A rich and emotionally resonant collection of twelve stories of hope, momentary joy, and powerful endurance.

    Davis • Jennifer Egan • Carolyn Ferrell • Mary Gordon • Cristina Henríquez • Samantha Hunt •Binnie Kirshenbaum • Dika Lam • Caitlin Macy • Francine Prose • Holiday Reinhorn • Roxana Robinson • Curtis Sittenfeld • Lynne Tillman • Martha Witt Chick lit: A genre of fiction that often recycles the following plot: Girl in big city desperately searches for Mr. Right in between dieting and shopping for shoes. Girl gets dumped (sometimes repeatedly). Girl finds Prince Charming. This Is Not Chick Lit is a celebration of America’s most dynamic literary voices, as well as a much needed reminder that, for every stock protagonist with a designer handbag and three boyfriends, there is a woman writer pushing the envelope of literary fiction with imagination, humor, and depth. The original short stories in this collection touch on some of the same themes as chick lit–the search for love and identity–but they do so with extraordinary power, creativity, and range; they are also political, provocative, and, at turns, utterly surprising. Featuring marquee names as well as burgeoning talents, This Is Not Chick Lit will nourish your heart, and your mind. “This Is Not Chick Lit is important not only for its content, but for its title. I’ll know we’re getting somewhere when equally talented male writers feel they have to separate themselves from the endless stream of fiction glorifying war, hunting and sports by naming an anthology This Is Not a Guy Thing.”–Gloria Steinem“These voices, diverse and almost eerily resonant, offer us a refreshing breath of womanhood-untamed, ungroomed, and unglossed.”–ELLE

    It’s easy money, and a chance to return to his hometown for his first visit in years. The app itself seems like a retread of old ideas—relaxing white noise and guided meditations. But then there are the “Sleep Songs.” A woman’s hauntingly beautiful voice sings a ballad that is anything but soothing—it’s disturbing, really, more of a warning than a relaxation—but it works. Deep, refreshing sleep follows. So do nightmares. Vivid and chilling, they feature a dead woman who calls Nick by name and whispers guidance—or are they threats? And soon her voice follows him long after the song is done. As the effects of the nightmares begin to permeate his waking life, Nick makes a terrifying discovery: no one involved with Clarity has any interest in his article. Their interest is in him. Because while he might not have any memory of it, he’s one of twenty people who have heard this sinister song before and the only one who is still alive.

    Though her death is ruled a suicide, veteran investigative journalist Scott McGrath suspects otherwise. As he probes the strange circumstances surrounding Ashley's life and death, McGrath comes face-to-face with the legacy of her father: the legendary, reclusive cult-horror film director Stanislaus Cordova--a man who hasn't been seen in public for more than thirty years. For McGrath, another death connected to this seemingly cursed family dynasty seems more than just a coincidence. Though much has been written about Cordova's dark and unsettling films, very little is known about the man himself. Driven by revenge, curiosity, and a need for the truth, McGrath, with the aid of two strangers, is drawn deeper and deeper into Cordova's eerie, hypnotic world. The last time he got close to exposing the director, McGrath lost his marriage and his career. This time he might lose even more.

    Groff transports the reader, then jolts us alert with a crackle of wit, a wave of sadness, a flash of cruelty, as she writes about loneliness, rage, family, and the passage of time. With shocking accuracy and effect, she pinpoints the moments and decisions and connections behind human pleasure and pain, hope and despair, love and fury—the moments that make us alive.

    Others will bring you to tears. And once again, every one of them will keep you spellbound.Contents:Stuck on YouThe Queen’s Birthday TelegramHigh Heels 4. Blind DateWhere There’s a WillDouble-Cross‘I Will Survive’A Good EyeMembers OnlyThe Undiplomatic DiplomatThe Luck of the IrishPolitically CorrectBetter the Devil You KnowNo Room at the InnCaste-Off

     Teenage girls sneak out on a summer night to meet their boyfriends by the train tracks. A woman escapes suffocating grief through a vivid fantasy life. Members of a cult form an unsettling chorus as they extol their passion for the same man. A love story begins over cabbages in a grocery store. A laundress' life is consumed by obsession for a famous baseball player. Two high school friends kiss all night and binge-watch Winona Ryder movies after the death of a sister. Leesa Cross-Smith's sensuous stories will drench readers in nostalgia for summer nights and sultry days, the intense friendships of teenage girls, and the innate bonds felt between women. She evokes the pangs of loss and motherhood, the headiness and destructive potential of desire, and the pure exhilaration of being female. The stories in So We Can Glow--some long, some gone in a flash, some told over text and emails--take the wild hearts of girls and women and hold them up so they can catch the light.We, moons --The Great Barrier Reef is dying but so are we --Unknown legend --Low, small --A tennis court --Tim Riggins would've smoked --Surreptitious, canary, chamomile --Winona forever --Girlheart cake with glitter frosting --Fast as you --Chateau Marmont, champagne, Chanel --Bearish --All that smoke howling blue --Pink bubblegum and flowers --Knock out the heart lights so we can glow --Get rowdy --Re: little doves --Out of the strong, something sweet --The lengths --Small and high up --Small are dark, some are light, summer melts --Bright --Dark and sweaty and dirty --Home safe --Teenage dreams time machine --Rope burns --Get Faye & Birdie --The Darl Inn --You should love the right things --And down we go! --Crepuscular --Stay and stay and stay --Two cherries under a lavender moon --When it gets warm --Boy smoke --Dandelion light --California, keep us --Cloud report --Downright --You got me --Eine kleine nachmusik --A girl has her secrets --Vincent

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster

    It is the home of Edmund Stearn and his family – a historian, scholar and land-owner, he's an upstanding member of the local community. But all is not well at Wake's End. Edmund dominates his family tyrannically, in particular daughter Maud. When Maud's mother dies in childbirth and she's left alone with her strict, disciplinarian father, Maud's isolation drives her to her father's study, where she happens upon his diary.During a walk through the local church yard, Edmund spots an eye in the undergrowth. His terror is only briefly abated when he discovers its actually a painting, a 'doom', taken from the church. It's horrifying in its depiction of hell, and Edmund wants nothing more to do with it despite his historical significance. But the doom keeps returning to his mind. The stench of the Fen permeates the house, even with the windows closed. And when he lies awake at night, he hears a scratching sound – like claws on the wooden floor...Wakenhyrst is a terrifying ghost story, an atmospheric slice of gothic, a brilliant exploration of the boundaries between the real and the supernatural, and a descent into the mind of a psychopath.

    Then one day Jane finds an envelope containing a fifty-dollar bill and a note instructing her to "Look homeward, angel." Jane pulls a copy of the Thomas Wolfe novel of that title off the shelf and finds a second envelope. This one contains a hundred-dollar bill and another clue. Both are signed, "MOG (Master of Games)." But this is no ordinary game. As it goes on, it requires more and more of Jane's ingenuity, and pushes her into actions that she knows are crazy, immoral or criminal--and it becomes continually more dangerous. More than once, Jane must fight for her life, and she soon learns that MOG won't let her quit this game. She'll have to play to the bitter end.

    She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

    For years it has remained empty, overgrown, abandoned. Soon the door will be opened for the first time in decades. But something is waiting, lurking in the shadows, anxious to meet its new guests…When best-selling horror author Sam McGarver is invited to spend Halloween night in one of the country’s most infamous haunted houses, he reluctantly agrees. At least he won’t be alone; joining him are three other masters of the macabre, writers who have helped shape modern horror. But what begins as a simple publicity stunt will become a fight for survival. The entity they have awakened will follow them, torment them, threatening to make them a part of the bloody legacy of Kill Creek.

    ClubA Washington Post Notable BookAn NPR Great Read of 2013From the author of the novel Swamplandia!—a finalist for the Pulitzer Prize—comes a magical and uniquely daring collection of stories that showcases the author’s gifts at their inimitable best. Within these pages, a community of girls held captive in a Japanese silk factory slowly transmute into human silkworms and plot revolution; a group of boys stumble upon a mutilated scarecrow that bears an uncanny resemblance to a missing classmate that they used to torment; a family’s disastrous quest for land in the American West has grave consequences; and in the marvelous title story, two vampires in a sun-drenched lemon grove try to slake their thirst for blood and come to terms with their immortal relationship.Vampires in the lemon grove --Reeling for the Empire --Seagull army descends on Strong Beach, 1979 --Proving up --Barn at the end of our term --Dougbert Shackleton's rules for Antarctic tailgating --New veterans --Graveless doll of Eric Mutis

    Now Megan Mayhew Bergman, author of Birds of a Lesser Paradise, resurrects these women, lets them live in the reader's imagination, so we can explore their difficult choices. Nearly every story in this dazzling collection is based on a woman who attained some celebrity—she raced speed boats or was a conjoined twin in show business; a reclusive painter of renown; a member of the first all-female, integrated swing band. We see Lord Byron's illegitimate daughter, Allegra; Oscar Wilde's troubled niece, Dolly; West With the Night author Beryl Markham; Edna St. Vincent Millay's sister, Norma. These extraordinary stories travel the world, explore the past (and delve into the future), and portray fiercely independent women defined by their acts of bravery, creative impulses, and sometimes reckless decisions.The world hasn't always been kind to unusual women, but through Megan Mayhew Bergman's alluring depictions they finally receive the attention they deserve. Almost Famous Women is a gorgeous collection from an "accomplished writer of short fiction" (Booklist).

    Its arteries run throughout the country. Its lifeblood flows into Westminster, into Scotland Yard, into every village and every city. It flows into you, and into your mother. It keeps you alive. It makes you feel safe. Those same arteries tangle you up and night and make it hard for you to breathe. But come morning, you thank it for what it has done for you, and you sip from its golden cup, and kiss its perfect feet, and you know that all will be right in this godforsaken world as long as it is there to watch over you.Three years ago, Alice spent one night in an abandoned house with her friends Ila and Hannah. Since then, things have not been going well. Alice is living a haunted existence, selling videos of herself cleaning for money, going to parties she hates, drinking herself to sleep. She hasn’t spoken to Ila since they went into the House. She hasn’t seen Hannah either. Memories of that night torment her mind and her flesh, but when Ila asks her to return to the House, past the KEEP OUT sign, over the sick earth where teenagers dare each other to venture, she knows she must go. Together Alice and Ila must face the horrifying occurrences that happened there, must pull themselves apart from the inside out, put their differences aside, and try to rescue Hannah, who the House has chosen to make its own. Cutting, disruptive, and darkly funny, Tell Me I’m Worthless is a vital work of trans fiction that confronts both supernatural and real-world horrors as it examines the devastating effects of trauma and the way fascism makes us destroy ourselves and each other.