Included in this selection are the "heroic poems" such as Widsith, Deor, Brunanburh and Maldon, and passages from Beowulf; some of the famous 'riddles' from The Exeter Book; all the "elegies," including The Ruin, The Wanderer, The Seafarer, The Wife's Complaint and The Husband's Message, in which the virtu of Old English is found in its purest and most concentrated form; together with the great Christian poem The Dream of the Rood.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    The stark Icelandic winter landscape is the backdrop. We follow the priest, Skugga-Baldur, on his hunt for the enigmatic blue fox. From there we’re then transported to the world of the naturalist Friðrik B. Friðriksson and his charge, Abba, who suffers from Down’s syndrome, and who came to his rescue when he was on the verge of disaster. Then to a shipwreck off the Icelandic coast in the spring of 1868.The fates of all these characters are intrinsically bound, and gradually, surprisingly, unravelled in this spellbinding fable that is part mystery, part fairy tale.Sjón is a celebrated Icelandic poet and novelist. His novels have been translated into twenty-five languages and include From the Mouth of the Whale and The Whispering Muse (both by Telegram). Sjón won the Nordic Council Literary Prize, the equivalent of the Man Booker Prize, for The Blue Fox and "Best Icelandic Novel" for The Whispering Muse in 2005. Also a songwriter, he has written lyrics for Björk, including for her eight studio album, Biophilia.

    There are enormous differences between the two in pronunciation, vocabulary, and grammar, and a monolingual speaker of one cannot understand the other at all. Yet modern English and German have many points in common, and if we go back to the earliest texts available in the two languages, the similarities are even more notable.How do we account for these similarities? The generally accepted explanation is that English and German are divergent continuations of a common ancestor, a Germanic language now lost. This book surveys the linguistic and cultural backgrounds of the earliest kown Germanic languages, members of what has traditionally been known as the English family tree: Gothic, Old Norse, Old Saxon, Old English, Old Frisian, Old Low Franconian, and Old High German.For each language, the author provides a brief history of the people who spoke it, an overview of the important texts in the language, sample passages with full glossary and word-by-word translations, a section on orthography and grammar, and discussion of linguistic or philological topics relevant to all the early Germanic languaes but best exemplified by the particular language under consideration. These topics inclued the pronunciation of older languages; the runic inscriptions; Germanic alliterative pietry; historical syntax, borrowing, analogy, and drift; textual transmission; and dialect variation.

    When Death Takes Something from You Give It Back chronicles the few first years after receiving that devastating phone call. It is at once a sober account of life after losing a child and an exploration of the language of poetry, loss, and love.Intensely moving and quietly devastating, When Death Takes Something from You Give It Back explores what is it to be a family, what it is to love and lose, and what it is to treasure life in spite of death's indomitable resolve.

    A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people. To him, mythology was the "song of the universe, the music of the spheres." With Bill Moyers, one of America's most prominent journalists, as his thoughtful and engaging interviewer, The Power Of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

    At its outset, the Bishop of Iceland dispatches a young emissary to investigate certain charges against the pastor at Sn?fells Glacier, who, among other things, appears to have given up burying the dead. But once he arrives, the emissary discovers that this dereliction counts only as a mild eccentricity in a community that regards itself as the center of the world and where Creation itself is a work in progress.What is the emissary to make, for example, of the boarded-up church? What about the mysterious building that has sprung up alongside it? Or the fact that Pastor Primus spends most of his time shoeing horses? Or that his wife, Ua (pronounced “ooh-a,” which is what men invariably sputter upon seeing her), is rumored never to have bathed, eaten, or slept? Piling improbability on top of improbability, Under the Glacier overflows with comedy both wild and deadpan as it conjures a phantasmagoria as beguiling as it is profound.

    This detailed travelogue is a rich and loving portrait of the people and culture of Russia, and is filled with the trademark style and keen observations of the author of such classics as Hunger, Mysteries, and Growth of the Soil.In Wonderland is unlike any other book written by Hamsun, and offers not only an intimate glimpse into the mind of the Nobel Prize winning author at his unguarded best, but a rare view into a Russia that would soon vanish in the fire of revolution.

    But their prowess in battle is only a small part of their story, which stretches from their Scandinavian origins to America in the west and as far as Baghdad in the east. As the Vikings did not write their history, we have to discover it for ourselves, and that discovery, as Neil Oliver reveals, tells an extraordinary story of a people who, from the brink of destruction, reached a quarter of the way around the globe and built an empire that lasted nearly two hundred years. Drawing on the latest discoveries that have only recently come to light, Neil Oliver goes on the trail of the real Vikings. Where did they emerge from? How did they really live? And just what drove them to embark on such extraordinary voyages of discovery over 1000 years ago? VIKINGS will explore many of these questions for the first time in an epic story of one of the world's great empires of conquest.

    Here she falls under the spell of her troubled but charming aunt Birdie, who thrills her with stories of exotic Norse goddesses, moody Viking bards, and the life of her late grandfather, the most famous poet of "New Iceland." But when Birdie tricks Freya into a terrifying scandal, Freya turns her back on everything Icelandic and anything that reminds her of the past. She is living an anonymous, bleak existence in Manhattan when she finally returns to Gimli for the first time in two decades – and stumbles upon a long concealed family secret. As Freya becomes increasingly obsessed with unraveling her family’s tangled story, she finds herself delving into the very memories she has worked so hard to forget. When the clues dry up in Gimli, Freya journeys to Iceland itself. On this rugged island of vast lava fields and immense glaciers, Freya’s quest comes to its unsettling conclusion. A beautifully-written debut novel that deftly weaves together Iceland’s distinctive history, ancient mythology, reverence for language, and passion for genealogy, The Tricking of Freya is a powerful exploration of kinship, loss and redemption.

    Geoffrey Chaucer, who died in 1400, lived a surprisingly eventful life. He served with the Duke of Clarence and with Edward III, and in 1359 was taken prisoner in France and ransomed. Through his wife, Philippa, he gained the patronage of John of Gaunt, which helped him carve out a career at Court. His posts included Controller of Customs at the Port of London, Knight of the Shire for Kent, and King's Forester. He went on numerous adventurous diplomatic missions to France and Italy. Yet he was also indicted for rape, sued for debt, and captured in battle.He began to write in the 1360s, and is now known as the father of English poetry. His Troilus and Criseyde is the first example of modern English literature, and his masterpiece, The Canterbury Tales, the forerunner of the English novel, dominated the last part of his life. In his lively style, Peter Ackroyd, one of the most acclaimed biographers and novelists writing today, brings us an eye-opening portrait, rich in drama and colorful historical detail, of a prolific, multifaceted genius.

    This is the story of these inscriptions from the earliest Continental carvings of the late second century A.D. through to the Viking age.

    Malory interprets existing French and English stories about these figures and adds original material (e.g., the Gareth story). Le Morte d'Arthur was first published in 1485 by William Caxton, and is today one of the best-known works of Arthurian literature in English. Many modern Arthurian writers have used Malory as their principal source, including T. H. White in his popular The Once and Future King and Tennyson in The Idylls of the King.

    This approach to working with Norse deities and beliefs is a living, adaptable tradition, representing a strong alternative to the reconstructionist perspectives of Asatru and Heathenry.In these pages, the old ways come alive in a radically inclusive form. You will explore the secrets of the World Tree and the mysteries of the gods, work with the many spirits around us, and feel the deep rhythms that drive all life while creating new songs of power. You will also discover how to make these practices part of your every waking moment, developing your own personal spirituality and building healthy, sustainable communities along the way.

    In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki—son of a giant—blood brother to Odin and a trickster and unsurpassable manipulator.Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Through Gaiman’s deft and witty prose, these gods emerge with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.

    Drawing on examples from diverse American groups and experiences, this text gives the student a strong foundation—from the field’s history and major terms to theories, interpretive approaches, and fieldwork.Many teachers of undergraduates find the available folklore textbooks too complex or unwieldy for an introductory level course. It is precisely this criticism that Living Folklore addresses; while comprehensive and rigorous, the book is specifically intended to meet the needs of those students who are just beginning their study of the discipline. Its real strength lies in how it combines carefully articulated foundational concepts with relevant examples and a student-oriented teaching philosophy.