Could it be that she is the long-lost Russian Princess Anastasia?With only a flower-shaped key bearing the mesage "Together in Paris" strung on a gold necklace and her strong spirit to guide her, the determined young Anya sets out to discover who she really is. Along the way she finds a puppy, two good-hearted con men and romance, too!All the memorable characters from 20th Century Fox's animated film are together again in this beautifully illustrated classic edition created for moviegoers of all ages.Anastasia, the first full-length feature from 20th Century Fox, was directed and produced by Don Bluth and Gary Goldman -- the creators of such film classics as "An American Tale, The Land Before Time" and "All Dogs Go to Heaven." Featuring the celebrity voices of Meg Ryan, John Cusack, Christopher Lloyd, Kelsey Grammer, Angela Lansbury, Bernadette Peters and Hank Azaria, this majestic movie also boasts a musical score from the well-known Broadway collaborators Lynn Ahrens and Stephen Flaherty.

    Every man is an inlet to the same and to all of the same. He that is once admitted to the right of reason is made a freeman of the whole estate. What Plato has thought, he may think; what a saint has felt, he may feel; what at any time has befallen any man, he can understand. Who hath access to this universal mind is a party to all that is or can be done, for this is the only and sovereign agent. Of the works of this mind history is the record. Its genius is illustrated by the entire series of days. Man is explicable by nothing less than all his history. Without hurry, without rest, the human spirit goes forth from the beginning to embody every faculty, every thought, every emotion, which belongs to it, in appropriate events. But the thought is always prior to the fact; all the facts of history preexist in the mind as laws. Each law in turn is made by circumstances predominant, and the limits of nature give power to but one at a time. A man is the whole encyclopaedia of facts. The creation of a thousand forests is in one acorn, and Egypt, Greece, Rome, Gaul, Britain, America, lie folded already in the first man. Epoch after epoch, camp, kingdom, empire, republic, democracy, are merely the application of his manifold spirit to the manifold world.

    Nominated as one of America’s best-loved novels by PBS’s The Great American Read.Gulliver's Travels describes the four voyages of Lemuel Gulliver, a ship's surgeon. In Lilliput he discovers a world in miniature; towering over the people and their city, he is able to view their society from the viewpoint of a god. However, in Brobdingnag, a land of giants, tiny Gulliver himself comes under observation, exhibited as a curiosity at markets and fairs. In Laputa, a flying island, he encounters a society of speculators and projectors who have lost all grip on everyday reality; while they plan and calculate, their country lies in ruins. Gulliver's final voyage takes him to the land of the Houyhnhnms, gentle horses whom he quickly comes to admire - in contrast to the Yahoos, filthy bestial creatures who bear a disturbing resemblance to humans. This text, based on the first edition of 1726, reproduces all the original illustrations and includes an introduction by Robert Demaria, Jr, which discusses the ways Gulliver's Travels has been interpreted since its first publication. Jonathan Swift (1667-1745) was born in Dublin. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    The short stories included in this selection are representative not only of Tagore's range, but they also enable us to revise the conventional view of Tagore as a short story writer. Writing them at a time when the form was not yet popular, Tagore eschewed the romantic strain prevalent in his day. His stories are fables of modern man, where fairy tale meets hard ground, where myths are reworked, and the religion of man triumphs over the religion of rituals and convention, where the love of a woman infuses the universe with humanity. He writes with concern about such issues as the Hindu revivalism in the late nineteenth century and the bondage of women. The rhythms of daily life, his rural encounters and childhood reminiscences, unfold in his tales, as does a sense of history, the reality of the political situation and its impact on individual lives. Tagore wishes to see the world of humanity not only reflected in his own life but also actualized in Bengali literature. His profound sensibility led him beyond the merely regional, his humanity stretching across east and west, fulfilling the purpose of his Jibandebata, his life's deity, Edited by Sukanta Chaudhuri, a well-known scholar and translator, this is an authoritative and readable translation of Tagore's short stories. An essential Tagore for the collector, it is one that will find its place on every discerning reader's shelf.

    By the end of the night, the parish priest, Father Leo Galvin, is dead.The lives of four teenagers - Tom, Conor, Tess and Nina - who had been drinking beer and smoking in a shed at the back of the house, will never be the same. But one of them carries a secret from that night that he has never shared. The friends go on to lead very different, separate lives - some quiet, others in the media spotlight - but the four remain connected by what happened during the time of the big snow.As the thirty-fifth anniversary of Father Galvin's murder approaches, Conor, now a senior police officer, becomes obsessed with the crime his father failed to solve. He believes that Tom can help identify Father Galvin's killer. But does Tom wish to break his silence? His dilemma draws the four friends back together, forcing them to question their lives and to confront their differences. But only Tom can decide whether Kilmitten's secret will finally be revealed.

    Although they live in a rambling white house in a midwestern town called Meadows, the Cutters are too irreducibly real to stand in for the average all-American family created by pollsters, popular magazines, and television sitcoms.They compete for the reader's attention, pursuing happiness in human ways that have not changed since 1926, when The Cutters was first published. But it is Nell Cutter who best illustrates Bess Streeter Aldrich's strength in drawing memorable characters. Whether she is decorating the house on a budget for wealthy guests or testing child-raising theories or trying to make the daily loaf a little more yeasty, Nell Cutter is not afraid to ex-periment. She may go out on a limb, but it is seldom a dead one.

    The Psychopath Test is a fascinating journey through the minds of madness. Jon Ronson's exploration of a potential hoax being played on the world's top neurologists takes him, unexpectedly, into the heart of the madness industry. An influential psychologist who is convinced that many important CEOs and politicians are, in fact, psychopaths teaches Ronson how to spot these high-flying individuals by looking out for little telltale verbal and nonverbal clues. And so Ronson, armed with his new psychopath-spotting abilities, enters the corridors of power. He spends time with a death-squad leader institutionalized for mortgage fraud in Coxsackie, New York; a legendary CEO whose psychopathy has been speculated about in the press; and a patient in an asylum for the criminally insane who insists he's sane and certainly not a psychopath. Ronson not only solves the mystery of the hoax but also discovers, disturbingly, that sometimes the personalities at the helm of the madness industry are, with their drives and obsessions, as mad in their own way as those they study. And that relatively ordinary people are, more and more, defined by their maddest edges.

    feel things that no flesh-and-blood creature has ever felt. He can create visions so compelling that they literally seem to dance before your eyes. He can push you back to the beginnings of time and then suddenly, without warning, thrust you forward t the outmost limits of the future. He can make you so much a part of his strange worlds that you literally scream to get out.Seventeen breathtaking stories by the master of the weird and wonderful, including the space-age classic, FROST AND FIRE.

    His questions of faith surrounding his father's run-of-the-mill Christianity and his mother's suppressed Judaism lead him to a bizarre obsession with the idea of the messiah. After the collapse of his latest affair and his introduction to a reclusive physics professor, Karl is given the opportunity to confront his obsession and take a journey that no man has taken before, and from which he knows he cannot return.Upon arriving in Palestine, A.D. 29, Glogauer finds that Jesus Christ is not the man that history and faith would like to believe, but that there is an opportunity for someone to change the course of history by making the ultimate sacrifice.First published in 1969, Behold the Man broke through science fiction's genre boundaries to create a poignant reflection on faith, disillusion and self-sacrifice. This is the classic novel that established the career of perhaps contemporary science fiction's most cerebral and innovative author.

    We Follow The Ups And Downs Of Mr Starlight's Career As He Heads To The Bright Lights Of America, As Seen Through The Eyes Of Cled, His Brother.

    For 20 years, an outspoken New York writer and a rather more restrained London bookseller carried on an increasingly touching correspondence. In her first letter to Marks & Co., Helene Hanff encloses a wish list, but warns, "The phrase 'antiquarian booksellers' scares me somewhat, as I equate 'antique' with expensive." Twenty days later, on October 25, 1949, a correspondent identified only as FPD let Hanff know that works by Hazlitt and Robert Louis Stevenson would be coming under separate cover. When they arrive, Hanff is ecstatic--but unsure she'll ever conquer "bilingual arithmetic." By early December 1949, Hanff is suddenly worried that the six-pound ham she's sent off to augment British rations will arrive in a kosher office. But only when FPD turns out to have an actual name, Frank Doel, does the real fun begin. Two years later, Hanff is outraged that Marks & Co. has dared to send an abridged Pepys diary. "i enclose two limp singles, i will make do with this thing till you find me a real Pepys. THEN i will rip up this ersatz book, page by page, AND WRAP THINGS IN IT." Nonetheless, her postscript asks whether they want fresh or powdered eggs for Christmas. Soon they're sharing news of Frank's family and Hanff's career.

    At first it all appears to be a great adventure. When the children need an audience for a play they have mounted, they make their own out of old clothes, pillows, and umbrellas. Then things go inexplicably wrong. To the young dramatists’ horror, as the curtain falls, there is a ghastly applause. The creatures have come alive—and they prove to be most disagreeable!In Five Children and It (1902), a group of children are digging in a sandpit one day when they discover a small, bad-tempered sand-fairy known as the Psammead, who is allowed to grant one wish per day. The children wish for many things—to be beautiful, to be rich, to grow wings—but none of the wishes turn out right. Luckily, the magic wears off at sunset, but will that be soon enough?

    Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminate the destructive power of socially sanctioned violence. Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller contemplates the parallels, writing "Political opposition...is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence." The Viking Critical Library edition of Arthur Miller's dramatic recreation of the Salem witch trials contains the complete text of The Crucible as well as extensive critical and contextual material about the play and the playwright, including:Selections from Miller's writings on his most frequently performed playEssays on the historical background of The Crucible, including personal narratives by participants in the trials and records of witchcraft in Salem from the original documentsReviews of The Crucible, in production by Brooks Atkinson, Walter Kerr, Eric Bentley, and othersExcerpts from Jean-Paul Sartre's Les Sorcières de Salem, a "spin-off" of Miller's play, and three analogous works by Twain, Shaw, and Budd SchulbergCritical essays on the play, on Miller, and on the play in the context of Miller's oeuvreAn introduction by the editor, a chronology, a list of topics for discussion and papers prepared by Malcolm Cowley, and a bibliography

    S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery.Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation." Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaitre knowledge of the spiritual character which the tale was created to embody.Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance."

    The novel itself can be found here: Atonement by Ian McEwan