The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki—son of a giant—blood brother to Odin and a trickster and unsurpassable manipulator.Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Through Gaiman’s deft and witty prose, these gods emerge with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.

    She's a sharp and funny speaker who is much in demand.

    Not to mention a career as a popular TV detective that made her glittering life possible. But her lifestyle of the rich and famous has turned into a reality show for d-listed starlets. Lost in her Louboutins, she has one man to thank: her con man of a husband.Handsome FBI agent Jack Mitchell knows a suspect when he sees one—even if she’s as beautiful and gutsy as Meg. Meg’s ex “made off” with half of Hollywood’s wealth in an epic real estate scam. And Jack thinks Meg may have been involved. Determined to prove her innocence Meg teams up with her quirky, movie-mad best friend to track down her fugitive husband and exact justice. But getting her life, and her career, back on track is harder than auditioning for Spielberg. Especially when her life is threatened. Meg has to trust Jack, the man who may want her behind bars…or as his leading lady for life.

    Tolkien was an early work completed in 1926: he returned to it later to make hasty corrections, but seems never to have considered its publication.Suitable for tablets. Some special characters may not display correctly on older devices.We recommend that you download a sample and check the 'Note to the Reader' page before purchase.This edition is twofold, for there exists an illuminating commentary on the text of the poem by the translator himself, in the written form of a series of lectures given at Oxford in the 1930s; and from these lectures a substantial selection has been made, to form also a commentary on the translation in this book.From his creative attention to detail in these lectures there arises a sense of the immediacy and clarity of his vision. It is as if he entered into the imagined past: standing beside Beowulf and his men shaking out their mail-shirts as they beached their ship on the coast of Denmark, listening to the rising anger of Beowulf at the taunting of Unferth, or looking up in amazement at Grendel's terrible hand set under the roof of Heorot.But the commentary in this book includes also much from those lectures in which, while always anchored in the text, he expressed his wider perceptions. He looks closely at the dragon that would slay Beowulf 'snuffling in baffled rage and injured greed when he discovers the theft of the cup'; but he rebuts the notion that this is 'a mere treasure story', 'just another dragon tale'. He turns to the lines that tell of the burying of the golden things long ago, and observes that it is 'the feeling for the treasure itself, this sad history' that raises it to another level. 'The whole thing is sombre, tragic, sinister, curiously real. The "treasure" is not just some lucky wealth that will enable the finder to have a good time, or marry the princess. It is laden with history, leading back into the dark heathen ages beyond the memory of song, but not beyond the reach of imagination.'Sellic Spell, a 'marvellous tale', is a story written by Tolkien suggesting what might have been the form and style of an Old English folk-tale of Beowulf, in which there was no association with the 'historical legends' of the Northern kingdoms.

    They're spoken of in stories and superstitions, relics of an unenlightened age, old wives' tales, passed down through generations. And yet, no matter how wary and jaded we have become, as individuals or as a society, a part of us remains vulnerable to them. Werewolves and wendigos, poltergeists and vampires, angry elves and vengeful spirits.In this beautifully illustrated volume, the host of the hit podcast Lore serves as a guide on a fascinating journey through the history of these terrifying creatures, and explores not only the legends but what they tell us about ourselves. Aaron Mahnke invites us to the desolate Pine Barrens of New Jersey, where the notorious winged, red-eyed Jersey Devil dwells. Mahnke delves into harrowing accounts of cannibalism-some officially documented, others the stuff of speculation . . . perhaps. He visits the dimly lit rooms where séances take place, the European villages where gremlins make mischief, and Key West, Florida, home of a haunted doll named Robert.The monsters of folklore have become not only a part of our language but a part of our collective psyche. Whether these beasts and bogeymen are real or just a reflection of our primal fears, we know, on some level, that not every mystery has been explained, and that the unknown still holds the power to strike fear deep in our hearts and souls. As Aaron Mahnke reminds us, sometimes the truth is even scarier than the lore...

    For a full appreciation of literature or visual art, knowledge of the Greek myths is crucial. In this much-loved collection, poet and scholar Robert Graves retells the immortal stories of the Greek myths. Demeter mourning her daughter Persephone, Icarus flying too close to the sun, Theseus and the Minotaur … all are captured here with the author’s characteristic erudition and flair.The Greek Myths is the culmination of years of research and careful observation, however what makes this collection extraordinary is the imaginative and poetic style of the retelling. Drawing on his experience as a novelist and poet, Graves tells the fantastic stories of Ancient Greece in a style that is both absorbing and easy for the general reader to understand. Each story is accompanied by Graves’ interpretation of the origins and deeper meaning of the story, giving a reader an unparalleled insight into the customs and development of the Greek world.

    In reality, mythology is more screwed up than a schizophrenic shaman doing hits of unidentified. Wait, it all makes sense now. In Zeus Grants Stupid Wishes, Cory O’Brien, creator of Myths RETOLD!, sets the stories straight. These are rude, crude, totally sacred texts told the way they were meant to be told: loudly, and with lots of four-letter words. Skeptical? Here are just a few gems to consider: � Zeus once stuffed an unborn fetus inside his thigh to save its life after he exploded its mother by being too good in bed. � The entire Egyptian universe was saved because Sekhmet just got too hammered to keep murdering everyone. � The Hindu universe is run by a married couple who only stop murdering in order to throw sweet dance parties…on the corpses of their enemies. � The Norse goddess Freyja once consented to a four-dwarf gangbang in exchange for one shiny necklace. And there’s more dysfunctional goodness where that came from.

     Playing with Fire What do you get when you mix gorgons, an incubus, and the Calamity Queen? Trouble, and lots of it.  For Bailey, catering to the magical is a tough gig on a good day, but she has few other options. She can either keep spiking drinks with pixie dust to keep the locals happy, or spend the rest of her life cleaning up some of the world’s nastiest magical substances.  Years after helping Police Chief Samuel Quinn escape an unhappy marriage, Bailey is once again entangled in his personal affairs. To make matters worse, Quinn’s ex-wife is angling for revenge, tossing Bailey into the deep end along with her sexiest enemy. Hoofin' It All Shane wanted was to get away from the wreckage of his career for a while. He picked New York City to provide him with a distraction from his early, unwanted retirement from the police force. New York City delivered, distracting him with three corpses and a miniature llama with a spitting problem and an attitude. If he wants to return to a normal life, he’ll have to face off against a sex trafficking ring targeting the woman of his dreams, ancient vampires, murderous criminals, his parents, and an FBI agent with a hidden agenda. Some days, it isn’t easy being an ex-cop. Serial Killer Princess Why would anyone put a mermaid and a gorgon in the same room together? While Tulip enjoys being alive, her lineage brings her nothing but trouble. Snakes eat fish, and the mer love tearing apart their serpentine nemeses with their hands and teeth. As for the gorgons… she’d rather not think about them at all. The last thing Tulip wants is to rule the mer kingdom. First, she can barely swim. Second, she’s packing more than her fair share of her father’s genes. Third, what is a landlocked princess supposed to do with an aquatic kingdom? If she gets her way, nothing. Add in her dirty little serial killing secret, and she’s an international disaster waiting to happen. Whatever for Hire Fetching a cat out of a tree should’ve been a quick, easy fifty bucks in Kanika’s pocket. Instead, following one stray thought, the devil pays her a visit and leaves her with a debt to repay.  Hearth, Home, and Havoc Dakota never intended to become the single mother of a goddess. To make matters worse, her daughter hadn’t quite figured out her role in the grand scheme of things. Havoc isn’t supposed to be part of Hestia’s portfolio, but where the young goddess of the hearth and home goes, trouble surely follows. When Dakota’s ex-husband barrels his way back into her life, a heavy dose of havoc is just what the doctor ordered. She just never expected to find love in the midst of murder. Owl Be Yours After a wildfire took everything from her, Emily Hall made do surviving as a homeless human by day and as an owl at night. When one of the men responsible for infecting her with lycanthropy comes winging his way back into her life, she must choose between revenge or resuming a normal life. Until Daniel’s return, she never dreamed she might be able to have both. Fowl Play Instead of a quiet dance retreat where she could escape the insanity of being the daughter of an angel, a succubus, and a lycanthrope, Emma Sansaul plummets into t

    Including sections on Greek and Roman Gods, Minor Deities, Heroes and the practices of the time, it also includes a large number of illustrations. This version has been specially formatted for today's e-readers, and is a fantastic addition to any eBook collection. Whether you are a student of ancient history, or just want to know more about Zeus, Saturn, Icarus and the

    From the NY Times bestselling author whose books have sold over a million copies.An alien object with breathtaking capabilities. And a life-and-death struggle for the future of humanity. Dr. Kelly Connolly is part of a top-secret team studying the most important find in human history, the Enigma Cube, an alien artifact of incomprehensible power. A cube whose technology can catapult civilization to dizzying heights--or destroy it entirely.After years of failed attempts to unlock the cube's secrets, all hell suddenly breaks loose. Kelly and a black-ops commando, Justin Boyd, are soon fighting against all odds to stay alive, and to keep the cube out of enemy hands.As the situation quickly goes from bad to worse, Kelly discovers that the cube's capabilities are far greater than even she had imagined. And that her actions could lead to nightmarish changes to the nature of reality itself.The Enigma Cube is a smart thriller crammed with breakneck action, unexpected twists, mind-blowing science, and ethical dilemmas readers will be contemplating long after they've read the last page."Richards is an extraordinary writer," (Dean Koontz) who can "keep you turning the pages all night long." (Douglas Preston)"Richards is a worthy successor to Michael Crichton." (SF Book dot com) Near Future Science Fiction Thrillers by Douglas E. RichardsSTANDALONES QUANTUM LENSGAME CHANGERINFINITY BORNSEEKERVERACITYORACLETHE ENIGMA CUBESERIESWIRED (Wired 1)AMPED (Wired 2)MIND'S EYE (Nick Hall 1)BRAINWEB (Nick Hall 2)MIND WAR (Nick Hall 3)SPLIT SECOND(Split Second 1)TIME FRAME (Split Second 2)Kids Science Fiction Thrillers  (9 and up, enjoyed by kids and adults alike)TRAPPED (Prometheus Project 1)CAPTURED (Prometheus Project 2)STRANDED (Prometheus Project 3)OUT OF THIS WORLDDEVIL'S SWORD

    Her name is Wild Woman, but she is an endangered species. Clarissa Pinkola Estes, Ph.D., Jungian analyst and cantadora storyteller shows how women's vitality can be restored through what she calls "psychic archeological digs" into the ruins of the female unconsious. Using multicultural myths, fairy tales, folk tales, and stories, Dr. Estes helps women reconnect with the healthy, instinctual, visionary attributes of the Wild Woman archetype.Dr. Estes has created a new lexicon for describing the female psyche. Fertile and life-giving, it is a psychology of women in the truest sense, a knowing of the soul.

    But why did they happen?Their origins are revealed in a new light. As part of a medieval world war that stretched from Asia to Europe. At its centre was an ancient empire – Byzantium.Told for the first time as a single, linked narrative are three great events that changed history: the fall of Byzantium in the eleventh century, the epic campaign of the First Crusade and the origins of modern Turkey.Nick Holmes not only presents the First Crusade in a wider global context but he also puts forwards new interpretations of the original sources, suggesting that its success was in fact largely accidental, and that the central role of Byzantium in the Crusades has been underestimated.

    But Cleo Cooper has come to London with a different idea – she’s going to make her fortune by stealing it. Raised abroad by unconventional parents, Cleo has no use for the rules and strictures of the ton. She’ll pretend to fit in, but she has a secret scheme.Arthur Ramsey, Duke of Winton, is in the market for a wife. He imagines a sweet, conformable young lady who will gracefully fill the role of Duchess, secure the succession with an heir, and not interfere with his scientific pursuits. That’s what he’s looking for – but what he finds is Cleo.(Author's Note: A Feather To Fly With is a traditional Regency. If it were a movie, it would be rated PG, or even G.)

    The mythic legacy of the Scandinavians includes a cycle of stories filled with magnificent images from pre-Christian Europe. Gods, humans, and monstrous beasts engage in prodigious drinking bouts, contests of strength, greedy schemes for gold, and lusty encounters. The Norse pantheon includes Odin, the wisest and most fearsome of the gods; Thor, the thundering powerhouse; and the exquisite, magic-wielding Freyja. Their loves, wars, and adventures take us through worlds both mortal and divine, culminating in a blazing doomsday for gods and humans alike. These stories bear witness to the courage, passion, and boundless spirit that were hallmarks of the Norse world.“Kevin Crossley-Holland retells the Norse myths in clear, attractive prose . . . An excellent introduction, notes, and a glossary provide mythological and historical backgrounds and suggest parallels with myths in other parts of the world.”–The Denver Post