Wodehouse documented the lives of the inimitable Jeeves and Wooster for nearly sixty years, from their first appearance in 1915 ("Extricating Young Gussie") to his final completed novel (Aunts Aren't Gentlemen) in 1974. These two were the finest creations of a novelist widely proclaimed to be the finest comic English writer by critics and fans alike.Now, forty years later, Bertie and Jeeves return in a hilarious affair of mix-ups and mishaps. With the approval of the Wodehouse estate, acclaimed novelist Sebastian Faulks brings these two back to life for their legion of fans. Bertie, nursing a bit of heartbreak over the recent engagement of one Georgina Meadowes to someone not named Wooster, agrees to "help" his old friend Peregrine "Woody" Beeching, whose own romance is foundering. That this means an outing to Dorset, away from an impending visit from Aunt Agatha, is merely an extra benefit. Almost immediately, things go awry and the simple plan quickly becomes complicated. Jeeves ends up impersonating one Lord Etringham, while Bertie pretends to be Jeeves' manservant "Wilberforce,"—and this all happens under the same roof as the now affianced Ms. Meadowes. From there the plot becomes even more hilarious and convoluted, in a brilliantly conceived, seamlessly written comic work worthy of the master himself.A Kirkus Reviews Best Fiction Book of 2013

    So get ready for some serious investigating and suspense filled adventure through 37 short stories plus the complete novel of The Hound of the Baskervilles.

    It premiered in London, in 1980 and won the Society for West End Theatres (SWET) award for Best Comedy of the Year. It was made into a highly successful film with Michael Caine and Julie Walters and won the 1983 BAFTA award for Best Film.Commentary and notes by Steve Lewis.

    "The Canterbury Tales" gather twenty-nine of literature's most enduring (and endearing) characters in a vivid group portrait that captures the full spectrum of medieval society, from the exalted Knight to the humble plowman. A graceful modren translation facing each page of the text allows the contemporary reader to enjoy the fast pace of these selections from "The Canterbury Tales" with the poetry of the Middle English original always at first hand.

    The romantic entanglements of the two women with a local mill owner and his penniless brother pit the claims of passion against the boundaries of class and society.The Professor—the first novel Brontë completed, the last to be published—is both a disturbing love story and the coming-of-age tale of a self-made man. At its center is William Crimsworth, who has come to Brussels to work as an instructor in a school for girls. When he becomes entangled with Zoräide Reuter, a charismatic and brilliantly intellectual woman, the fervor of her feelings threatens both her own engagement and William's chance of finding true love.

    Among these guests are figures recognizable to Peacock's contemporaries, including characters based on Lord Byron and Samuel Taylor Coleridge. Mr. Glowry's son Scythrop (also modeled on a famous Romantic, Peacock's friend Percy Bysshe Shelley) locks himself up in a tower where he reads German tragedies and transcendental philosophy and develops a "passion for reforming the world." Disappointed in love, a sorrowful Scythrop decides the only thing to do is to commit suicide, but circumstances persuade him to instead follow his father in a love of misanthropy and Madeira. In addition to satire and comic romance, Nightmare Abbey presents a biting critique of the texts we view as central to British romanticism.

    The story of John Self and his insatiable appetite for money, alcohol, fast food, drugs, pornography, and more, Money is ceaselessly inventive and thrillingly savage; a tale of life lived without restraint, of money and the disasters it can precipitate.

    A once-popular singer, desperate to make a comeback, turning from the one certainty in his life . . . A man whose unerring taste in music is the only thing his closest friends value in him . . . A struggling singer-songwriter unwittingly involved in the failing marriage of a couple he’s only just met . . . A gifted, underappreciated jazz musician who lets himself believe that plastic surgery will help his career . . . A young cellist whose tutor promises to “unwrap” his talent . . . Passion or necessity—or the often uneasy combination of the two—determines the place of music in each of these lives. And, in one way or another, music delivers each of them to a moment of reckoning: sometimes comic, sometimes tragic, sometimes just eluding their grasp. An exploration of love, need, and the ineluctable force of the past, Nocturnes reveals these individuals to us with extraordinary precision and subtlety, and with the arresting psychological and emotional detail that has marked all of Kazuo Ishiguro’s acclaimed works of fiction.

    Formerly a governess, she has landed on the occupation of prestidigitator, and thanks to her overwhelming beauty—and to a lesser extent her professional talents—she takes the town by storm, gaining admittance to her grandfather's college. It is there, at the institution inspired by Beerbohm's own alma mater, that she falls in love with the Duke of Dorset, who duly adores her in return. Ever aware of appearances, however, Zuleika breaks the Duke's heart when she decides that she must abandon the match. The epidemic of heartache that proceeds to overcome the academic town makes for some of the best comic writing in the history of English literature.

    In God We Trust: All Others Pay Cash represents one of the peaks of his achievement, a compound of irony, affection, and perfect detail that speaks across generations.In God We Trust, Shepherd's wildly witty reunion with his Indiana hometown, disproves the adage "You can never go back." Bending the ear of Flick, his childhood-buddy-turned-bartender, Shepherd recalls passionately his genuine Red Ryder BB gun, confesses adolescent failure in the arms of Junie Jo Prewitt, and relives a story of man against fish that not even Hemingway could rival. From pop art to the World's Fair, Shepherd's subjects speak with a universal irony and are deeply and unabashedly grounded in American Midwestern life, together rendering a wonderfully nostalgic impression of a more innocent era when life was good, fun was clean, and station wagons roamed the earth.A comic genius who bridged the gap between James Thurber and David Sedaris, Shepherd may have accomplished for Holden, Indiana, what Mark Twain did for Hannibal, Missouri.

    A satirical poem that intentionally over-dramatizes an incident in which a lock of a woman's hair is cut without her permission.

    Rather the opposite in fact -- simply a tall, not terribly attractive woman living a quiet life as a wife and mother in a respectable suburb. But when she discovers that her husband is having a passionate affair with the lovely romantic novelist Mary Fisher, she is so seized by envy that she becomes truly diabolic. Within weeks she has burnt down the family home, collected the insurance, made love to the local drunk and embarked on a course of destruction and revenge. A blackly comic satire of the war of the sexes, LIFE AND LOVES OF A SHE DEVIL is the fantasy of the wronged woman made real.

    This collection ranges over the verse, stories, essays, and journalism of one of the twentieth century's most quotable authors.

    Here for the first time are his short stories and other short form fiction collected into one volume. A Blink of the Screen charts the course of Pratchett's long writing career: from his schooldays through to his first writing job on the Bucks Free Press,; to the origins of his debut novel, The Carpet People; and on again to the dizzy mastery of the phenomenally successful Discworld series.Here are characters both familiar and yet to be discovered; abandoned worlds and others still expanding; adventure, chickens, death, disco and, actually, some quite disturbing ideas about Christmas,all of it shot through with his inimitable brand of humour.With an introduction by Booker Prize-winning author A.S. Byatt, illustrations by the late Josh Kirby and drawings by the author himself, this is a book to treasure.

    There's Pat, a twenty-year-old who has recently moved into a flat with Bruce, an athletic young man with a keen awareness of his own appearance. Their neighbor, Domenica, is an eccentric and insightful widow. In the flat below are Irene and her appealing son Bertie, who is the victim of his mother’s desire for him to learn the saxophone and italian–all at the tender age of five.Love triangles, a lost painting, intriguing new friends, and an encounter with a famous Scottish crime writer are just a few of the ingredients that add to this delightful and witty portrait of Edinburgh society, which was first published as a serial in The Scotsman newspaper.