Pride and Prejudice, Austen's most well-loved story, tells of Lizzy Bennet and her five sisters as they search for true love-a love Lizzy nearly loses because of pride. Fanny, of Mansfield Park, comes to live with her aunt and uncle in their elegant mansion. But she finds herself both out of place and in love with her handsome cousin Edmund. Can shy Fanny win him from the outgoing and charming Miss Crawford? Persuasion, Austen's last final novel, explores the consequences of giving in to the opinions of others, rather than following one's own heart. Delightfully illustrated with delicate line drawings.

    Read through letters about the story and people.

    His writings comprise verse, prose poems, film scenarios, a historical novel, plays, essays on film, theater, art, and literature, and many letters. Susan Sontag's selection conveys the genius of this singular writer.

    As editor of The Milton Quarterly for 30 years, Roy Flannagan is uniquely qualified to survey Milton's work. Pedagogy includes a comprehensive index designed to help students from undergraduate to graduate levels conceive paper topics; factual introductions; extensive annotations with references; margin definitions; and a chronology.

    In this one-volume collection of his fiction, drama, poetry, and critical writings, we get an unsurpassed look at his work. Included, among others, are:- The complete plays Waiting for Godot, Krapp’s Last Tape, Cascando, Eh Joe, Not I, and That Time- Selections from his novels Murphy, Watt, Mercier and Camier, Molloy, and The Unnamable- The shorter works “Dante and the Lobster,” “The Expelled,” Imagination Dead Imagine, and Lessness- A selection of Beckett’s poetry and critical writingsWith an indispensable introduction by editor and Beckett intimate Richard Seaver, and featuring a useful select bibliography, I Can’t Go On, I’ll Go On is indeed an invaluable introduction to a writer who has changed the face of modern literature.

    This, the first of four volumes, contains his first five plays, including The Birthday Party (1958), his first full-length drama; as well as two short stories—The Black and White and The Examination—both written before Pinter turned to the theatre. Pinter's exacting and complex use of language and the features that mark his "comedies of menace" are clearly realized in these plays and stories. His speech Writing for the Theatre introduces the volume and establishes the context for these early years.

    Three plays by one of the titans of twentieth century drama, demonstrating the immense power of his understanding of human nature and its frailties.

    Josef Mengele gathers a group of former colleagues for a horrifying project—the creation of the Fourth Reich. Barry Kohler, a young investigative journalist, gets wind of the project and informs famed Nazi hunter Ezra Lieberman, but before he can relay the evidence, Kohler is killed. Thus Ira Levin opens one of the strangest and most masterful novels of his career. Why has Mengele marked a number of harmless aging men for murder? What is the hidden link that binds them? What interest can they possibly hold for their killers: six former SS men dispatched from South America by the most wanted Nazi still alive, the notorious "Angel of Death"? One man alone must answer these questions and stop the killings—Lieberman, himself aging and thought by some to be losing his grip on reality. At the heart of The Boys from Brazil lies a frightening contemporary nightmare, chilling and all too possible.

    They have one thing in common. Overnight, each novice investor lost his life's fortune to one man. The con: Harvey Metcalfe!!A brilliant, self-made guru of deceit. A very dangerous individual. And now, a hunted man. With nothing left to lose four strangers are about to come together-each expert in their own field. Their plan: find Harvey, shadow him, trap him, and penny-for-penny, destroy him. From the luxurious casinos of Monte Carlo to the high-stakes windows at Ascot to the bustling streets of Wall Street to fashionable London galleries, their own ingenious game has begun. It's called revenge-and they were taught by a master

    Describes the mechanics of the voice and obstacles of spontaneous, effective vocal expression and details exercises for developing and strengthening the voice as a human and actor's instrument.

    Inside, behind an electronic screen that hides him from each visitor, is the unknown one who sits. . .and listens.

    He does not directly appear in the novel, but is seen through the experience of other characters. This technique is successful in bringing out the complexity of the central character

    It is an incisive examination of the problems of independence and freedom in post-colonial Africa states, where few believe they have a stake in the future. In the words of one of the characters: "It was better while we waited. Now we have nothing to look forward to. We have killed our past and are busy killing our future." Francis Imbuga is a playwright and actor. He is the recipient of the Kenya National Academy of Sciences Distinguished Professional Award in Play Writing.

    The miraculous feat is followed by an encore which consists of a two-minute version of the play! The vast multitude of characters is played by six actors with hectic doubling, and the action takes place at a shortened version of Elsinore Castle.

    In the still darkness of their cell, Molina re-weaves the glittering and fragile stories of the film he loves, and the cynical Valentin listens. Valentin believes in the just cause which makes all suffering bearable; Molina believes in the magic of love which makes all else endurable. Each has always been alone, and always - especially now - in danger of betrayal. But in cell 7 each surrenders to the other something of himself that he has never surrendered before.

    In addition to scenes of backstage drama with Williams' many producers, directors, associates and lovers, we catch glimpses of Gore Vidal, Truman Capote, Christopher Isherwood, Leonard Bernstein, and Greta Garbo...

    Now, years after the whispers and rumors, the muddy Tallahatchie River gives up its secrets, the secrets within the haunting ballad that swept America.Based on his own screenplay, Herman Raucher has taken the Bobbie Gentry classic and written a tender, funny, and ultimately heartbreaking love story you will never forget.

    The three are attended and visited by family and close friends: Agnes and her mother Felicity, estranged further by the latter's dementia; Brian and Beverly whose martial complications are exacerbated by Brian's new lover, Mark; and Joe and Maggie, unready for the strain of Joe's impending death and it's effect on their teenage son.

    

    These elegant volumes are bound in simulated leather with titles stamped in gold and gilt-edged pages.This volume offers original, unaltered versions of Twain's work in chronological order, including The Undertaker's Chat, The Adventures of Tom Sawyer, and The Prince and the Pauper.

    In The Good God of Manhattan, for example Jan, a man from the Old World encounters Jennifer, a woman from the new world in Manhattan, where they fall prey to the perils of love and share the fate of lovers throughout time and place. The Cicadas is the tale of the marooned where the isolation of the island as an escape from the real world is symbolised in the Cicada's song. Though the setting is never stated explicitly in A Deal with Dreams, we assume it is Vienna, the City of Dreams. Here, dreams are for sale in a shady deal offered in the dim light of a pawnshop on a city street. In the end, we learn that the price of dreams is high.

    It was written by Banabhatta, the court poet of King Harshavardhana, in the early 7th Century AD. It is said that after Banabhatta died, leaving the long text unfinished, his son Bhushanabhatta completed it. The original has a hugely complex plot, with Kadambari herself appearing only half-way through. The story is a popular one – a version can be found in the Kathasaritsagara, amongst many other ancient favourites. It continues to be translated into various Indian languages. Kadambari is often said to be one of the first novels – and the word kadambari has come to mean a novel in many Indian languages today.

    Penguin Pb 1978 Blk/White photo at centre the Brilliant life story of a never to be forgotten man a bit used but still good