During his life he created numerous works of art and kept voluminous notebooks that detailed his artistic and intellectual pursuits.The collection of writings and art in this magnificent book are drawn from his notebooks. The book organizes his wide range of interests into subjects such as human figures, light and shade, perspective and visual perception, anatomy, botany and landscape, geography, the physical sciences and astronomy, architecture, sculpture, and inventions. Nearly every piece of writing throughout the book is keyed to the piece of artwork it describes.The writing and art is selected by art historian H. Anna Suh, who provides fascinating commentary and insight into the material, making Leonardo's Notebooks an exquisite single-volume compendium celebrating his enduring genius.

    . . Powers of Horror is an excellent introduction to an aspect of contemporary French literature which has been allowed to become somewhat neglected in the current emphasis on paraphilosophical modes of discourse. The sections on Céline, for example, are indispensable reading for those interested in this writer and place him within a context that is both illuminating and of general interest." -Paul de Man

    A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depicted reality has taught generations how to read Western literature. This new expanded edition includes a substantial essay in introduction by Edward Said as well as an essay, never before translated into English, in which Auerbach responds to his critics.A German Jew, Auerbach was forced out of his professorship at the University of Marburg in 1935. He left for Turkey, where he taught at the state university in Istanbul. There he wrote "Mimesis," publishing it in German after the end of the war. Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how from antiquity to the twentieth century literature progressed toward ever more naturalistic and democratic forms of representation. This essentially optimistic view of European history now appears as a defensive--and impassioned--response to the inhumanity he saw in the Third Reich. Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach used his remarkable skills in philology and comparative literature to refute any narrow form of nationalism or chauvinism, in his own day and ours. For many readers, both inside and outside the academy, "Mimesis" is among the finest works of literary criticism ever written.

    This book takes up the question of what these changes mean—of what, precisely, happens when a society in which it is virtually impossible not to believe in God becomes one in which faith is only one human possibility among others.

    Pieper expresses succinctly that the foundation of the human person in society is leisure, free time in which one can contemplate, be receptive to being and its beauty."Joy is more profound than sadness, and our capacity to delight in what is mostly determines what we are. Josef Pieper's welcome guidance on leisure, festivity, and contemplation is the most secure and most exciting way to arrive at, and to delight in, the truth in things. Pieper teaches us through music, sculpture, and poetry to see the luminous beauty that reflects an origin deeper than themselves." - James V. Schall, S.J., Georgetown UniversityTable of Contents: Preface Work, Spare Time, and Leisure Learning How to See Again Thoughts about Music Music and Silence Three Talks in a Sculptor's Studio    Remembrance: Mother of the Muses    Those "Guests at the Festival"    Vita Contemplativa - the Comtemplative Life

    In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible.In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films--Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre--most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.

    Over the past forty years, the Natural Environment has received more attention of the two, but that is beginning to change. With a renewed interest in "place" within various academic disciplines and the practical issues of rising fuel costs and scarcity of land, the Built Environment has emerged as a coherent and engaging subject for academic and popular consideration. While there is a growing body of work on the Built Environment, very little approaches it from a distinctly Christian perspective. This major new work represents a comprehensive and grounded approach. Employing tools from the field of theology and culture, it demonstrates how looking at the Built Environment through a theological lens provides a unique perspective on questions of beauty, justice, and human flourishing.“Jacobsen (Sidewalks in the Kingdom) offers a fascinating and thorough examination of the development and role of spatial relationships within a human-built environment and how it affects the human situation. . . . This is not another tome about ‘going green’ but a serious, meticulous examination of the physical apparatus, animated by human players, that makes cultures thrive, communities effervesce, and people feel as if they belong somewhere. It is a formidable read that demands resolve of the reader. But its worth justifies its heft. It is an excellent choice for the college classroom and students studying the social sciences.”—Publishers Weekly (starred review)

    The history of Tolerance (or the lack thereof) in the history of man as described by one of the best popular historians of all time

    Set in 1507, when the author himself was an attaché to the Duke of Urbino, the book consists of a series of fictional conversations between members of the Duke's retinue. All aspects of leadership come under discussion, but the primary focus rests upon the relationship between advisors and those whom they counsel. Ever-relevant subjects include the decision-making process, maintaining an ethical stance, and the best ways of interacting with authority figures. Frequently assigned in university courses on literature, history, and Renaissance studies, the Dover edition of this classic work will be the lowest-priced edition available.

    S. Lewis, J. R. R. Tolkien, Madeleine L'Engle, Charles Williams, G. K. Chesterton, John Buyan, Dante and others is examined in this introductory volume to Christian mythopoeia.

    The strange saga of American architecture in the twentieth century makes for both high comedy and intellectual excitement as Wolfe debunks the European gods of modern and postmodern architecture and their American counterparts.

    Working closely together, Ravi Zacharias and Managing Editors Jill and Kevin Rische (daughter of Dr. Martin) have updated and augmented the work with new material. This book will continue as a crucial tool in countercult ministry and in evangelism for years to come. Among cults and religions included are: Jehovah's Witnesses, Mormonism, New Age Cults, the Unification Church, Baha'i Faith, Hinduism, Buddhism, Islam, and more.

    The End of Faith. The God Delusion. God Is Not Great. Letter to a Christian Nation. Bestseller lists are filled with doubters. But what happens when you actually doubt your doubts?Although a vocal minority continues to attack the Christian faith, for most Americans, faith is a large part of their lives: 86 percent of Americans refer to themselves as religious, and 75 percent of all Americans consider themselves Christians. So how should they respond to these passionate, learned, and persuasive books that promote science and secularism over religion and faith? For years, Tim Keller has compiled a list of the most frequently voiced “doubts” skeptics bring to his Manhattan church. And in The Reason for God, he single-handedly dismantles each of them. Written with atheists, agnostics, and skeptics in mind, Keller also provides an intelligent platform on which true believers can stand their ground when bombarded by the backlash. The Reason for God challenges such ideology at its core and points to the true path and purpose of Christianity.Why is there suffering in the world? How could a loving God send people to Hell? Why isn’t Christianity more inclusive? Shouldn’t the Christian God be a god of love? How can one religion be “right” and the rest “wrong”? Why have so many wars been fought in the name of God? These are just a few of the questions even ardent believers wrestle with today. In this book, Tim Keller uses literature, philosophy, real-life conversations and reasoning, and even pop culture to explain how faith in a Christian God is a soundly rational belief, held by thoughtful people of intellectual integrity with a deep compassion for those who truly want to know the truth.

    This unique selection of illustrations with commentaries and source texts guides us on a fascinating journey through the representations of the secret arts.

    Marty, who regards this book as one of the most vital books of our time, as well as an introduction by the author never before included in the book, and a new preface by James Gustafson, the premier Christian ethicist who is considered Niebuhr’s contemporary successor, poses the challenge of being true to Christ in a materialistic age to an entirely new generation of Christian readers.