In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times.In his introduction, Saunders writes, “We’re going to enter seven fastidiously constructed scale models of the world, made for a specific purpose that our time maybe doesn’t fully endorse but that these writers accepted implicitly as the aim of art—namely, to ask the big questions, questions like, How are we supposed to be living down here? What were we put here to accomplish? What should we value? What is truth, anyway, and how might we recognize it?” He approaches the stories technically yet accessibly, and through them explains how narrative functions; why we stay immersed in a story and why we resist it; and the bedrock virtues a writer must foster. The process of writing, Saunders reminds us, is a technical craft, but also a way of training oneself to see the world with new openness and curiosity.A Swim in a Pond in the Rain is a deep exploration not just of how great writing works but of how the mind itself works while reading, and of how the reading and writing of stories make genuine connection possible.

    

    So Karuna returns the favour. Eventually, Karuna can’t ignore the reality: she is pregnant. Incensed, her mother, already over-protective, confines her to their fourteenth-storey housing-commission flat for one hundred days, to protect her from the outside world – and make sure she can’t get into any more trouble. Stuck inside for endless hours, Karuna battles her mother and herself for a sense of power in her own life, as a new life forms and grows within her. One Hundred Days is a fractured fairytale exploring the fault lines between love and control. At times tense and claustrophobic, it also brims with humour, warmth and character. It is a magnificent new work from one of Australia’s most celebrated writers.

    In this fresh and relatable work, atheist chaplain Vanessa Zoltan blends memoir and personal growth as she grapples with the notions of family legacy and identity through the lens of her favorite novel, Jane Eyre. Informed by the reading practices of medieval monks and rabbinic scholars from her training at the Harvard Divinity School and filtered through the pages of Jane Eyre as well as Little Women, Harry Potter, and The Great Gatsby, Zoltan explores topics ranging from the trauma she has inherited as the granddaughter of four Holocaust survivors to finding hope, meaning, and even magic in our deeply fractured times. Brimming with a lifelong love of classic literature and the tenderness of self-reflection, the book also reveals simple techniques for reading any work as a sacred text--from Virginia Woolf to Anne of Green Gables to baseball scorecards.Whether you're an avowed Eyrehead or simply a curious reader looking for a richer connection with the written word, this deeply felt and inspiring book will light the way to a more intimate appreciation for whatever books you love to read.

    And Jodie Brook is the single mum you see crossing the street with her son Zak - always chasing a dream she can't reach.ONE LIFEWhat if life could be so much more? When Simon and Jodie's worlds collide, it upends everything they know. But in chaos comes opportunity. And for every person who's ever doubted them, they find someone who'll finally believe...ONE ORDINARY DAY AT A TIMEFrom the award-winning author, Sarah J. Harris, comes a warm, uplifting story about ordinary people, extraordinary tomorrows, and all the ways that life can surprise us...

    Fred Daniels, a black man, is picked up randomly by the police after a brutal murder in a Chicago neighborhood and taken to the local precinct where he is tortured until he confesses to a crime he didn't commit. After signing a confession, he escapes--or is permitted to escape--from the precinct and takes up residence in the sewers below the streets of Chicago.This is the simple, horrible premise of Richard Wright's scorching novel, The Man Who Lived Underground, a masterpiece written in the same period as his landmark books Native Son (1940) and Black Boy (1945) that he was unable to publish in his lifetime. Only small parts of it have appeared in print, and in a significantly redacted form it would eventually be included in the short story collection Eight Men (1961). Now, for the first time, this incendiary novel about race and violence in America, the work that meant more to Wright than any other ("I have never written anything in my life that stemmed more from sheer inspiration"), is published in full, in the form that he intended.

    Squirting across the sunburned landscape of Southern California, Body High is a journey marked by misplaced lust, mistaken fathers, lost semen, and the kidnapping of a sperm bank daughter, whose untainted kidneys may hold the key to redemption or, perhaps, the realization of its impossibility.

    Michael Straczynski. Mark Antonelli, a failed young writer looking down the barrel at thirty, is planning a cross-country road trip. He buys a beat-up old tour bus. He hires a young army vet to drive it. He puts out an ad for others to join him along the way. But this will be a road trip like no other: His passengers are all fellow disheartened souls who have decided that this will be their final journey—upon arrival in San Francisco, they will find a cliff with an amazing view of the ocean at sunset, hit the gas, and drive out of this world. The unlikely companions include a young woman with a chronic pain sensory disorder and another who was relentlessly bullied at school for her size; a bipolar, party-loving neo-hippie; a gentle coder with a literal hole in his heart and blue skin; and a poet dreaming of a better world beyond this one. We get to know them through access to their texts, emails, voicemails, and the daily journal entries they write as the price of admission for this trip. By turns tragic, funny, quirky, charming, and deeply moving, Together We Will Go explores the decisions that brings these characters together, and the relationships that grow between them, with some discovering love and affection for the first time. But as they cross state lines and complications to the initial plan arise, it becomes clear that this is a novel as much about the will to live as the choice to end it. The final, unforgettable moments as they hurtle toward the decisions awaiting them will be remembered for a lifetime.

    THE SINNER AND THE SAINT is the deeply researched and immersive tale of how Dostoevsky came to write this great murder story--and why it changed the world. As a young man, Dostoevsky was a celebrated writer, but his involvement with the radical politics of his day condemned him to a long Siberian exile. There, he spent years studying the criminals that were his companions. Upon his return to St. Petersburg in the 1860s, he fought his way through gambling addiction, debilitating debt, epilepsy, the deaths of those closest to him, and literary banishment to craft an enduring classic.The germ of CRIME AND PUNISHMENT came from the sensational story of Pierre Fran�ois Lacenaire, a notorious murderer who charmed and outraged Paris in the 1830s. Lacenaire was a glamorous egoist who embodied the instincts that lie beneath nihilism, a western-influenced philosophy inspiring a new generation of Russian revolutionaries. Dostoevsky began creating a Russian incarnation of Lacenaire, a character who could demonstrate the errors of radical politics and ideas. His name would be Raskolnikov.Lacenaire shaped Raskolnikov in profound ways, but the deeper insight, as Birmingham shows, is that Raskolnikov began to merge with Dostoevsky. Dostoevsky was determined to tell a murder story from the murderer's perspective, but his character couldn't be a monster. No. The murderer would be chilling because he wants so desperately to be good.The writing consumed Dostoevsky. As his debts and the predatory terms of his contract caught up with him, he hired a stenographer to dictate the final chapters in time. Anna Grigorievna became Dostoevsky's first reader and chief critic and changed the way he wrote forever. By the time Dostoevsky finished his great novel, he had fallen in love.Dostoevsky's great subject was self-consciousness. CRIME AND PUNISHMENT advanced a revolution in artistic thinking and began the greatest phase of Dostoevsky's career. THE SINNER AND THE SAINT now gives us the thrilling and definitive story of that triumph.

    Convincing her well-intentioned but misinformed coworkers that she’s as capable as ever is her biggest challenge…until Connor shows up on her door. Can they heal old wounds and give their fledgling marriage a fresh start?Meanwhile, tragedy strikes young Zoe, and Emily has a life-changing choice to make.Follow along as Garth and Emily step out, together, to meet every challenge.

    Tolkien's The Lord of the Rings? His bright blue coat and yellow boots seem out-of-place with the grandeur of the rest of the narrative. In this book, C.R. Wiley shows that Tom is not an afterthought but Tolkien's way of making a profoundly important point. Tolkien once wrote, "[Tom Bombadil] represents something that I feel important, though I would not be prepared to analyze the feeling precisely. I would not, however, have left him in, if he did not have some kind of function." Tom Bombadil and his wife Goldberry are a small glimpse of the perfect beauty, harmony, and happy ending that we all yearn for in our hearts. To understand Tom Bombadil is to understand more of Tolkien and his deeply Christian vision of the world."

    His only friends are his neighbour,Åsleik, a traditional fisherman-farmer, and Beyer, a gallerist who lives in the city. There, in Bjørgvin, lives another Asle,also a painter but lonely and consumed by alcohol. Asle and Asle are doppelgängers – two versions of the same person, twoversions of the same life, both grappling with existential questions.In this final instalment of Jon Fosse’s Septology, the major prose work by ‘the Beckett of the twenty-first century’ (LeMonde), Christmas is approaching. Tradition has it that Åsleik and Asle eat lutefisk together, but this year Asle has agreedfor the first time to celebrate Christmas with Åsleik and his sister, Guro. On Christmas Eve, Åsleik, Asle, and the dog Bragitake Åsleik’s boat out on the Sygnefjord. Meanwhile, we follow the lives of the two Asles as younger adults in flashbacks:the narrator meets his lifelong love, Ales; joins the Catholic Church; starts exhibiting with Beyer; and can make a living bytrying to paint away all the pictures stuck in his mind. After a while, Asle and Ales leave the city and move to the house inDylgja. The other Asle gets married too, but his wedding ends with a sobbing bride and is followed soon after by a painfulbreakup.Written in melodious and hypnotic ‘slow prose’, A New Name: Septology VI-VII is a transcendent exploration of thehuman condition by Jon Fosse, and a radically other reading experience – incantatory, hypnotic, and utterly unique.

    With his heart turned black, he rekindles the savagery of his race. In sacking Nantes, his bravery and luck earn him a place in the skalds' songs. Word of his deeds reaches his kin in the North, and more and more sea captains sail to Francia to join him, hoping his luck might help theirs.Thor of Dublin, Hasting's old rival, will seek him out and ask him to join his new alliance of sea kings. Together, they will launch the most ambitious raids their people have ever attempted. They will sail south to the land of the Moors to test their alliance's strength and, if successful, turn their sights to an even more daring prize: Paris.The Norns make nothing easy. A secret affair will risk unraveling the alliance and bring the sea kings to the brink of civil war.

    He's called it Binge because it's impossible to read just one. Imagine feeling 100% alive every moment of every minute of the day! Maybe that's how animals live. Or trees, even. I sometimes stare at the plastic bag tree visible from my apartment window and marvel that both it and I are equally alive and that there's no sliding scale of life. You're either alive, or you're not. Or you're dead or you're not.Thirty years after Douglas Coupland broke the fiction mould and defined a generation with Generation X, he is back with Binge, 60 stories laced with his observational profundity about the way we live and his existential worry about how we should be living: the very things that have made him such an influential and bestselling writer. Not to mention that he can also be really funny.Here the narrators vary from story to story as Doug catches what he calls the voice of the people, inspired by the way we write about ourselves and our experiences in online forums. The characters, of course, are Doug's own: crackpots, cranks and sweetie-pies, dad dancers and perpetrators of carbecues. People in the grip of unconscionable urges; lonely people; dying people; silly people. If you love Doug's fiction, this collection is like rain on the desert.

    Psychopathy is boring. Coldness is boring. She's interested in feeling, and when her stories turn violent (as they frequently do), it's with a surreal emotional barbarity that distorts the entire world. You can mop up blood with any fabric. Maggie's concern is with the wound left behind, because the wound never leaves-it haunts. As a result, each of these stories leaves a wound of its own. Some weep, watching as you try (and fail) to recover. Others laugh. But never without feeling."-B.R. Yeager, author of Negative Space"And once finished, I felt like my tongue had been misplaced, guts heavy and expanded ... gums numb with a tongue that'd been put elsewhere, my mouth clean around a pipe weaving up through pitch and shadow ... and well past ready, primed for delight, waiting but knowing I had already been filled to skin; crying shit, hearing piss, fingernails seeping bile, pores dribbling blood, soles slopping off and out to meet a drain mid-floor ..."-Christopher Norris, author of Hunchback '88

    It’s 2019: Charlie’s tightly contained Wellington life with her grandson Tommy is interrupted by the unexpected intrusions of Tommy’s first girlfriend, Jenna, and the father he has never known, Jim. The year turns, and everything changes again.Loop Tracks is a major New Zealand novel, written in real time against the progress of the Covid-19 pandemic and the New Zealand General Election and euthanasia referendum.‘Loop Tracks is an urgent and unexpected novel about freedom and responsibility – about a woman forced to wear her solitary and unsupported choice as a puzzling mistake, and about the very present past that she must face to help her family and herself.’ —Elizabeth Knox‘This fictional inter-generational story will speak to a wide readership about the choices that are important for our future.’ —Dame Margaret Sparrow

    Harshwardhana, the leader, believes they will win…Until he falls upon a sinister secret of the dark forces.Centuries later… Prithvi Sen is a regular college-going boy. His growth from childhood to adulthood has been plagued by an uncanny disease. Although medicines have it under control, Prithvi feels that the illness hasn’t revealed its truest nature yet. During his existential crisis, a drastic series of events occur and bring the most unexpected twist into his life. Could there be a link between Prithvi and the Dharmayodhas?

    A new collection showcasing the best of Ernest Hemingway’s short stories including his well-known classics, as featured in 'Hemingway', the magnificent three-part, six-hour PBS documentary by Ken Burns and Lynn Novick.

    Raised by relatives, they become fiercely devoted to one another until tragic circumstances intervene. They are separated, Talia disappearing into a life of drugs and petty crime, Rachel fleeing to New Orleans. Years later, Rachel is living in New Orleans and married to the CEO of the Southeast’s largest provider of long-term healthcare. She lives what appears to be a perfect life, yet she struggles with anxiety, prescription drug abuse, and grief.One night, Rachel receives a phone call. The information she is given sets in motion a series of events that will unravel her life, force her to examine past decisions, and take her on a psychologically arduous journey to save her sister. Ultimately she is faced with the an almost impossible choice.Set against the backdrop of Hurricane Katrina, The Weight of Water tells the story of two sisters, their love for one another, and their struggle to survive and overcome the consequences of one of the greatest disasters in human history.WHAT ARE READERS SAYING ABOUT THE WEIGHT OF WATER?

    The result is an indelible portrait of an American master and of the postwar literary scene.Bailey shows how Roth emerged from a lower-middle-class Jewish milieu to achieve the heights of literary fame, how his career was nearly derailed by his catastrophic first marriage, and how he championed the work of dissident novelists behind the Iron Curtain. Bailey examines Roth’s rivalrous friendships with Saul Bellow, John Updike, and William Styron, and reveals the truths of his florid love life, culminating in his almost-twenty-year relationship with actress Claire Bloom, who pilloried Roth in her 1996 memoir, Leaving a Doll's House. Tracing Roth’s path from realism to farce to metafiction to the tragic masterpieces of the American Trilogy, Bailey explores Roth’s engagement with nearly every aspect of postwar American culture.

    It concerns a nation divided against itself, a government trembling on the verge of collapse, a city fearful of what is to come, and a people bitterly suspicious of one another. In other words, it is also a novel about now.Vicky Tress is a young policewoman on the rise who becomes involved in a corruption imbroglio with CID. Hannah Strode is an ambitious young reporter with a speciality for skewering the rich and powerful. Callum Conlan is a struggling Irish academic and writer who falls in with the wrong people. While Freddie Selves is a hugely successful theatre impresario stuck deep in a personal and political mire of his own making. These four characters, strangers at the start, happen to meet and affect the course of each other's lives profoundly.The story plots an unpredictable path through a city choked by strikes and cowed by bomb warnings. It reverberates to the sound of alarm and protest, of police sirens, punk rock, street demos, of breaking glass and breaking hearts in dusty pubs. As the clock ticks down towards a general election old alliances totter and the new broom of capitalist enterprise threatens to sweep all before it. It is funny and dark, violent but also moving.

    Now, in his latest collection of nonfiction, he brings together insightful and inspiring essays, criticism, and speeches that focus on his relationship with the written word and solidify his place as one of the most original thinkers of our time.Gathering pieces written between 2003 and 2020, Languages of Truth chronicles Rushdie's intellectual engagement with a period of momentous cultural shifts. Immersing the reader in a wide variety of subjects, he delves into the nature of storytelling as a human need, and what emerges is, in myriad ways, a love letter to literature itself. Rushdie explores what the work of authors from Shakespeare and Cervantes to Samuel Beckett, Eudora Welty, and Toni Morrison mean to him, whether on the page or in person. He delves deep into the nature of "truth," revels in the vibrant malleability of language and the creative lines that can join art and life, and looks anew at migration, multiculturalism, and censorship.Enlivened on every page by Rushdie's signature wit and dazzling voice, Languages of Truth offers the author's most piercingly analytical views yet on the evolution of literature and culture even as he takes us on an exhilarating tour of his own exuberant and fearless imagination.

    McCulloch covering a wide range of topics such as love, romance, relationships, religion, prayers, the meaning of life, death and our relationship with God. Some have been written in a manner that will provoke your innermost emotions, while others dig into the amusing side of life. All have been composed under the auspices of the Muse.

    

    When Benzion Netanyahu shows up for an interview, family unexpectedly in tow, Blum plays the reluctant host, to guests who proceed to lay waste to his American complacencies. Mixing fiction with non-fiction, the campus novel with the lecture, THE NETANYAHUS is a wildly inventive, genre-bending comedy of blending, identity, and politics - 'An Account of A Minor and Ultimately Even Negligible Incident in the History of a Very Famous Family' that finds Joshua Cohen at the height of his powers.

    Once a famous sniper, Abel finds himself a survivor of the Spanish Armada shipwrecks in 16th C Ireland. Following his capture by a brutal sheriff, Abel flees torture and death with a priceless emerald ring. Dozens of English troopers hunt the Spaniard across the Irish wilds, beating every last bush in a desperate attempt to find him.Muireann is a revered Irish poetess enjoying the hospitality of a neighbouring tribe. Tragedy strikes when the sheriff’s men kill her husband during a violent night raid, with her life barely saved by the fugitive Abel. Newly widowed and shocked by her loss, Muireann must somehow reach the distant lands of her tribe, where she can be reunited with her only son.Both runaways form an unlikely bond as they flee across a strange and stunning land, pushed to the edge of their wits and endurance. Yet unknown to Muireann, the ring Abel carries bears far-reaching consequences beyond Irish shores. Can the unlikely, desperate pair escape a ruthless sheriff who will never give up the chase?Accolades for 'The Sheriff's Catch'Winner in the 'Best Novel' category - The Royal Dragonfly Book Awards, 2019Winner in the 'Best Historical Fiction' category - The Royal Dragonfly Book Awards, 2019Winner in the 'Best Cover Design' category - The Royal Dragonfly Book Awards, 2019Finalist in the 'Book Trailer' category - The Royal Dragonfly Book Awards 2019Finalist - The Wishing Shelf Independent Book Awards, 2019Finalist - The Eric Hoffer Awards, 2019Finalist in the 'Outstanding Historical' category - The Independent Author Network Book of the Year Awards, 2019Winner in the 'Best Cover Design' category - The e-book Cover Design Awards, November 2018Nominee in the 'Best Trailer for a Book or Novel' category - Golden Trailer Awards, 2018

    A VINTAGE ORIGINAL.In 2014, a novelist named Li leaves Manhattan to visit his parents in Taipei for ten weeks. He doesn't know it yet, but his life will begin to deepen and complexify on this trip. As he flies between these two worlds—year by year, over four years—he will flit in and out of optimism, despair, loneliness, sanity, bouts of chronic pain, and drafts of a new book. He will incite and temper arguments, uncover secrets about nature and history, and try to understand how to live a meaningful life as an artist and a son. But how to fit these pieces of his life together? Where to begin? Or should he leave society altogether?In his most recent work, Tao Lin delivers an engrossing and hopeful novel about life, fiction, and where the two blur together that builds toward a stunning, if unexpected, romance. Exploring everyday events and scenes—waiting rooms, dog walks, family meals—while investigatively venturing to the edges of society, where culture dissolves into mystery, Lin spins the ordinary into something monumental, and shows what it is to write a novel in real time. Illuminating and deeply felt, Leave Society is a masterly story about life and art at the end of history.

    As the investigation tries to unlock the secrets tangled in his troubled mind, the Trouts must confront the disturbing reality of Tyler's mental illness. Is he once again a criminal, or will he become a hero?In this thrilling follow up to award-winning Boy on Hold, ten years have passed since the horrific murder of Sally Hubbard. Tyler is released from psychiatric rehab, and Hen, now seventeen, will soon inherit the wealthy Hubbard estate. But just as the Trouts look toward a brighter future, tragedy knocks on their door...

    Frankenstein. The Scarlet Letter. You’re familiar with these pillars of classic literature. You have seen plenty of Frankenstein costumes, watched the film adaptations, and may even be able to rattle off a few quotes, but do you really know how to read these books? Do you know anything about the authors who wrote them, and what the authors were trying to teach readers through their stories? Do you know how to read them as a Christian? Taking into account your old worldview, as well as that of the author?   In this beautiful cloth-over-board edition bestselling author, literature professor, and avid reader Karen Swallow Prior will guide you through Frankenstein. She will not only navigate you through the pitfalls that trap readers today, but show you how to read it in light of the gospel, and to the glory of God.   This edition includes a thorough introduction to the author, context, and overview of the work (without any spoilers for first-time readers), the full original text, as well as footnotes and reflection questions throughout to help the reader attain a fuller grasp of Frankenstein.   The full series currently includes: Heart of Darkness, Sense and Sensibility, Jane Eyre, and Frankenstein. Make sure to keep an eye out for the next classics in the series.

    You’re supposed to have faith.Not a lot is going right for Taran Sharma. First, he stole his annoying brother’s necklace and ran off into the night. Then, his family got taken hostage by spindly creatures of the dead. And to top it all, he’s just been charged with a mission by Lord Ganesha himself! Now, in order to rescue his family from the hands of the preta, he has to undertake a journey more fantastical than he can begin to comprehend.As Taran embarks on an epic voyage that may lead to disastrous consequence, he realizes that having faith, especially in himself, might be harder than he was led to believe.Dive into this riveting adventure to the Veiled Lands, replete with evil Naga armies, mythical creatures and a supervillain who will stop at nothing to reach the elusive Gateway of Moksha.

    But his blog following has never been better.Dodging flying cars and jam sessions with ragtag rockers keep him in shape. By the time they get a new condo he's almost forgotten the concrete jungle.One day, while tinkering with the television, a portal appears on the screen. Stepping inside, Kaneda and his two bandmates discover trees as far as the eye can see. Soon enough they're lost. And a lot more bored than they'd planned. That is, until they begin to hear the whispers.Before long they bump into post-technological humans in thrall to arboreal Sirens. Staying means freedom from his checkered past. But, unwilling to sell his soul to tree-huggers, Kaneda ventures deep into the forest in search of the fabled technology to trigger a homeward portal.

    Sentenced to death as a young revolutionary, he survived mock execution and Siberian exile to live through a time of seismic change in Russia, eventually being accepted into the Tsar's inner circle. He had three great love affairs, each overshadowed by debilitating epilepsy and addiction to gambling. Somehow, amidst all this, he found time to write short stories, journalism and novels such as Crime and Punishment, The Idiot and The Brothers Karamazov, works now recognised as among the finest ever written.In Dostoevsky in Love Alex Christofi weaves carefully chosen excerpts of the author's work with the historical context to form an illuminating and often surprising whole. The result is a novelistic life that immerses the reader in a grand vista of Dostoevsky's world: from the Siberian prison camp to the gambling halls of Europe; from the dank prison cells of the Tsar's fortress to the refined salons of St Petersburg. Along the way, Christofi relates the stories of the three women whose lives were so deeply intertwined with Dostoevsky's: the consumptive widow Maria; the impetuous Polina who had visions of assassinating the Tsar; and the faithful stenographer Anna, who did so much to secure his literary legacy.Reading between the lines of his fiction, Christofi reconstructs the memoir Dostoevsky might have written had life - and literary stardom - not intervened. He gives us a new portrait of the artist as never before seen: a shy but devoted lover, an empathetic friend of the people, a loyal brother and friend, and a writer able to penetrate to the very depths of the human soul.

    When she succumbs to dementia, the pressures on Stella's world intensify, culminating in tragedy. As Stella recovers from a near fatal accident, she feels compelled to share her trauma but she finds talking difficult. In her head she confides in Connie because there's no human being in the world that she feels closer to.Connie is an expat living in Dubai with her partner, Mark, and their two children. On the face of it she wants for nothing and yet ... something about life in this glittering city does not sit well with her. Used to working full time in a career she loves back in England, she struggles to find meaning in the expat life of play-dates and pedicures.Two women set on a collision course. When they finally link up, it will not be in a way that you, or I, or anyone would ever have expected.

    A woman's adopted mother dies, reawakening childhood memories and grief. A couple's decision to move to an isolated location may just be their undoing. A young woman forms an unexpected connection at a summer school in Hungary.Set in southern Tasmania, these interlinked stories bring into focus the inhabitants of small communities, and capture the moments when life turns and one person becomes another. With insight and empathy, Melissa Manning interrogates how the people we meet and the places we live shape the person we become.

    Many have survived because of an author’s status—part of the reason we have so much of Chaucer’s writing, for example, is because he was a London-based government official first and a poet second. Other works by the less influential have narrowly avoided ruin, like the book of illiterate Margery Kempe, found in a country house closet, the cover nibbled on by mice. Scholar Mary Wellesley recounts the amazing origins of these remarkable manuscripts, surfacing the important roles played by women and ordinary people—the grinders, binders, and scribes—in their creation and survival.  The Gilded Page is the story of the written word in the manuscript age. Rich and surprising, The Gilded Page shows how the most exquisite objects ever made by human hands came from unexpected places.

    His life passed without recognition and he worked without reward, mocked, dismissed and misinterpreted. Yet from his ignoble end in a pauper's grave, Blake now occupies a unique position as an artist who unites and attracts people from all corners of society, and a rare inclusive symbol of English identity.Blake famously experienced visions, and it is these that shaped his attitude to politics, sex, religion, society and art. Thanks to the work of neuroscientists and psychologists, we are now in a better position to understand what was happening inside that remarkable mind, and gain a deeper appreciation of his brilliance. His timeless work, we will find, has never been more relevant.In William Blake vs the World we return to a world of riots, revolutions and radicals, discuss movements from the Levellers of the sixteenth century to the psychedelic counterculture of the 1960s, and explore the latest discoveries in neurobiology, quantum physics and comparative religion. Taking the reader on wild detours into unfamiliar territory, John Higgs places the bewildering eccentricities of a most singular artist into context. And although the journey begins with us trying to understand him, we will ultimately discover that it is Blake who helps us to understand ourselves.

    That’s where Dire’s Club steps in, a specialty travel agency that takes a small group of dying people on one final adventure—so they can be free of guilt, be more than a diagnosis, and find a way to confront life…and death. Life Coach Charlotte Claybrooke built a successful second career guiding people out of grief, but the impending tenth anniversary of her own heart-wrenching tragedy sets her on a journey to find life among the dying. Staring death in the face was Jimmy Dire’s business. He met it with a warm hug, a kind word, and a smile. Dire’s Club gave the terminally ill one final, bucket-list adventure before passing on, but dying was expensive. The bills, like Jimmy’s lies, were piling up. It’s only a matter of time before he’s forced to face a different type of death. A rock god, a telenovela star, a grandmother living her life-long dream, and a young tech genius round out this group of strangers facing death together. But when tragedy strikes, their bond is shattered. Lies and fraud surface, forcing the dying to come together to save someone’s life. Everybody dies. The lucky ones have fun doing it.

    The acclaimed translator Katherine Silver has greatly revised her original translation, enlivening afresh this remarkable work.

    Search for "Lauren Groff reads The Wind"

    And the writers we revere—from Homer, Shakespeare, Austen, and others—each made a unique technical breakthrough that can be viewed as both a narrative and neuroscientific advancement. Literature’s great invention was to address problems we could not solve: not how to start a fire or build a boat, but how to live and love; how to maintain courage in the face of death; how to account for the fact that we exist at all. Wonderworks reviews the blueprints for twenty-five of the most significant developments in the history of literature. These inventions can be scientifically shown to alleviate grief, trauma, loneliness, anxiety, numbness, depression, pessimism, and ennui, while sparking creativity, courage, love, empathy, hope, joy, and positive change. They can be found throughout literature—from ancient Chinese lyrics to Shakespeare’s plays, poetry to nursery rhymes and fairy tales, and crime novels to slave narratives. A “refreshing and remarkable” (Jay Parini, author of Borges and Me: An Encounter) exploration of the new literary field of story science, Wonderworks teaches you everything you wish you learned in your English class, and “contains many instances of critical insight....What’s most interesting about this compendium is its understanding of imaginative representation as a technology” (The New York Times).

    In addition, this beautifully conceived clothbound anthology includes 35 new poems as well as original and arresting illustrations by the author.Lang’s evocative words of love, loss, and self-empowerment have inspired millions across the globe to seek their own voice through the healing power of poetry. A definite must-have collection for all lovers of poetry and prose.   The Gift of Everything will thrill and delight fans of Lang Leav as well as those yet to discover the enchanting world of one the most celebrated poets in modern history.

    Six ounces of metal, glass and plastic, fashioned into a sleek, shiny, precious object. At once, a gateway to other worlds - and a treacherous weapon in the hands of the unwary, the unwitting, the inept.The Cleverley family live a gilded life, little realising how precarious their privilege is, just one tweet away from disaster. George, the patriarch, is a stalwart of television interviewing, a 'national treasure' (his words), his wife Beverley, a celebrated novelist (although not as celebrated as she would like), and their children, Nelson, Elizabeth, Achilles, various degrees of catastrophe waiting to happen. Together they will go on a journey of discovery through the Hogarthian jungle of the modern living where past presumptions count for nothing and carefully curated reputations can be destroyed in an instant. Along the way they will learn how volatile, how outraged, how unforgiving the world can be when you step from the proscribed path. Powered by John Boyne's characteristic humour and razor-sharp observation, The Echo Chamber is a satiric helter skelter, a dizzying downward spiral of action and consequence, poised somewhere between farce, absurdity and oblivion. To err is maybe to be human, but to really foul things up you only need a phone.

    In her latest, she shares a moving account of how gardening deeply inspired Frances Hodgson Burnett, the author of the beloved children's classic The Secret Garden.   In Unearthing The Secret Garden, best-selling author Marta McDowell delves into the professional and gardening life of Frances Hodgson Burnett. Complementing her fascinating account with charming period photographs and illustrations, McDowell paints an unforgettable portrait of a great artist and reminds us why The Secret Garden continues to touch readers after more than a century. This deeply moving and gift-worthy book is a must-read for fans of The Secret Garden and anyone who loves the story behind the story.

    A self-described “emancipated girl of the sixties,” Snitkina had come of age during Russia’s first feminist movement, and Dostoyevsky—a notorious radical turned acclaimed novelist—had impressed the young woman with his enlightened and visionary fiction. Yet in person she found the writer “terribly unhappy, broken, tormented,” weakened by epilepsy, and yoked to a ruinous gambling addiction. Alarmed by his condition, Anna became his trusted first reader and confidante, then his wife, and finally his business manager—launching one of literature’s most turbulent and fascinating marriages. The Gambler Wife offers a fresh and captivating portrait of Anna Dostoyevskaya, who reversed the novelist’s freefall and cleared the way for two of the most notable careers in Russian letters—her husband’s and her own. Drawing on diaries, letters, and other little-known archival sources, Andrew Kaufman reveals how Anna warded off creditors, family members, and her greatest romantic rival, keeping the young family afloat through years of penury and exile. In a series of dramatic set pieces, we watch as she navigates the writer’s self-destructive binges in the casinos of Europe—even hazarding an audacious turn at roulette herself—until his addiction is conquered. And, finally, we watch as Anna frees her husband from predatory contracts by founding her own publishing house, making Anna the first solo female publisher in Russian history. The result is a story that challenges ideas of empowerment, sacrifice, and female agency in nineteenth-century Russia—and a welcome new appraisal of an indomitable woman whose legacy has been nearly lost to literary history.

    He earns a decent living, pays his taxes, loves his family, and stays out of trouble. But one day he snaps, and he finds himself locked up in a mental hospital. Join Howard as he sorts through his confusing life and finds his way back to the real world.

    “I was in Mexico City for three months, and yet returned to England on the same day that I left…”Through her time-travel research, physicist Dr Sofia Ustinova has attracted the interest of higher beings from a distant galaxy…Luna, a porcelain-skinned teenager, lives alone in a Danish forest where she guards an astonishing secret…Pablo, an optimistic shoeshine boy, struggles to earn a living on the sweltering streets of Mexico City…Meanwhile, Hugo Wilde, a British secret agent, embarks on a mission to kill a Russian assassin, unaware that his life is about to change in ways he could never have imagined…

    Lizard women fornicate under corroded skylines. Gore & bodypower is the present order. Identity fragmentation within forever violence. Evil bodies cannibalized in the space of hostile entities. NO TIGER is sending urgent transmissions from the infinite battlefield. It wants to communicate something to you. Standby.

    The doyenne of irrationality and freedom comes bearing juicy fruit. There’s a dreamy, desirous heart pounding and a swoony abandon beneath the waves Elizabeth Victoria Aldrich has been making since she burst into the scene like a bolt of cosmic lightning littering stardust and shrapnel everywhere she went. Glamorous, painful, fearlessly honest…when I met her she was ready to die and I believed her. Over the course of more than a year, she’s become a known quantity in underground literature, with an ineffable charm and bottomless empathy having endeared her to virtually everyone she’s met. In this, her debut novel, she marries starry-eyed feral lust with California decadence and punk poetry in a sensory carnival of bleary abstraction and bubblegum. Meet Madzi, our narrator’s dream girl, Rorschach of the feminine ideal, a hot mess dripping sex appeal and riling you up, making your life magical and sublime before leaving a trail of dirty clothes and synthetic rails into your worst nightmare. A kaleidoscope of sapphic saturnalia and fast living, stroking the barrel and pouring ropefuel over your clean sheets, Ruthless Little Things tells of callow lust and hollow predation, of addiction and personality disorders, of heartbreak and wild nights, gallery shows, incontinent ragers. It is a tender, sorehearted transmission from a self-made prison, and an earnest flight toward escape. It is manic, sanguine, surreal, sad and revealing. Its lines burn themselves into you. It wreaks havoc and it never lies to you. An ethereal emotional hangover. The era of error is here.

    Parker and Melinda are searching for themselves in the hollows of their estranged marriage. Parker, haunted by the demons of addiction, lives every moment at the edge of an undiagnosed disorder - a darkness that steals his awareness and throws him into convulsions. Melinda, on an odyssey of her own, knows Parker's struggles all too well, and as they try to help their teenage son come to terms with their lives apart, they have only their memories of a brighter life to get by.Haunting and lyrical, Johnson's powerful debut is a hymn to the lives we overlook in the quiet places around us. And how close we are to living them ourselves.Will Johnson is a musician and songwriter who has played in the bands Centro-matic, South San Gabriel, Marie/Lepanto, Overseas, New Multitudes, and Monsters of Folk. He also releases records under his own name, and makes paintings centering on the subject of baseball and its history. His work has appeared in American Short Fiction. He was born in Kennett, Missouri, and currently lives in Austin, Texas. If or When I Call is his first novel.

    G. Sebald W. G. Sebald was one of the most extraordinary and influential writers of the twentieth century. Through books including The Emigrants, Austerlitz and The Rings of Saturn, he pursued an original literary vision that combined fiction, history, autobiography and photography and addressed some of the most profound themes of contemporary literature: the burden of the Holocaust, memory, loss and exile.The first biography to explore his life and work, Speak, Silence pursues the true Sebald through the memories of those who knew him and through the work he left behind. This quest takes Carole Angier from Sebald's birth as a second-generation German at the end of the Second World War, through his rejection of the poisoned inheritance of the Third Reich, to his emigration to England, exploring the choice of isolation and exile that drove his work. It digs deep into a creative mind on the edge, finding profound empathy and paradoxical ruthlessness, saving humour, and an elusive mix of fact and fiction in his life as well as work. The result is a unique, ferociously original portrait.

    

    A shocking novel told in poetry...There lives a little girl whose name goes unsaid because it doesn't matter.And for all the things you can't know, there are three things you can.1. She is about to start middle school. Three days late.2. She has a sister, who is not late for school.3. Nothing will go to plan.Nothing going to plan is probably an understatement, because what The Girl is about to go through goes beyond typical. And when she is bruised and haunted by words and violence, only two things can help her.Poetry, and hope for a better future.Because let's face it - things can't stay the same.Ages 14 and up. Some topics may not be suitable for younger readers

    Now his Dad, whose mind isn't as sharp as it once was, is driving out for a visit. Or he was, before he got lost along the way. Now it's up to Jacob to get this right. A touching story about families, relationships, and aging parents.'

    

    In 2012, Meena Kandasamy, who grew up with poster-size pictures of Tamil Tigers and Tigresses, decides to make a documentary on the violence faced by the female fighters of the Liberation Tigers of Tamil Eelam in the aftermath of the brutal war. She meets the women who had survived the Sri Lankan camps where the orders were to rape them—women who are now refugees in distant lands, pale shadows of their blazing selves. Her documentary never gets made. But Kandasamy exhumes old hard drives to piece together their shattered lives.Kandasamy also translates and presents us the poetry of three Tamil women combatants—poetry as op-ed, poetry as resistance, poetry as a call to arms, poetry as a call to poetry.

    With smartphones offering information at the tap of a finger, reading a book is often seen as a tedious and outdated activity. Christians are not immune to this problem, as many find it hard to read books--even the Bible--consistently and attentively. Recovering the Lost Art of Reading addresses these timely issues by exploring the importance of reading generally as well as studying the Bible as literature, giving practical suggestions along the way. In this helpful guide, Leland Ryken and Glenda Faye Mathes encourage a new generation of readers to overcome the notion of reading as a duty and learn to see it as a delight.

    His illegitimate son Oscar Kendall wasn't. Living in Isaiah's inescapable shadow, Oscar has become an inveterate quitter who hides his own literary work from the world rather than suffer the pain of failure or rejection.But when Isaiah suddenly dies, Oscar inherits the old man's lakefront writing cabin in New Hampshire. There he finds his father's typewriter, a full liquor cabinet, and an unpublished manuscript of such genius that it could launch Oscar's career if he claims it as his own.But as Oscar wrestles with his own twisted inspirations, he meets the women in Isaiah's life and begins to learn the depths of his father's secrets...and the costs that come with unresolved trauma and romantic delusion.

    We keep ravens in towers, emblazon rooks on banners, find crows in the constellations, and make sure to salute solitary magpies. We also see our own behavior mirrored in this diverse family of birds, who are tricksters and thieves as well as problem-solvers and gift-givers.This beautifully designed book showcases the visual and literary life of the corvid, from Norse legends to Game of Thrones. It includes beautiful and darkly seductive photographs and paintings as well as texts and poems in which they play a starring role and information about the traits that make them so intriguing to us.

    As he is escorted to the Tower of London, Robin spins a tale for his captor, revisiting his life under three Tudor monarchs and wondering how he will be judged—not just by the queen, but by the God he stopped serving long ago.When every moment counts, will his stories last long enough for him to be saved by Mary's heir, the young Queen Elizabeth?

    No one could more strongly contrast with Coen, a big-city, liberal journalist, than the rural, Bible-thumping Alexander and his strange social and religious projects, which include constructing Mount Calvary, a monument to the Crucifixion atop a man-made mountain. Coen quickly becomes personally invested, and his trip to interview Alexander becomes a joust, pitting his nihilism against the faith of the people whom he meets as he seeks to discern the lie he is convinced hides at the heart of their righteous kingdom. At the same time, Coen begins to realize that he himself is being swept up in a struggle beyond his understanding orchestrated by forces out of his control.With prose as vivid and scenic as the majestic Wyoming landscapes it describes, Let Them Look West draws the reader into a story of discovery and intrigue which serves as a backdrop to a fundamental clash of worldviews - one secular and materialist, the other spiritual and transcendent. The tale twists and turns until its climax, which calls into question the true meaning of what has transpired.Antelope Hill is proud to present our first fictional contribution, Let Them Look West by author Marty Phillips.

    . . Studying with Miss Bishop offers the opportunity to encounter writing as an act of civility.― Wall Street Journal Fascinating snapshots of remarkable encounters which, when brought together, chart a delightfully unusual path to literary success.― Booklist Reading this memoir is like being at one of those memorable dinner parties, attended by the best and brightest, sparkling with wit and excellent conversations. You don't want it to be over, the conversations to end! But with books, you need not worry. You can go back to the party, savor it, reread it again, and again.--Julia Alvarez, author of In the Time of the Butterflies and AfterlifeIn Studying with Miss Bishop, Dana Gioia discusses six people who helped him become a writer and better understand what it meant to dedicate one's life to writing. Four were famous authors--Elizabeth Bishop, John Cheever, James Dickey, and Robert Fitzgerald. Two were unknown--Gioia's Merchant Marine uncle and Ronald Perry, a forgotten poet. Each of the six essays provides a vivid portrait; taken together they tell the story of Gioia's own journey from working-class LA to international literary success.

    Underlying the events in the novel is the fictive, and quintessentially romantic, dream of a modern-day Edgar Allan Poe meeting a modern-day Emily Dickinson in the 21st century, thus correcting what Fate never saw fit to do in the 19th century before Poe dies tragically at the age of 40 on October 7, 1849. Based on a true story, this novel is fictional autobiography. Jonah, a forty-year-old lawyer and wannabe writer, disgusted with the nonstop corruption in the legal profession in Washington, D.C., quits the practice of law, loses his girlfriend, and becomes suicidal. Haunted by dreams and visions of Edgar Allan Poe and Emily Dickinson dancing together, he comes to believe Fate has a plan for him, however. As finances get desperate, he takes a low-paid job as a reference librarian in a law library. But there is one catch: he must pretend to be gay, as the twin tyrants of County Bar, Superintendent Crawford and Law Librarian Mimi Streeter, hire only submissive gay men and women financially on the edge, to control them. Despite moral reservations, he agrees to attempt the ruse, but when the tyrants realize they have been deceived, they respond in kind to protect their criminal fiefdom. Streeter and Crawford hire, on the sly, twenty-seven-year-old Julia, a much younger woman lawyer in library science school, as Jonah’s superior, with the expectation he'll will quit in FU resentment. The plan backfires when romance ensues as the lovers tentatively test the theory that the one is a soulmate for the other, that Poe and Dickinson might have found one another, albeit in the 21st century. But Crawford and Streeter are not done with them yet... So begins the dark chess game, in which Jonah and Julia must fight to protect that which is most beautiful and dear to them, or be destroyed in the process. .

    Rebirth. With its ability to grow from a single broken branch, it is the living embodiment of immortality. It is the yin that wards off malevolent spirits. It is both revered and shunned. In Tortured Willows, four Southeast Asian women writers of horror expand on the exploration of otherness begun with the Bram Stoker Award-winning anthology Black Cranes: Tales of Unquiet Women.Like the willow, women have bent and bowed under the expectations and duty heaped upon them. Like the willow, they endure and refuse to break.With exquisite poetry, Christina Sng, Angela Yuriko Smith, Lee Murray, and Geneve Flynn invite you to sit beneath the tortured willow's gravid branches and listen to the uneasy shiver of its leaves.

    The writer, traumatized by the violent death of her mother when she was a child, lives alone with her dog and struggles to finish her book. The photographer, stunted by the death of his grandmother and caretaker, struggles to take a single picture and enters into a complicated relationship with the writer. The old man, facing his past in small doses, spends his time watching television and reorganizing the objects in his apartment to stay distracted from the deterioration around him. A depiction of the cycles of abuse and trauma in a prolonged end-time, Imagine a Death examines the ways in which our pasts envelop us, the ways in which we justify horrible things in the name of survival, all of the horrible and beautiful things we are capable of when we are hurt and broken, and the animal (and plant) companions that ground us.

    For more than four decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the thirteenth volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman, Stephen King, Stephen Graham Jones, Joyce Carol Oates, Laird Barron, Mira Grant, and many others. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness as articulated by today’s most challenging and exciting writers.

    Will truth prevail over bigotry, or will the buried secret keep family apart?In this, her third novel, Anne Goodwin has drawn on the language and landscapes of her native Cumbria and on the culture of long-stay psychiatric hospitals where she began her clinical psychology career.

    The two have been estranged for more than a decade, and the reunion is fraught with past grievances bubbling to the surface. After a fateful ferry ride to the Statue of Liberty, Ethan's mother reluctantly reveals details of her shattered childhood-her family's imprisonment in a concentration camp in Arkansas in World War II, followed by a deportation to Japan, where she witnesses the atomic bombing of Hiroshima. Ethan's past is also revealed-painful memories of a forsaken career in music and a delayed coming out at the height of the AIDS epidemic. Eventually, both mother and son come to understand the complex and subtle ways that their lives are intertwined, with the past reverberating powerfully through the present.

    Now, in this lavishly designed and illustrated edition of The Annotated Arabian Nights, the acclaimed literary historian Paulo Lemos Horta and the brilliant poet and translator Yasmine Seale present a splendid new selection of tales from the Nights, featuring treasured original stories as well as later additions including “Aladdin and the Wonderful Lamp” and “Ali Baba and the Forty Thieves,” and definitively bringing the Nights out of Victorian antiquarianism and into the twenty-first century.For centuries, readers have been haunted by the homicidal King Shahriyar, thrilled by gripping tales of Sinbad’s seafaring adventures, and held utterly, exquisitely captive by Shahrazad’s stories of passionate romances and otherworldly escapades. Yet for too long, the English-speaking world has relied on dated translations by Richard Burton, Edward Lane, and other nineteenth-century adventurers. Seale’s distinctly contemporary and lyrical translations break decisively with this masculine dynasty, finally stripping away the deliberate exoticism of Orientalist renderings while reclaiming the vitality and delight of the stories, as she works with equal skill in both Arabic and French.Included within are famous tales, from “The Story of Sinbad the Sailor” to “The Story of the Fisherman and the Jinni,” as well as lesser-known stories such as “The Story of Dalila the Crafty,” in which the cunning heroine takes readers into the everyday life of merchants and shopkeepers in a crowded metropolis, and “The Story of the Merchant and the Jinni,” an example of a ransom frame tale in which stories are exchanged to save a life. Grounded in the latest scholarship, The Annotated Arabian Nights also incorporates the Hanna Diyab stories, for centuries seen as French forgeries but now acknowledged, largely as a result of Horta’s pathbreaking research, as being firmly rooted in the Arabic narrative tradition. Horta not only takes us into the astonishing twists and turns of the stories’ evolution. He also offers comprehensive notes on just about everything readers need to know to appreciate the tales in context, and guides us through the origins of ghouls, jinn, and other supernatural elements that have always drawn in and delighted readers.Beautifully illustrated throughout with art from Europe and the Arab and Persian world, the latter often ignored in English-language editions, The Annotated Arabian Nights expands the visual dimensions of the stories, revealing how the Nights have always been—and still are—in dialogue with fine artists. With a poignant autobiographical foreword from best-selling novelist Omar El Akkad and an illuminating afterword on the Middle Eastern roots of Hanna Diyab’s tales from noted scholar Robert Irwin, Horta and Seale have created a stunning edition of the Arabian Nights that will enchant and inform both devoted and novice readers alike.

    Although the French court dazzles on the surface, beneath its glitter, danger lurks for the three women trapped in its coils as power shifts from one regime to the next. The story begins as Queen Anne lies dying and King Louis’s health declines. Their two daughters, Claude and young Renée, heiresses to the rich duchy of Brittany, become pawns in the game of control. Countess Louise d’Angoulême is named guardian to both girls. For years she has envied the dying Queen Anne, the girls’ mother. Because of her family’s dire financial problems, she schemes to marry wealthy Claude to her son. This unexpected guardianship presents a golden opportunity, but only if she can remove their protectress Baronne Michelle, who loves the princesses and safeguards their interests. As political tensions rise, the futures of Princess Renée and Baronne hang in the balance, threatened by Countess Louise’s plots. Will timid Claude untangle the treacherous intrigues Countess Louise is weaving? Will Baronne Michelle and Claude outflank the wily countess to protect young Princess Renée? And can Claude find the courage to defend those she loves?Praise for The Importance of Pawns:“Love, revenge, deceit, valour, struggle and bravery. These are the keystones of Keira Morgan’s fascinating new novel, The Importance of Pawns. Historical fiction at its best.”

    Translated by Richard Pevear and Larissa Volokhonsky. With an introduction by Richard Pevear.Sentenced to death for advocating socialism in 1849, Dostoevsky served a commuted sentence of four years of hard labor. The account he wrote afterward (sometimes translated as The House of the Dead) is filled with vivid details of brutal punishments, shocking conditions, and the psychological effects of the loss of freedom and hope, but also of the feuds and betrayals, the moments of comedy, and the acts of kindness he observed. As a nobleman and a political prisoner, Dostoevsky was despised by most of his fellow convicts, and his first-person narrator--a nobleman who has killed his wife--experiences a similar struggle to adapt. He also undergoes a transformation over the course of his ordeal, as he discovers that even among the most debased criminals there are strong and beautiful souls. Notes from a Dead House reveals the prison as a tragedy both for the inmates and for Russia. It endures as a monumental meditation on freedom.Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.

    Oen and Lee are in love. Florian and Rosebud are in love. An act of faith and alchemy, a dazzling feat of ingenuity and mesmerism, Calvin Westra writes with the startled confidence of a phenom, the hot-blooded creative fever of an upstart eager to cut a permanent swathe through the culture, and the wryly insouciant wit and inventive economy of a seasoned stylist. His imagination cartwheels past the event horizon where you end and Family Annihilator begins and he seems like a writer who can do anything. Family Annihilator is about the frailties behind obsessive visions. It’s for humans, written by a human, while extraordinarily giving in its deconstruction of personal hardship and artistic travails for unitary communion with revelation. Many books invite you to be adjacent to the process. This is the story of process generously shared in brevity. It relishes the agony of trial-and-error creation like no other, celebrates it, teasing out the joy in not being understood to ferret out the misery in triumphantly connecting to confirm the emancipatory notion that storytelling can be at once incredibly intimate and eerily alien. It restores the promise of queasy fun in discovery. We at expat don’t take lightly your trust and wouldn’t dream of letting you down. Family Annihilator is poignant, our most uncompromising and unclassifiable yet, a hilarious book that will crack you up, a slim sleevehearted treasure to directly affirm the sheer wonder of you, a wonderfully strange hit of the heart from the heartland. The experience of reading should reassure readers starved for sincerity that isn’t cloying, tone-deaf or manipulative. Weirder than alt lit 2.0. Family Annihilator is an autofiction dressed in big ideas bound to seed and germinate spawn perennially. Westra’s characters are written with the most sobering attention to their humanity. A book that is simply good, in a good naturedly uncomplicated, refreshingly unpretentious and unironic way. It is pure love, unassuming surrealism. It will make you wonder why there aren’t more Family Annihilators. That’s because there can only be one, this one, from the mind of a literal genius, Calvin Westra, who writes stories no one else has in them. This book will remind you that reading can be cool in a familiar way while disorienting in the most exotic ways, it’s a meta-seduction worthy of everything being said about it and everything that will be said about it. Another in a continuing series of important contemporary classic literature on home book format, Expat Press proudly presents Family Annihilator, a disarmingly frank experience to cast a cooling glow over the summer. Lose yourself in its kaleidoscope of metaphysical charm. It’s iconoclasm without the baggage, an ode to deep beauty too casually, flippantly dismissed and forlorn these days. Calvin Westra nonchalantly assumes the mantle of formal fantasist of the quotidian alienated creative, of making crazy eyes at you from behind a contactless caress up your spine.

    Martin, learn surprising facts about the world’s most famous novels and novelists. The Curious Reader will delight bookworms everywhere. This literary compendium from Mental Floss reveals fascinating facts about the world’s most famous authors and their literary works. Readers will learn about George Orwell’s near-death experience during the writing of 1984; meet the real man who may have inspired Pride and Prejudice’s Mr. Darcy; discover which famous author kept her husband’s heart after he passed away; and learn about the influence of psychedelics on Dune. The Curious Reader also contains the most-loved book-related articles from 20 years of Mental Floss, including “Cat-Loving Writers,” “Famous Authors’ Unfinished Manuscripts,” “Literary Characters Based on Real People,” and “Books You Didn’t Know Were Self-Published.” This literary miscellany is certain to inspire book lovers, aspiring writers, students, and teachers alike to discover a diverse selection of curated literary works—leading to an expansion of their library!

    

    Scott Fitzgerald, the incomparable chronicler of the Jazz Age, are all together in one keepsake volume.F. Scott Fitzgerald wrote some of the most acclaimed novels of the 20th century, and literary scholars regard him as one of the finest American writers of all time. His stories were the stories of the “Lost Generation,” Americans who came of age after World War I, amid Prohibition and the rise of jazz, and who responded to the uncertainty and change of the time by living each day to the hilt. Included in this attractive, leather-bound volume of Fitzgerald’s most notable long-form works are tales of wealth, romance, and scandal: The Great Gatsby, This Side of Paradise, and The Beautiful and Damned. It’s a time capsule of America in the 1920s and 1930s.

    For the last fifteen years, McCarthy has obsessively pursued the true origins of Shakespeare’s works. Using plagiarism software, he has found direct links between Hamlet, Macbeth, Romeo and Juliet, and other plays and North’s published and unpublished writings—as well as Shakespearean plotlines seemingly lifted straight from North’s colorful life.Unlike those who believe someone else secretly wrote Shakespeare, McCarthy’s wholly original conclusion is this: Shakespeare wrote the plays, but he adapted them from source plays written by North decades before. Many of them, he believes, were penned on behalf of North’s patron Robert Dudley, in his efforts to woo Queen Elizabeth. That bold theory addresses many lingering mysteries about the Bard with compelling new evidence, including a newly discovered journal of North’s travels through France and Italy, filled with locations and details appearing in Shakespeare’s plays.North by Shakespeare alternates between the enigmatic life of Thomas North, the intrigues of the Tudor court, the rivalries of English Renaissance theater, and academic outsider Dennis McCarthy’s attempts to air his provocative ideas in the clubby world of Shakespearean scholarship. Through it all, Blanding employs his keen journalistic eye to craft a captivating drama, upending our understanding of the beloved playwright and his “singular genius.”

    A LOS ANGELES TIMES BOOK PRIZE FINALISTA BOSTON GLOBE BEST BOOK OF 2021Booker Prize-shortlisted and New York Times bestselling author Paul Auster's comprehensive, landmark biography of the great American writer Stephen Crane.With Burning Boy, celebrated novelist Paul Auster tells the extraordinary story of Stephen Crane, best known as the author of The Red Badge of Courage, who transformed American literature through an avalanche of original short stories, novellas, poems, journalism, and war reportage before his life was cut short by tuberculosis at age twenty-eight.Auster’s probing account of this singular life tracks Crane as he rebounds from one perilous situation to the next: A controversial article written at twenty disrupts the course of the 1892 presidential campaign, a public battle with the New York police department over the false arrest of a prostitute effectively exiles him from the city, a star-crossed love affair with an unhappily married uptown girl tortures him, a common-law marriage to the proprietress of Jacksonville’s most elegant bawdyhouse endures, a shipwreck results in his near drowning, he withstands enemy fire to send dispatches from the Spanish-American War, and then he relocates to England, where Joseph Conrad becomes his closest friend and Henry James weeps over his tragic, early death.In Burning Boy, Auster not only puts forth an immersive read about an unforgettable life but also, casting a dazzled eye on Crane’s astonishing originality and productivity, provides uniquely knowing insight into Crane’s creative processes to produce the rarest of reading experiences—the dramatic biography of a brilliant writer as only another literary master could tell it.

    Along the way, he nurtures a dying mother, who insists the only thing wrong with her is tennis elbow; corrals a demented father, who believes he’s Father Christmas; assists the dissolute local newspaper editor; and serves stints as horse rustler and pet mortician. For thirty years, Martin searches for an escape route to the West, to poetry, and to his first love, the cowgirl Ginger, but never manages to get much farther than the city limits of his Midwestern hometown—that is, until a world-famous cow horse dies while touring through Pierre, and Martin is tapped to transport its remains to the funeral at the 32nd Annual Elko Cowboy Poetry Confluence.“Sparks writes with ecstatic generosity of spirit, wicked humor, and doesn’t flinch as she stares down the sometimes-tragedy of everyday American living. Martin Oliphant is a loveable schlub who wants to make his life a little grander and more poetic, like the cowboy poetry he so adores, and I was rooting for him the whole way. How rare to find a book so savagely smart while also so full of compassion for its aspiring hero. Four Dead Horses is a triumph and a delight.” —CJ Hauser, author of Family of Origin “This brilliant debut is a perfect balance of smart satire, plaintive poetry, dreadful loss, and humorous escapism that will whiplash you all the way to its unexpected and delightful conclusion. Four Dead Horses is already one of my favorite books of 2021.” —J. Ryan Stradal, author of Kitchens of the Great Midwest and The Lager Queen of Minnesota “If John Irving had chronicled the upper Midwest, he might have written this boisterous, satirical gem of a novel. At times wickedly funny, at times poignant, Four Dead Horses is an unforgettable portrait of Martin Oliphant, an elephantine Michigan man who hates horses—and may occasionally (and unwittingly) participate in their demise—but who nevertheless dreams of performing with the real cowboys at the Annual Elko Cowboy Poetry Confluence. It is rare to come across such a remarkably assured work by any writer, much less one who has never been published before. Four Dead Horses is a joy to read, and the prose seems almost effortless in its grace. Yet this is clearly the work of a craftsperson who has toiled long and hard to master voice, dialogue, story, and—to often devastating effect—characterization.” —Brad Parks, author of Say Nothing,Closer Than You Know, The Last Act, and the Carter Ross mysteries

    Now, he'd like to invite you into the world as they would have seen it.Following in the footsteps of the Brontes across meadow and moor, through village and town, award-winning writer Michael Stewart takes a series of inspirational walks through the lives and landscapes of the Bronte family, investigating the geographical and social features that shaped their work.This is a literary study of both the social and natural history that has inspired writers and walkers, and the writings of a family that have touched readers for generations. Finally we get to understand the 'wild, windy moors' that Kate Bush sang about in 'Wuthering Heights', see the imposing halls that may have inspired Thornfield Hall in Jane Eyre, and learn about Bramwell's affair with a real life Mrs Robinson while treading the same landscapes. As well as describing in vivid detail the natural beauty of the moors and their surroundings, Walking the Invisible also encompasses the history of the north and the changing lives of those that have lived there.

    Now, he'd like to invite you into the world as they would have seen it.Following in the footsteps of the Brontes across meadow and moor, through village and town, award-winning writer Michael Stewart takes a series of inspirational walks through the lives and landscapes of the Bronte family, investigating the geographical and social features that shaped their work.This is a literary study of both the social and natural history that has inspired writers and walkers, and the writings of a family that have touched readers for generations. Finally we get to understand the 'wild, windy moors' that Kate Bush sang about in 'Wuthering Heights', see the imposing halls that may have inspired Thornfield Hall in Jane Eyre, and learn about Bramwell's affair with a real life Mrs Robinson while treading the same landscapes. As well as describing in vivid detail the natural beauty of the moors and their surroundings, Walking the Invisible also encompasses the history of the north and the changing lives of those that have lived there.

    

    Now, Davis continues her non-fiction project with Essays Two.This edition will, for the first time, collect Lydia Davis's essays and talks on the art of translation, the experience of translating Proust, Flaubert and Michel Leiris, learning a foreign language through reading, and an extended immersion in the city of Arles.Davis, winner of the Man Booker International Prize for her fiction and finalist for the National Book Award, showcases her sharp literary mind and invaluable insight in this new collection of her nonfiction works.

    

    A tragic and intimate portrait.”—Amy Sillman “Robert Walser is the perfect pathetic poet: pithy, awkward, drinks too much, sibling rivalrous, ambitious, broke, and mentally ill. Was he proto queer or trans, this red headed writer who next to Gertrude Stein might be the most influential writer of our moment? Riveting and heart-breaking, this biography kept me drunk for days.”—Eileen Myles The great Swiss-German modernist author Robert Walser lived eccentrically on the fringes of society, shocking his Berlin friends by enrolling in butler school and later developing an urban-nomad lifestyle in the Swiss capital, Bern, before checking himself into a psychiatric clinic. A connoisseur of power differentials, his pronounced interest in everything inconspicuous and modest—social outcasts and artists as well as the impoverished, marginalized, and forgotten—prompted W. G. Sebald to dub him “a clairvoyant of the small.” His revolutionary use of short prose forms had an enormous influence on Franz Kafka, Walter Benjamin, Robert Musil, and many others. He was long believed an outsider by conviction, but Susan Bernofsky presents a more nuanced view in this immaculately researched and beautifully written biography. Setting Walser in the context of early twentieth century European history, she provides illuminating analysis of his extraordinary life and work, bearing witness to his “extreme artistic delight.”

    A visionary and poetic stylist. Contains the long out-of-print novella "The Account of David Stonehouse, Exile," and two new stories written expressly for this collection."Daniel Mills is a master of telling tales. . . ."―The New York Journal of Books"Daniel Mills is a writer to watch"- Black Static Magazine"Mills has a poetic and visionary style of his own, capable of uncovering the beauty in horror and the horror in beauty."- Reggie Oliver, Author of The Sea of BloodA pleasure to read, Daniel Mills's fiction would draw approving nods from any of the austere presences in whose literary footsteps he is following."- John Langan, Author of The Fisherman"If you like your horror well written, haunting and resonant, look no further: Daniel Mills is your Man!"- Rue Morgue Magazine"Daniel Mills is a modern master of the unspoken, a classical horror miniaturist whose writing references the bleak and existentially dread-full gothic Americana of Edgar Allan Poe, Nathaniel Hawthorne, Charlotte Perkins Gilman. Best read out loud around a failing fire on a darksome plain, as night sets in."- Gemma Files, Shirley Jackson award-winning author of Experimental Film

    I've been called Savior and Enslaver. But no one has ever called me Child.”A young man signs his own death warrant when he joins an already failing militia. A teenage girl is haunted by her childhood abuse and begins to crave the very things she hates. A childless mother finds herself on the run as a convicted murderer. Yet they are all unaware that their own fates are tied to a young orphan who has drowned and come back to life in a foreign land where he will be the death of everyone he meets.Hælend’s Ballad is a grimdark fantasy/steampunk tale about what happens when men and women from two colliding cultures realize they may not be on the right side. Heroes are villains. The persecuted are oppressors. And when rumors begin to spread that the world is dying, the darkness of their own hearts betrays them.

    This marks the appearance of a bold, distinctive new voice, one deeply inflected by hiphop, that delves into the meaning of a life spent behind bars, the human bonds formed therein, and the poetry that even those in the most dire places can create.Lil Chris is just nineteen when he arrives at Angola as an AU--an admitting unit, a fresh fish, a new vict. He's got a life sentence with no chance of parole, but he's also got a clear mind and sharp awareness--one that picks up quickly on the details of the system, his fellow inmates, and what he can do to claim a place at the top. When he meets Rise, another inmate with a life sentence, Lil Chris finds his way up in a system bent on repressing every means he has to express himself.Lil Chris channels his questions, frustrations, and pain into rap, and This Life Matters flows with the same cadence as Lil Chris's verses. It pulses with the heat of impassioned inmates, the oppressive daily routines of the prison yard, and the rap contests that bring the men of the prison together.This Life is told in a voice that only a man who's lived it could have--a clipped, urgent, evocative voice that's pulses with anger, honesty, playfulness, and a deep sense of ugly history. Angola started out as a plantation--and as This Life makes clear, black inmates are still in a kind of enslavement there. This Life is an important debut that commands our attention.

    Full of bad grammar, strange sonnets, and truncated sestinas, these poems are for anyone motivated by the homoerotic and intimate etymology of comrade: one who shares the same room. If history sees writers as tops and muses as bottoms, these poems refuse, invert, and evade representation. Here, muses demand wages, then demand the world.

    The year 2078. Like all other major cities, London is a silent wasteland, abandoned and crumbling, populated only by the renegade ‘Offliner’ movement, the lawless ‘Seekers’ and other minorities that rejected The Upload in 2060. As a result, these rebels live off the grid and in abject poverty, taking shelter in makeshift shantytowns and hideouts. The Offliners have made the disused Piccadilly Circus Tube station their home: a fully self-sufficient, subterranean community of about 500 people, known as the ‘Cell’.In 2060, following a series of deadly pandemics, devastating environmental disasters and a violent surge in cyber terrorism, the UN made it compulsory for every tax paying citizen in all of its 193 united nations to login to the Perspecta Universe: a virtual reality universe provided by the tech giant Gnosys Inc. So began a period of history known as The Upload. Totally safe, pollution free, environmentally friendly: what was an alternative reality at first has become the only reality. Now, in 2078, billions of people all around the world exist in dedicated Hab-Belts – massive dormitory complexes surrounding the major cities – unconscious of the world around them: living, working, loving, learning, inside the Perspecta Universe.KID – A History of The Future follows Josh ‘Kid’ Jones, a young Offliner who discovers that an antiquated piece of technology called an ‘iPhone’, left to him by his father, seemingly allows him to communicate with the past through social media. He strikes up a friendship with Isabel Parry, a 16 year old in 2021, and the two begin communicating through time and space via Instagram. In doing so they are not only changing their own fate, but also the fate of the rest of the world.

    In this authoritative work, Said, the pioneer of postcolonial studies, a tireless champion for his native Palestine, and an erudite literary critic, emerges as a self-doubting, tender, eloquent advocate of literature's dramatic effects on politics and civic life.Charting the intertwined routes of Said's intellectual development, Places of Mind reveals him as a study in opposites: a cajoler and strategist, a New York intellectual with a foot in Beirut, an orchestra impresario in Weimar and Ramallah, a raconteur on national television, a Palestinian negotiator at the State Department, and an actor in films in which he played himself. Brennan traces the Arab influences on Said's thinking along with his tutelage under Lebanese statesmen, off-beat modernist auteurs, and New York literati, as Said grew into a scholar whose influential writings changed the face of university life forever. With both intimidating brilliance and charm, Said melded these resources into a groundbreaking and influential countertradition of radical humanism, set against the backdrop of techno-scientific dominance and religious war. With unparalleled clarity, Said gave the humanities a new authority in the age of Reaganism, one that continues today.Drawing on the testimonies of family, friends, students, and antagonists alike, and aided by FBI files, unpublished writings, and Said's drafts of novels and personal letters, Places of Mind synthesizes Said's intellectual breadth and influence into an unprecedented, intimate, and compelling portrait of one of the great minds of the twentieth century.

    The men of the Brittonic kingdom of Gododdin rose to unite the Welsh and the Picts against the Angles, only to meet a devastating fate. Composed by the poet Aneirin, the poem was originally orally transmitted as a sung elegy, passed down for seven centuries before being written down in early Welsh by two medieval scribes. It is composed of one hundred laments to the named characters who fell, and follows a sophisticated alliterative poetics. Former National Poet of Wales Gillian Clarke animates this historical epic with a modern musicality, making it live in the language of today and underscoring that, in a world still beset by the misery of war, Aneirin's lamentation is not done.

    Few human-made objects rival the book in evoking such bone-deep affection. Emily Dickinson called these page-packed parcels “Frigates” that “take us Lands away.” They are “the deli offerings of civilization itself” (Alberto Rios). Such affection naturally extends to the consummate book places–the libraries and bookshops where one can best hear “a choir of authors murmuring inside their books / along the unlit, alphabetical shelves” (Billy Collins). The poets collected here range from the writer of Ecclesiastes in the third century BCE through such canonical writers of British and American literature as William Shakespeare, William Wordsworth, and Robert Frost to more recent poets writing in countries across many time zones, including such luminaries as Jorge Luis Borges, Wallace Stevens, Gwendolyn Brooks, Pablo Neruda, Maya Angelou, and Derek Walcott.

    Two Million Shirts is a book-lengthed poem about coffee, Heaven, blue ringed octopuses, breakfast, sex, Seattle, and feeling fucked, among other things.

    At times she had to warn her readers that "those seeking laughter should not turn on me and tear me to pieces if, instead, they find tears - the pearls of my soul." The stories on other-worldly themes in this collection are some of Teffi's finest and most profound, displaying her acute psychological sensitivity beneath her characteristic wit and surface brilliance.Spanning nearly forty years, from stories Teffi wrote in Moscow to those from her perspective as an emigr� in Paris, Other Worlds gathers together those stories that share the theme of religious experience, both Russian Orthodox Christianity and Russian folk belief, with its often poetic understanding of spiritual matters. In an early story, "A Quiet Backwater," a laundress gives a long disquisition on the name days of the different birds, insects, and animals, as well as the Feast of the Holy Spirit, a day on which "no one dares to trouble the earth." The story "Wild Evening" is about the fear of the unknown; "The Kind that Walk," a penetrating study of anti-semitism, and of xenophobia more generally; and "Baba-Yaga," about the archetypal Russian witch and her longing for wildness and freedom. Teffi traces the persistent influence of the ancient Slavic gods in legends, superstitions, and customs, and the deep connection of the supernatural to everyday life in the Russian provinces. In "Volya," the final autobiographical story, the power and pain of Baba Yaga is Teffi's own.

    Auguste Dupin—steps from the shadows. Destined to become his mentor. Soon to introduce him to a world of ghastly crime and seemingly inexplicable horrors.The spectral tormentor that is being called, in hushed tones, The Phantom of the Opera . . .The sinister old man who visits corpses in the Paris morgue . . .An incarcerated lunatic who insists she is visited by creatures from the Moon . . .A hunchback discovered in the bell tower of Notre Dame . . .And—perhaps most shocking of all—the awful secret Dupin himself hides from the world.Tales of Mystery, Imagination, and TerrorInvestigated in the company of the darkest master of all.

    Maybe I didn’t have multiple personalities or talk to myself or have mood swings so bad that no one could be around me, but the truth was plain. I needed to be here. I did belong here.Welcome to The Last Resort—a sanitarium for residents who feel imprisoned in their own minds. Whether staff member or patient, everyone finds themselves at the center of a complex system that, at its best, provides therapeutic care and, at its worst, blurs and blends the boundaries of what constitutes sane and insane. Regardless of the role each individual has to play, all of them are here for a reason and will be forced to examine themselves from every angle.Told from various perspectives, The Last Resort is a frighteningly real novella from Allie Coker that reveals the vulnerable side of humanity and forces readers to stop and ask, “What is normal?”

    In search of France's superstar philosopher who has mysteriously vanished, Lester Langway, a young, bedraggled freelance reporter for the failing London style bible 'Down N Out!' magazine is sent spiralling into a hallucinogenic detective mystery involving demonic Kantian philosophy, identity politics, the history of Surrealism, secret societies and mind control. Both a scathing satire and a sincere romance, 'My Week Without Gérard' is so squarely at odds with the culture it mercilessly lampoons, it's little surprise the author writes under a pseudonym.

    Set against the backdrop of some of America's most turbulent historical events, The Shade Tree is a dramatic exploration of racial inequality. Two white sisters and a Black midwife find their lives inextricably linked through a series of haunting tragedies; they must make life-changing decisions about where their loyalties lie: with their biological families or with a greater moral cause. From a Florida orange grove in the 1930s to the seat of power in Washington, DC, during the height of the civil rights movement, The Shade Tree tells a sweeping yet intimate story of racial discrimination and the human hunger for justice.

    With this book—a fantasy by turns dark, absurd, comic, frantic, and lyrical—David Bentley Hart joins a company that includes figures as diverse as Georges Bernanos, Anatole France, David Lindsay, Philip K. Dick, Patrick White, Umberto Eco, William Gaddis, Harold Bloom, Jorge Luis Borges, Vladimir Nabokov, John Crowley, and Philip Pullman. In Kenogaia, a clockwork universe, an oppressive global society of ever-present surveillance, and the coming of age of its protagonist, Michael Ambrosius, are all disrupted by the arrival of a mysterious child from beyond the stars. Modeled on the Gnostic Hymn of the Pearl, Hart’s tale is an imaginative exploration of the relation between good and evil, the difference between reality and illusion, the struggle to live life in truth, and the nature of spiritual existence. In these pages, Hart emerges as a master of mythopoesis even while spinning out a rollicking full-on adventure about friendship, loyalty, and the rescue of true goodness from a universe darkened by delusion.

    McSweeney’s 63 features four posthumous, never-before-published short stories by acclaimed author and dear friend Stephen Dixon, with an introduction and retrospective on the late writer’s work by author—and onetime Dixon student—Porochista Khakpour. To boot we’ve got brand-new fiction from Etgar Keret and Esmé Weijun Wang, Illustrated diaries by Abang and full-color comics by Michael Kennedy, letters from Kashana Cauley and Legna Rodríguez Iglesias, an essay on a grief and long-distance biking by Adam Iscoe, and so much more. Start your literary year off right with this sumptuous issue.Featuring Original Stories by:Esmé Weijun WangKevin MoffettMikkel RosengaardEtgar KeretRita Chang-EppigI Drink a Glass of Water: four posthumous stories by Stephen DixonWith an introduction by Porochista KhakpourIllustrated stories by:AbangMichael KennedyAn original essay by Adam IscoeAn excerpt from You People by Nikita LalwaniAnd letters by:Gillian LindenJessi Jezewska StevensLegna Rodríguez IglesiaKashana CauleyMarie-Helene BertinoLarissa Pham

    These are poems written in the wild swing of the scrying stone, poems that ask how to create an identity in the way of perpetual change, constant self-interrogation, and ever shifting psychogeography. What does it mean to live in the orb of uncertainty? To be neither here nor there, neither fixed nor fluxed?