I could hear it. There, beyond the beach, behind the tree-line. Off to my left, out of sight. I was still on the beach, just beyond the waterline. I crawled here a few minutes ago. I heard the rustling almost immediately; as soon as I had become conscious again. I didn’t know how long I had been there, apparently washed up by a higher tide sometime earlier. My clothes were still wet, so I must not have been here more than a few hours. I didn’t wake up coughing, so it didn’t seem that I had drowned. The life-jacket seemed to have kept me above water. I was on my knees, scanning the tree-line for movement, and listening…and trying to get my bearings. I had been awake for just a few minutes. The sun was up, but barely. Of course, we almost never saw the sun because of the ash clouds, but they were getting better every year. It had been 18 years since the cataclysm. If the cataclysm had taught us anything, it was to be careful and think things through. I wasn’t in immediate danger as far as I could tell. My only injury seemed to be a really painful, but minor head-wound from where I had been hit. We had left the compound on Tahiti early yesterday. Or was it the day before? I guess it didn’t matter. I guess I didn’t know for sure what day it was. I didn’t have a watch; we didn’t have much use for them. When you don’t have appointments, and no train to catch, precise times aren’t that important. I had intended to travel with just the cargo, but Aunt Irene hated the islands and wanted to go back to what she thought of as her home. For some reason, she expected to find the resort and the town just like she had left it. She was delusional. I might not have said that last week, but after what happened, I would have a lot more to say if there had been anyone to listen to me. What I couldn’t figure out was how she and Clark thought that they could survive a two year journey at sea in relative isolation, eating mostly fish. Irene was used to demanding that others do her work for her. How did she imagine that she would handle a trip like this with just me, Clark, and the four sisters? She didn’t even like any of us. My plan was to stay on a different end of the boat as much as possible. But that was all pretty much ancient history now. Last night, I was standing at the bow of the boat, watching the last of the sunlight disappear. It was going to be dark. The moon didn’t show much these days. Irene came up and stood beside me and said, “So, out there is Rangiroa?” I said yeah, but there was something strange about the question. She knew as well as I exactly where we should be and where our course was taking us. Yeah, the island Rangiroa and it’s neighbors was just in front of us. We’d be passing them overnight. There was something weird in her voice. She sighed and said, “Yeah,” and then I felt something hit me in the back of the head and I passed out. I woke up on the beach here, listening for something out there, beyond the tree-line.

    

    . . but what does that have to do with men? Authors Michael Kaufman and Michael Kimmel, two of the world’s leading male advocates of gender equality, believe it has everything to do with them—and that it’s crucial to educate men about feminism in order for them to fully understand just how important and positive these changes have been for them.Kaufman and Kimmel address these issues inThe Guy’s Guide to Feminism.Hip and accessible, it contains nearly a hundred entries—from “Autonomy” to “Zero Tolerance”—written in varying tones (humorous, satirical, irreverent, thoughtful, and serious) and in many forms (“top ten” lists, comics, interviews, mini-stories, and more). Each topic celebrates the ongoing gains that are improving the lives of women and girls—and what that really means for men.Informal and fun yet substantive and intelligent,The Guy’s Guide to Feminismillustrates how understanding and supporting feminism can help men live richer, fuller, and happier lives.

    Using her nested model of attachment and trauma, she expands our understanding of how emotional experiences can influence our relationships. Then, she sets out six specific strategies to help you move toward secure attachments in your multiple relationships. Polysecure is both a theoretical treatise and a practical guide.

    In this forward-thinking and eye-opening book, feminist bisexual and genderqueer activist Shiri Eisner takes readers on a journey through the many aspects of the meanings and politics of bisexuality, specifically highlighting how bisexuality can open up new and exciting ways of challenging social convention.Informed by feminist, transgender, and queer theory, as well as politics and activism, Bi is a radical manifesto for a group that has been too frequently silenced, erased, and denied—and a starting point from which to launch a bisexual revolution.

    This anthology charts the history of those debates, bringing together the key, classic essays in feminist film theory. Feminist Film Theory maps the impact of major theoretical developments on this growing field-from structuralism and psychoanalysis in the 1970s, to post-colonial theory, queer theory, and postmodernism in the 1990s.Covering a wide range of topics, including oppressive images, woman as fetishized object of desire, female spectatorship, and the cinematic pleasures of black women and lesbian women, Feminist Film Theory is an indispensable reference for scholars and students in the field.Contributors include Judith Butler, Carol J. Clover, Barbara Creed, Michelle Citron, Mary Ann Doane, Teresa De Lauretis, Jane Gaines, Christine Gledhill, Molly Haskell, bell hooks, Claire Johnston, Annette Kuhn, Julia Lesage, Judith Mayne, Tania Modleski, Laura Mulvey, B. Ruby Rich, Kaja Silverman, Sharon Smith, Jackie Stacey, Janet Staiger, Anna Marie Taylor, Valerie Walkerdine, and Linda Williams.

    “Xenofeminism is gender-abolitionist… Let a hundred sexes bloom! …[And, let’s] construct a society where traits currently assembled under the rubric of gender, no longer furnish a grid for the asymmetric operation of power… You’re not exploited or oppressed because you are a wage labourer or poor; you are a labourer or poor because you are exploited…”

    What is to be done? For every three orgasms an American man has, studies show, a woman has one. Up to 40 percent of American women experience the sexual malaise clinically known as low sexual desire. For too long, this deficit has been explained in terms of women's stress, age, or poor body image. In The Pleasure Gap, Katherine Rowland rejects the idea that women should settle for less. We should take inequality in the bedroom as seriously as we take it in the workplace and understand its causes and effects. Drawing on extensive research and interviews with over one hundred women and sexual health professionals, Rowland argues that the pleasure gap is neither medical malady nor psychological condition but rather a result of our culture's troubled relationship with women's sexual expression. This provocative exploration of modern sexuality makes a case for closing the gap for good.

    Coyote and Rae Spoon are accomplished, award-winning writers, musicians, and performers; they are also both admitted "gender failures." In their first collaborative book, Ivan and Rae explore and expose their failed attempts at fitting into the gender binary, and how ultimately our expectations and assumptions around traditional gender roles fail us all.Based on their acclaimed 2012 live show that toured across the United States and in Europe, Gender Failure is a poignant collection of autobiographical essays, lyrics, and images documenting Ivan and Rae's personal journeys from gender failure to gender enlightenment. Equal parts hilarious and heartbreaking, it's a book that will touch LGBTQ readers and others, revealing, with candor and insight, that gender comes in more than two sizes.Ivan E. Coyote is the author of six story collections and the award-winning novel Bow Grip, and is co-editor of Persistence: All Ways Butch and Femme. Ivan frequently performs at high schools, universities, and festivals across North America.Rae Spoon is a transgender indie musician whose most recent CD is My Prairie Home, which is also the title of a new National Film Board of Canada documentary about them. Rae's first book, First Spring Grass Fire, was a Lambda Literary Award finalist in 2013.

    Doctors loathed this time-consuming procedure and for centuries relied on midwives. Later, they substituted the efficiency of mechanical devices, including the electric vibrator, invented in the 1880s. In The Technology of Orgasm, Rachel Maines offers readers a stimulating, surprising, and often humorous account of hysteria and its treatment throughout the ages, focusing on the development, use, and fall into disrepute of the vibrator as a legitimate medical device.

    This surge of violence has occurred alongside an expansion of capitalist social relation. In this new work, Silvia Federici examines the root causes of these developments and outlines the consequences for the women affected and their communities. She argues, that this new war on women, a mirror of witch hunts in 16th- and 17th-century Europe and the “New World,” is a structural element of the new forms of capitalist accumulation. These processes are founded on the destruction of people’s most basic means of reproduction. Like at the dawn of capitalism, the factors behind today’s violence against women are processes of enclosure, land dispossession, and the remolding of women’s reproductive activities and subjectivity.

    Based on eighteen months of fieldwork in a racially diverse working-class high school, Dude, You're a Fag sheds new light on masculinity both as a field of meaning and as a set of social practices. C. J. Pascoe's unorthodox approach analyzes masculinity as not only a gendered process but also a sexual one. She demonstrates how the "specter of the fag" becomes a disciplinary mechanism for regulating heterosexual as well as homosexual boys and how the "fag discourse" is as much tied to gender as it is to sexuality.

    Gerda Lerner argues that male dominance over women is not "natural" or biological, but the product of an historical development begun in the second millennium B.C. in the Ancient Near East. As patriarchy as a system of organizing society was established historically, she contends, it can also be ended by the historical process.Focusing on the contradiction between women's central role in creating society and their marginality in the meaning-giving process of definition and interpretation, Lerner explores such fascinating questions as: What can account for women's exclusion from the historical process? What could explain the long delay--more than 3,500 years--in women's coming to consciousness of their own subordinate position? She goes back to the cultures of the earliest known civilizations--those of the ancient Near East--to discover the origins of the major gender metaphors of Western civilization. Using historical, literary, archaeological, and artistic evidence, she then traces the development of these ideas, symbols, and metaphors and their incorporation into Western civilization as the basis of patriarchal gender relations.

    This is the text where Judith Butler began to advance the ideas that would go on to take life as "performativity theory," as well as some of the first articulations of the possibility for subversive gender practices, and she writes in her preface to the 10th anniversary edition released in 1999 that one point of Gender Trouble was "not to prescribe a new gendered way of life [...] but to open up the field of possibility for gender [...]" Widely taught, and widely debated, Gender Trouble continues to offer a powerful critique of heteronormativity and of the function of gender in the modern world.

    Mill Thought that men simply don't know what women are capable of, because we have never let them try - nobody can not make a statement without evidence. We can't stop women from trying things because they might not be able to do them. An argument based on speculative physiology is just that, speculation..."