Now, for the first time ever, this gripping narrative digs beneath the hip-hop fables to re-create the rise and fall of hustlers like Lorenzo “Fat Cat” Nichols, Gerald “Prince” Miller, Kenneth “Supreme” McGriff, and Thomas “Tony Montana” Mickens. Spanning twenty-five years, from the violence of the crack era to Run DMC to the infamous murder of NYPD rookie Edward Byrne to Tupac Shakur to 50 Cent’s battles against Ja Rule and Murder Inc., to the killing of Jam Master Jay, Queens Reigns Supreme is the first inside look at the infamous southeast Queens crews and their connections to gangster culture in hip hop today.

     One day in Paris, she is discovered by an American music producer who takes her to New York to live with him and his close-knit family while producing her first album, with help from teen pop star, Matt. Maude will dive into a new fascinating world discovering New York City, music, family, love and the truth about her past. The French Girl series has sold over 25,000 books. Join thousands of other readers who follow and love Maude Laurent's adventures!

    But Elaine Sciolino, the longtime Paris bureau chief of The New York Times, has discovered that seduction is much more than a game to the French: it is the key to understanding France.Seduction plays a crucial role in how the French relate to one another—not just in romantic relationships but also in how they conduct business, enjoy food and drink, define style, engage in intellectual debate, elect politicians, and project power around the world. While sexual repartee and conquest remain at the heart of seduction, for the French seduction has become a philosophy of life, even an ideology, that can confuse outsiders.In La Seduction, Sciolino gives us an inside view of how seduction works in all areas, analyzing its limits as well as its power. She demystifies the French way of life in an entertaining and personal narrative that carries us from the neighborhood shops of Paris to the halls of government, from the gardens of Versailles to the agricultural heartland.La Seduction will charm you and encourage you to lower your defenses about the French. Pull up a chair and let Elaine Sciolino seduce you.

    He tantalized audiences with his charismatic stage presence, and his biting, observant lyrics in such singles as "The Bottle" and "Johannesburg" provide a time capsule for a decade marked by turbulence, uncertainty, and racism. While he was exalted by his devoted fans as the “black Bob Dylan” (a term he hated) and widely sampled by the likes of Kanye West, Prince, Common, and Elvis Costello, he never really achieved mainstream success. Yet he maintained a cult following throughout his life, even as he grappled with the personal demons that fueled so many of his lyrics. Scott-Heron performed and occasionally recorded well into his later years, until eventually succumbing to his life-long struggle with addiction. He passed away in 2011, the end to what had become a hermit-like existence.In this biography, Marcus Baram--an acquaintance of Gil Scott-Heron's--will trace the volatile journey of a troubled musical genius. Baram will chart Scott-Heron's musical odyssey, from Chicago to Tennessee to New York: a drug addict's twisted path to redemption and enduring fame. In Gil Scott-Heron: Pieces of a Man, Marcus Baram puts the complicated icon into full focus.

    Ernest Hemingway was reading proofs of A Farewell to Arms, and a few blocks away F. Scott Fitzgerald was struggling with Tender Is the Night. As his first published book rose to fame in New York, Morley Callaghan arrived in Paris to share the felicities of literary life, not just with his two friends, Hemingway and Fitzgerald, but also with fellow writers James Joyce, Ford Madox Ford, and Robert McAlmon. Amidst these tangled relations, some friendships flourished while others failed. This tragic and unforgettable story comes to vivid life in Callaghan's lucid, compassionate prose.

    "Anyone, whether knowledgeable or not, will profit by reading it..." - Opera Quarterly

    Lawrence Valley. It also tells of the Montreal and Quebec-based explorers and traders who traveled, mapped, and inhabited a very large part of North America, and “embrothered the peoples” they met, as Jack Kerouac wrote.Connecting everyday life to the events that emerged as historical turning points in the life of a people, this book sheds new light on Quebec’s 450-year history––and on the historical forces that lie behind its two recent efforts to gain independence.

    Its author, Marguerite Vallette-Eymery (1860-1953), who used the pseudonym Rachilde, was a prolific novelist (over sixty works of fiction), playwright, literary critic and reviewer, and a forceful presence in French literary society of her time. The protagonist of the novel, Eliante Donalger, is in some sense an exaggerated double for her creator--bizarre in appearance, clothing, and interests. Instinctively grasping a medical and psychological truth that the turn-of-the-century scientific world was only beginning to understand, Eliante maintains that there is nothing "natural" about human sexual expression. She claims to be in love with an inanimate (though anthropomorphic and sexually ambiguous) object, a Greek amphora, and the novel traces the rivalry between this faithful partner and an ardent human suitor, a young medical student. It is only through juggling, both literally and metaphorically, that Eliante is able to use her seductive power to maintain desire. The surprise ending challenges the limits of such power in a controversial and surprising twist. Although Rachilde's work has been neglected in the past, the women's movement and feminist criticism have stimulated renewed interest in her fiction. The Juggler is a major rediscovery.

    With unprecedented access to the archives at the Beethoven House in Bonn, Jan Caeyers expertly weaves together a deeply human and complex picture of Beethoven—his troubled youth, his unpredictable mood swings, his desires, relationships, and conflicts with family and friends, the mysteries surrounding his affair with the “immortal beloved,” and the dramatic tale of his deafness. Caeyers also offers new insights into Beethoven’s music, showing how it transformed from the work of a skilled craftsman to that of a consummate artist. Demonstrating an impressive command of the vast scholarship on this iconic composer, Caeyers brings Beethoven’s world alive with elegant prose, memorable musical descriptions, and a vivid depiction of Bonn and Vienna, where Beethoven produced and performed his works. Caeyers explores how Beethoven’s career was impacted by the historical and philosophical shifts taking place in the music world and how, in turn, his trajectory changed the music industry. Equal parts an absorbing cultural history and a lively biography, Beethoven, A Life reveals a complex portrait of the musical genius that defined a style of music and went on to become one of the great pillars of Western art music.

    Janaki is a musical prodigy, sublimely gifted on the veena, but will soon be eighteen and dreads her aunt's schemes for an arranged marriage. Eschewing tradition, she runs off with a Muslim Bollywood star. Years later, Mallika receives a letter from Janaki, who is returning to Madras.In confident prose that resembles the rhythms and progression of an Indian raga, Ameen Merchant captures in rich detail the world of these Brahmin women, a world restricted by caste and cultural rules but also teeming with colour, music and food. It is a story about the traditions that bind us and the sacrifices we must make along the road to our own individual destinies.

    Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer— physically, emotionally, intellectually—with its enduring power.

    During Chopin's eighteen years in Paris, lasting nearly half his short life, he shone at the center of the immensely talented artists who were defining their time -- Hugo, Balzac, Stendhal, Delacroix, Liszt, Berlioz, and, of course, George Sand, a rebel feminist writer who became Chopin's lover and protector. Tad Szulc, the author of Fidel and Pope John Paul II, approaches his subject with imagination and insight, drawing extensively on diaries, memoirs, correspondence, and the composer's own journal, portions of which appear here for the first time in English. He uses contemporary sources to chronicle Chopin's meteoric rise in his native Poland, an ascent that had brought him to play before the reigning Russian grand duke at the age of eight. He left his homeland when he was eighteen, just before Warsaw's patriotic uprising was crushed by the tsar's armies. Carrying the memories of Poland and its folk music that would later surface in his polonaises and mazurkas, Chopin traveled to Vienna. There he established his reputation in the most demanding city of Europe. But Chopin soon left for Paris, where his extraordinary creative powers would come to fruition amid the revolutions roiling much of Europe. He quickly gained fame and a circle of powerful friends and acquaintances ranging from Rothschild, the banker, to Karl Marx. Distinguished by his fastidious dress and the wracking cough that would cut short his life, Chopin spent his days composing and giving piano lessons to a select group of students. His evenings were spent at the keyboard, playing for his friends. It was at one of these Chopin gatherings that he met George Sand, nine years his senior. Through their long and often stormy relationship, Chopin enjoyed his richest creative period. As she wrote dozens of novels, he composed furiously -- both were compulsive creators. After their affair unraveled, Chopin became the protÉgÉ of Jane Stirling, a wealthy Scotswoman, who paraded him in his final year across England and Scotland to play for the aristocracy and even Queen Victoria. In 1849, at the age of thirty-nine, Chopin succumbed to the tuberculosis that had plagued him from childhood. Chopin in Paris is an illuminating biography of a tragic figure who was one of the most important composers of all time. Szulc brings to life the complex, contradictory genius whose works will live forever. It is compelling reading about an exciting epoch of European history, culture, and music -- and about one of the great love dramas of the nineteenth century.

    Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Chapters: Half of a Yellow Sun. Source: Wikipedia. Free updates online. Not illustrated. Excerpt: Half of a Yellow Sun is a novel that was written by Nigerian author Chimamanda Ngozi Adichie. It was first published in 2006 by Knopf/Anchor and tells the story of two sisters Olanna and Kainene during the Biafran War. Chimamanda Ngozi Adichie's novel Half of a Yellow Sun takes place in Nigeria during the Nigerian-Biafran War in 1967-1970. The effect of the war is shown through the dynamic relationships of five peoples lives ranging from high ranking political figures, a professor, a British citizen, and a houseboy. After the British left Nigeria and stopped ruling, conflicts arose over what government would rule over the land. The land split and the Nigeria-Biafra war started. The lives of the main characters drastically changed and were torn apart by the war and decisions in their personal life. The book jumps between events that took place during the early 1960s and the late 1960s, when the war was on. In the early 1960s, the main characters are introduced: Ugwu, a 13 year old village boy who moves in with Odenigbo, to work as his houseboy. Odenigbo frequently entertains intellectuals to discuss the political turmoil in Nigeria. Life changes for Ugwu when Odenigbos girlfriend, Olanna, moves in with them. Ugwu forms a strong bond with both of them, and is extremely loyal. Olanna has a twin sister, Kainene, who is a woman with a dry sense of humour, tired by the pompous company she is forced to keep. Her lover Richard is an Englishman come to Nigeria to study the art. Jumping four years ahead, trouble is brewing between the Hausa and the Igbo people and hundreds of people die in the massacres, including Olanna's beloved auntie and uncle. A new republic is crea...More: http: //booksllc.net/?id=1859812

    It developed concurrently everywhere, and every region had it's own identity. But it was in San Francisco and L.A. where the most radical behavior in stateside punk rock style and attitude was exhibited. It was anti-hippie, anti-disco, anti-parent and anti-"nice". And it was shockingly new. These photos are ground zero of punk rock style—delirious innovation and a snarling takeover of youth culture still resonating more than 20 years hence.

    Karlheinz Stockhausen once asked the composer what his -secret- was: -I don't push the sounds around, - Feldman replied. His writings resemble his music in their quiet steadiness, their oscillations between assertion and doubt. They are also funny and illuminating, not only about his own music but about the entire New York School of painters, poets and composers that coalesced in the 1950s, including Feldman's friends Jackson Pollock, Philip Guston, Mark Rothko, Robert Rauschenberg, Frank O'Hara and John Cage. Give My Regards to Eighth Street is an authoritative collection of Feldman's writings, culled from published articles, program notes, LP liners, lectures, interviews and unpublished writings. It is one of those rare books from which anyone can draw inspiration, no matter what the vocation or discipline.