Scott doesn’t just show you which sliders do what (every Lightroom book will do that). Instead, by using the following three simple, yet brilliant, techniques that make it just an incredible learning tool, this book shows you how to create your own photography workflow using Lightroom: Throughout the book, Scott shares his own personal settings and studiotested techniques. Each year he trains thousands of Lightroom users at his live seminars and through that he’s learned what really works, what doesn’t, and he tells you flat out which techniques work best, which to avoid, and why. The entire book is laid out in a real workflow order with everything step by step, so you can begin using Lightroom like a pro from the start. What really sets this book apart is the last chapter. This is where Scott dramatically answers his #1 most-asked Lightroom question, which is: “Exactly what order am I supposed to do things in, and where does Photoshop fit in?” You’ll see Scott’s entire start-to-finish Lightroom 5 workflow and learn how to incorporate it into your own workflow. Plus, this book includes a downloadable collection of some of the hottest Lightroom Develop module presets to give you a bunch of amazing effects with just one click! Scott knows first-hand the challenges today’s digital photographers are facing, and what they want to learn next to make their workflow faster, easier, and more fun. He has incorporated all of that into this major update for Lightroom 5. It’s the first and only book to bring the whole process together in such a clear, concise, and visual way. Plus, the book includes a special chapter on integrating Adobe Photoshop seamlessly right into your workflow, and you’ll also learn some of Scott’s latest Photoshop portrait retouching techniques and special effects, which take this book to a whole new level. There is no faster, more straight-to-the-point, or more fun way to learn Lightroom than with this groundbreaking book.

    God has wired creativity into our DNA, and he expects that every man, woman, and child will be creative for His glory. In this book you will learn how to overcome the fear of being creative, how to get moving on any creative project, and how to finally finish your creative work. The book is short, practical, and to the point. It is full of Biblical wisdom and practical application. It will help you to stop making excuses and to start making stuff.Here's what others are saying about it:This piece on creativity is a gem. Conversational, practical, and biblical. As Christians we have the Creator as our Father, and so we should be the ones with the most creativity. Sadly today Christianity is reduced to corny songs and cheesy t-shirts. However, in this short e-book I was greatly encouraged deep in my soul to step out in faith and be creative knowing my Father already loves me and approves of me in Jesus. Stephen winsomely shows how we aren't just supposed to be creative, but its actually what we were created for! - Jefferson Bethke, poet, author of “Why I Love Jesus, But Hate Religion”Create, by my friend Stephen Altrogge, will inspire you to do just that. It's biblical, gospel-driven, practical, insightful, funny, and only 43 pages. Whether you think you're an artist or not, Stephen will inspire you to do what you do better for God's glory. - Bob Kauflin, author of Worship Matters, director of worship for Sovereign Grace MinistriesStephen Altrogge is a creative guy, and this is a short, easily digestible, Biblical book that will encourage you to be creative and won't cut into your time to be creative. It's also full of practical scriptural wisdom on taking criticism and the value of working hard.- Ted Kluck, award-winning author of several books, including Facing Tyson: Fifteen Fighters, Fifteen Stories and Dallas and the SpitfireOut of nothing God created matter, out of the unformed matter he formed the world, and when he was done he stepped back and enjoyed his work. It was Augustine who suggested musicians do the same thing when they embrace the unformed silence and order bits of time into tones and notes. As Stephen so skillfully shows us in his short book, the same principles for musicians and composers equally apply to bankers and bakers, painters and poets, homemakers and handymen. In the ordering of our small portion of the world we image the Creator. I was made to create. You were made to create. And if you’re not sure what that means for you, or if you’re just not convinced it’s true, read this short book to be persuaded and inspired and (maybe most importantly) disciplined for a life of making stuff.- Tony Reinke, creator of the book Lit! A Christian Guide to Reading BooksThis book is short enough for you to read in an hour, although you may want to take it a few pages at a time, marinating in its wisdom. You'll not only learn how Stephen finds the time to create art in multiple formats, but you'll learn from other skilled creatives as well. In Create, you'll learn how to get started and overcome your fears, how to accept and learn from criticism, how to form habits that will strengthen your creativity, and how to persevere. This will be one of those books that I turn to again and again, when I feel like I've gotten stuck on a sandbar.- Bobby Gilles, songwriter, author, Sojourn Church Director of Communications

    With step-by-step instructions, illustrated crease patterns, and how-to photos, you'll learn to create these wonderful designs yourself. Eric's first book covers the fundamentals of origami tessellations, provides history, and describes simple beginning techniques with detailed illustrations and photographs. An extensive gallery showcases tessellations folded by the world's leading origami fine artists---inspiring you to experiment, innovate, and eventually create your own unique designs.

    Packed with art and advice from Marc Taro Holmes, artist and co-founder of Urbansketchers.org, this self-directed workshop shows you how to draw inspiration from real life and bring that same excitement into your sketchbook. Inside you'll fi nd everything you need to tackle subjects ranging from still lifes and architecture to people and busy street scenes.15 step-by-step demonstrations cover techniques for creating expressive drawings using pencil, pen and ink, and watercolor.Expert tips for achieving a balance of accuracy, spontaneity and speed.Practical advice for working in the field, choosing subjects, coping with onlookers, capturing people in motion and more.Daily exercises and creative prompts for everything from improving essential skills to diverse approaches, such as montages, storytelling portraits and one-page graphic novels.Whether you are a habitual doodler or a seasoned artist, The Urban Sketcher will have you out in the world sketching from the very first page. By completing drawings on the spot, in one session, you achieve a fresh impression of not just what you see, but also what it feels like to be there . . . visual life stories as only you can experience them.

    Together they provide a complete painting programme.

    Illustrated.

    Based on John Dewey's lectures on esthetics, delivered as the first William James Lecturer at Harvard in 1932, Art as Experience has grown to be considered internationally as the most distinguished work ever written by an American on the formal structure and characteristic effects of all the arts: architecture, sculpture, painting, music, and literature.

    Readers will discover:Rules on perspective that will aid inn capturing landscapes, buildings, and objects accuratelyTips for capturing the essence of people in sketches when subjects are on the moveThe art of adding notes, commentary, and even speech to sketchesChapters on sharing sketches through social media, joining the international urban sketching community, digitizing work, and more make this new guide the quintessential resource for anyone interested in joining the exciting art movement. More than 350 full-color illustrations throughout.

    This inspiring and encouraging book for both novice and experienced painters teaches how to create colorful, exciting, expressive paintings through a variety of techniques, combining basic, practical painting principles with innovative personal self-expression.Flora S. Bowley's fun and forgiving approach to painting is based on the notion that “You don't begin with a preconceived painting in mind; you allow the painting to unfold.” Illustrating how to work in layers, Flora gives you the freedom to cover up, re-start, wipe away, and change courses many times along the way. Unexpected and unique compositions, color combinations, and subject matter appear as you allow your paintings to emerge in an organic, unplanned way while working from a place of curiosity and letting go of fear.—Learn techniques for working with vibrant color and avoiding mud.—Make rich and varied marks with a variety of unexpected tools.—Break compositional rules.—Embrace nonattachment as a way to keep exploring.—Keep momentum by moving your body and staying positive.—Work with what's working to let go of struggle.—Connect more deeply to the world around you to stay inspired.—Embrace layers to create rich complex paintings.—Find rhythm by spiraling between chaos and order.

    You don't need worry about messing up techniques you've never attempted before inside your raw-art journal. You just need to be you because raw art is you and it thrives on creative play, on experimentation and even on making mistakes.Raw Art Journaling will teach you how to embrace your art, confront negative self-talk (a.k.a., your gremlin) and make meaning with your words and with your art. Inside Raw Art Journaling you'll discover how to:Write meaningful thoughts with a single sentenceCreate thought-provoking poems through found poetryUncover images hidden in your photosMake personal meaning with the simplest of linesFinally feel free to make mistakesUse clever techniques to keep your secrets secretQuiet your gremlin, grab your permission slip (it's on page 19) and start making meaning in your own raw-art journal today!

    Evans documented the look and feel of much of his native country in a notably distinct way throughout the majority of the twentieth century. This definitive retrospective of Evans's career, which received France's Prix de Nadar and England's Krasna-Kraus Award when first published in hardcover, is now available for the first time as a reduced-format paperback." "Prepared by John T. Hill in cooperation with Gilles Mora, Walker Evans: The Hungry Eye begins with the artist's early abstractions and his project on the Brooklyn Bridge done in collaboration with American poet Hart Crane, and continues through Evans's photographic studies of New England and New York Victorian buildings; his travels to Tahiti and Cuba; his work in Florida and New Orleans; and his three-year involvement with the Farm Security Administration. A highlight of this volume is the material from Evans's highly influential show American Photographs at The Museum of Modern Art in New York, re-created in exactly the sequence that Evans established for the original exhibition." No broader or more comprehensive view of this important, innovative, and distinguished photographer exists to date. With all of the images superbly reproduced from negatives prepared by Thomas Palmer, this volume will long stand as a tribute to an American original.

    The world as seen through Kalman's eyes is a quirky, slightly off-kilter place as colourful and varied as a kaleidoscope. For decades this brilliant artist has captured our hearts with her whimsical illustrations and engaged our minds with her trenchant observations. A companion to a travelling exhibition, this monograph on Kalman's work features hundreds of paintings, drawings, sketchbook pages, and journal entries as well as rarely glimpsed photographs, stills from performance pieces, and examples of her newest project, embroidery. Kalman was born in Tel Aviv in 1949 and moved to Germany at the age of four. Among her varied body of work are illustrated books for children and adults, clocks she designed with her late husband Tibor Kalman, columns for The Germany Times, fabrics for Maharam and Isaac Mizrahi, and sets for the choreographer Mark Morris. In this book, Kalman offers commentary on her life as an artist, collector, observer, traveller, and maker of lists, while essays by curator Ingrid Schaffner and art historian Kenneth Silver explore her unique gift for distilling the extraordinary from the merely ordinary. From the youngest readers to the most discerning critics, Kalman's many admirers will embrace this wonderful celebration of a life dedicated to making art.

    Your Action World parodies the "inspirational" promotional materialsincluding books, tapes, and corporate advertising - with which we are inundated daily. Byrne's impulse is to fight back, "to stem the tide of images and bullying texts that assault all of us, by building dikes and dams of my own images and texts. To understand the enemy I must become one with the enemy, I must be of one mind with the enemy. I must infect myself in order to be immunized." An intelligent, quirky document from one of our most innovative artistswith a cool debossed PVC cover and 4-color stickerYour Action World will be the cult hit of the season.

    We are connected through an intertwining sameness called the struggles and joys of finding and becoming our authentic selves. When I read her words, I felt acknowledged for my journey and for being a woman in these complex times... Thank you, Sabrina, for sharing your gift with us. May we all continue to share our journeys together so we know we are not alone."--from the Foreword by Hilary Swank, actorFrom the acclaimed twenty-five-year-old author/artist of the stunning visual memoir Spilling Open comes the all-new multimedia installment of her intimate journey Brave on the Rocks: If You Don't Go, You Don't See.Picking up where Spilling Open left off, Sabrina Ward Harrison tells us about the surprising reaction to her first book. Via her readers' letters and e-mails, she realized that through her journal she had become an identifying voice for women around the world. However, along with recognition came a certain pressure to uphold her new image. Overwhelmed by her attempt to live up to what she thought she had to become, Sabrina decided to head out on her own. She chose as her destination Italy, a place she had always dreamed and written about, a place she felt she could go to "recolor" herself. In her journey she discovered a universal identity with other travelers and a particular kinship with the women she met. But back home she struggled to keep her newfound confidence intact as she navigated her life.Harrison writes and illustrates with a powerful and creative voice. Her thoughts are real and brave. She explores with sensitivity questions of love, faith, growing pains, being true to oneself, and what it means to be unique. With unfaltering honesty, she allows us to witness and share in her reconnection with herself, her growing and reaching, and, ultimately, her voyage home again.

    From beautiful figure drawings to experimental paintings, Jean demonstrates a keen eye for humanity and a virtuosic handling of any medium.