It is written for the person new to Hellenismos, and for the person who has been practicing for years, as well as for people outside of the religion who are interested in learning more. It covers not only the basics of worship, but also how make the ancient religion relevant to modern times, cultivate relationships with the gods and other divinities, and create a deeply satisfying spiritual life. The emphasis of this book is on the concept of kharis, the reciprocity so implicit in the practice of Hellenic polytheism. From the simplest devotional act, to prayer, to divination, to mysticism, the principle of reciprocal favor governs the heart of this religion and lets each worshipper encounter the gods on a real and profound level.

    It will enable a beginner to delve effectively into their usage, but will also challenge the experienced rune-worker to better and deepen his or her understanding of these mysteries. Runes: Theory and Practice begins with an explication of the story of Odin, the Norse god who won the runes by sacrificing himself on the World Tree. It continues by examining each of the individual runes in turn, both the Elder Futhark and the lesser-known Anglo-Saxon Futhorc. Each rune is studied not only from a historical viewpoint, but also from the perspective of a modern practitioner. You will be introduced to the practice of galdr, the proper way to sacrifice to the runes, their magical usage, and the art of reading for divination. Most importantly, Runes: Theory and Practice specifically addresses the runes as living spirits and provides guidance on developing a working relationship with these otherworldly allies.

    It serves as a useful introductory manual for the newcomer to contemporary Hellenic Polytheism as they take the first steps on their journey to worship the Hellenic Gods in a traditional manner.

    Well… It’s ours, too. A mixture of authors from Collected Christmas Horror Shorts and Collected Easter Horror Shorts have come back together, and invited a few friends, to make this Halloween an extra special one. Lock your door, dim your lights, add some pumpkin spice to whatever you are drinking and light your jack-o’-lanterns. This will be a Halloween you will never forget. Table of Contents John R. Little - The Halloween Phantoms Lisa Morton - Pumpkin Rex Richard Chizmar - Mister Parker Christopher Motz - The Halloween Playground Kevin J. Kennedy - Halloweenland Mark Cassell - A Story of Amber Peter Oliver Wonder - Dressed For Success Christina Bergling - Black Widow Stuart Keane - Hollowed Be Thy Andrew Lennon - Girlfriend Briana Robertson - Trick Turned Treat James Matthew Byers - Jenny Greenteeth J.C. Michael - The First Shot Mark Lukens - The Coffin Man Suzanne Fox - The Devils Fruit Steven Stacy - Don't Fear the Reaper.

    First published in German in 1977, it has now been translated into English with the assistance of the author himself. A clearly structured and readable survey for students and scholars, it will be welcomed as the best modern account of any polytheistic religious system.Burkert draws on archaeological discoveries, insights from other disciplines, and inscriptions in Linear B to reconstruct the practices and beliefs of the Minoan–Mycenaean age. The major part of his book is devoted to the archaic and classical epochs. He describes the various rituals of sacrifice and libation and explains Greek beliefs about purification. He investigates the inspiration behind the great temples at Olympia, Delphi, Delos, and the Acropolis—discussing the priesthood, sanctuary, and oracles. Considerable attention is given to the individual gods, the position of the heroes, and beliefs about the afterlife. The different festivals are used to illuminate the place of religion in the society of the city-state. The mystery cults, at Eleusis and among the followers of Bacchus and Orpheus, are also set in that context. The book concludes with an assessment of the great classical philosophers’ attitudes to religion.Insofar as possible, Burkert lets the evidence—from literature and legend, vase paintings and archaeology—speak for itself; he elucidates the controversies surrounding its interpretation without glossing over the enigmas that remain. Throughout, the notes (updated for the English-language edition) afford a wealth of further references as the text builds up its coherent picture of what is known of the religion of ancient Greece.

    Wonder at Medusa's potent venom, Circe's fierce sorcery and Athena rising up over Olympus, as Nikita Gill majestically explores the untold stories of the life bringers, warriors, creators, survivors and destroyers that shook the world - the great Greek Goddesses.Vividly re-imagined and beautifully illustrated, step into an ancient world transformed by modern feminist magic.'I watch Girl become Goddessand the metamorphosis is moremagnificent than anythingI have ever known.'

    Source: Wikipedia. Pages: 20. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: The Cyberiad (Polish: ) is a series of short stories by Stanisaw Lem. The Polish version was first published in 1967, with an English translation appearing in 1974. The main protagonists of the series are Trurl and Klapaucius, the "constructors." The vast majority of characters are either robots, or intelligent machines. The stories focus on problems of the individual and society, as well as on the vain search for human happiness through technological means. Two of these stories were included in the book The Mind's I. Trurl and Klapaucius are brilliant (robotic) engineers, called "constructors" (because they can construct practically anything at will), capable of almost God-like exploits. For instance, on one occasion Trurl creates an entity capable of extracting accurate information from the random motion of gas particles, which he calls a "Demon of the Second Kind." He describes the "Demon of the First Kind" as a Maxwell's demon. On another, the two constructors re-arrange stars near their home planet in order to advertise. The duo are best friends and rivals. When they are not busy constructing revolutionary mechanisms at home, they travel the universe, aiding those in need. Although the characters are firmly established as good and righteous, they take no shame in accepting handsome rewards for their services. If rewards were promised and not delivered, the constructors may even severely punish those who deceived them. The universe of The Cyberiad is pseudo-Medieval. There are kingdoms, knights, princesses, and even dragons in abundance. Robots are usually anthropomorphic, to the point of being divided into sexes. Love and marriage are possibl...More: http: //booksllc.net/?id=59380

    Otto recreates the theological world of ancient Greek religion. Otto's provocative starting point is to accept the immanent reality of the gods. To understand the cult of Dionysus, it is necessary to reimagine the original vision of the god. Otto challenges us to understand the power of this vision not as a bloodless abstraction but as a force animating belief, to see the myth and art of Dionysus as a passionate search to regain the power of the lost god.

    Magical instruments, and secret machineries in their own right, stories are within us all. And, the way we appreciate them, from the cradle is, Shah believes, part of the default setting of Mankind. Introduced in early childhood to the wonders of A Thousand and One Nights, Shah learned to receive and appreciate complex structures and storytelling devices. These have been used throughout history to pass on ideas, cultural values and information, as well as, of course, to entertain. Having been inspired by The Nights, especially in the way that one story leads into another, and yet another, Shah used this technique (known as the “frame story”) in SCORPION SOUP. An interwoven and intoxicating collection of tales, the book descends down through many layers, as one story progresses into the next, and eventually brings us back to the first. There is the tale of the Capilongo, a sophisticated bird-like creature that lives in the jungle with sloth-servants, who invites his would-be assassin to dine before allowing himself to be killed. And there is the tale of the Clockmaker who harnesses the soul of a Jinn, in the guise of a hoopoe, and uses it to travel back in time to the realm of Harun Al-Rachid. There is the cautionary tale, too, of the Man Whose Arms Grew Branches, and the story of the Fish’s Dream. Unlike anything that has been published in the Occidental world before, SCORPION SOUP is a rich and diverse feast for the senses, and a book that instructs as much as it does entertain.

    Celebrations honoring the winter solstice as a moment of transition and renewal date back thousands of years and occur among many peoples on every continent. Now The Return of the Light makes an ideal companion for everyone who carries on this tradition, no matter what their faith. Storyteller Carolyn McVickar Edwards retells twelve traditional tales--from North America, China, Scandinavia, India, Africa, South America, Europe, and Polynesia--that honor this magical moment. These are stories that will renew our wonder of the miracle of rebirth and the power of transition from darkness into light.

    The song of birds, the thunder of rain clouds, and the glow of the morning sun revealed life's secrets to Satyakama. Coming face to face with the lord of death, Nachiketa found the key to immortality. The lessons the two seekers learned were priceless, for they opened to others the door to eternal bliss.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Folklorist Helene Adeline Guerber brings to life the gods and goddesses, giants and dwarves, and warriors and monsters of these stories in Tales of Norse Mythology. Ranging from the comic to the tragic, these leghends tell of passion, love, friendship, pride, courage, strength, loyalty, and betrayal.

    Far from being meek and mild, they were violent, ruthless and fundamentally intolerant. Unlike the polytheistic world, in which the addition of one new religion made no fundamental difference to the old ones, this new ideology stated not only that it was the way, the truth and the light but that, by extension, every single other way was wrong and had to be destroyed. From the 1st century to the 6th, those who didn't fall into step with its beliefs were pursued in every possible way: social, legal, financial and physical. Their altars were upturned and their temples demolished, their statues hacked to pieces and their priests killed. It was an annihilation.Authoritative, vividly written and utterly compelling, this is a remarkable debut from a brilliant young historian.

    He felt that achieving purity by avoiding meat and refraining from committing harm further promoted the pursuit of a peaceful life. Elements of the worship of Dionysus, such as shape-shifting and ritualistic ecstasy, were fused with Orphic beliefs to produce a powerful and illuminating new religion that found expression in the mystery cults. Practitioners of this new religion composed a great body of poetry, much of which is translated in The Orphic Hymns.The hymns presented in this book were anonymously composed somewhere in Asia Minor, most likely in the middle of the third century AD. At this turbulent time, the Hellenic past was fighting for its survival, while the new Christian faith was spreading everywhere. The Orphic Hymns thus reflect a pious spirituality in the form of traditional literary conventions. The hymns themselves are devoted to specific divinities as well as to cosmic elements. Prefaced with offerings, strings of epithets invoke the various attributes of the divinity and prayers ask for peace and health to the initiate. Apostolos N. Athanassakis and Benjamin M. Wolkow have produced an accurate and elegant translation accompanied by rich commentary.