Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story 'Sardonicus', considered by Stephen King to be 'perhaps the finest example of the modern Gothic ever written', to Shirley Jackson's The Haunting of Hill House and stories by Ray Bradbury, Joyce Carol Oates, Ted Klein, and Robert E. Howard. These stunningly creepy deluxe hardcovers will be perfect additions to the shelves of horror, sci-fi, fantasy, and paranormal aficionados everywhere.Haunted CastlesHaunted Castles is the definitive, complete collection of Ray Russell's masterful Gothic horror stories, including the famously terrifying novella trio of 'Sardonicus', 'Sanguinarius', and 'Sagittarius'. The characters that sprawl through Haunted Castles are frightful to the core: the heartless monster holding two lovers in limbo; the beautiful dame journeying down a damned road toward depravity (with the help of an evil gypsy); the man who must wear his fatal crimes on his face in the form of an awful smile. Engrossing, grotesque, perverted, and completely entrancing, Russell's Gothic tales are the best kind of dreadful.RAY RUSSELL was born in 1924 in Chicago, Illinois, and served in the United States Air Force during World War II in the South Pacific. After the war, he attended the Chicago Conservatory of Music and eventually joined the editorial staff at Playboy, where he published such writers as Ray Bradbury, Kurt Vonnegut, Richard Matheson, Jack Finney, Robert Bloch, and Charles Beaumont. His best-known work, 'Sardonicus', was called by Stephen King 'perhaps the finest example of the modern Gothic ever written'. He died in Los Angeles in 1999.GUILLERMO DEL TORO is a Mexican director, producer, screenwriter, novelist, and designer, most famous for his Academy Award-winning film,Pan's Labyrinth, and the Hellboy film franchise. He has received the Nebula, Hugo, and Bram Stoker awards and is an avid collector and student of arcane memorabilia and weird fiction.

    A rationalist Victorian visits a haunted house in order to explain the nature of its ghostly inhabitants.First published in Blackwood's, August 1859.

    It is true that I am nervous. But why will you say that I am mad? In "The Cask of Amontillado," a man exacts revenge on a disloyal friend at carnival, luring him into catacombs below the city. In "The Masque of the Red Death," a prince shielding himself from plague hosts a doomed party inside his abbey stronghold. A prisoner of the Spanish Inquisition, faced with a swinging blade and swarming rats, can t see his tormentors in "The Pit and the Pendulum," and in "The Tell-Tale Heart," a milky eye and a deafening heartbeat reveal the effects of conscience and creeping madness. Alongside these tales are visual interpretations of three poems "The Raven," "The Bells," and Poe s poignant elegy to lost love, "Annabel Lee." The seven concise graphic narratives, keyed to thematic icons, amplify and honor the timeless legacy of a master of gothic horror."

    Almost all the stories are specially written for the collection and the cases are presented in the order in which Holmes solved them. The result is a life of Sherlock Holmes, with a continuous narrative alongside the stories which identities the gaps in the canon and places the new and hitherto unrecorded cases in their correct sequence - plus there is an invaluable, complete Holmes chronology.(back cover)

    This time no one is safe.A skeleton is dug up at the crossing of the ways on Hanging Moor, striking dread into the heart of Old Ma Ramsgill – the elderly matriarch of the village of Thruscross. And with good reason. The eighteenth-century witch, Jennet, has been woken.A spate of killings by a vicious black dog gives credence to her warnings and the community – in particular her family – realise they are in terrible danger.Drastic measures are needed to contain her, but with the imminent flooding of the valley to create a new reservoir, do they have the ability to stop her and break her curse?

    Long dead serial killers are appearing before adoring fans, but it doesn't take them long to realise that Nightingale is in the wrong place at the wrong time. Wrong Turn is a fast-paced supernatural story of 14,000 words. Jack Nightingale appears in the full-length novels Nightfall, Midnight, Nightmare, Nightshade, Lastnight, San Francisco Night and New York Night. He also appears in several short stories including Blood Bath, Cursed, Still Bleeding, Tracks, My Name Is Lydia, The Creeper, The Undead, The Asylum and The Mansion. The Jack Nightingale time line is complex, this story is set after Lastnight. Jack Nightingale has his own website at www.jacknightingale.com

    Making sure not to waste a single bullet.Lost in the shadows, low on ammo; only edged weapons; wounded, fighting to survive, the last remnants of the mission team trying to make sense of where they had gone wrong, and how to make it out alive with next-to-no resources.Survival horror, where every bullet counts.TABLE OF CONTENTS:Badlands – S.D. PerryOf Storms and Flame – Tim Marquitz & J. M. MartinIn Vaulted Halls Entombed – Alan BaxterThey Own the Night – B. Michael RadburnFallen Lion – Jack HansonSucker of Souls – Kirsten CrossCold War Gothic II: The Bohemian Grove – Weston OchseAfter the Red Rain Fell – Matt HiltonThe Slog – Neal F. LitherlandShow of Force – Jeremy Robinson & Kane Gilmour

    LovecraftNew Tales of Terror!What would happen if Sir Arthur Conan Doyle's peerless detective, Sherlock Holmes, and his allies were to find themselves faced with Lovecraftian mysteries whose solutions lay not only beyond the grasp of logic, but beyond sanity itself. In this collection of original tales, twenty of today's cutting-edge writers provide answers to that burning question.Contributors include Neil Gaiman, Brian Stableford, Poppy Z. Bright, Barbara Hambly, Steve Perry, and Caitlin R. Kierman. These and other masters of horror, mystery, fantasy and science fiction spin dark tales within a terrifyingly surreal universe.Includes the Hugo Award-winning story A Study in Emerald by Neil Gaiman.Cover design: David StevensonCover Illustration: John Jude Palencar

    Here you will find the secrets of eternal youth, souls that exchange bodies, and ancient Englishmen and Romans newly thawed out of ice. In addition to several stories by Mary Shelley, this volume also features a brand new story by renowned science fiction author Michael Bishop, which serves as a narrative introduction for this collection. Mary Shelley's considerable reputation rests squarely on the shoulders of her one great novel - Frankenstein, or the Modern Prometheus, published anonymously in 1818 and revised under her own byline in 1831. Her powerful tale of blasphemous creation is perhaps more familiar to modern readers through its many film adaptations as it is from the book itself. From Boris Karloff's electrifying performance as Frankenstein to Kenneth Branaugh's latest directorial rendering, the story has received numerous interpretations which have renewed interest in the book time and time again. However, Shelley's other works have not fared as well as Frankenstein. She wrote just a handful of novels, of which only The Last Man (1826) has remained sporadically in print. A precursor to such disaster novels as George R. Stewart's Earth Abides and Richard Jeffries' After London, The Last Man follows its protagonist Lionel Verney through a distant future world which has been depopulated by plague. The shorter works of Mary Shelley have remained difficult to find. During her lifetime, she published just over two-dozen stories, only three of which were of interest to readers of science fiction and fantasy. In addition to these three supernaturally-themed stories, two additional stories were published after Shelley's death. "Roger Dodsworth: The Reanimated Englishman," was printed in a volume of reminisces by a magazine editor who had commissioned the story thirty years earlier. "Valerius: The Reanimated Roman," a story in a similar vein to "Roger Dodsworth," remained unpublished until 1976, when both stories were discovered by Charles E. Robinson, a Shelley scholar and professor of English at the University of Delaware.Contents"The Unexpected Visit of a Reanimated Englishwoman": Introduction by Michael Bishop"The Mortal Immortal: A Tale""Transformation""Roger Dodsworth: The Reanimated Englishman""The Dream""Valerius: The Reanimated Roman"

    So when a stranger appears on her doorstep with a job offer, she finds herself accepting the mysterious yet unique position: caretaker to his mother, Amaris Sinclair, the famous and rather eccentric horror novelist whom Julia has always admired…and who the world believes is dead.When she arrives at the Sinclairs' enormous estate on Lake Superior, Julia begins to suspect that there may be sinister undercurrents to her "too-good-to-be-true" position. As Julia delves into the reasons of why Amaris chose to abandon her successful writing career and withdraw from the public eye, her search leads to unsettling connections to her own family tree, making her wonder why she really was invited to Havenwood in the first place, and what monstrous secrets are still held prisoner within its walls.

    Ghosts, ghouls, incubi: all have one thing in common. They know Booth for one of their own . . .

    After leaving her friend's house, she decides she's going to prove to her brother that "The Lady on the Road " urban legend is just that...

    Published the same year as her first novel, Adam Bede, this overlooked work displays the gifts for which George Eliot would become famous—gritty realism, psychological insight, and idealistic moralizing. It is unique from all her other writing, however, in that it represents the only time she ever used a first-person narrator, and it is the only time she wrote about the supernatural. The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can’t help trying to subvert his vividly glimpsed destiny, it is easy to read The Lifted Veil as being autobiographically revealing—of Eliot’s sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella’s publication). But it is easier still to read the story as the exciting and genuine precursor of a moody new form, as well as an absorbing early masterpiece of suspense.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    They reflect innermost fears and head for spaces where reality is blurred by imagination, where insanity and madness are shrouded in mystery and where humanity is haunted by repressed passion and obsession.

    Funny, sad, but always shocking, each tale carries a twist that will haunt readers for days after they turn the final page . . .This 25,000 word collection, available exclusively in this ebook edition, includes:12 Bolingbroke Avenue (First published in 1998)Number Thirteen (First published in 2010)Just Two Clicks (First published in 2004)Dead on the Hour (First published in 2006)Virtually Alive (First published in 1997)Meet Me at the Crematorium (First published in 2009)Venice Aphrodisiac (First published in 2011)Time Rich (First published in 2013)Christmas is for the Kids (First published in 1993)