Born in China in 1943, she moved from Chongqing to Taiwan, Spain to Germany, the Canary Islands to Central America, and, for several years in the 1970s, to the Sahara.Stories of the Sahara invites us into Sanmao's extraordinary life in the desert: her experiences of love and loss, freedom and peril, all told with a voice as spirited as it is timeless.At a period when China was beginning to look beyond its borders, Sanmao fired the imagination of millions and inspired a new generation. With an introduction by Sharlene Teo, author of Ponti, this is an essential collection from one of the twentieth century's most iconic figures.

    Encompassing the spiritual, philosophical, political, mystical, and erotic strains that have emerged over millennia, this broadly representative selection also includes a preface on the art of translation, a general introduction to Chinese poetic form, biographical headnotes for each of the poets, and concise essays on the dynasties that structure the book. A landmark anthology, The Anchor Book of Chinese Poetry captures with impressive range and depth the essence of China’s illustrious poetic tradition.

    Featuring a beautifully diverse and inspirational set of voices from around the world, that includes some of today’s most influential modern poets, with additional contest winners chosen from 4,500 submissions, Crown Anthology is curated to be a light in the wild dark, illuminating the crown that exists in everyone.

    In its fifth edition, THE WADSWORTH ANTHOLOGY OF DRAMA broadens its scope to offer even more plays than ever before.

    Texts are in the original Middle English, and each has an introduction, detailed notes and a glossary. Selected titles are also available as CD recordings.

    An essay in poetic and philosophic criticism that bears mainly on the Russian masters, Tolstoy or Dostoevsky deals also with larger themes: the epic tradition extending from Homer to Tolstoy; the continuity of a "tragic world view" from Oedipus Rex to King Lear and The Brothers Karamazov; the contrasts between the epic and dramatic modes, between irreconcilably opposed views of God and of history."A must for the teacher, student, and intellectually serious reader."—Kirkus Reviews"This is a book that provides new and stimulating insight into the literary masterpieces and thought of the great Russian novelists. Moreover, in this work Steiner shows a great depth and breadth of literary knowledge and criticism that is not limited alone to the Russian writers under discussion but to writers of all genres and all literary periods."—Journal of Religion"His is a work of personal criticism, often ingenious, always deeply felt."—The New York Times"Brilliant, provocative, full of insights, this classic study still stands alone and unchallenged in modern criticism as a lucid and erudite study of the contrasting genius of Tolstoy and Dostoevsky. Steiner's book is a must for the student, scholar, or general reader who wishes to approach the Russian giants in their full literary and philosophical ambience."—Robert L. Jackson

    It's a city teeming with people, sights, sounds, and smells, and it's home to a group of foreign nationals who enjoy the good life among the local moneyed set, in a tight-knit social enclave distanced from the culture at large. Comfortable, clever, and even a bit dazzling, they revel in their fancy dinners and fun parties. But their sheltered lives take an abrupt turn after the Japanese occupation, and though their reactions are varied -- denial, resistance, submission -- the toll it takes on all is soon laid bare. Enter Claire Pendleton from London. Months after her husband is transferred to Hong Kong in 1951, she accepts a position as a piano teacher to the daughter of a wealthy couple, the Chens. Claire begins to see the appeal of the sweltering city and is soon taken in by the Chen's driver, the curiously underutilized Will Truesdale. A handsome charmer with a mysterious limp, Will appears to be the perfect companion for Claire, who's often left to her own devices. But a further examination leaves her with more questions than answers.An intricately woven tale of lives changed by historical events, Lee's debut brings this hothouse flower of a city alive with passion, and imagines characters both unforgettable and tragic.

    Kennedy, Groucho Marx, Charles Dickens, Katharine Hepburn, Mick Jagger, Steve Martin, Clementine Churchill, Ray Bradbury, Kurt Vonnegut and many more.

    For Blake, religion and politics, intellect and emotion, mind and body were both unified and in conflict with each other: his work is expressive of his personal mythology, and his methods of conveying it were integral to its meaning. There is no comparison with reading books such as Jerusalem, America, and Songs of Innocence and of Experience in Blake's own medium, infused with his sublime and exhilarating colors. Tiny figures and forms dance among the lines of the text, flames appear to burn up the page, and dense passages of Biblical-sounding text are brought to a jarring halt by startling images of death, destruction, and liberation. Blake's hope that his books would obtain wide circulation was unfulfilled: some exist only in unique copies and none was printed in more than very small numbers. Now, for the first time, the plates from the William Blake Trust's Collected Edition have been brought together in a single volume, with transcripts of the texts and an introduction by the noted scholar David Bindman. Includes: Jerusalem; Songs of Innocence and of Experience; All Religions are One; There is No Natural Religion; The Book of Thel; The Marriage of Heaven and Hell; Visions of the Daughters of Albion; America a Prophecy; Europe a Prophecy; The Song of Los Milton a Poem; The Ghost of Abel; On Homers Poetry and] On Virgil; Laocoon; The First Book of Urizen; The Book of Ahania; The Book of Los.

    The Scholars is the first Chinese novel of its scope not to borrow any characters from history or legend and it is the first work of satiric realism to achieve an almost complete disassociation from the religious beliefs of the people. Departing from the impersonal tradition of Chinese fiction, Wu abandons such established narrative formulas as folk songs and poetic verse in favor of autobiographical experiences, descriptive realism, and characters modeled after his friends and relatives — elements that combine to give this critique of the Confucian civil service system an unprecedented immediacy and humor.

    This bestseller balances a comprehensive and up-to-date anthology of major documents in literary criticism and theory — from Plato to the present — with the most thorough editorial support for understanding these challenging readings.

    A young poet named Liao Yiwu, who had up until then lead an apolitical bohemian existence, found his voice in that moment, and, like the solitary man who stood firmly in front of a line of tanks, Liao proclaimed his outrage—only his weapon would be his words. Liao's memoir, For a Song and a Hundred Songs, captures the four dehumanizing years he spent in jail for writing the incendiary poem "Massacre." Through the power and beauty of his prose, he reveals the brutal reality of crowded Chinese prisons—the harassment from guards and fellow prisoners, the torture, the conflicts among human beings in close confinement, and the boredom of everyday life. Hailed by Philip Gourevitch as "one of the most original and remarkable Chinese writers of our time," Liao presents a stark and devastating portrait of a nation in flux, exposing a side of China that outsiders rarely ever get to see. This honest account and witness to history will forever change the way you view the rising superpower of China.

    The history of Tolerance (or the lack thereof) in the history of man as described by one of the best popular historians of all time

    Alter takes the old yet simple step of reading the Bible as a literary creation.

    However, Burke's analysis of the relationship between emotion, beauty, and art form is now recognized as not only an important and influential work of aesthetic theory, but also one of the first major works in European literature on the Sublime, a subject that has fascinated thinkers from Kant and Coleridge to the philosophers and critics of today.