Convincing her well-intentioned but misinformed coworkers that she’s as capable as ever is her biggest challenge…until Connor shows up on her door. Can they heal old wounds and give their fledgling marriage a fresh start?Meanwhile, tragedy strikes young Zoe, and Emily has a life-changing choice to make.Follow along as Garth and Emily step out, together, to meet every challenge.

    This is a collection of updated versions of my first three books in A Billionaire in Disguise series! Now you can get:Forbidden Disclosure, Book 1A Perfect Plan, Book 2The Wrong Side of Midnight, Book 3All three for a lower price!Want a friend or relative to enjoy A Billionaire in Disguise? This is a faster, more cost-effective way to share or to give as a gift!

    No M/M.PLEASE NOTE: This romance was previously released as Deliciously British. This edition has been completely revised and shortened.

    

    Mega Harems. Mega Villains. Warning: This is probably too awesome for you to handle. Seriously. I was a nobody on Earth. But in the Ultraverse, I’m a god. Smoking hot women throw themselves at me. Panties melt. I’ve got the body of an underwear model, and I’m hung like a, well… you can figure it out. There’s just one problem. Okay, maybe a few problems. Sinister supers threaten the galaxy, and it’s up to me to stop them. Their power is devastating. Their tactics are ruthless. They are hellbent on demolishing any super that stands in their way. If I’m going to stand a chance, I’ll need to step up my game. But I can’t do it alone. I’ll need the help of a few good women. My power stems from my harem, and it’s gonna have to get a whole lot bigger! The galaxy depends on it. Reader Note: If you like superheroes, space opera, steamy ladies, spicy times, polyamory, and non-stop action, this is the book for you! If that kind of thing scares you, put your tablet down and run! Read Super Mega today!

    Robert K. Jensen, international man of mystery. The letter was just as mysterious. It came with warnings and non-disclosures and descriptions of dire consequences if I didn’t follow his directions to the letter. Accompanying the letter was a large shipping crate. And inside the crate was a portal to Wonderland. I had no idea that afternoon that my life was about to change so radically. It had changed completely less than a year earlier when it seemed like everything that I had loved was taken away form me. But in this box was something that was a whole new life. Inside the box was Sarah: a non-organic artificially intelligent companion, designed and built by Robby. I didn’t know what it all meant, but Sarah knew exactly what to do. That was Wednesday afternoon. By Thursday, my whole life was different. It was as perfect as Sarah herself. And as she led me down the rabbit hole, I saw and did things that I could have never imagined. Sarah wasn’t the only surprise. No, Sarah was my adventure guide. A decidedly sexy robotic adventure guide, to be sure, and she wasn’t the only beauty on this adventure. There were days I laughed so hard that I nearly passed out; and other days that I loved so much that I actually did. Robby is a man of mystery, but he sure knows how to give a nice gift when we wants to make your life something you can’t imagine. Apparently, I’m supposed to rescue these damsels in distress from a volcano god, or something like that.

    But following his father’s death he takes a group holiday to Thailand where he meets a travel agent—the shyly compelling Valérie—who begins to bring this half-dead man to life with sex of escalating intensity and audacity. Arcing with dreamlike swiftness from Paris to Pattaya Beach and from sex clubs to a terrorist massacre, Platform is a brilliant, apocalyptic masterpiece by a man who is widely regarded as one of the world’s most original and daring writers.

    Deeply personal and moving, Callgirl challenges the commonly-held notions of the world's oldest profession as a pernicious industry peopled by amoral sex addicts.

    Driven to compartmentalize his life, the doctor attempts to order and contain his lovers as he does his collection of rare netsuke, the precious miniature sculptures gifted to him by his wife. This riveting exploration of one psychoanalyst’s abuse of power unearths the startling introspection present within even the darkest heart.

    And of her Friends, male and female, and her acquaintances as well. But Merritt's favourite motif is herself: she poses almost every minute of the day for her camera, taking photographs of herself in bed, in the shower, having sex with her friend, masturbating with and without accessories, from every imaginable angle and with the camera usually at arm's length. Merritt, born 1977, works with a digital camera, the Polaroid of the 90s, breaking down the most intimate details into universally accessible bits of information. Eric Kroll came across Natacha Merritt by chance in the internet, where she had put several of her photographs. This was something that left the tradition of classical pin-up and fetish photography, in which Kroll himself works, far behind. Face to face with Merritt's photographs one can reflect on intimacy and publicity in the digital age, on narcissism even, or on radical self-exploration with the help of the camera. But this all sounds better as Natacha Merritt herself puts it: in her view, she has found a new mode of masturbating her way into the next millennium.

    The city is beginning to emerge from hibernation and an obscure spirit of social and political renewal is in the air. Yet Théo, his twin sister Isabelle and Matthew, an American student they have befriended, think only of immersing themselves in another, addictive form of hibernation: moviegoing at the Cinémathèque Française. Night after night, they take their place beside their fellow cinephiles in the very front row of the stalls and feast insatiably off the images that flicker across the vast white screen.Denied their nightly 'fix' when the French government suddenly orders the Cinémathèque's closure, Théo, Isabelle and Matthew gradually withdraw into a hermetically sealed world of their own creation, an airless universe of obsessive private games, ordeals, humiliations and sexual jousting which finds them shedding their clothes and their inhibitions with equal abandon. A vertiginous free fall interrupted only, and tragically, when the real world outside their shuttered apartment succeeds at last in encroaching on their delirium.The study of a triangular relationship whose perverse eroticism contrives nevertheless to conserve its own bruised purity, brilliant in its narrative invention and startling in ints imagery, The Dreamers (now a film by Bernardo Bertolucci) belongs to the romantic French tradition of Les Enfants Terribles and Le Grand Meaulnes and resembles no other work in recent British fiction.

    The perfect panel of insiders—from the editor who first "discovered" Fifty Shades of Grey, to BDSM experts, to erotic fiction authors, romance authors, and a whole lot more—takes you deeper into the trilogy that has captured the imaginations of so many.From the books' sexual politics and its fanfiction origins to what sets it apart from other erotic fiction and romance (and what doesn’t), everything you ever wanted to know about Fifty Shades of Grey is right here.Whether you loved Fifty Shades of Grey, or just want to know why everyone else does, Fifty Writers on Fifty Shades of Grey is the book for you!Contributors:Heather GrahamSylvia DayAndrew ShafferM.J. RoseSinnamon LoveJudith ReganStacy AgdernLaura AntoniouJennifer ArmintroutTish BeatyMala BhattacharjeeRachel Kramer BusselM. ChristianSuzan ColónJoy DanielsSherri DonovanAngela EdwardsMelissa FebosLucy FelthouseRyan FieldSelina FireMegan FramptonSarah FrantzLouise FuryLois GreshCatherine HillerMarci HirschDr. Hilda HutchersonDebra HydeAnne JamisonD.L. KingDr. Logan LevkoffArielle LorenSassafras LowryRachel KenleyPamela MadsenChrisMarks and Lia LetoMidoriMaster RDr. Katherine RamslandTiffany ReiszKatharine SandsJennifer SanzoRakesh SatyalMarc ShapiroLyss SternCecilia TanHope TarrSusan WrightEditor X

    She is also facing the end of her most intense love affair, with Fred Peloux--known as Chéri--a playboy half her age. But neither lover understands how deeply they are attached, or how much life they will give up by parting ways.

    Includes many poems used in Arseny's son's films (Andrei Tarkovsky). With a bibliography of both Arseny and Andrei Tarkovsky, and illustrations from Tarkovsky's movies.FROM THE INTRODUCTION:Arseny Aleksandrovich Tarkovsky was was born in June 1907 in Elizavetgrad, later named Kirovograd. He studied at the Academy of Literature in Moscow from 1925 to 1929, and also worked in the editorial office of the journal Gudok. He was well respected as a translator, especially of the Oriental classics, but was little known as a poet for most of his life, being unable to get any of his own work published during the Stalinist era. His poems did not begin to appear in book form until he was over fifty. His son, the film director Andrei Tarkovsky, made extensive use of his father's in some of his films, and certain of his diary entries indicate the esteem in which the poet was held in the Soviet Union towards the end of his life. An entry written after Andrei had given a talk at the Moscow Physical Institute in 1980, for instance, reproduces the following note from a member of the audience: 'An enormous number of people in this hall admire Arseny Aleksandrovich Tarkovsky as a great Russian poet. Please convey our respects to him.' One of the few recorded public appearances of Arseny Tarkovsky was at the funeral of Anna Akhmatova; he was one of three writers deputed to accompany her coffin from Domodedovo to Leningrad, and he read both at her funeral in Komarovo and at the first evening held in her memory in Moscow. He died in 1989 and is now beginning to be recognised as one of the many significant Russian poets of the twentieth century.From Ignatyevo Forest'The last leaves' embers in total immolationRise into the sky; this whole forestSeethes with irritation, just as we didThat last year we lived together.

    In poetic, nuanced prose she charts how unchecked risk-taking eventually gave way to a course of self-destruction. But as she recounts crossing over the very boundaries that she set for her own safety, she never plays the victim. In fact, the glory of this memoir is Melissa’s ability to illuminate the strange and powerful truths that she learned as she found her way out of a hell of her own making. Rest assured; the reader will emerge from the journey more or less unscathed.