Country musicians and magicians, professional wrestlers and rock stars, all have turned to Nashville's historic Hatch Show Print to create showstopping posters. Established in 1879, Hatch preserves the art of traditional printing that has earned a loyal following to this day (including the likes of Beck, Emmylou Harris, and the Beastie Boys). Hatch Show Print: The History of a Great American Poster Shop is the first fully illustrated tour of this iconic print shop and also chronicles the long life and large cast of employees, entertainers, and American legends whose histories are intertwined with it. Complete with 190 illustrations--as well as a special book jacket that unfolds to reveal an original Hatch poster on the reverse--Hatch Show Print is a dazzling document of this legendary institution.

    When Flick's dad discovers that he's adopted, so begins a mystery that leads him to a long lost secret at the very heart of their family - one that leads back to a choice that was made many years ago, and once uncovered, will rock Flick's world!

    Jarvis may be an all-round irritant, but he's harmless & deep down he's got a heart of gold. As his oldest (& only) friend reflects on his life with Jarvis Ham, he wonders what it would have been like if they had never met.

    The secret history of rock and roll is the story of lesser-known artists whose work has shaped modern rock. Investigating 15 separate genres and influences, this book discusses, identifies and annotates the most significant, if not the most celebrated, rock and roll talents of all time.

    Add the mercurial Brian Jones (who'd been effectively run out of Cheltenham for theft, multiple impregnations and playing blues guitar) and the wryly opinionated Bill Wyman and Charlie Watts, and the potential was obvious. During the 1960s and 70s the Rolling Stones were the polarising figures in Britain, admired in some quarters for their flamboyance, creativity and salacious lifestyles, and reviled elsewhere for the same reasons. Confidently expected never to reach 30 they are now approaching their seventies and, in 2012, will have been together for 50 years. In The Rolling Stones, Christopher Sandford tells the human drama at the centre of the Rolling Stones story. Sandford has carried out interviews with those close to the Stones, family members (including Mick's parents), the group's fans and contemporaries - even examined their previously unreleased FBI files. Like no other book before The Rolling Stones will make sense of the rich brew of clever invention and opportunism, of talent, good fortune, insecurity, self-destructiveness, and of drugs, sex and other excess, that made the Stones who they are.

    When hours pass without a word from the kidnapper, puzzlement grows as to his motive. After a gruesome package arrives at Price’s doorstep, the questions change. Just what does the kidnapper want--and how many people is he willing to kill to get it?Evil hides behind the genteel facades of affluent Strivers’ Row and stalks the ballroom of one of Harlem’s most famous gay parties. In a complex plot that keeps the reader tied to the page, Black Orchid Blues explores the depths of human depravity and the desperation of its victims.

    

    As he learned valuable lessons in self-sufficiency, taking responsibility, and how to avoid (for the most part but not always) getting punched in the face by irate hippies, Larry also found his place and made his home in the far-flung, disjointed and eccentric community he encountered in the anarchic realm that begins where Highway 101’s tattered tarmac dissolves into the dust of Spy Rock Road.

    It not only covers the broad spectrum of ballet vocabulary but also gives sound, practical advice to aspiring dancers. The clarity of the writing, in a field notorious for its opaqueness, is in itself a major achievement."--Merrill Ashley, Principal Dancer, New York City Ballet"An excellent, comprehensive guide to ballet pedagogy valuable to teachers and students alike. For many years Gretchen's has been a major voice in the dance community, and this extensive work details the study of classical ballet from her unique and expert point of view. I applaud her, and I heartily recommend Classical Ballet Technique."--David Howard, International Ballet Master and Master Teacher"Gretchen Warren has undertaken a monumental task and has completed it with distinction. Obviously a labor of love, this book's attention to detail and the clarity of its text and photos make it a valuable contribution to the lexicon of ballet. I recommend it to every serious student and teacher."--Thalia Mara, Founding Director, Ballet Repertory Company and National Academy of Ballet; Artistic Director, U.S.A. International Ballet Competition"Congratulations to Ms. Warren for her authoritative book on classical ballet. Thanks are in order too from the many professional teachers, dancers, and students of the art form who will benefit from this book-an essential addition to any dance lover's library."--Lawrence Rhodes, Artistic Director, Les Grands Ballets CanadiensGretchen Ward Warren studied at London's Royal Ballet and the National Ballet School of Washington, D.C. She was soloist with the Pennsylvania Ballet for eleven years and ballet mistress of American Ballet Theatre II from 1978 to 1983. She is professor of dance at the University of South Florida and frequently appears as a master teacher on the national and international circuits.Susan Cook has photographed the performing arts for the past fifteen years. Her work has appeared in Time, Newsweek, the New York Times, and many dance books. Her own books of photographs include In a Rehearsal Room and The Alvin Ailey American Dance Theater.

    But behind a dazzling career, Polela’s troubled past haunts him. When he was a child, both his parents disappeared, leaving him and his sister Zinhle to suffer years of abuse. The story of Polela’s journey to uncover the truth, this candid autobiography shares the journalist’s turmoil as he confronts his father about his mother’s brutal death and faces the worst dilemma a son can ever confront: How can he possibly forgive when his father remains a remorseless, cruel, and heartless murderer?

    Grant, his parents, Bobby Orr and the rest of the Canadian hockey team were ontheir way to Game Three of the famous Summit Series -- seven games played between Russia and Canada in 1972, during the height of the Cold War. It was at this point -- at the age of one -- that Grant's life-long entanglement with hockey began.In this deeply personal, yet incredibly witty memoir about Grant's relationship with hockey, the narrative passes back and forth between tales of Grant's life and a fascinating history of hockey, complete with lively anecdotes about the many colourful characters of the NHL. Through Grant's early life, he struggled with the idea of hockey. He was an undersized child who wore thick glasses and knee-braces, and he understood, first-hand, what it was like to be in the attack zone of the hockey-obsessed jocks at his school. For Grant, bullying and the violent game of hockey seemed to go hand-in-hand. Yet he was also enamoured with the sport, and eventually learned that playing goalie on a hockey team isn’t all that different from playing in a band and that artistically-minded wimps find just as much joy in the game as their meathead counterparts.In The Lonely End of the Rink , Grant Lawrence brings the allure of hockey into a zone where it can impress upon the nerds and geeks as well as the jocks. Grant is a highly original writer, and with this book, he tells a quintessentially Canadian story about the nation’s favourite sport.

    Make them listen to it two more times. Get them to explain why they never bothered with it before. Then ask them to review it.What began as a simple whim quickly grew in popularity, and now Ruth and Martin’s Album Club has featured some remarkable guests: Ian Rankin on Madonna’s Madonna. Chris Addison on Marvin Gaye’s What’s Going On. Brian Koppelman on The Smiths’ Meat is Murder. JK Rowling on the Violent Femmes’ Violent Femmes. Bonnie Greer on The Beach Boys’ Pet Sounds. Martin Carr on Paul McCartney’s Ram. Brian Bilston on Neil Young’s Harvest. Anita Rani on The Strokes’ Is This It. Richard Osman on Roxy Music’s For Your Pleasure. And many, many more.Each entry features an introduction to each album by blog creator Martin Fitzgerald. What follows are delightful, humorous and insightful contributions from each guest as they have an album forced upon them and – for better or worse – they discover some of the world’s favourite music.Ruth and Martin’s Album Club is a compilation of some of the blog’s greatest hits as well as some exclusive material that has never appeared anywhere before. Throughout, we get an insight into why some people opt out of some music, and what happens when you force them to opt in.

    In this, the first of a two-volume collection of his hunting, fishing, and shooting tales, you'll find twenty-four examples of his keen eye and steady hand with rifle, shotgun, bow, and typewriter.The critically acclaimed successor to Hemingway and Robert Ruark repeatedly put himself in harm's way and writes about close scrapes with his trademark wit and dash. He tells what it's like to be in the path of an express train with Horns--the Cape buffalo; describes the heart-stopping sensation of sharing the immediate bush with several sickle-clawed lions that most certainly were prone to argue; and recounts his adventures bow-fishing for exotic species in the piranha-filled rivers of Brazil. Capstick's experiences, painfully gained (and almost lost) with the most dangerous of game, are the yardsticks against which most modern exotic and hunting adventures are gauged. The finely rendered drawings by Dino Paravano do justice to the text.

    It covered jazz, of course, but it also included Davis’s ruminations on race, politics and culture. Fascinated, Hef sent the writer—future Pulitzer-Prize-winning author Alex Haley, an unknown at the time—back to glean even more opinion and insight from Davis. The resulting exchange, published in the September 1962 issue, became the first official Playboy Interview and kicked off a remarkable run of public inquisition that continues today—and that has featured just about every cultural titan of the last half century.To celebrate the Interview’s 50th anniversary, the editors of Playboy have culled 50 of its most (in)famous Interviews and will publish them over the course of 50 weekdays (from September 4, 2012 to November 12, 2012) via Amazon’s Kindle Direct platform. Here is that first Interview with Miles Davis.

    I caught a glimpse of a very thin girl with dead, straight, long, dry peroxided hair and a skimpy outfit like a whorish doll. I turned sideways to look at her. I saw a child. I saw a witch. I saw a dumb blonde. It took a few seconds for my mind to register that the girl in the mirror was me. I looked her up and down. I was thin, blonde and tanned and I was still not happy." Being Ana is the story of one young woman's fight to find strength in vulnerability, truth in her identity and meaning in being herself. Shani Raviv is a struggling adolescent living in an eccentric, all-female, diet-free household in South Africa. At age fourteen, belonging to a girl clique, she gets hooked on a system of counting calories that traps her inside a crazed mind. Over the next decade, Shani embarks on an unholy pilgrimage: from aerobics addict to Israeli soldier to rave bunny to wannabe reborn, she tries to find self-worth in sex, everlasting happiness in drugs and alcohol, comfort in cutting, and above all, salvation in starving. A spiritual epiphany one night awakens her to the fearful realization that she has lost her sense of self to Anorexia (Ana). Shani has to decide whether to surrender and risk losing Ana-which was all she knew-to go in search of nourishment and her true self in a sane and sober world.