It is filled with dozens of humorous tales of musician antics and concert meltdowns. Outsiders are rarely allowed such access, but at last you can have your own personal tour of the mystical and magical realm of professional orchestras and the people who play in them. "Real Men Don't Rehearse" was written by Justin Locke, who spent 18 seasons as a professional freelance double bassist in Boston. He played with the Boston Symphony and the Boston Pops, as well as for ballets, operas, and Broadway shows. He is also well known in the symphonic world as the author of "Peter VS. the Wolf" and "The Phantom of the Orchestra," which are internationally acclaimed programs for orchestra family concerts. This is the perfect gift for your favorite music lover! This is a book no musical library should be without!

    James that it is not possible to have full comprehension of Caribbean literary art in English without first reading Minty Alley. Although frequently reprinted in the United Kingdom, Minty Alley at last reaches the United States. In this ground-breaking novel, James discerns new forms of society rooted in the oldest of desires and aspirations through the interactions of the characters of Maisie, Haynes, Mrs. Rouse, and Benoit. In the everyday language and unforgettable dialogue James reveals new modes of human relationships. Haynes, a young middle-class lodger at No. 2 Minty Alley, becomes both confidant and judge as he examines the other inhabitants at this address. From his experiences he is made aware of the educated West Indian's impoverishing alienation from society's mainstream. Through Haynes's vivid narration James reveals the rich cultural life on Minty Alley. Haynes, an outsider among people of lower class, knows his fellow lodgers only as they have revealed themselves to him through their speech and actions, yet each has a mysterious inner life.

    Worshiping God may feel foreign or like a ritual, and adding to that frustration, we worry that God is not pleased with our worship. Does He even like us?This book will show you how to worship God and feel loved by Him. He is waiting to connect with you, if you will only begin to worship him. God wants you to be a prayer warrior and will help you.Author Dan Lancaster was struck by the power of the persecuted believers' worship during his time as an international missionary in Southeast Asia. Their heart for God and love for people brought glory to God and helped advance His Kingdom on Earth. THAT kind of worship is what we need in the world, and that is the direction this book will guide you.Worship was never intended to be complicated. The truth is that Jesus showed His disciples how to worship and He wants to show you how to worship too.The author brings 40 years of his personal experience to the pages of this book, but most importantly, he looks to the Word to unearth what Jesus taught about how to love God. With beautiful simplicity, Dr. Lancaster offers tangible methods to reshape your worship life beginning today.By opening your heart to these actionable techniques, you will begin to experience the true power of worship in your relationship with God, in your community, and in ways you could never have imagined.Select "Buy Now" above to take your worship life to a new level.

    But, in an age of corporate dominance, our freedom to choose has taken on new meaning. Upset with your local big box store? Object to unfair hiring practices at your neighbourhood fast food restaurant? Want to protest the opening of that new multinational coffeeshop? Vote with your feet! What if it's not that simple? In "No One Makes You Shop at Wal-Mart," Tom Slee unpacks the implications of our fervent belief in the power of choice. Pointing out that individual choice has become the lynchpin of a neoconservative corporate ideology he calls MarketThink, he urges us to re-examine our assumptions . Slee makes use of game theory to argue that individual choice is not inherently bad. Nor is it the societal fix-all that our corporations and governments claim it is. A spirited treatise, this book will make you think about choice in a whole new way.

    This book leads us on a journey through the French moral maze, and examines French attitudes to a range of subjects from marriage and adultery to work and race relations.

    Trinidad Noir reveals the Caribbean island’s darkness and its appeal with an unexpected and gratifying result.Features brand-new stories by Robert Antoni, Elizabeth Nunez, Lawrence Scott, Ramabai Espinet, Shani Mootoo, Kevin Baldeosingh, Vahni Capildeo, Willi Chen, Lisa Allen-Agostini, Keith Jardim, Reena Andrea Manickchand, Tiphanie Yanique, and more.

    This is what I've always thought it meant to be a writer. Writing, knowing in part that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them." — Create DangerouslyIn this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile, examining what it means to be an immigrant artist from a country in crisis. Inspired by Albert Camus' lecture, "Create Dangerously," and combining memoir and essay, Danticat tells the stories of artists, including herself, who create despite, or because of, the horrors that drove them from their homelands and that continue to haunt them. Danticat eulogizes an aunt who guarded her family's homestead in the Haitian countryside, a cousin who died of AIDS while living in Miami as an undocumented alien, and a renowned Haitian radio journalist whose political assassination shocked the world. Danticat writes about the Haitian novelists she first read as a girl at the Brooklyn Public Library, a woman mutilated in a machete attack who became a public witness against torture, and the work of Jean-Michel Basquiat and other artists of Haitian descent. Danticat also suggests that the aftermaths of natural disasters in Haiti and the United States reveal that the countries are not as different as many Americans might like to believe.Create Dangerously is an eloquent and moving expression of Danticat's belief that immigrant artists are obliged to bear witness when their countries of origin are suffering from violence, oppression, poverty, and tragedy.

    GraylingEveryone wishes to live a life that is satisfying and fulfilling, in which there is achievement and pleasure, and which has the respect of people one, in turn, respects. And one of the fundamentals to living such a life is to reflect on the choices we make.In this new collection, A.C. Grayling invites the reader into a conversation with ideas. From personal questions about happiness and quality of life to wider public concerns such as war and democracy, these essays provide a springboard to thought and to exploring what is best about the human heart and mind.

    A beautifully written exploration of the complexities of marriage and family life."-- Booklist (starred review)"Through her thoughtful and articulate writing, Nunez offers a valuable perspective on the racism that she experienced, even in America, and the damage the Catholic Church does to women who follow the 'no artificial birth control' rule. Recommended for memoir enthusiasts and readers interested in Caribbean literature."-- Library Journal "A celebration of understanding and empathy."--Chicago Center for Literature and Photography“Not for Everyday Use is a gorgeous tapestry of mourning and redemption. Nunez is an astonishing writer, approaching the page with both skill and heart. Her memories are well-deep and love-strong. With insights that are both sharp and tender, this is a memoir that will change the way you understand your family, and the world.”--Tayari Jones, author of Silver Sparrow"Elizabeth Nunez has written a book about love: love of family, love of place, love of literature, and even the love of human flaws. Not for Everyday Use manages to be a memoir rich with tenderness that doesn't shy away from pain and loss. Reading this book was like sitting with a dear friend for a long conversation and only later realizing I'd been in the presence of a true artist. It's not easy to sound casual but attain the profound yet somehow Nunez pulls it off, page after page."--Victor LaValle, author of The Devil in Silver“Elizabeth Nunez, in a clear, unsentimental, hard-hitting, and direct voice, skillfully structures the story of a mixed-race Portuguese and Trinidadian Roman Catholic family around the preparations for her mother’s funeral...At the heart of this story is the relationship between a mother and a daughter, a daughter who leaves home as a young girl to continue her education and make her life in the United States of America. Some of the most poignant moments are those in which the author describes her feelings of belonging and not belonging to ‘home.’ This is a story that will speak both to Caribbean people ‘at home’ and those who have left to make their home elsewhere.”--Lawrence Scott, author of Light Falling on BambooTracing the four days from the moment she gets the call that every immigrant fears to the burial of her mother, Elizabeth Nunez tells the haunting story of her lifelong struggle to cope with the consequences of the "sterner stuff" of her parents' ambitions for their children and her mother's seemingly unbreakable conviction that displays of affection are not for everyday use.But Nunez sympathizes with her parents, whose happiness is constrained by the oppressive strictures of colonialism, by the Catholic Church’s prohibition of artificial birth control which her mother obeys, terrified by the threat of eternal damnation (her mother gets pregnant fourteen times: nine live births and five miscarriages which almost kill her), and by what Malcolm Gladwell refers to as the “privilege of skin color” in his mother’s Caribbean island homeland where “the brown-skinned classes...came to fetishize their lightness.” Still, a fierce love holds this family together, and the passionate, though complex, love Nunez’s parents have for each other will remind readers of the passion between the aging lovers in Gabriel García Márquez’s Love in the Time of Cholera. Written in exquisite prose by a writer the New York Times Book Review calls “a master at pacing and plotting,” Not for Everyday Use is a page-turner that readers will find impossible to put down.

    Through observation, anecdote, extensive interviews, and analysis Karen Elliot House navigates the maze in which Saudi citizens find themselves trapped and reveals the mysterious nation that is the world’s largest exporter of oil, critical to global stability, and a source of Islamic terrorists. In her probing and sharp-eyed portrait, we see Saudi Arabia, one of the last absolute monarchies in the world, considered to be the final bulwark against revolution in the region, as threatened by multiple fissures and forces, its levers of power controlled by a handful of elderly Al Saud princes with an average age of 77 years and an extended family of some 7,000 princes. Yet at least 60 percent of the increasingly restive population they rule is under the age of 20. The author writes that oil-rich Saudi Arabia has become a rundown welfare state. The public pays no taxes; gets free education and health care; and receives subsidized water, electricity, and energy (a gallon of gasoline is cheaper in the Kingdom than a bottle of water), with its petrodollars buying less and less loyalty. House makes clear that the royal family also uses Islam’s requirement of obedience to Allah—and by extension to earthly rulers—to perpetuate Al Saud rule. Behind the Saudi facade of order and obedience, today’s Saudi youth, frustrated by social conformity, are reaching out to one another and to a wider world beyond their cloistered country. Some 50 percent of Saudi youth is on the Internet; 5.1 million Saudis are on Facebook. To write this book, the author interviewed most of the key members of the very private royal family. She writes about King Abdullah’s modest efforts to relax some of the kingdom’s most oppressive social restrictions; women are now allowed to acquire photo ID cards, finally giving them an identity independent from their male guardians, and are newly able to register their own businesses but are still forbidden to drive and are barred from most jobs. With extraordinary access to Saudis—from key religious leaders and dissident imams to women at university and impoverished widows, from government officials and political dissidents to young successful Saudis and those who chose the path of terrorism—House argues that most Saudis do not want democracy but seek change nevertheless; they want a government that provides basic services without subjecting citizens to the indignity of begging princes for handouts; a government less corrupt and more transparent in how it spends hundreds of billions of annual oil revenue; a kingdom ruled by law, not royal whim. In House’s assessment of Saudi Arabia’s future, she compares the country today to the Soviet Union before Mikhail Gorbachev arrived with reform policies that proved too little too late after decades of stagnation under one aged and infirm Soviet leader after another. She discusses what the next generation of royal princes might bring and the choices the kingdom faces: continued economic and social stultification with growing risk of instability, or an opening of society to individual initiative and enterprise with the risk that this, too, undermines the Al Saud hold on power. A riveting book—informed, authoritative, illuminating—about a country that could well be on the brink, and an in-depth examination of what all this portends for Saudi Arabia’s future, and for our own.

    It has not been by shaping the opinions or directing the actions of the holders of power that modern intellectuals have most influenced the course of events, but by shaping public opinion in ways that affect the actions of power holders in democratic societies, whether or not those power holders accept the general vision or the particular policies favored by intellectuals. Even government leaders with disdain or contempt for intellectuals have had to bend to the climate of opinion shaped by those intellectuals.Intellectuals and Society not only examines the track record of intellectuals in the things they have advocated but also analyzes the incentives and constraints under which their views and visions have emerged. One of the most surprising aspects of this study is how often intellectuals have been proved not only wrong, but grossly and disastrously wrong in their prescriptions for the ills of society—and how little their views have changed in response to empirical evidence of the disasters entailed by those views.

    In Denialism, New Yorker staff writer Michael Specter reveals that Americans have come to mistrust institutions and especially the institution of science more today than ever before. For centuries, the general view had been that science is neither good nor bad—that it merely supplies information and that new information is always beneficial. Now, science is viewed as a political constituency that isn’t always in our best interest. We live in a world where the leaders of African nations prefer to let their citizens starve to death rather than import genetically modified grains. Childhood vaccines have proven to be the most effective public health measure in history, yet people march on Washington to protest their use. In the United States a growing series of studies show that dietary supplements and “natural” cures have almost no value, and often cause harm. We still spend billions of dollars on them. In hundreds of the best universities in the world, laboratories are anonymous, unmarked, and surrounded by platoons of security guards—such is the opposition to any research that includes experiments with animals. And pharmaceutical companies that just forty years ago were perhaps the most visible symbol of our remarkable advance against disease have increasingly been seen as callous corporations propelled solely by avarice and greed. As Michael Specter sees it, this amounts to a war against progress. The issues may be complex but the choices are not: Are we going to continue to embrace new technologies, along with acknowledging their limitations and threats, or are we ready to slink back into an era of magical thinking? In Denialism, Specter makes an argument for a new Enlightenment, the revival of an approach to the physical world that was stunningly effective for hundreds of years: What can be understood and reliably repeated by experiment is what nature regarded as true. Now, at the time of mankind’s greatest scientific advances—and our greatest need for them—that deal must be renewed.

    Cioran writes incisively about Western civilizations, the writer, the novel, mystics, apostles, and philosophers."A sort of final philosopher of the Western world. His statements have the compression of poetry and the audacity of cosmic clowning."—Washington Post"An intellectual bombshell that blasts away at all kinds of cant, sham and conventionality. . . . [Cioran's] language is so erotic, his handling of words so seductive, that the act of reading becomes an encounter in the erogenous zone."—Jonah Raskin, L.A. Weekly

    Her poems take us to the flip side of human consciousness, where anything can happen at any time. Tinged with surrealism, her work makes visionary leaps from the quotidian to sudden, surprising epiphanies.

    The Pilgrims probably landed here first, and recorded history got the geography wrong, because really, everything started here. We have the Yankees and the Mets, plus the Giants and the Jets, even if they are, for some weird reason, in New Jersey. And we have trout, lots of cows, the Catskills, the Baseball Hall of Fame, a really big waterfall, and we're the birthplace of Martin Van Buren and Millard Fillmore, for Pete's sake.But there's something else, something we've got so much more of. We've got a great big quantity of . . . weirdness. Yes, our level of bizarreness is so high that we enticed an out of stater to become a New Yorker and chronicle it all. With notepad in hand and apples in pocket for nourishment, author Chris Gethard scouted the state's highways and byways in search of the odd and the offbeat. He tracked down impossible-to-believe tales, only to discover odd grains of truth that give the stories just enough credibility to make one feel . . . slightly uneasy.So turn the pages and visit Long Island's Big Duck, travel down Moan and Groan Road in, of all places, a town called Hope, and sample the Jell-O Museum in Le Roy. Drive by the abandoned insane asylums that blanket the state?big surprise. By all means avoid the screaming and gunshots of House Road, but do coast up Spook Rock Road, say hi to Jumper and Grumpy at America's largest pet cemetery, and knock on Eunice Welsh's crypt (she might knock back). Be lured into the water, if you're really dumb, by the Lady of Lake Ronkonkoma, and next time you're in Staten Island, beware of Bigfoot?he's found his way out there.Yes, it's a grand state, and it's clear why we all sing "I Love New York" with such fervor. A brand-new entry in the best-selling Weird U.S. series, Weird New York is filled with all the good stuff your history teacher never taught you. So get on the road with Chris for a great adventure. We guarantee it'll make you love New York that much more.Chris Gethard served as the associate editor of Weird NJ magazine for over four years. While there he helped write and edit the book, Weird NJ, and co-authored its follow-up, Weird U.S. Chris is also an actor and comedian, has contributed writing to shows on Comedy Central, and has acted on a number of TV programs, including Late Night with Conan O'Brien. He is a performer and teacher at the Upright Citizens Brigade Theater in Manhattan.Chris grew up in West Orange, New Jersey, a few short blocks from the laboratory where Thomas Edison once put on public electrocutions of a variety of animals. Now he lives in Astoria, Queens, just a stone's throw from the Hell Gate section of the East River where over one thousand people perished in the General Slocum steamboat fire of 1904.