Her American grandmother's love affair with an Iranian physician took her from New York to Iran in 1931. Ardalan herself moved from San Francsico to rural Iran in 1964 with her Iranian American parents who barely spoke Farsi. After her parents' divorce, Ardalan joined her father in Brookline, Massachusetts, where he had gone to make a new life; however improbably, after high school, Ardalan decided to move back to an Islamic Iran. When she arrived, she discovered a world she hardly recognized, and one which demands a near-complete renunciation of the freedoms she experienced in the West. In time, she and her young family make the opposite migration and discover the difficulties, however paradoxical, inherent in living a free life in America.

    Threatened by the draft in the late sixties, he enlisted in the Army to avoid becoming a grunt, yet ended up one anyway. He endured a grueling war in Vietnam and then returned to a country too angry to care. While his journey took unexpected turns, his choices got him there, so he did his best to react positively and keep moving forward.Udden delivers his story in a comfortable, friendly style. He conveys the experiences of basic training, advanced infantry training, and what it was like to live, work, guard, patrol, and fight in the jungle. The reader will feel the adrenalin rush of a firefight, the thrill of a wild ride dangling below a helicopter, and the humor in celebrating his 21st birthday on a firebase.Through his words and personal photographs, you will live through his journey exactly as he experienced it.

    More than thirty years after Khomeini’s return to Tehran and the subsequent rebirth of Iran as an Islamic Republic, Khomeini’s Ghost offers an intimate, richly detailed portrait of the fundamentalist leader and architect of Iran’s adversarial relationship with the West—a man whose legacy has influenced history and policy, and will continue to do so for generations to come.

    To make this point, these essays focus on the "woman question" in the Middle East (most particularly in Egypt and Iran), especially at the turn of the century, when gender became a highly charged nationalist issue tied up in complex ways with the West. The last two decades have witnessed an extraordinary burst of energy and richness in Middle East women's studies, and the contributors to this volume exemplify the vitality of this new thinking. They take up issues of concern to historians and social thinkers working on the postcolonial world. The essays challenge the assumptions of other major works on women and feminism in the Middle East by questioning, among other things, the familiar dichotomy in which women's domesticity is associated with tradition and modernity with their entry into the public sphere. Indeed, Remaking Women is a radical challenge to any easy equation of modernity with progress, emancipation, and the empowerment of women.The contributors are Lila Abu-Lughod, Marilyn Booth, Deniz Kandiyoti, Khaled Fahmy, Mervat Hatem, Afsaneh Najmabadi, Omnia Shakry, and Zohreh T. Sullivan.The book is introduced by the editor with a piece called "Feminist Longings and Postcolonial Conditions," which masterfully interfaces the critical studies of feminism and modernism with scholarship on South Asia and the Middle East.

    In a nation on the cusp of modernity, women actively participated. They were given the right to vote and free to be in public without veils. They wore miniskirts on university campuses. Then came the Islamic Revolution in 1979, with Ayatollah Khomeini at the helm. The burgeoning freedoms for women were extinguished. The veil was required and institutions were segregated by gender. The Islamic Republic had thus achieved its goal of resurrecting the image of the traditional Muslim woman."This book shatters the stereotypical assumptions and the often misunderstood story of women in Iran today. Highlighting many courageous female leaders and advocates throughout Iran's history, the book illuminates the unanticipated consequences of the Islamic Revolution and the unexpected twists and turns leading to a full-blown feminist movement within a post-revolutionary patriarchal society.100% of all proceeds from the sale of the book will go to charitable organizations and institutions, with the primary recipient being the OMID Foundation, a 501(c)(3) registered organization that has been empowering disadvantaged young women for over 10 years. For more information on the OMID Foundation, please visit the omidfoundation.com.

    Sayed Ammar Nashawani's lectures on the biographies of the fourteen infallible figures in Shi'a Islam.An invaluable resource that represents a Shi'a view of the history of Islam, the Prophet and Imams for the present day audience. This excellent book will be of benefit to many in understanding the true nature of Islam and also illustrate how the illustrious figures as representing and manifesting universal human values that can serve humanity at large

    The 1979 Islamic revolution in Iran was one of the seminal events of our time. It inaugurated more than thirty years of war in the Middle East and fostered an Islamic radicalism that shapes foreign policy in the United States and Europe to this day. Drawing on his lifetime of engagement with Iran, James Buchan explains the history that gave rise to the Revolution, in which Ayatollah Khomeini and his supporters displaced the Shah with little diffi­culty. Mystifyingly to outsiders, the people of Iran turned their backs on a successful Westernized government for an amateurish religious regime. Buchan dispels myths about the Iranian Revolution and instead assesses the historical forces to which it responded. He puts the extremism of the Islamic regime in perspective: a truly radical revolution, it can be compared to the French or Russian Revolu­tions. Using recently declassified diplomatic papers and Persian-language news reports, diaries, memoirs, interviews, and theological tracts, Buchan illumi­nates both Khomeini and the Shah. His writing is always clear, dispassionate, and informative. The Iranian Revolution was a turning point in modern history, and James Buchan’s Days of God is, as London’s Independent put it, “a compelling, beautifully written history” of that event.

    Their collective goal is to counter the many existing cultural and political clich�s about Iran. Some of the pieces concern feminism, sexuality, or eroticism under the Islamic Republic; others are unorthodox political testimonies or about race and religion. Almost all these contributors have broken artistic and cultural taboos in their work.Journalist Reza Aslan, author of No God But God, explains why Iran is not a theocracy but, rather, a mullahcracy. Mehrangiz Kar, a lawyer and human rights activist who was jailed in Iran and is currently a fellow at Harvard's Kennedy School of Government, argues that the Iranian Revolution actually engendered the birth of feminism in Iran. Journalist Azadeh Moaveni reveals the underground parties and sex culture in Tehran, while Gelareh Asayesh, author of Saffron Sky, writes poignantly on why Iranians are not considered white in America, even though they think they are. Poet and writer Naghmeh Zarbafian expounds on the surreal experience of reading censored books in Iran, while Roya Hakakian, author of Journey from the Land of No: A Girlhood Caught in Revolutionary Iran, recalls the happy days of Iranian Jews. With a sharp, incisive introduction by Lila Azam Zanganeh, this diverse collection will alter what you thought you knew about Iran.My Sister, Guard Your Veil; My Brother, Guard Your Eyes aims to corrode fixed ideas and turns cultural and political clich�s on their heads . . . Iranians themselves live in a complex and schizophrenic reality, at a surreal crossroads between political Islam and satellite television, massive national oil revenues, and searing social inequalities.--From the Introduction by Lila Azam ZanganehContributors include: Azar Nafisi, author of the best-selling Reading Lolita in Tehran, Marjane Satrapi, author of Persepolis, Shirin Neshat, internationally acclaimed visual artist, Abbas Kiarostami, award-winning filmmaker of Taste of Cherry, Shohreh Aghdashloo, Oscar nominee for House of Sand and Fog, Azadeh Moaveni, author of Lipstick Jihad

    Elaine Sciolino updates Persian Mirrors to include coverage of the 2005 presidential election in Iran. As a correspondent for Newsweek and The New York Times, Sciolino has had more experience covering revolutionary Iran than any other American reporter. She was aboard the airplane that took Ayatollah Ruhollah Khomeini to Tehran in 1979 and was there for the revolution, the hostage crisis, the Iran-Iraq war, the rise of President Khatami, the riots of 1999, and the crisis over Iran's nuclear program. In Persian Mirrors, Sciolino takes us into the public and private spaces of Iran, uncovering an alluring and seductive nation where a great battle is raging -- not for control over territory, but for the soul of its people.

    Known today as Tell Abu Shahrain or in the ancient world as Eridu, this site contains some of best examples of the Ubaid culture, and it was one of the first urban centers of civilization in southern Mesopotamia, if not the first itself. Many famous stories came from the mythical landscapes of Iraq’s deep south. In the literature of ancient Sumer, Eridu was regarded as the primordial city, the first urban center, believed to have existed long before the great mythical Flood that wiped out human culture in the Book of Genesis and other earlier traditions. It was to places like this that Western explorers first came in the 19th century, searching for the origins of the lands which the Bible described as the cradle of the human race. In doing so, they discovered that Eridu was also a real place. The astonishing site is located about 8 miles southwest of the Sumerian city of Ur, and when it was first excavated in the mid-19th century, Western archaeologists were confused as to how a city as large as this could have existed in such a vast and waterless desert. But Eridu is positioned on the edge of the great alluvial plain of Sumer, a wild and beautiful marshland where the Tigris and the Euphrates meet. This was the Biblical “Garden of Eden”, an ancient landscape that was renowned for its fertility in the past. To many Westerners, Iraq’s history and culture were a blank before 1991, but ironically, as war engulfed the region, it helped underscore the importance and influence of the area on Western civilization. It was here, in the ferocious landscape of south Iraq, old Sumer, that the first laws, science, and cities came into being. Eridu is a place of extraordinary significance for the study of the earliest stages of civilization in history, and it is one of the best examples of cultural continuity in Mesopotamia, from the earliest prehistoric stages in which settlements emerged to the later historic periods. Eridu had a special status, not as the residence of a ruling dynasty of kings but for its religious significance; a series of temples were built there, devoted to the patron god of the city, Enki. Each one was built upon the ruins of its predecessor, and each one represents the architectural, religious, and social changes that occurred at the site throughout its history. Eridu: The History and Legacy of the Oldest City in Ancient Mesopotamia examines the tumultuous history of one of the most important cities of antiquity. Along with pictures depicting important people, places, and events, you will learn about Eridu like never before.

    Mernissi recounts the extraordinary stories of fifteen queens and reflects on the implications for the ways in which politics is practiced in Islam today, a world in which women are largely excluded from the political domain.

      In 1979, seemingly overnight—moving at a clip some thirty years faster than the rest of the world—Iran became the first revolutionary theocracy in modern times. Since then, the country has been largely a black box to the West, a sinister presence looming over the horizon. But inside Iran, a breathtaking drama has unfolded since then, as religious thinkers, political operatives, poets, journalists, and activists have imagined and reimagined what Iran should be. They have drawn as deeply on the traditions of the West as of the East and have acted upon their beliefs with urgency and passion, frequently staking their lives for them.   With more than a decade of experience reporting on, researching, and writing about Iran, Laura Secor narrates this unprecedented history as a story of individuals caught up in the slipstream of their time, seizing and wielding ideas powerful enough to shift its course as they wrestle with their country’s apparatus of violent repression as well as its rich and often tragic history. Essential reading at this moment when the fates of our countries have never been more entwined, Children of Paradise will stand as a classic of political reporting; an indelible portrait of a nation and its people striving for change.

    This book should be required reading for the Left in the West who have mistakenly started believing that Islamists represent some sort of anti-imperialism.

    The short life of the DeLorean DMC-12 sports car – a vision of the future with its gullwing doors and stainless steel body – began after John DeLorean secured financial backing from the British government for his car-making venture in Northern Ireland. Four years and nearly 9,000 cars later the company went bust and DeLorean faced questions about fraud against the British taxpayer, and his big ally, Colin Chapman of Lotus, also drew scrutiny. As an insider’s account, this book contains a great deal of new information about the DeLorean scandal.

    This book examines the sources of royal women's power and assesses the reactions of contemporaries, which ranged from loyal devotion to armed opposition. By examining political action in the context of household networks, Leslie Peirce demonstrates that female power was a logical, indeed an intended, consequence of political structures. Royal women were custodians of sovereign power, training their sons in its use and exercising it directly as regents when necessary. Furthermore, they played central roles in the public culture of sovereignty--royal ceremonial, monumental building, and patronage of artistic production. The Imperial Harem argues that the exercise of political power was tied to definitions of sexuality. Within the dynasty, the hierarchy of female power, like the hierarchy of male power, reflected the broader society's control for social control of the sexually active.