This book gives insight to the poet Alfred Tennyson from a biographical sketch to the many examples of his great poetry.

    He tells the story of his liaison with Harriet Smithson, and his even more passionate affairs of the mind with Shakespeare, Scott, and Byron. Familiar with all the great figures of the age, Berlioz paints brilliant portraits of Liszt, Wagner, Balzac, Weber, and Rossini, among others. And through Berlioz's intimate and detailed self-revelation, there emerges a profoundly sympathetic and attractive man, driven, finally, by his overwhelming creative urges to a position of lonely eminence.For this new Everyman's edition of The Memoirs, the translator--the composer's most admired biographer--has completely revised the text and the extensive notes to take into account the latest research.(Book Jacket Status: Not Jacketed)

    Choosing a prostitute as a central female character, Trollope addresses a topical question of histime: how women should maintain due and proper regard for themselves without adopting either the manners of a prostitute or the political excesses of a feminist.

    First written over a century ago, the Grammar of Assent speaks as powerfully to us today as it did to its first readers. Because of the informal, non-technical character of Newman's work, it still retains its immediacy as an invaluable guide to the nature of religious belief. An introduction by Nicholas Lash reviews the background of the Grammar, highlights its principal themes, and evaluates its philosophical originality.

    Later published as a book, Una excursion a los indios ranqueles constitutes one of the few literary works that presents a vivid and testimonial account of a peaceful encounter between the native inhabitants of the South and those who consider themselves to be representatives of European civilization and of the Argentina of the future.Esteemed for its humor and narrative originality, Lucio V. Mansilla's Una excursion a los indios ranqueles is comparable to Sarmiento's Facundo and the two complement each other. Mansilla's book offers penetrating observations about the fundamental aspects of the confrontation between "civilization and barbarism," as well as about immigration, racial and ethnic diversity, private property ownership and land tenure. Juan Manuel de Rosas had dominated a large part of the country between 1829 and 1852 and despite having led successful expeditions against the indigenous frontier populations, the situation of the "Indian question" after his fall from power was a problematic one.In 1869, after a peace treaty was signed, Mansilla was sent to the tense frontier zone on a fact-finding mission. Colonel Mansilla, an experienced and cultured aristocrat, as well as a nephew of Rosas' (which he wrote "Rozas), was an exception in his era for his advocacy of an open dialogue as the best solution for the "Indian problem." Eventually the peaceful treaty he sought with the Ranqueles was rejected by the government, which gradually established policies of ethnic cleansing and land expropriation.Mansilla, with subtle humor, titled his expedition an "excursion," elegantly minimizing the dangers it entailed and avoiding any allusion to his disobedience to orders. During the trip Mansilla wrote a series of letters to a friend which were later published in La Tribuna of Buenos Aires. His detailed observations offer, besides a sharp-eyed and amusing commentary, quantities of ethnographic information, particularly valuable since shortly after that the majority of indigenous people in the south of Argentina were exterminated or assimilated.This book, as well as his participation in political and social events, established Lucio V. Mansilla as one of the dominating figures of the "Generation of 1880," which is so important in the literary and intellectual development of modern Argentina. This edition, by Saul Sosnowski, is an updated version of the text published by Biblioteca Ayacucho in 1984, to which he has added many very useful footnotes that aid in fuller comprehension of the text."

    The Tear-Drop Prince is his only children's story and is popular throughout Romania. This is the tale of the Prince searching for true love, adventure and honour. Eminescu was born in 1850 and died in 1889. As a Romantic poet, his language reflects the sweetness in his language. The cover is illustrated by Emil Childescu and translated into English by A.I. Marin in 2011.

    Vanborough possessed the wife he desired, to grace the head of his table and to push his fortunes in the world--the Legislature of Great Britain being the humble servant of his treachery, and the respectable accomplice of his crime.

    Short stories struck him as a means of bringing together his traveller's tales, while at the same time exploiting the earning opportunities of the new monthly magazines which were springing up in Britain and America during the 1860s. This collection of 'early' short stories covering the years 1860 to 1865, when Trollope was in his prime as a writer, offers some refreshingly un-Trollopian experiments in narrative. The tone varies from rollicking humour to grim, Balzacian realism. There are tender studies of courtship and stories dealing with the current realities of the American Civil War. Some of the stories flout the moral conventions and sexual standards of the mid-Victorian age, and they suffered at the hands of censorious editors, among them Thackeray. The stories are arranged in order of composition, to give a sense of Trollope's rapidly developing skills as a practitioner in the genre. Even those who know Trollope well will find something novel and unusual in this collection.

    His work is notable for its psychological insight in a pre-Freudian era and for his ability to evoke the exoticism of the "Wild East" of the Habsburg empire's Slavic territories. Both strengths are vividly displayed in this volume."Four novellas taken from two cycles of novellas entitled Die Liebe and Das Vermeachtnis Kains.