Time to burn and time to kill, time for two young orphans to learn that life isn’t won without a fight. Julian survives only because his older brother, Michael, is fearless and fiercely protective. When tensions boil over and a boy is brutally killed, there is only one sacrifice left for Michael to make: He flees the orphanage and takes the blame with him.To keep her safe...      For two decades, Michael has been an enforcer in New York’s world of organized crime, a prince of the streets so widely feared he rarely has to kill anymore. But the life he’s fought to build unravels when he meets Elena, a beautiful innocent who teaches him the meaning and power of love. He wants a fresh start with her, the chance to start a family like the one he and Julian never had. But someone else is holding the strings. And escape is not that easy. . . . Go to Hell, and come back burning....    The mob boss who gave Michael his blessing to begin anew is dying, and his son is intent on making Michael pay for his betrayal. Determined to protect the ones he loves, Michael spirits Elena—who knows nothing of his past crimes, or the peril he’s laid at her door— back to North Carolina, to the place he was born and the brother he lost so long ago. There, he will encounter a whole new level of danger, a thicket of deceit and violence that leads inexorably to the one place he’s been running from his whole life: Iron House.

    But now a diabolical killer is challenging Rhyme to a terrifying and ingenious duel of wits. With police detective Amelia Sachs by his side, Rhyme must follow a labyrinth of clues that reaches back to a dark chapter in New York City's past -- and reach further into the darkness of the mind of a madman who won't stop until he has stripped life down to the bone.

    The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law–in the person of aging, disillusioned Sheriff Bell–can contain.As Moss tries to evade his pursuers–in particular a mysterious mastermind who flips coins for human lives–McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph.

    and there's nothing wrong with Joe Ledger's skills. And that's both a good, and a bad thing. It's good because he's a Baltimore detective that has just been secretly recruited by the government to lead a new taskforce created to deal with the problems that Homeland Security can't handle. This rapid response group is called the Department of Military Sciences or the DMS for short. It's bad because his first mission is to help stop a group of terrorists from releasing a dreadful bio-weapon that can turn ordinary people into zombies. The fate of the world hangs in the balance...

    Down the road from a working-class British pub, along the brick wall of a narrow alley, if the conditions are exactly right, you’ll find the entrance to Slade House. A stranger will greet you by name and invite you inside. At first, you won’t want to leave. Later, you’ll find that you can’t. Every nine years, the house’s residents — an odd brother and sister — extend a unique invitation to someone who’s different or lonely: a precocious teenager, a recently divorced policeman, a shy college student. But what really goes on inside Slade House? For those who find out, it’s already too late... Spanning five decades, from the last days of the 1970s to the present, leaping genres, and barreling toward an astonishing conclusion, this intricately woven novel will pull you into a reality-warping new vision of the haunted house story—as only David Mitchell could imagine it.

    He makes a handsome living doing what he enjoys. His wife, Penny, a children's book author and illustrator, is the love of his life. Together they have a brilliant six-year-old, Milo, affectionately dubbed "Spooky," and a non-collie named Lassie, who's all but part of the family.So Cubby knows he shouldn't let one bad review of his otherwise triumphant new book get to him — even if it does appear in the nation's premier newspaper and is penned by the much-feared, seldom-seen critic Shearman Waxx. Cubby knows that the best thing to do is ignore the gratuitously vicious, insulting, and inaccurate comments. Penny knows it; even little Milo knows it. If Lassie could talk, she'd tell Cubby to ignore them, too.Ignore Shearman Waxx and his poison pen is just what Cubby intends to do. Until he happens to learn where the great man is taking his lunch. Cubby just wants to get a good look at the mysterious recluse whose mere opinion can make or break a career — or a life.But Shearman Waxx isn't what Cubby expects, and neither is the escalating terror that follows what seemed to be an innocent encounter. For Waxx gives criticism; he doesn't take it. He has ways of dealing with those who cross him that Cubby is only beginning to fathom. Soon Cubby finds himself in a desperate struggle with a relentless sociopath, facing an inexorable assault on far more than his life.

    In the Kalahari Desert, a nun unearths evidence of a proto-human species and a deity called Older-than-Old. In Bosnia, something has been feeding upon the dead in a mass grave. So begins mankind’s most shocking realization: that the underworld is a vast geological labyrinth populated by another race of beings. Some call them "devils" or "demons." But they are real. They are down there. And they are waiting for us to find them…

    Autopsies indicate that the killer cannot be human...But the museum's directors plan to go ahead with a big bash to celebrate the new exhibition, in spite of the murders.Museum researcher Margo Green must find out who-or what-is doing the killing. But can she do it in time to stop the massacre?

    Peter Brown is an intern at Manhattan's worst hospital, with a talent for medicine, a shift from hell, and a past he'd prefer to keep hidden. Whether it's a blocked circumflex artery or a plan to land a massive malpractice suit, he knows what evil lurks in the hearts of men.Pietro "Bearclaw" Brnwna is a hitman for the mob, with a genius for violence, a well-earned fear of sharks, and an overly close relationship with the Federal Witness Relocation Program. More likely to leave a trail of dead gangsters than a molecule of evidence, he's the last person you want to see in your hospital room.Nicholas LoBrutto, aka Eddy Squillante, is Dr. Brown's new patient, with three months to live and a very strange idea: that Peter Brown and Pietro Brnwa might-just might-be the same person ...Now, with the mob, the government, and death itself descending on the hospital, Peter has to buy time and do whatever it takes to keep his patients, himself, and his last shot at redemption alive. To get through the next eight hours-and somehow beat the reaper.Spattered in adrenaline-fueled action and bone-saw-sharp dialogue, BEAT THE REAPER is a debut thriller so utterly original you won't be able to guess what happens next, and so shockingly entertaining you won't be able to put it down.

    What no one knows is that the President issues the pardon only after receiving enormous pressure from the CIA. It seems Backman, in his power broker heyday, may have obtained secrets that compromise the world's most sophisticated satellite surveillance system.Backman is quietly smuggled out of the country in a military cargo plane, given a new name, a new identity, and a new home in Italy. Eventually, after he has settled into his new life, the CIA will leak his whereabouts to the Israelis, the Russians, the Chinese, and the Saudis. Then the CIA will do what it does best: sit back and watch. The question is not whether Backman will survive, there is no chance of that. The question the CIA needs answered is, who will kill him?From the Hardcover edition.

    There’s Willard Russell, tormented veteran of the carnage in the South Pacific, who can’t save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrifi­cial blood he pours on his “prayer log.” There’s Carl and Sandy Henderson, a husband-and-wife team of serial kill­ers, who troll America’s highways searching for suitable models to photograph and exterminate. There’s the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte’s orphaned son, who grows up to be a good but also violent man in his own right.

    Now, with The Great and Secret Show he rises to new heights. In this unforgettable epic he wields the full power and sweep of his talents. "Succinctly put," says Barker, "it's about Hollywood, sex and Armageddon." Memory, prophecy and fantasy; the past, the future, and the dreaming moment between are all one country living one immortal day. To know that is Wisdom. To use it is the Art. Armageddon begins with a murder in the Dead Letter Office in Omaha. A lake that has never existed falls from the clouds over Palomo Grove, CA. Young passion blossoms, as the world withers with war. The Great and Secret Show has begun on the stage of the world. Soon the final curtain must fall. In this, the First Book of the Art, Barker has created a masterpiece of the imagination that explores the uncharted territory within our secret lives and most private hearts. Sprawling, ambitious, triumphantly magical and satisfying, The Great and Secret Show is what the rest of life is all about.

    Experience the thrill of helpless horror again—or for the first time!

    Tom Wallace lived an ordinary life, until a chance event awakened psychic abilities he never knew he possessed. Now he's hearing the private thoughts of the people around him-and learning shocking secrets he never wanted to know. But as Tom's existence becomes a waking nightmare, even greater jolts are in store as he becomes the unwilling recipient of a compelling message from beyond the grave!

    It was the tragic story of the year - a little boy, Aiden, wandered away from school during a terrible flood, fell into the river, and drowned.  His body was never recovered.  Ten years later, Emma has finally rediscovered the joy in life. She's married, pregnant, and in control again...... until Aiden returns. Too traumatized to speak, he raises endless questions and answers none. Only his body tells the story of his decade-long disappearance. The historic broken bones and injuries cast a mere glimpse into the horrors Aiden has experienced. Aiden never drowned. Aiden was taken. As Emma attempts to reconnect with her now teenage son, she must unmask the monster who took him away from her. But who, in their tiny village, could be capable of such a crime?It's Aiden who has the answers, but he cannot tell the unspeakable.This dark and disturbing psychological novel will appeal to fans of The Widow and The Butterfly Garden.