Thirteen-year-old Franklin Robertson is trying to survive adolescence. His parents don't understand him, his brother torments him, he has no friends, and he's more interested in the high school quarterback than any girl. The one bright spot in his life is the glow of the black-and-white TV in his parents' basement. Here, he worships at the altar of the Saturday Night Horror Movie, hosted by the eerie Dr. Cerberus. Before long, Franklin is convinced that only by going on the show will his life be redeemed - by Dr. Cerberus himself! A L.A. Theatre Works full cast performance starring Simon Helberg as Franklin Robertson, Jamison Jones as Doctor Cerberus, Steven Culp as Lawrence Robertson, Pamela J. Gray as Lydia Robertson and Jarrett Sleeper as Rodney Robertson, with original music by Steven Cahill.

    Lyly took up the story of two young women, Galatea (or Gallathea) and Phillida who are dressed up in male clothes by their fathers so that they can avoid the requirement of the god Neptune that every year "the fairest and chastest virgin in all the country be sacrificed to a sea-monster." Hiding together in the forest, the two maidens fall in love, each supposing the other to be a young man. "Galatea" has become the subject of considerable feminist critical study in recent years. "Midas" (1590) uses mythology in quite a different way, dramatizing two stories about King Midas in such a way as to fashion a satire of King Philip of Spain (and of any tyrant like him) for colossal greediness and folly. In the wake of the defeat of Philip's Armada fleet and its attempted invasion of England in 1588, this satire was calculated to win the approval of Queen Elizabeth and her court.

    "You Got Older" is a tender and darkly comic new play about family, illness, and cowboys - and how to remain standing when everything you know comes crashing down around you.

    His sexual identity and close friendship with his parents has made him a target for every bully in Hillside High's student body. With less than a year to graduation, Gideon hopes to lay low and get out unscathed.In a failed first attempt at blending in, Gideon finds himself seated next to Elliott Oakley—the new kid.Following his mother's death, Elliott packs his bags and leaves small town Iowa for a fresh start in Durham, North Carolina. Making new friends was not on his agenda but when Gideon sits beside him, a frown on his face, he can't help but make conversation.Side by side in Chemistry class, Gideon and Elliott bond over a mutual hatred for teenage torment and a shared love of earning trophies. As the year progresses, their friendship evolves into something unexpected yet welcome. Their new relationship ensures they stick out like a sore thumb but when they're together, blending in doesn't seem so important anymore. Together, they have exactly what they need to survive their final months of high school.Until Elliott's past makes the journey from Iowa all the way to North Carolina, threatening to destroy their bond. Gideon and Elliott are left to wonder... is love really strong enough?

    At the time of a paralyzing drought in the West we discover a girl whose father and two brothers are worried as much about her becoming an old maid as they are about their dying cattle. For the truth is, she is indeed a plain girl. The brothers try every possible scheme to marry her off, but without success. Nor is there any sign of relief from the dry heat. When suddenly from out of nowhere appears a picaresque character with a mellifluous t

    It is the first in a series of gothic m/m romance anthologies called gothika. The stories in this volume are:Made For Aaron by Sue BrownAs a teenager, Aaron Fox was sent to an asylum by his parents because he was gay, leaving him emotionally fragile after the treatment. However it gave him Damon Fox, the nurse he later married. For over twenty years, Damon’s devotion and strength has never faltered. When Damon is killed in a car accident, Aaron’s devastation soon gives way to confusion when he is shown Damon walking away from the hospital. Despite a desperate search, Damon isn’t seen again, and if Aaron can’t live with Damon, he may not want to live at all. But forces beyond Aaron’s understanding work behind the scenes, and if he can find the courage to unveil the secrets, he might get a second chance at happiness.Watchworks by Jamie FessendenHarland Wallace made his name as one of the premiere watchmakers in Victorian London, so he isn’t surprised when a handsome young gentleman named Luke Prescott comes to his townhouse to hire him for a repair job. He is apprehensive when he discovers it is not a watch Mr. Prescott wants repaired, but a complex prosthesis he has in place of a hand.As further repairs are needed, Harland begins to wonder how much of Mr. Prescott is real and how much is mechanical, but he cannot deny the growing attraction he feels toward him. When he learns Prescott’s household servants pose a threat to the man they see as a monster, Harland must choose between what his culture tells him is wrong and what his heart tells him is right.The Golem of Mala Lubovnya by Kim FieldingIn a small, 17th-century Eastern European town, a rabbi creates a man of clay—a golem—to protect the Jewish people from the threat of pogrom. Awaiting a call to duty, the golem spends a long time confined to an attic, lonely and sad. His only joys are watching the stonemason at work across the street and listening to a lovely voice singing prayers. When the golem meets the mason, Jakob, the two become friends, and Jakob names the golem Emet. But devout Jakob struggles with his attraction to Emet, and Emet dreads being used as an instrument for violence. Though Emet’s name means truth, honest love between a faithful man and a golem will only survive if they risk everything for a miracle.Reparation by Eli EastonOn the harsh planet of Kalan, weakness is not tolerated. When young spore farmer Edward suffers an carriage accident that kills his mail-order bride and his factory manager, Edward has little chance of survival, until Knox—an enormous “reconstitute” labor slave—plucks him from disaster. Recons are part machine, part human remains from executed Federation prisoners. But Knox is different from other recons. He can read and has flashes of brilliance. With no one else to rely on over the bleak winter, Edward forms an alliance with Knox, and against social taboos, they become friends. Edward struggles against his growing lust for the large humanoid, and while Knox thrives in his new life, memories of his past torment him.A twist of fate brought Knox and Edward together, but there will be a price to pay in blood when they learn how deeply their lives truly intersect.

    The title character, here called Pippin, is a naive, inexperienced young man looking to make his mark in the world. He seeks glory and personal fulfillment first as a soldier, then as a lover, and finally as a revolutionary leader promoting progressive social ideas. After every attempt at success has left him disappointed and frustrated, until he is on the brink of utter despair, Pippin finds himself attracted to the widow Catherine and her young son. Ultimately, he is given a choice between either performing a single great deed that will bring him instant fame and glory but just as instantly cut short his young life, or settling for a long, comfortable, but mediocre existence as a domestic non-entity taking care of his sweet but completely unremarkable family.

    not necessarily in that order.Keith Hamilton Cobb embarks on a poetic exploration that examines the experience and perspective of black men in America through the metaphor of Shakespeare's character Othello, offering up a host of insights that are by turns introspective and indicting, difficult and deeply moving. American Moor is a play about race in America, but it is also a play about who gets to make art, who gets to play Shakespeare, about whose lives and perspectives matter, about actors and acting, and about the nature of unadulterated love.American Moor has been seen across America, including a successful run off-Broadway in 2019. This edition features an introduction by Professor Kim F. Hall, Barnard College.

    And it almost doesn’t exist, because its residents never got around to getting organized. So it’s just . . . Almost.One cold, clear Friday night in the middle of winter, while the northern lights hover in the sky above, Almost’s residents find themselves falling in and out of love in the strangest ways. Knees are bruised. Hearts are broken. Love is lost and found. And life for the people of Almost, Maine will never be the same.

    Gradually distancing herself from her friends, she watches them move from the idealism and political radicalism of their college years through militant feminism and, eventually, back to the materialism that they had sought to reject in the first place. Heidi's own path to maturity involves an affair with the glib, arrogant Scoop Rosenbaum, a womanizing lawyer/publisher who eventually marries for money and position; a deeper but even more troubling relationship with a charming, witty young pediatrician, Peter Patrone, who turns out to be gay; and increasingly disturbing contacts with the other women, now much changed, who were a part of her childhood and college years. Eventually Heidi comes to accept the fact that liberation can be achieved only if one is true to oneself, with goals that come out of need rather than circumstance. As the play ends she is still "alone," but having adopted an orphaned baby, it is clear that she has begun to find a sense of fulfillment and continuity that may well continue to elude the others of her anxious, self-centered generation.

    Includes: 4 Jews in a Room Bitching * I'm Breaking Down * Marriage Proposal * March of the Falsettos * Making a Home * The Games I Play * I Never Wanted to Love You * Father to Son * The Baseball Game * A Day in Falsettoland * Everyone Hates His Parents * What More Can I Say? * Something Bad Is Happening * Holding to the Ground * Unlikely Lovers * You Gotta Die Sometime * What Would I Do.

    The father is a drunk; the mother a frowzy slattern; the daughter precocious beyond her years; and the son a deranged idealist.

    He visits an old flame, buys a gun and goes on a blistering road trip through the new home front.'I don't blame the war. The war was alright. I miss it. It's just you come back to this.'Written during the London bombings of 2005, Motortown is a fierce, violent and controversial response to the anti-war movement - and to the war itself. Chaotic and complex, powerful and provocative, Simon Stephen's new play portrays a volatile and morally insecure world.Motortown premieres at the Royal Court Theatre on 21 April 2006. It follows the critically acclaimed On the Shore of the Wide World (Manchester Royal Exchange/National Theatre), winner of the Olivier Award for Best New Play (2005).

    Macon and Bess are two mail-order brides, lured to the West by the promise of new beginnings through marriage to men they have never met. While waiting for their respective husbands-to-be, one bubbling with optimism, the other mousy and plain, the two women become instant best friends. As Abundance follows the two women through their friendship and adventures for the next 25 years, this Western epic unearths the dark underside of American mythology. A L.A. Theatre Works full-cast performance featuring: Ed Begley Jr., Gary Cole, Amy Madigan, Steven Weber and JoBeth Williams.

    From the publisher's synopsis: "Jeffrey, a gay actor/waiter, has sworn off sex after too many bouts with his partners about what is "safe" and what is not. In gay New York, though, sex is not something you can avoid. Whether catering a ditzy socialite's "how-down for AIDS" or cruising at a funeral; at the gym or in the back rooms of an anonymous sex club; at the annual Gay Pride Parade, or in the libidinous hands of a father-confessor, Jeffrey finds the pursuit of love and just plain old physical gratification to be the number one preoccupation of his times - and the source of plenty of hilarity."