Though he earned his central place in our culture as an essayist and philosopher, since his death his reputation as a poet has grown as well.Known for challenging traditional thought and for his faith in the individual, Emerson was the chief spokesman for the Transcendentalist movement. His poems speak to his most passionately held belief: that external authority should be disregarded in favor of one’s own experience. From the embattled farmers who “fired the shot heard round the world” in the stirring “Concord Hymn,” to the flower in “The Rhodora,” whose existence demonstrates “that if eyes were made for seeing, / Then Beauty is its own excuse for being,” Emerson celebrates the existence of the sublime in the human and in nature. Combining intensity of feeling with his famous idealism, Emerson’s poems reveal a moving, more intimate side of the man revered as the Sage of Concord.

    Here is the work of Alexander Pushkin, Mikhail Lermontov, Alexander Blok, Andrei Bely, Vladimir Mayakovsky, Ivan Bunin, Osip Mandelstam, Anna Akhmatova, Marina Tsvetaeva, Boris Pasternak, and Joseph Brodsky, among many others.Arranged by theme—love, mortality, art, and the enduring mystery of Mother Russia herself—and presented in the best available translations, these poems will serve as both an introduction to the mastery of Russian poetry and a wide-ranging selection to be returned to again and again.

    Containing more than fifty new poems and a generous gathering from his collections of the past decade-Horoscopes for the Dead, Ballistics, The Trouble with Poetry, and Nine Horses-Aimless Love showcases the best of his poetic maneuvers: the everyday ends in the infinite, playfulness is paired with empathy, irony gives way to wonder. Possessed of a unique voice that is at once plain and melodic, Billy Collins has managed to enrich American poetry while greatly widening the circle of its audience.

    Poets across the continents and centuries have described the feline family–from kittens to old toms, pussycats to panthers–doing what they do best: sleeping, prowling, prancing, purring, sleeping some more, and gazing disdainfully at lesser beings like ourselves. Here are Yeats’s Minnaloushe, Christopher Smart’s Jeoffry, Lewis Carroll’s Cheshire Cat, T. S. Eliot’s Rum Tum Tugger, William Blake’s tyger and Rilke’s panther. Here are tributes from Sufi mystics, medieval Chinese poets, and haiku masters of imperial Japan, from Chaucer, Shelley, Borges, Neruda, Dickinson, and Shakespeare. Here are the cats of Mother Goose, and the one who wore the hat for Dr. Seuss.The Great Cat will delight cat lovers everywhere, celebrating as it does the beauty, the mystery, the gravity, the grace, and, of course, the unassailable superiority of the cat.

    For the writer, there was something majestic and elemental about these inscrutable creatures he admired, sentient beings whose searing gaze could penetrate deep into our being. Bukowski considered cats to be unique forces of nature, elusive emissaries of beauty and love.On Cats offers Bukowski’s musings on these beloved animals and their toughness and resiliency. He honors them as fighters, hunters, survivors who command awe and respect as they grip tightly onto the world around them: “A cat is only ITSELF, representative of the strong forces of life that won’t let go.”Funny, moving, tough, and caring, On Cats brings together the acclaimed writer’s reflections on these animals he so admired. Bukowski’s cats are fierce and demanding—he captures them stalking their prey; crawling across his typewritten pages; waking him up with claws across the face. But they are also affectionate and giving, sources of inspiration and gentle, insistent care.Poignant yet free of treacle, On Cats is an illuminating portrait of this one-of-a-kind artist and his unique view of the world, witnessed through his relationship with the animals he considered his most profound teachers.

    Her new poetry is introspective and personal in tone, but wide-ranging in topic. In poem after poem, she casts her unique imagination and unyielding, observant eye over the landscape of a life carefully and intuitively lived.While many are familiar with Margaret Atwood’s fiction—including her groundbreaking and bestselling novels The Handmaid’s Tale, The Testaments, Oryx and Crake, among others—she has, from the beginning of her career, been one of our most significant contemporary poets. And she is one of the very few writers equally accomplished in fiction and poetry.  This collection is a stunning achievement that will be appreciated by fans of her novels and poetry readers alike.

    This book gives insight to the poet Alfred Tennyson from a biographical sketch to the many examples of his great poetry.

    And few episodes in postwar literature have the legendary stature of Hughes's romance with, and marriage to, the great American poet Sylvia Plath.The poems in Birthday Letters are addressed (with just two exceptions) to Plath, and were written over a period of more than twenty-five years, the first a few years after her suicide in 1963. Some are love letters, others haunted recollections and ruminations. In them, Hughes recalls his and Plath's time together, drawing on the powerful imagery of his work--animal, vegetable, mythological--as well as on Plath's famous verse.Countless books have discussed the subject of this intense relationship from a necessary distance, but this volume--at last--offers us Hughes's own account. Moreover, it's a truly remarkable collection of poems in its own right.

    Directions: apply to your soul gently, whilst sitting under the stars.

    The colorful legends of the sea–pirates and mermaids, phantom ships and the sunken city of Atlantis–have inspired as many imaginations as have the realities of lighthouses and shipwrecks, of icebergs and frothing foam and seaweed.This marvelous collection includes classics old and new, from Homer and Milton to Plath and Merwin. Here are Tennyson’s seductive sea-fairies next to Poe’s beloved Annabel Lee. Here is Coleridge’s darkly brooding “The Rime of the Ancient Mariner” alongside the grandeur of Shakespeare’s “Full Fathom Five.” And here is Masefield’s “I must go down to the seas again” alongside Cavafy’s “Ithaka” and Stevens’s “The Idea of Order at Key West.” In the wide variety of lyrics collected here–sonnets and sea chanteys, ballads and hymns and prayers–we feel the encompassing power of our planet’s restless waters as metaphor, mystery, and muse.

    The Lyrical Ballads, written with Coleridge, is a landmark in the history of English romantic poetry. His celebration of nature and of the beauty and poetry in the commonplace embody a unified and coherent vision that was profoundly innovative. This volume presents the poems in their order of composition and in their earliest completed state, enabling the reader to trace Wordsworth's poetic development and to share the experience of his contemporaries. It includes a large sample of the finest lyrics, and also longer narratives such as The Ruined Cottage, Home at Grasmere, Peter Bell, and the autobiographical masterpiece, The Prelude (1805). All the major examples of Wordsworth's prose on the subject of poetry are also included.

    Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I’m proud of them, especially because the spirit in which they were written was very authentic.” (Lana Del Rey) Lana Del Rey brings her breathtaking poetry to life in an unprecedented audiobook. In this stunning spoken word performance, Lana Del Rey reads 14 poems from her debut book Violet Bent Backwards over the Grass accompanied by music from Grammy Award-winning musician Jack Antonoff. Lana’s debut book solidifies her further as “the essential writer of her times” (The Atlantic). This audiobook features Lana reading select poems from the book, including "LA Who Am I to Love You?", "The Land of 1,000 Fires", "Past the Bushes Cypress Thriving", "Never to Heaven", "Tessa DiPietro", "Happy", and several others. The result is an extraordinary poetic landscape that reflects the unguarded spirit of its creator.

    It is divided into sections to read when you feel you need them most. Make a cup of tea and let yourself feel.

    

    It is meant to be curled up with at night, accompanied by a cup of tea. It's a hug in book-form. It is there to comfort you when fuzzy socks and ice cream just aren't enough. It will inspire you to pick up a pen and write down thoughts of your own. It will help you to say the words that feel stuck in your chest. Take it on the train. Take it to the beach. Keep it on your nightstand. Keep it in your backpack. Read it at the park on benches beneath hundred-year-old trees. Read it while it's raining. Read it when you're happy. Read it when your heart aches. Eighteen Years is meant to be bent and worn, written in, tear-stained, and loved. This book is for you.