstakingly re-imagined account of a true and painful story told generations on. At its heart is the paradox of liberty – for an individual, for a race, for a nation. In a modern world where cultures and histories collide, it is a timely reminder of perspectives on ‘slavery’ and ‘freedom’ that we may have become blind to. It is a big, strong, uplifting book with a soul. Diana Rubino specialises in historical romance, sometimes with a touch of the paranormal, her favourite areas being Medieval and Renaissance England and all American history. A longtime member of Romance Writers of America, the Richard III Society, and the Aaron Burr Association, she recently completed a romantic thriller about Alexander Hamilton and biographical novels about Eliza Jumel Burr and Nathaniel Hawthorne’s wife Sophia. Piper G Huguley is a two-time Golden Heart® finalist and is the author of Migrations of the Heart, a three-book series of historical romances set in the early 20th century featuring African American characters. Huguley is also the author of the Home to Milford College series. Her new series Born to Win Men starts with A Champion’s Heart, which was named by Sarah MacLean of The Washington Post as a best romance novel selection for December 2016.

    In this book, Mari Grinde Arntzen asks how and why this is—how can fashion simultaneously attract us to its glamour and repel us with its superficiality and how being called “fashionable” can be at once a compliment and an insult. Arntzen guides us through the major figures and brands of today’s fashion industry, showing how they shape us and in turn why we love to be shaped by them. She examines both everyday, affordable “fast fashion” brands, as well as the luxury market, to show how fashion commands a powerful influence on every socioeconomic level of our society. Stepping into our closets with us, she thinks about what happens when we get dressed: why fashion can make us feel powerful, beautiful, and original at the same time that it forces us into conformity. Stripping off the layers of the world’s fifth largest industry, garment by garment, she holds fashion up as a phenomenon, business, and art, exploring the questions it forces us to ask about the body, image, celebrity, and self-obsession. Ultimately, Arntzen asks the most direct question: what is fashion? How has it taken such a powerful hold on the world, forever propelling us toward its concepts of beauty?

    What is art? Why do we value images of saints, kings, goddesses, battles, landscapes or cities from eras of history utterly remote from ourselves? This history of art shows how painters, sculptors and architects have expressed the belief-systems of their age; religious, political and aesthetic.

    But what did it mean to those who constructed it in the twelfth and thirteenth centuries? And why, during this period, did Europeans begin to build churches in a new style, at such immense height and with such glorious play of light, in the soaring manner we now call Gothic?Universe of Stone shows that the Gothic cathedrals encode a far-reaching shift in the way medieval thinkers perceived their relationship with their world. For the first time, they began to believe in an orderly, rational world that could be investigated and understood. This change marked the beginning of Western science and also the start of a long and, indeed, unfinished struggle to reconcile faith and reason.By embedding the cathedral in the culture of the twelfth century—its schools of philosophy and science, its trades and technologies, its politics and religious debates—Philip Ball makes sense of the visual and emotional power of Chartres. Beautifully illustrated and written, filled with astonishing insight, Universe of Stone argues that Chartres is a sublime expression of the originality and vitality of a true "first renaissance," one that occurred long before the birth of Leonardo da Vinci, Michelangelo, or Francis Bacon.

    The book provides not only amusement, but a commentary on how America has changed, and a celebration of those places that have been forgotten by conventional history.

    Chicago's change and growth over the last century is captured in this photographic history. Modern color photos sit side by side with black and white archival photographs. Every important building, avenue, neighborhood, and point of interest is documented. It covers all of Chicago's landmarks from Navy Pier to the Stockyards and from the Southside all the way up the Magnificent Mile. Take in a game at Wrigley Field, then take it all in from the top of the Sear's Tower. The Water Tower and all the other architectural features that make Chicago great are also included.

    Set in the studio, on the stage, and in great cities and small towns across the country, this book captures life on the road for Marsalis and his musicians, evoking its ritual and renewal, energy and spirituality. Describing the art of improvisation, the book's two voices mirror the interplay at the heart of jazz. "On the road and on the bandstand," Marsalis writes, "something great may happen at any moment, something that might even change your life." Alternately luminous and boisterous, often poignant, and always passionate, Marsalis and Vigeland's extraordinary dialogue is a must for fans, musicians, and anyone curious about America's only indigenous art form.

     On a steamy August day in 1953, Rick Snedeker, then just three years old, stepped off an Arabian American Oil Co. (Aramco) company airliner with his family into a life as different from what they left behind as sandpaper is to silk. It was to prove fabulously exotic and at the same time just like “home” in many ways. In his charming memoir — 3,001 Arabian Days: Growing up in an American Oil Camp in Saudi Arabia (1953-1962) — author Snedeker describes via a series of vignettes his fond and strange remembrances of living for nearly a decade in Dhahran, Saudi Arabia. Aramco, then the fledgling national oil company, was in those years run by several American oil giants including Standard Oil, and was hastily hiring American experts to develop the far-flung Saudi oil fields. To ease life for the new residents, Aramco built comfortable communities, some aspects of which were reminiscent of how families lived in the States. While a child, Snedeker considered the camels, endless sand dunes and kindly Saudis that filled his childhood in the desert as nothing unusual. Kids enjoyed the live Nativity pageants at King’s Road baseball field; Santa’s arrival on a camel or by helicopter at Christmas; the crowded, boisterous annual tri-camp desert fairs; Pep Flakes cereal, powdered whole milk, and chocolate milkshakes churned in his dad’s new-fangled Waring blender; the Dining Hall’s culinary delights. Then, too, Aramcons occasionally had to confront dangerous diseases, some unknown in America (polio, for example, ravaged Dhahran children in the fifties). But everywhere, watchful eyes looked out for the kids, creating an enveloping sense of safety and security and, Snedeker recalls, a great deal of happiness. Aramco provided generous biannual “long vacations,” allowing round-the-world travel to visit the planet’s most glittering metropolises, unusual getaways and remote hideaways. London. Hong Kong. Zurich. Honolulu. Asmara. Bangkok. Venice. Hofuf. Bahrain. New York City. Being raised in the unique, exotic environment of oil-camp Dhahran made the kids who grew up there different from other American children. When the expatriate Aramco dependents returned to the U.S., they were often seen as “other” by their untraveled peers. But it all turned out fine, as the entertaining read of 3,001 Arabian Days makes clear.

    Marine 1st Force Reconnaissance Company during the bloodiest years of the Vietnam War. Dropped deep into enemy territory, Recon relied on stealth and surprise to complete their mission--providing intelligence on enemy positions and conducting raids, prisoner snatches, and ambushes. Fleming's absorbing memoir recounts his transformation from idealistic recruit to cynical veteran as the war claimed the lives of his friends and the missions became ever more dangerous.

    Army Ranger Sergeant Tom Dunn’s newest squad member has a dark secret. And a plan. Nazi Germany’s V2 rockets are streaking down on London, indiscriminately killing civilians. The Allies are desperate to find out how the weapons work. Dunn and his British counterpart, Commando Sergeant Malcolm Saunders, are assigned separate, but related missions. Albert Speer, the Nazi Minister of Armaments, is transporting ten completed V2 rocket engines to another manufacturing facility for installation into the deadly rockets. Thanks to Bletchley Park’s Ultra intelligence, the Allies know all about it. Dunn and his squad earn the assignment to intercept the rocket engines in western Germany. Meanwhile, Saunders and his men parachute into Poland, south of Warsaw, to retrieve a captured V2 rocket gyroscope as well as schematics for the rocket obtained by the Polish Resistance. His wedding day is a week away and he promised Sadie he’ll be there on time, but something goes wrong. Separated from his squad, he scrambles to reunite with his men in time to catch the only way home, but meets one obstacle after another. From their first moment in Germany, as Dunn’s men execute their mission, things go inexplicably wrong. Betrayed by one of his own, Dunn must rely on his quick thinking to get his men out of an impossible situation so they can complete their mission and capture the extremely valuable Nazi V2 rocket engines. In the sixth book of the Sgt. Dunn series, Munsterman continues to masterfully blend history with action-packed plots in another of his fast-paced WWII Action Thrillers.