Selected poetry and prose from 1986.

    It was to last five years and transform him from an amiable and somewhat aimless young man into a scientific celebrity. Even more vitally, it was to set in motion the intellectual currents that culminated in the arrival of The Origin of Species in Victorian drawing-rooms in 1859. His journal, reprinted here in a shortened version, is vivid and immediate, showing us a naturalist making patient observations, above all in geology. As well as a profusion of natural history detail, it records many other things that caught Darwin’s eye, from civil war in Argentina to the new colonial settlements of Australia. The editors have provided an excellent introduction and notes for this Penguin Classics edition, which also contains maps and appendices, including an essay on scientific geology and the Bible by Robert FitzRoy, Darwin’s friend and captain of the Beagle.

    It tells about love desired, love lost, love enjoyed, love lost and love -- a different kind of love -- found again.

    That is what is strange—that friends, even passionate love,are not my real life, unless there is time alone in which to explore what is happening or what has happened." In this journal, she says, "I hope to break through into the rough, rocky depths,to the matrix itself. There is violence there and anger never resolved. My need to be alone is balanced against my fear of what will happen when suddenly I enter the huge empty silence if I cannot find support there."In this book, we are closer to the marrow than ever before in May Sarton's writing.

    Her gaze swoops vertiginously too; from a countryside of cells beneath a hospital microscope, to killer whales rounding a headland, to the constellations of satellites that belie our sense of the remote. Written with her hallmark precision and delicacy, and marked by moments in her own life, Sightlines offers a rare invitation to pause and to pay heed to our surroundings.

    Despite struggling beneath the unresolved weight of his previous life and a too-heavy backpack, he still somehow manages to keep moving forward—step after step, mile after mile. Joining Bartleby on this journey is an ever-changing crew of oddballs and outsiders, the wandering men and women of the Appalachian Trail. With white blazes marking the way and little adventures around every corner, Bartleby & Company push through the Mid-Atlantic States and climb into the mountainous wilds of New England. Here concludes the story of a middle-aged man thru-hiking the Appalachian Trail against his will, against his better judgment and against all odds.

    To a smaller yet no less passionate audience, Fowles is also known for having written The Tree, one of his few works of nonfiction. First published a generation ago, it is a provocative meditation on the connection between the natural world and human creativity, and a powerful argument against taming the wild. In it, Fowles recounts his own childhood in England and describes how he rebelled against his Edwardian father’s obsession with the “quantifiable yield” of well-pruned fruit trees and came to prize instead the messy, purposeless beauty of nature left to its wildest. The Tree is an inspiring, even life-changing book, like Lewis Hyde’s The Gift, one that reaffirms our connection to nature and reminds us of the pleasure of getting lost, the merits of having no plan, and the wisdom of following one’s nose wherever it may lead—in life as much as in art.

    Robert Macfarlane travels Britain's ancient paths and discovers the secrets of our beautiful, underappreciated landscape.Following the tracks, holloways, drove-roads and sea paths that form part of a vast ancient network of routes criss-crossing the British Isles and beyond, Robert Macfarlane discovers a lost world - a landscape of the feet and the mind, of pilgrimage and ritual, of stories and ghosts; above all of the places and journeys which inspire and inhabit our imaginations.

    Inspired by the Prometheus Bound of Aeschylus, Shelley's play serves as a sort of sequel, matching its Greek predecessor in stature and pure poetic power. It depicts its philanthropist hero's ultimate triumph over the superstition and bigotry of the gods. As Shelley himself stated in his Defence of Poetry, Prometheus Unbound awakens and enlarges the mind.

    In his quest for the means to liberate his boat, he takes any work he can get.

    In The Conference of the Birds Caldecott Honor-winning children's book author and illustrator Peter Sís breathes new life into this foundational Sufi poem, revealing its profound lessons. Sís's deeply felt adaptation tells the story of an epic flight of birds in search of the true king, Simorgh. Drawn from all species, the band of birds is led by the hoopoe. He promises that the voyage to the mountain of Kaf, where Simorgh lives, will be perilous and many birds resist, afraid of what they might encounter. Others perish during the passage through the seven valleys: quest, love, understanding, friendship, unity, amazement, and death. Those that continue reach the mountain to learn that Simorgh the king is, in fact, each of them and all of them. In this lyrical and richly illustrated story of love, faith, and the meaning of it all, Peter Sís shows the pain, and beauty, of the human journey.

    For Jay, a retired research scientist this return to the classroom is his "one last chance" to learn the great literature he'd neglected in his youth--and, even more, a final opportunity to more fully understand his son, a writer and classicist. But through the sometimes uncomfortable months that the two men explore Homer's great work together--first in the classroom, where Jay persistently challenges his son's interpretations, and then during a surprise-filled Mediterranean journey retracing Odysseus's famous voyages--it becomes clear that Daniel has much to learn, too: Jay's responses to both the text and the travels gradually uncover long-buried secrets that allow the son to understand his difficult father at last.

    His first book, Zim-A Baseball Life, was a New York Times bestseller and one of the best baseball memoirs ever published. Now, in The Zen of Zim, one of baseball's most beloved figures offers readers an insightful look into the baseball of yesterday and today. Baseball fans will love hearing Zim's positions on such things as pitching inside, managing, bosses, and more.With more than fifty-six years in baseball, Don Zimmer had seen it all, or so he thought before he ran into George Steinbrenner. Here Zimmer provides a revealing account of his eight years as Joe Torre's right-hand man-and the jealousy, vindictiveness, and pettiness that ultimately destroyed a twenty-five-year friendship with Steinbrenner.Zim will also discuss the circumstances that led to his charging onto the field at Fenway Park and throwing a haymaker at Boston Red Sox pitcher Pedro Martinez. He'll share with readers what it was like to work for other baseball owners; shed new light on general managers like Branch Rickey and Dan Duquette; and critique the managing styles of some of the most famous and notorious skippers of the twentieth century, from Casey Stengel and Earl Weaver to Gene Mauch and Billy Martin.In a chapter called "What Have They Done to My Game?," Zim will offer a crash course in baseball anthropology, describing how the game and its players have changed over the past fifty years and showing how big money and free agency have destroyed clubhouse camaraderie and turned a team sport into a transient game. In contrast, he celebrates his close-knit teammates on the 1955 Brooklyn Dodgers team and the lifelong friendships that were made.Zim has seen it all, and here readers learn even more of his life and dreams and of baseball through a half century of experience. It is a story jam-packed with laughs and anecdotes, with excitement and comedy. And it is superbly told.

    In 1903, while on a three-day camping trip with President Theodore Roosevelt, he convinced the president of the importance of a national conservation program, and he is widely recognized for saving the Grand Canyon and Arizona's Petrified Forest. Muir's writing, based on journals he kept throughout his life, gives our generation a picture of an America still wild and unsettled only one hundred years ago. In The Wildernesss World of John Muir Edwin Way Teale has selected the best of Muir's writing from all of his major works—including My First Summer in the Sierra and Travels in Alaska—to provide a singular collection that provides to be "magnificent, thrilling, exciting, breathtaking, and awe-inspiring" (Kirkus Reviews).

    The popularity of the book is so great that it has run into forty two impressions ever since it was originally published in the year 1951