This new collection brings together the famous poems that made his name as a defining figure of the counterculture. They include the apocalyptic 'Howl', which became the subject of an obscenity trial when it was first published in 1956; the moving lament for his dead mother, 'Kaddish'; the searing indictment of his homeland, 'America'; and the confessional 'Mescaline'. Dark, ecstatic and rhapsodic, they show why Ginsberg was one of the most influential poets of the twentieth century.

    With quiet consideration and dark wit, Bibbins addresses the majority of his poems to Mark Crast, his friend and lover who died from AIDS at the early age of 25. Every broken line and startling linguistic turn grapples with the genre of elegy: what does it mean to experience personal loss, Bibbins seems to ask, amidst a greater societal tragedy? The answer is blurred—amongst unforeseen disease, intolerance, and the intimate consequences of mismanaged power. Perhaps the most unanswerable question arrives when Bibbins writes, "For me elegy/ is like a Ouija planchette/ something I can barely touch/ as I try to make it/ say what I want it to say." And while we are still searching for the words that might begin an answer, Bibbins helps us understand that there is endless value in continuing—through both joy and grief—to wonder.

    Beautiful, mysterious Ran opens the door to a number of firsts for Ken: first kiss, first love. But as quickly as he enters Ken's life, Ran disappears, and Ken Z is left wondering: Why love at all, if this is where it leads?Letting it end there would be tragic. So, with the help of his best friends, the comfort of his haikus and lists, and even strange, surreal appearances by his hero, Oscar Wilde, Ken will find that love is worth more than the price of heartbreak.

    In these poems, Reed finds agency in the other-than-human identities assigned to those assaulted by savageries of the state. In doing so, he summons a retaliatory, counterviolent Black spirit to revolt and to inhabit the revolting.

    White's deliberate, dominating voice evokes a Plath-like dynamism turned on to queer pleasure and displeasure, indulgence and raison d'être, the bedevilments of a gay bitch on the pole.

    These thirty-three short stories and poems, crafted with a deliberate delicacy, each capture the candid, private moments of women in love.Together, these stories and the women who inhabit them reveal an illuminating portrait of the sacred female romance, with all its nuances, complexities, burdens, and triumphs revealed. Violence, sickness, chaos, tenderness, beauty, and freedom adorn these pages in a mosaic of unforgettable moments, including a lesbian granddaughter discovering unexpected commonalities with her grandmother, a teenager’s tryst with her friend after disenchanting sex with a boy, and an old couple’s dreamy Sunday-morning ritual.Sweeping nearly every major Brazilian literary prize in 2016—including the Prêmio Jabuti and Prêmio Açorianos de Literatura—Amora has propelled Natália Borges Polesso to the forefront of the international literary world.

    In this first collection of writings by Tony Kushner, including his latest play Slavs!, the Pulitzer Prize-winning playwright grapples with the timeless issues of bigotry, war, faith, love, as well as tackling the contemporary topics as AIDS, gay rights and the moral horrors of the Gulf War.

    is a reflection on the what ifs, the almosts, and every blown dandelion wish. This work confesses the words never said; the naivet� of a first love, the echoing absence of what could have been, and the awareness of self-significance. Written from a LGBTQ perspective, this collection is pertinent for any member to confide in. It also explores the self-discovery in sexuality and the bravery of coming out, even in fear. Divided into three separate parts, each chapter displaying how the heart acts during different emotional moments in life. This book is best read in a bookstore, cafe, or in the comfort of your home.

    But that's not the only motivator. The way he sees his boss and best friend Paul has changed, his feelings transforming into something new and exciting. No matter how hard he tries, he just can't shake it.Jade loves their attention, the two gorgeous friends who swing by to see her at the cafe every day. They're both like something ripped straight from her dreams, and after she finds herself stranded, she can't turn down their offer to have her stay over. When the power goes out she's left with a dilemma; does she stay on her own in the cold, or go and join them in Michael's room where it's warmer?Paul's never done anything like this before. He has eyes for Jade, they both do. How could he possibly resist her? She's beautiful, smart, and great fun to be around. When they find out she's got no way of getting home, it's only right that they let her stay over at Michael's. They're both stranded and caught in the storm after-all. Now, with the power out, he's face to face with the most important decision of his life. Does he embark on a journey that threatens to completely change him, or does he turn his back on something incredible? "Lost Between Them" Is a hot and steamy MMF romance intended for mature audiences 18+ This story contains male on male sex and explores the evolving relationship between all three characters and their changing sexuality. Approximately 43,000 words with HEA ending.

    H. Auden, and James Merrill. Their poems of love are among the most perceptive, the most passionate, the wittiest, and the most moving we have. From Michelangelo’s “Love Misinterpreted” to Noël Coward’s “Mad About the Boy,” from May Swenson’s “Symmetrical Companion” to Muriel Rukeyser’s “Looking at Each Other,” these poems take on both desire and its higher power: love in all its tender or taunting variety.

    An apocalypse might come in the form of the end of a relationship or the end of the world, but what it exposes is the tricky landscape of our longing for a clean slate.Three longer stories are equally visionary: in "Eyes of Dogs," a soldier returns from war and encounters a witch who may in fact be his mother; "Madmen" describes an America where children who reach adolescence choose the madman who will accompany them into adulthood; in "Godzilla versus the Smog Monster,” a teenager is flustered by his older, wilder neighbor while California burns on the other side of the continent.At once mournful and explosively energetic, One Hundred Apocalypses and Other Apocalypses makes manifest the troubled conscience of an uneasy time

    Private investigator Jill Fitzpatrick is hired to find her. In her search for the truth, in what becomes a murder hunt, Jill is seduced by the alluring Diana Mailand, Mickey's former poetry professor. Plunging deep into in a dark and sleazy web of corruption and deceit, Jill comes to learn how the truth isn't always so beautiful, and killers don't like to be caught. Fuelled by homicide, betrayal, and a femme fatale to go to hell for, The Monkey's Mask is an erotic mystery novel written in verse. But forget what you know about poetry. This is not a love sonnet. From one of Australia's most innovative writers, The Monkey's Mask drives headfirst into murder, manipulation, and the consuming power of sex, and is a thriller to make other whodunnits seem mild.

    He is considered by Octavio Paz to be instrumental to the genesis of modern Latin American poetry and “one of the best poets” of the Spanish language. Toward the end of his life, he had published for over fifty years and brought in crowds of more than 3,000 to a readings in his native country. Coined the “Sniper of Literature” by Cuban poet Roberto Fernández Retamar, Sabines brought poetry to the streets. His vernacular, authentic poems are accessible: meant not for other poets, or the established or elite, but for himself and for the people.In this translation of his fourth book, Tarumba, we find ourselves stepping into Sabines’ streets, brothels, hospitals, and cantinas; the most bittersweet details are told in a way that reaffirms: “Life bursts from you, like scarlet fever, without warning.” Eloquently co-translated by Philip Levine and the late Ernesto Trejo, this bilingual edition is a classic for Spanish- and English-speaking readers alike. Secretive, wild, and searching, these poems are rife with such intensity you’ll feel “heaven is sucking you up through the roof.” Jaime Sabines was born on March 25, 1926 in Chiapas, Mexico. In 1945, he relocated to Mexico City where he studied Medicine for three years before turning his attention to Philosophy and Literature at the University of Mexico. He wrote eight books of poetry, including Horal (1950), Tarumba (1956), and Maltiempo (1972), for which he received the Xavier Villaurrutia Award. In 1959, Sabines was granted the Chiapas Prize and, in 1983, the National Literature Award. In addition to his literary career, Sabines served as a congressman for Chiapas. Jaime Sabines died in 1999; he remains one of Mexico’s most respected poets.  Philip Levine (translator) was born in Detroit, Michigan, in 1928. He is the author of sixteen books of poetry, most recently Breath (Alfred A. Knopf, 2004). His other poetry collections include The Mercy (1999); The Simple Truth (1994), which won the Pulitzer Prize; What Work Is (1991), which won the National Book Award; New Selected Poems (1991); Ashes: Poems New and Old (1979), which received the National Book Critics Circle Award and the first American Book Award for Poetry; 7 Years From Somewhere (1979), which won the National Book Critics Circle Award; and The Names of the Lost (1975), which won the Lenore Marshall Poetry Prize. He has received the Ruth Lilly Poetry Prize, the Harriet Monroe Memorial Prize from Poetry, the Frank O'Hara Prize, and two Guggenheim Foundation fellowships. Philip Levine lives in New York City and Fresno, California, and teaches at New York University.

    So when she gets a call from her unpredictable Aunt Rose and her wife, Mel, with a proposition to use her building and design skills in their sleepy little town of Carrick, South Carolina, she can’t say no—maybe she should have. Claire Ramsey loves her life. After being away for years, she followed her heart and returned to her hometown, even though nothing ever happens in Carrick. That is until she meets Rose’s reticent niece. Their meeting is that of legends, or court jesters. No matter. Claire is quickly smitten with the younger Quinlan. There’s no getting around it. One way or another, Claire is determined to be part of the craziness with the ladies on Carrick Road.

    It's part nostalgia, part confusion, and part an ongoing wondering: How do any of us achieve adulthood? And why would we want to, if we had the choice? This collection is woven from and interrupted by extraordinary sequences, including Stephanie poems about Stephen's female self; poems on particular years of the poet's early life, each with its own memories, desires, insecurities, and pop songs; and versions of poems by the Greek poet Callimachus, whose present-day incarnation worries (who doesn't?) about mortality, the favor of the gods, and the career of Taylor Swift. The collection also includes poems on politics, location, and parenthood. Taken all together, this is Stephen Burt's most personal and most accomplished collection, an essential work that asks who we are, how we become ourselves, and why we make art.