Everyone else goes to Arrowood.The Afghan War is over and a deal with the Irish appears to have brought an end to sectarian violence, but Britain's position in the world is uncertain and the gap between rich and poor is widening. London is a place where the wealthy party while the underclass are tempted into lives of crime, drugs and prostitution. A serial killer stalks the streets. Politicians are embroiled in financial and sexual scandals. The year is 1895.The police don't have the resources to deal with everything that goes on in the capital. The rich turn to a celebrated private detective when they need help: Sherlock Holmes. But in densely populated south London, where the crimes are sleazier and Holmes rarely visits, people turn to Arrowood, a private investigator who despises Holmes, his wealthy clientele and his showy forensic approach to crime. Arrowood understands people, not clues.

    The East India Company rules India - or most of it; and its most notorious and celebrated son, Xavier Mountstuart, has gone missing.William Avery, a down-at-heel junior officer in the Company's army, is sent to find him, in the unlikely company of the enigmatic and uncouth Jeremiah Blake. A more mismatched duo couldn't be imagined, but they must bury their differences as they are caught up in a search that turns up too many unanswered questions and seems bound to end in failure.What was it that so captivated Mountstuart about the Thugs, the murderous sect of Kali-worshippers who strangle innocent travellers by the roadside? Who is Jeremiah Blake and can he be trusted? And why is the whole enterprise shrouded in such secrecy?In the dark heart of Company India, Avery will have to fight for his very life, and in defence of a truth he will wish he had never learned.M. J. Carter is a former journalist and the author of two acclaimed works of non-fiction: Anthony Blunt: His Lives and The Three Emperors: Three Cousins, Three Empires and the Road to World War One.

    Her job is to summarize each day's new arrivals, a task she finds both fascinating and routine. That is, until the day she has a vision of the newest body, a young woman, being murdered--from the perspective of the murderer himself.When the body of another woman is retrieved from the Seine days later, Paris begins to buzz with rumors that this victim may not be the last. Nathalie's search for answers sends her down a long, twisty road involving her mentally ill aunt, a brilliant but deluded scientist, and eventually into the Parisian Catacombs. As the killer continues to haunt the streets of Paris, it becomes clear that Nathalie's strange new ability may make her the only one who can discover the killer's identity--and she'll have to do it before she becomes a target herself.

    The state-of-the-art facility is located in a medieval mountaintop castle outside of Prague, though the site is infamous for concealing dark secrets going back many generations. The asylum houses the country's six most treacherous killers--known to the staff as The Woodcutter, The Clown, The Glass Collector, The Vegetarian, The Sciomancer, and The Demon--and Viktor hopes to use a new medical technique to prove that these patients share a common archetype of evil, a phenomenon known as The Devil Aspect. As he begins to learn the stunning secrets of these patients, five men and one woman, Viktor must face the disturbing possibility that these six may share another dark truth. Meanwhile, in Prague, fear grips the city as a phantom serial killer emerges in the dark alleys. Police investigator Lukas Smolak, desperate to locate the culprit (dubbed Leather Apron in the newspapers), realizes that the killer is imitating the most notorious serial killer from a century earlier--London's Jack the Ripper. Smolak turns to the doctors at Hrad Orlu for their expertise with the psychotic criminal mind, though he worries that Leather Apron might have some connection to the six inmates in the asylum. Steeped in the folklore of Eastern Europe, and set in the shadow of Nazi darkness erupting just beyond the Czech border, this stylishly written, tightly coiled, richly imagined novel is propulsively entertaining, and impossible to put down.

    He recruits his unwanted protégé Thomas Clarady to do the tiresome legwork. The son of a privateer, Clarady will do anything to climb the Elizabethan social ladder. Bacon's powerful uncle Lord Burghley suspects Catholic conspirators of the crime, but other motives quickly emerge. Rival barristers contend for the murdered man's legal honors and wealthy clients. Highly-placed courtiers are implicated as the investigation reaches from Whitehall to the London streets. Bacon does the thinking; Clarady does the fencing. Everyone has something up his pinked and padded sleeve. Even the brilliant Francis Bacon is at a loss — and in danger — until he sees through the disguises of the season of Misrule.

    For the serf, it is surely worth fighting for. But is it worth dying for?Arriving home disillusioned from the Crusades, Hugh DeLuc discovers that his village has been ransacked and his wife abducted. The dark riders came in the dead of night, like devils, wearing no colours but black crosses on their chests, leaving no clue as to who they are. Knights they may be, but honour and chivalry are not part of their code. They search for a relic, one worth more than any throne in Europe, and no man can stand in their way. Until Hugh, taking on the role of a jester, is able to infiltrate the enemy's castle where he believes his wife is being held captive.And when a man is fighting for freedom - for his wife, and for everything he holds dear - he will prove a formidable opponent.

    Conspirators plot an assassination, while mysterious, violent death stalks the shadowy cloisters of the Abbey of St Hilda. When the Abbess Etain, a leading speaker for the Celtic Church, is found murdered suspicion inevitably rests on the Roman faction.Attending the Synod is Fidelma, of the community of St Brigid of Kildare. As an advocate of the Brehon Court, she is called on to investigate the murder with Brother Eadulf, of the Roman faction. However, the two are so unlike that their partnership is described as that of a wolf and a fox - but which is which?More gruesome deaths follow and the friction among the clerics could end in civil war. Can the solution to the mysteries avert such a conflict?

    It smelt of time and decay, sour, like old books and parchments. The light from the chapel's stained glass window blushed red upon it, and upon my hands, as if the thing itself radiated a bloody glow.Ramshackle and crumbling, trapped in the past and resisting the future, St Saviour's Infirmary awaits demolition. Within its stinking wards and cramped corridors the doctors bicker and fight. Ambition, jealousy and hatred seethe beneath the veneer of professional courtesy. Always an outsider, and with a secret of her own to hide, apothecary Jem Flockhart observes everything, but says nothing.And then six tiny coffins are uncovered, inside each a handful of dried flowers and a bundle of mouldering rags. When Jem comes across these strange relics hidden inside the infirmary's old chapel, her quest to understand their meaning prises open a long-forgotten past - with fatal consequences.In a trail that leads from the bloody world of the operating theatre and the dissecting table to the notorious squalor of Newgate and the gallows, Jem's adversary proves to be both powerful and ruthless. As St Saviour's destruction draws near, the dead are unearthed from their graves whilst the living are forced to make impossible choices. And murder is the price to be paid for the secrets to be kept.

    The science of forensics is in its infancy but a few detectives – Trevor Welles among them – recognize that they are dealing with a different sort of killer, a “modern criminal” who chooses his victims at random. If Jack is to be caught, he won’t be caught with Scotland Yard’s normal methods of deduction for there is no logic to this madness. The question is no longer “Why was the victim killed?” but rather “How was the victim killed?” For the first time in the history of detection, science is trumping deductive reasoning.When a twist of fate puts Trevor in charge of the case, he hastily assembles Scotland Yard’s first forensics team: Davy Mabrey, the first bobby on the scene of the grisliest of the murders, whose working class common sense proves an invaluable asset, Rayley Abrams, a cautious intellectual whose future at the Yard is marginalized due to his Jewish heritage, Tom Bainbridge, a medical student with aristocratic connections and a secret drinking problem, and Emma Kelly, sister of the Ripper’s last victim who has a troubled past and a gift for linguistics. The team finds an unlikely ally in the form of Queen Victoria herself, who takes an unusual level of interest in the Ripper case and secretly funds the unit. But will they stop Jack in time to spare Leanna Bainbridge, the young heiress with whom Trevor has fallen madly and improbably in love?While City of Darkness takes place in London, its sequel, City of Light, will travel to Paris on the eve of the Exposition Universalle, the ultimate World’s Fair which debuted Edison’s phonograph, Buffalo Bill’s Wild West Show, and the Eiffel Tower The third book, City of Silence, will take place in St. Petersburg where Victoria’s beloved granddaughter Alexandria is on the verge of marrying the young czar Nicolas, much to her grandmother’s dismay. Throughout the series the Scotland Yard forensics team, which serves as a sort of Victorian-era CSI, will circle the world to investigate high-profile cases, most often at the urging of the Queen.

    Accepting a job at a debt collection agency seems a step toward a more tranquil life. But as she follows up on a routine loan to Romana Laszlo, a pregnant Hungarian refugee who's recently come off the train from London, Mirabelle's instincts for spotting deception are stirred when the woman is reported dead, along with her unborn child. After encountering a social-climbing doctor with a sudden influx of wealth and Romana's sister, who seems far from bereaved and doesn't sound Hungarian, Mirabelle decides to dig deeper into the suspicious circumstances surrounding the death. Aided by her feisty sidekick—a fellow office worker named Vesta Churchill ("no relation to Winston," as she explains)—Mirabelle unravels a web of evil that stretches from the Brighton beachfront to the darkest corners of Europe. Putting her own life at risk, she must navigate a lethal labyrinth of lies and danger to expose the truth.

    Suspicion instantly falls on the only stranger to arrive in the village of Birch Hill just before the crime took place, but the American captain proves to be an unexpected asset. A former soldier and a skilled surgeon, Jason Redmond is not only willing to assist Haze with the investigation but will risk his own safety to apprehend the killer. With no suspects, no motive, and few leads to follow, Redmond and Haze must solve the crime before one of them becomes the murderer’s next victim. Murder in the Crypt is the exciting first installment of this Victorian murder mystery series set in a quaint British village.

    When newly appointed Deputy Marshal Archie Lean is called in to investigate a prostitute's murder in Portland, Maine, he's surprised to find the body laid out like a pentagram and pinned to the earth with a pitchfork.  He's even more surprised to learn that this death by "sticking" is a traditional method of killing a witch.      Baffled by the ritualized murder scene, Lean secretly enlists the help of historian Helen Prescott and brilliant criminalist Perceval Grey.  Distrusted by officials because of his mixed Abenaki Indian ancestry, Grey is even more notorious for combining modern investigative techniques with an almost eerie perceptiveness.  Although skeptical of each other's methods, together the detectives pursue the killer's trail through postmortems and opium dens, into the spiritualist societies and lunatic asylums of gothic New England.      Before the killer closes in on his final victim, Lean and Grey must decipher the secret pattern to these murders--a pattern hidden within the dark history of the Salem witch trials.

    After learning that one of his great aunt’s beloved and rare white bulldogs has been poisoned, the Orthodox bishop knows there is only one detective clever enough to investigate the murder: Sister Pelagia.The bespectacled, freckled Pelagia is lively, curious, extraordinarily clumsy, and persistent. At the estate in question, she finds a whole host of suspects, any one of whom might have benefited if the old lady (who changes her will at whim) had expired of grief at the pooch’s demise. There’s Pyotr, the matron’s grandson, a nihilist with a grudge who has fallen for the maid; Stepan, the penniless caretaker, who has sacrificed his youth to the care of the estate; Miss Wrigley, a mysterious Englishwoman who has recently been named sole heiress to the fortune; Poggio, an opportunistic and freeloading “artistic” photographer; and, most intriguingly, Naina, the old lady’s granddaughter, a girl so beautiful she could drive any man to do almost anything.As Pelagia bumbles and intuits her way to the heart of a mystery among people with faith only in greed and desire, she must bear in mind the words of Saint Paul: “Beware of dogs–and beware of evil-doers.”

    Some welcome these inquisitive royal agents and their "day of judgment." Others hate them. But wherever the king's men go they bring excitement, and sometimes murder....In ancient Bedwyn town, the king's Domesday researchers are suddenly faced with the violent death of the very man whose claims have drawn them there--a wealthy miller, savaged by a wolf in Savernake Forest.Now two clever king's men, soldier Ralph Delchard and lawyer Gervase Bret, must investigate not only questionable land claims but the miller's death as well. Have well-fed monks of Bedwyn Abbey somehow contrived the man's demise? Has his soft-eyed wife betrayed him? Is the dreaded Savernake wolf the familiar of the town witch, or is it the hound of heaven? No one knows except a dead man...."A story that invites comparison to the crystalline novels of Ellis Peters."--Kirkus Reviews

    But whoever this nameless woman was, and whatever befell her, is knowledge lost to another time. . . . Boston, 1830: In order to pay for his education, Norris Marshall, a talented but penniless student at Boston Medical College, has joined the ranks of local “resurrectionists”–those who plunder graveyards and harvest the dead for sale on the black market. Yet even this ghoulish commerce pales beside the shocking murder of a nurse found mutilated on the university hospital grounds. And when a distinguished doctor meets the same grisly fate, Norris finds that trafficking in the illicit cadaver trade has made him a prime suspect. To prove his innocence, Norris must track down the only witness to have glimpsed the killer: Rose Connolly, a beautiful seamstress from the Boston slums who fears she may be the next victim. Joined by a sardonic, keenly intelligent young man named Oliver Wendell Holmes, Norris and Rose comb the city–from its grim cemeteries and autopsy suites to its glittering mansions and centers of Brahmin power–on the trail of a maniacal fiend who lurks where least expected . . . and who waits for his next lethal opportunity.