This moving and insightful bestseller, based on in-depth interviews with 135 women, explains why they feel this way. Updated with a new preface exploring how the authors' collaboration and research developed, this tenth anniversary edition addresses many of the questions that the authors have been asked repeatedly in the years since Women's Ways of Knowing was originally published.

    Ruth, saved by safety nets, leaves the city. Kari, saved by a sewer, crawls back into the fray of the living. She writes ad copy for hair products and ill-fitting lingerie, falls for cats and roadside urchins, and the occasional adventuress in a restaurant. As Danger Chhori, her PVC-suit-clad alter ego, she unclogs sewers and observes the secret lives of people and fruit. And with Angel, Lazarus, and the girls of Crystal Palace forming the chorus to her song, she explores the dark heart of Smog City – loneliness, sewers, sleeper success, death – and the memory of her absentee Other. Sensuously illustrated and livened by wry commentaries on life and love, Kari gives a new voice to graphic fiction in India.

    But along the way, the feminist pioneer's searing dissents and steely strength have inspired millions. Notorious RBG: The Life and Times of Ruth Bader Ginsburg, created by the young lawyer who began the Internet sensation and an award-winning journalist, takes you behind the myth for an intimate, irreverent look at the justice's life and work. As America struggles with the unfinished business of gender equality and civil rights, Ginsburg stays fierce. And if you don't know, now you know.

    Diamond argues that for some women love and desire are not rigidly heterosexual or homosexual, but fluid, changing as women move through the stages of life, various social groups and, most importantly, different love relationships.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Surfacing is a work permeated with an aura of suspense, complex with layered meanings, and written in brilliant, diamond-sharp prose. Here is a rich mine of ideas from an extraordinary writer about contemporary life and nature, families and marriage, and about women fragmented... and becoming whole.

    He steadily grew his army from a humble contingent of 2,000 soldiers to a force of 100,000. Assisted by a disciplined military system, a well-structured administrative organization and a deeply traditional society, soon the Maratha force became the only military power of consequence against the Mughals in India.Including accounts of legendary encounters like those with the Adil-Shahi Sultanate and the menacing Aurangzeb, The Grand Rebel is an epic saga of an Indian warrior king whose tales of victory and valour have been inspiring the nation for centuries.

    

    Nearly a century ago it was the site of a gruesome murder which, to this day, resonates within its decaying walls.COMPASSION. REDEMPTION. IF SHE CAN FIND ONE, SHE CAN DELIVER THE OTHER.Tilly Bright is a girl with an extraordinary gift, one which she never wanted and which she has spent a lifetime trying to suppress. At twelve years old Tilly vowed she would never again set foot in her grandmother’s farmhouse. Never again would she allow her sensitive mind to be attacked and manipulated by the vengeful, hate-filled spirit that inhabits it. He is called The Shadow. Nothing remains of his humanity except for the rage that consumes him over his long-ago death.Upon her grandmother’s passing, however, Tilly has no choice—she must go back. Halloran Farm is now hers, as is a significant inheritance which is meant to help her restore the crumbling Victorian to its former beauty. It is what Gram wanted. And Tilly is no longer a frightened child unable to cope with a gift she does not understand. To fulfill Gram’s wishes, she will have to find within herself the strength to confront The Shadow. When she does, she will have to reconsider everything she thought she knew about her gift, about the dead, and about The Shadow himself.Even the most hateful spirits deserve compassion. For through it, they may find their way to redemption.

    A boy. A heir. To carry the family name and the company forward into the future. Instead I got you! Two daughters. Fit for nothing except to marry someone and walk away.”Kajal Rathore had walked out of her home and her father after that confrontation, making a life and living it on her own terms. Away from the archaic chauvinism that made her father reject her because she was not the son he wanted. Now her father’s flailing health has brought her back to her home. And to the company that had been in her family for generations. Once Kajal had had a dream of becoming a part of that company and now fates were handing over that dream. But to claim it, she will have to confront the father who denies her, the mother who never stood up for her, the sister who needs her and the man who wants her. “I want you to marry Kajal. I don’t..I can’t trust her with Rathore Industries. But I don’t have a choice. But if you are beside her, I would never have to worry. Marry her and the company would be yours.”Arjun Shekhawat was deeply indebted to his boss. The man who had been his godfather and his mentor. Refusing him was not on cards. Even when it was something as personal as marriage. After all, it was a win-win situation. But keeping the promise meant getting close to his boss’s daughter. Close enough to win her trust, to appreciate the person that she was and the secrets that surrounded her. Close enough to fall in love with her. And to realize that he had unwittingly agreed to become the weapon that would one day be used against her.

    While progressive political movements, including the Marxist and feminist movements, have fought for equal pay, better work conditions, and the recognition of unpaid work as a valued form of labor, even they have tended to accept work as a naturalized or inevitable activity. Weeks argues that in taking work as a given, we have “depoliticized” it, or removed it from the realm of political critique. Employment is now largely privatized, and work-based activism in the United States has atrophied. We have accepted waged work as the primary mechanism for income distribution, as an ethical obligation, and as a means of defining ourselves and others as social and political subjects. Taking up Marxist and feminist critiques, Weeks proposes a postwork society that would allow people to be productive and creative rather than relentlessly bound to the employment relation. Work, she contends, is a legitimate, even crucial, subject for political theory.

    Many of these works, long out of print or forgotten in what Miriam Schneir describes as a male-dominated literary tradition, are finally brought out of obscurity and into the light of contemporary analysis and criticism. Included are more than forty selections, coveting 150 years of writings on women's struggle for freedom -- from the American Revolution to the first decades of the twentieth century.This updated, wide-ranging collection encompasses the crucial issues of women's oppression. A surprising degree of continuity between the ideas of the old and the new feminism is evident throughout. In her selection, Miriam Schneir has by passed writings that deal exclusively with the outdated topic of suffrage in an effort to focus attention on the still unsolved feminist problems: marriage as an instrument of oppression; woman's desire to control her own body; the economic independence of women; the search for selfhood.This richly diverse collection contains excerpts from books, essays, speeches, documents, letters, as well as poetry, drama, and fiction. Extensive commentaries by the editor help the reader see the historical context of each selection.

    "Horror stories of eating disorders, self-mutilation, abusive relationships floated across the page," Shandler writes of Pipher's book on adolescent girls. "Pipher equated our contemporary adolescent experiences to Shakespeare's ill-fated Ophelia." Shandler identified with the emotional experiences described in the book. "However," she explains, "I did not feel simply spoken to, I felt spoken for."With courage and unselfconscious audacity, Shandler decided to speak for herself. She had her friends write reflections on subjects such as eating disorders, sex, drugs, and child abuse, and scored a book deal. With the help of her publisher, HarperPerennial, Shandler sent queries for firsthand adolescent accounts to high school principals across the country, asking them to enlist the help of English teachers, parents associations, school psychologists, etc. (This letter appears as Appendix A in the book.) Not too shabby for a kid who only recently started getting serious about studying, and drinking lots of coffee.Ophelia Speaks: Adolescent Girls Write About Their Search for Self is the result of Sara Shandler's crusade. Her goal was to bring real voice to Reviving Ophelia. She succeeds. The voices are raw and young and jarring -- sometimes adult-like, sometimes childlike, and more often both, like Shandler's voice.Shandler introduces each chapter -- "Intoxication," "Rape and Sexual Abuse," "Questions of Faith," "Diverse Sexualities," "Mothers, Feminist Pride," etc.-- with personal anecdotes of her own. Through these introductions, it becomes clear that Shandler is like any modern American teenager: She has experimented lightly with drugs, had sex at an early age (one month shy of 15), is mildly infatuated with her weight, and was at one point pretty depressed (as in, the thought of suicide once crossed her mind). Pretty run-of-the-mill teen stuff. Somehow it is surprising that nothing "worse" ever happened to Shandler. It seems too simple that her only motivation to complete this project was to help other teens feel less alone. Then again, maybe it is too simple to think that all books of this kind must be written by damaged teens or once-damaged teens.By definition, Shandler's carefully selected contributions are young words for young ears. But they are also an intense reminder for older ears: When all you have lived is 16 years, thinking once of suicide feels like the biggest thing ever. This is not to belittle Shandler's impressive compilation or her honesty. She is very, very honest. In a chapter entitled "Broken-Hearted Independence," she explains how she got through the tragedy of breaking up with her first love. "[W]ith our separation I forced myself to face the dependence that left me alone and broken with our breakup. That confrontation was frightening. I was not brave in the usual sense. I cried often and hard. But instead of lonely isolation, I read and wrote and thought and thought. I buried myself in Virginia Woolf and Alice Walker, Margaret Atwood and Maya Angelou, Sylvia Plath and Toni Morrison, and I wondered why women I had never met knew me so well. With these women I was not so alone anymore."Each entry in this book is this bare, this open. Which is why Ophelia Speaks works as a book for teens by teens, but also as a tool for parents who want to know -- or remind themselves -- of what lies just around the corner. (Alexandra Zissu)

    It all comes down to communication and this is one book that has no problem with telling it how it is.

    Comes complete with a color photo section of scenes from the movie and a bio of the renowned film score composer John Barry.