We make our homes in them. We go to school in them. We work in them. But why and how did people start making buildings? How did they learn to make them stronger, bigger, and more comfortable? Why did they start to decorate them in different ways? From the pyramid erected so that an Egyptian pharaoh would last forever to the dramatic, machine-like Pompidou Center designed by two young architects, Patrick Dillon’s stories of remarkable buildings — and the remarkable people who made them — celebrates the ingenuity of human creation. Stephen Biesty’s extraordinarily detailed illustrations take us inside famous buildings throughout history and demonstrate just how these marvelous structures fit together.

    Startups, homes, and even housing developments have all been inspired by the original book.In this hotly anticipated extension of the Cabin Porn series, the creators give their fans what they ask for most: a look inside the most beloved cabins they have featured over the past ten years.Cabin Porn: Inside is the definitive guide for the cabin builder, as well as anyone seeking perspective on how to create spaces that just work--the ones that spellbind us in their warmth and ingenious simplicity.

    It is full of detailed drawings that clearly illustrate the construction of building elements. The principles and processes of construction are explained with the concepts of design included where appropriate. Extensive coverage of building construction practice and techniques, representing both traditional procedures and modern developments, are also included to provide the most comprehensive and easy to understand guide to building construction. The new edition has been reviewed and updated and includes additional material on energy conservation, sustainable construction, environmental and green building issues. Further details of fire protection to elements of construction are provided.Building Construction Handbook is an essential text for undergraduate and vocational students on a wide range of courses including NVQ and BTEC National, through Higher National Certificate and Diploma to Foundation and three-year Degree level. It is also a useful practice reference for building designers, contractors and others engaged in the construction industry. It is ideal for students on all construction courses. The topics are presented concisely in plain language and with clear drawings. It incorporates recent revisions to Building and Construction Regulations.

    Holl reveals his working methods in this book, part treatise, part manifesto, and part, as Holl writes, "liner notes" to fifteen of his projects. Parallax traces Holl's ideas on topics as diverse as the "chemistry of matter" and the "pressure of light," and shows how they emerge in his architectural work: "criss-crossing" at the Kiasma Museum of Contemporary Art in Helsinki, "duration" in the Palazzo del Cinema in Venice, "correlational programming" in the Makuhari housing in Japan. The result is a book that provides a personal tour of the work of one of the world's most esteemed architects. Parallax is designed by Michael Rock of the award-winning design firm 2x4.

    These aging giants, calling themselves the ‘freakin’ old guys’ are hard-working leaders in their respective fields and have a menagerie of skills to show for it. But what starts out as a dream quickly turns into a nightmare.With these guys, the action never stops.While preparing to set sail, they have a run in with a teenage troublemaker that plagues the locals. The son of a senator, Sean has no respect for authority and is a little lost. The FOGs come from an era where a little rough handling never hurt anyone, and so strike a deal with Sean’s mother to have him sail along with them. She agrees, hoping that two weeks of hard work alongside six respected, intelligent men will get Sean turned around. Things quickly take a turn for the worst when the six small boats get caught in the crossfire of a mafia drug deal. It soon becomes clear that some of the group’s members may be hiding secrets and past lives from the others… Suddenly, the six boats are caught in an odd fog bank, and when they come out the other side, things are not as they seem. Their radios and compasses no longer work and time seems to have lost its way. Where are they? Things quickly start to defy the accepted order of things. Suddenly dropped into their own Odyssey, they fight against strange creatures and demi-goddesses as they try to find a way back home. Together, they must navigate this strange new land. Caly’s Island is a rip-roaring pseudo-fantasy thriller of a modern quest to conquer the unknown amongst seas of turmoil. Dick Herman retired from the US Air Force in 1983 with the rank of Major after serving for twenty- one years. He has flown over 200 combat missions himself and was stationed in Vietnam, West Germany and Great Britain. He has flown the F-4 and C-130 and received five medals, including the Bronze Star. He and his English-born wife now live in Fair Oaks, California. He is the author of several aviation thrillers from Endeavour Press.Venture Press is a science fiction and fantasy imprint of Endeavour Press, the UK’s leading independent digital publisher. We are committed to the discovery and rediscovery of immensely talented authors in the SFF genre, and continue to push boundaries in search of great literature. Join us as we venture across universes and unknown landscapes – past, present and future. Sign up to our newsletter: http://bit.ly/1LUVI4n Follow us on Twitter @venture_pressFacebook: http://on.fb.me/1NnFow7

    David Campbell got through the virus by staying drunk, hidden away from most everyone. On his way to visit his sister in Kansas City he finds himself stranded in Montezuma Iowa. He wasn't there when his mother died as a result of the virus, he's not going to let his sister down, the only family he has now. It's a long journey to Kansas City and David has to battle his inner demons all the way, temptation and fate will continue to intervene. When it seems the God's are testing man's limits, some men will rise to the challenge and some will fail. David's on the bubble.

    Will it be with Breena?This is a novelette introducing a new werewolf mythology based on the concept that werewolves have fairy blood in them in order to help them shift. This is their magic.

    It’s 1936 and Britain is in the grip of the Depression.Nell Flanagan is a decent, hardworking woman, married to Stephen, a tough, heavy-drinking brute of a man, who works as a casual in the docks — when there’s work available. Nell has hidden the abuse she has suffered at his hands from her young children, although most of the neighbours realise what’s going on.The Tanners think she must be asking for it, but nineteen-year-old Martin Lovell, has always admired Nell. When he sees Stephen actually attacking Nell, he can stand back no longer, but his actions have repercussions for all the families…

    This extended work is the culmination of forty years' research and shows the belief that we all can, and do, design, and that we can learn to design better. The creative mind continues to have the power to surprise and this book aims to nurture and extend this creativity. Neither the earlier editions, nor this book, are intended as authoritative prescriptions of how designers should think but provide helpful advice on how to develop an understanding of design.In this fourth edition, Bryan Lawson continues to try and understand how designers think, to explore how they might be better educated and to develop techniques to assist them in their task. Some chapters have been revised and three completely new chapters added. The book is now intended to be read in conjunction with What Designers Know which is a companion volume. Some of the ideas previously discussed in the third edition of How Designers Think are now explored more thoroughly in What Designers Know. For the first time this fourth edition works towards a model of designing and the skills that collectively constitute the design process.

    Privacy and Publicity boldly questions certain ideological assumptions underlying the received view of modern architecture and reconsiders the methodology of architectural criticism itself. Where conventional criticism portrays modern architecture as a high artistic practice in opposition to mass culture, Colomina sees the emerging systems of communication that have come to define twentieth-century culture--the mass media--as the true site within which modern architecture was produced. She considers architectural discourse as the intersection of a number of systems of representation such as drawings, models, photographs, books, films, and advertisements. This does not mean abandoning the architectural object, the building, but rather looking at it in a different way. The building is understood here in the same way as all the media that frame it, as a mechanism of representation in its own right. With modernity, the site of architectural production literally moved from the street into photographs, films, publications, and exhibitions--a displacement that presupposes a new sense of space, one defined by images rather than walls. This age of publicity corresponds to a transformation in the status of the private, Colomina argues; modernity is actually the publicity of the private. Modern architecture renegotiates the traditional relationship between public and private in a way that profoundly alters the experience of space. In a fascinating intellectual journey, Colomina tracks this shift through the modern incarnations of the archive, the city, fashion, war, sexuality, advertising, the window, and the museum, finally concentrating on the domestic interior that constructs the modern subject it appears merely to house.

    The architect Rem Koolhaas itemized in delirious detail how our cities are being overwhelmed. His celebrated jeremiad is updated here and twinned with Running Room, a fresh response from the cultural critic Hal Foster. Junkspace describes the bleak and featureless world of capitalism, while Running Room seeks to find a space within the junk in which the individual might still exist.

    Never before had the functional requirements and expressive capacities of architecture been tested so thoroughly and with such diversity of invention. Bergdoll traces this experimentation in a broad range of contexts, focusing in particular on the relation of architectural design to new theories of history, new categories of scientific inquiry, and the broadening audience for architecture in this period of transformation. Unlike traditional surveys with long lists of buildings and architects, the themes are elucidated by in-depth coverage of key buildings which in turn are situated in both their local and European context.

    King Alfred has been forced to flee from his winter court in Cippinhamm by Guthrum, self-styled King of the Danelaw and East Anglia, part of the great invasion force by the horde that will become known as the Vikings. Driven into the swamps of Somersetshire, Alfred spends a miserable winter at Athelney before finally feeling that the time is right to call the fyrd, the Saxon call to arms summoning the men of Westseaxe to rally to their King to drive the Danish invaders from their lands. Answering that call is young Titus of Cissanbyrig, a youth with an unusual name to go along with his unusual size and strength. Despite only being fourteen and that his village is under the control of Wulfhere, Ealdorman of Wiltshire who has sided with Guthrum, Titus decides to leave the only home he’s ever known, joining the call issued by the Lord of Wilton more than a dozen miles away, one of the nobles of Wiltshire who has remained faithful to the King. What drives Titus from his home is the enmity of his father, who blames him for Titus’ mother’s death in childbirth because of his size, but while he will never know it, the truth is more complex. Ultimately what sends young Titus on his first steps towards his destiny is his deep-seated, insistent belief that he’s not meant for a life behind the plow but for the sword, a conviction that has been passed to him across almost a millennium of time and distance, to a dusty Roman province in Spain, passed down by the man who was the first of his line, Titus Pomponius Pullus, Centurion of Rome. The Titus Chronicles-Eagle and Wyvern is the first of a new series by the author of the international bestselling Marching With Caesar series.

    Without help from her daughters dad she picks up a fast and easy job which turns out to be stripping at Hot Lips Night Club. Luckily while working at the club she meets a smooth, good looking, stand up guy by the name of Midnight. Midnight is a businessman and all he wants is a real woman by his side through it all. He admires An'yah and is willing to give her the good life she's been looking for and wanting, but by then An'yah only wanted to focus on what was important in her life. An'yah figured it was absolutely nothing wrong with having Midnight as a friend, especially if he was willing to break her off and help her when she needed it the most. But after a while she couldn't hide the feelings she had for him. He made it very hard to not want him as a soulmate, but after finding out that he's the plug, she questions if a relationship with him is a risk she was willing to take.

    A brief examination of the theory and practice of Renaissance architecture that draws attention to the values underlying this style