In Boston, five magical bon-bons make an ordinary senator, an ordinary professor, an ordinary girl and her ordinary parents do the most extraordinary things! A young cowboy lassoes Father Time; the dummy in Mr. Floman's department store window comes to life; and a tiny beetle gives a New England farmer and his wife a pump which pumps not water, but gold!Author of the much-loved Oz books, L. Frank Baum transforms the familiar with his magical mix of humor and enchantment. Most of the twelve stories in this delightful collection are set in America where, so it seems, modern fairies, knooks, and ryls are always causing the most astonishing things to happen! These tales will enchant both young and old. When American Fairy Tales first appeared, Baum's reputation as a storyteller had already been established by The Wonderful Wizard of Oz, written in 1900. The twelve stories in this collection were originally syndicated weekly in at least five newspapers during the first half of 1901. The first book edition, which this facsimile reprints, came out later that year.

    Among the jewels gathered here are Gertrude offering Hamlet a piece of her mind, the real truth about the Little Red Hen, a reincarnated bat explaining how Bram Stoker got "Dracula" all wrong, and the five methods of making a man (such as the "Traditional Method": "Take some dust off the ground. Form. Breathe into the nostrils the breath of life. Simple, but effective!") There are parables, monologues, prose poems, condensed science fiction, reconfigured fairy tales, and other miniature masterpieces--punctuated with charming illustrations by the author. A must for her fans, and a wonderful gift for all who savor the art of exquisite prose, "Good Bones And Simple Murders" marks the first time these writings have been available in a trade edition in the United States."[Atwood] proves she is an accomplished miniaturist...She can pack more wallop into less space than any other writer in her weight class".-- "Toronto Globe And Mail"

    In Doors of His Face, The Lamps of His Mouth, Zelazny's rare ability to mix the dream-like, disturbing imagery of fantasy with the real-life hardware of science fiction is on full display. His vivid imagination and fine prose made him one of the most highly acclaimed writers in his field.Contents:· The Doors of His Face, the Lamps of His Mouth · nv F&SF Mar ’65 · The Keys to December · nv New Worlds Aug ’66 · Devil Car [Sam Nurdock] · ss Galaxy Jun ’65 · A Rose for Ecclesiastes · nv F&SF Nov ’63 · The Monster and the Maiden · vi Galaxy Dec ’64 · Collector’s Fever · vi Galaxy Jun ’64 · This Mortal Mountain · nv If Mar ’67 · This Moment of the Storm · nv F&SF Jun ’66 · The Great Slow Kings · ss Worlds of Tomorrow Dec ’63 · A Museum Piece · ss Fantastic Jun ’63 · Divine Madness · ss Magazine of Horror Sum ’66 · Corrida · ss Anubis v1 #3 ’68 · Love Is an Imaginary Number · ss New Worlds Jan ’66 · The Man Who Loved the Faioli · ss Galaxy Jun ’67 · Lucifer · ss Worlds of Tomorrow Jun ’64

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    Selected by a vote of the membership of the Science Fiction Writers of America (SFWA), these 26 reprints represent the best, most important, and most influential stories and authors in the field. The contributors are a Who's Who of classic SF, with every Golden Age giant included: Isaac Asimov, Ray Bradbury, Arthur C. Clarke, John W. Campbell, Robert A. Heinlein, Fritz Leiber, Cordwainer Smith, Theodore Sturgeon, and Roger Zelazny. Other contributors are less well known outside the core SF readership. Three of the contributors are famous for one story--but what stories!--Tom Godwin's pivotal hard-SF tale, "The Cold Equations"; Jerome Bixby's "It's a Good Life" (made only more infamous by the chilling Twilight Zone adaptation); and Daniel Keyes's "Flowers for Algernon" (brought to mainstream fame by the movie adaptation, Charly). The collection has some minor but frustrating flaws. There are no contributor biographies, which is bad enough when the author is a giant; but it's especially sad for contributors who have become unjustly obscure. Each story's original publication date is in small print at the bottom of the first page. And neither this fine print nor the copyright page identifies the magazines in which the stories first appeared. Prefaced by editor Robert Silverberg's introduction, which describes SFWA and details the selection process, The Science Fiction Hall of Fame: Volume One, 1929-1964 is a wonderful book for the budding SF fan. Experienced SF readers should compare the table of contents to their library before making a purchase decision. Fans who contemplate giving this book to non-SF readers should bear in mind that, while several of the collected stories can measure up to classic mainstream literary stories, the less literarily-acceptable stories are weighted toward the front of the collection; adult mainstream-literature fans may not get very far into The Science Fiction Hall of Fame: Volume One, 1929-1964. --Cynthia Ward· Introduction · Robert Silverberg · in · A Martian Odyssey [Tweel] · Stanley G. Weinbaum · nv Wonder Stories Jul ’34 · Twilight [as by Don A. Stuart; Dying Earth] · John W. Campbell, Jr. · ss Astounding Nov ’34 · Helen O’Loy · Lester del Rey · ss Astounding Dec ’38 · The Roads Must Roll · Robert A. Heinlein · nv Astounding Jun ’40 · Microcosmic God · Theodore Sturgeon · nv Astounding Apr ’41 · Nightfall · Isaac Asimov · nv Astounding Sep ’41 · The Weapon Shop [Isher] · A. E. van Vogt · nv Astounding Dec ’42 · Mimsy Were the Borogoves · Lewis Padgett · nv Astounding Feb ’43 · Huddling Place [City (Websters)] · Clifford D. Simak · ss Astounding Jul ’44 · Arena · Fredric Brown · nv Astounding Jun ’44 · First Contact · Murray Leinster · nv Astounding May ’45 · That Only a Mother · Judith Merril · ss Astounding Jun ’48 · Scanners Live in Vain · Cordwainer Smith · nv Fantasy Book #6 ’50 · Mars Is Heaven! · Ray Bradbury · ss Planet Stories Fll ’48 · The Little Black Bag · C. M. Kornbluth · nv Astounding Jul ’50 · Born of Man and Woman · Richard Matheson · vi F&SF Sum ’50 · Coming Attraction · Fritz Leiber · ss Galaxy Nov ’50 · The Quest for Saint Aquin · Anthony Boucher · ss New Tales of Space and Time, ed. Raymond J. Healy, Holt, 1951; F&SF Jan ’59 · Surface Tension [Lavon] · James Blish · nv Galaxy Aug ’52 · The Nine Billion Names of God · Arthur C. Clarke · ss Star Science Fiction Stories #1, ed. Frederik Pohl, Ballantine, 1953 · It’s a Good Life · Jerome Bixby · ss Star Science Fiction Stories #2, ed. Frederik Pohl, Ballantine, 1953 · The Cold Equations · Tom Godwin · nv Astounding Aug ’54 · Fondly Fahrenheit · Alfred Bester · nv F&SF Aug ’54 · The Country of the Kind · Damon Knight · ss F&SF Feb ’56 · Flowers for Algernon · Daniel Keyes · nv F&SF Apr ’59 · A Rose for Ecclesiastes · Roger Zelazny · nv F&SF Nov ’63

    Craig Russell, Jill Carla Schwarz, Michael Zulli, and Rrandy Broecker.

    D'arque Angel, who deals her patients doses of death...Contents:· Introduction: Revealed at Last! What Killed the Dinosaurs! And You Don’t Look So Terrific Yourself · in · Croatoan · ss F&SF May ’75 · Working with the Little People · ss F&SF Jul ’77 · Killing Bernstein · ss Mystery Monthly Jun ’76 · Mom · nv Silver Foxes Aug ’76 · In Fear of K · ss Vertex Jun ’75 · Hitler Painted Roses · ss Penthouse Apr ’77 · The Wine Has Been Left Open Too Long and the Memory Has Gone Flat · ss Universe 6, ed. Terry Carr, Doubleday, 1976 · From A to Z, In the Chocolate Alphabet · ss F&SF Oct ’76 · Lonely Women Are the Vessels of Time · ss MidAmeriCon Program Book, Kansas City, MO., 1976 · Emissary from Hamelin · ss 2076: The American Tricentennial, ed. Edward Bryant, Pyramid, 1977 · The New York Review of Bird [original version] · nv * · Seeing · nv Andromeda 1, ed. Peter Weston, London: Futura, 1976 · The Boulevard of Broken Dreams · vi Los Angeles Review #1 ’75 · Strange Wine · ss Amazing Jun ’76 · The Diagnosis of Dr. D’arqueAngel [“Doctor D’arqueAngel”] · ss Viva Jan ’77

    Pure Drivel is a collection of pieces, most of them written for the New Yorker, that demonstrate Martin's playful way with words and his unerring ability to create a feeling of serendipitous improvisation even on the printed page. Here's a passage from a piece that announces a shortage of periods in the Times Roman font: "Most vulnerable are writers who work in short, choppy sentences," said a spokesperson for Times Roman, who continued, "We are trying to remedy the situation and have suggested alternatives, like umlauts, since we have plenty of umlauts--and, in fact, have more umlauts than we could possibly use in a lifetime! Don't forget, umlauts can really spice up a page with their delicate symmetry--resting often midway in a word, letters spilling on either side--and not only indicate the pronunciation of a word but also contribute to a writer's greater glory because they're fancy, not to mention that they even look like periods, indeed, are indistinguishable from periods, and will lead casual readers to believe that the article actually contains periods!" Although some of these pieces flirted with topicality when they first appeared, Martin is most successful when he leaves the real world behind and gives his wit free rein. This collection preserves the best (so far) of his glorious improvisations. --Simon Leake

    It is a tale all of us know, the attempt to recover a period when our lives were simpler and complications lay far in the future.Other titles are: "The Star," "A Dream of Armageddon," "The Cone," "A Moonlight Fable," "The Diamond Maker," "The Lord of the Dynamos," and Wells' durably celebrated story of true freedom and the human spirit "The Country of the Blind."

    Le Guin, an icon in American literature, collected for the first time in one breathtaking volume.Ursula K. Le Guin has won multiple prizes and accolades from the Medal for Distinguished Contribution to American Letters to the Newbery Honor, the Nebula, Hugo, World Fantasy, and PEN/Malamud Awards. She has had her work collected over the years, but never as a complete retrospective of her longer works as represented in the wonderful The Found and the Lost.CONTENT "Vaster Than Empires And More Slow" "Buffalo Gals, Won’t You Come Out Tonight" "Hernes" by Ursula K. Le Guin "The Matter Of Seggri" "Another Story Or A Fisherman Of The Inland Sea" "Forgiveness Day" "A Man Of The People" "A Woman’s Liberation" "Old Music And The Slave Women" "The Finder" "On The High Marsh" "Dragonfly" "Paradises Lost"This collection is a literary treasure chest that belongs in every home library.

    It doesn't appear as a standalone work, but is included with several collections. The story is a prequel to the events in The Hitchhiker's Guide To The Galaxy and has the young Zaphod Beeblebrox working as a salvage ship operator. He guides some bureaucrats to a crashed spaceship which may be leaking some hazardous materials. The bureaucrats are determined to "make it safe". The comic asides in the story include some of the time travel paradoxes which are a common running theme in Adams' SF work, and plenty of material about lobsters

    Now, in search of some new pets to satisfy his cruel pursuit of amusement, Simon finds a new shop in the city where he is intrigued by a new lifeform he has never heard of before... a collection of multi-colored sandkings. The curator explains that the insect-like animals, no larger than Simon's fingernails, are not insects, but animals with a highly-evolved hive intelligence capable of staging wars between the different colors, and even religion - in the form of worship of their owner. The curator's warning to Simon about the regularity of their feeding, unfortunately, was not taken seriously...Contents:- The Way of Cross and Dragon (1979)- Bitterblooms (1977)- In the House of the Worm (1976)- Fast-Friend (1976)- The Stone City (1977)- Starlady (1976)- Sandkings (1979)Cover illustration by Michael Whelan

    Tolkien and H.P. Lovecraft A pioneer in the realm of imaginative literature, Lord Dunsany has gained a cult following for his influence on modern fantasy literature, including such authors as J.R.R. Tolkien and H. P. Lovecraft. This unique collection of short stories ranges over five decades of work. Liberal selections of earlier tales—including the entire Gods of Pegana as well as such notable works as "Idle Days of the Yann" and "The Fortress Unvanquishable, Save for Sacnoth"—are followed by memorable later tales, including several about the garrulous traveler Joseph Jorkens and the outrageous murder tale "The Two Bottles of Relish." Throughout, the stories are united by Dunsany's cosmic vision, his impeccable and mellifluous prose, and his distinctively Irish sense of whimsy.Here published for the first time by Penguin Classics, this edition is the only annotated version of Dunsany's short stories. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Kipling is considered one of England's greatest writers, but was born in Bombay. He was educated in England, but returned to India in 1882, where he began writing fantasy and supernatural stories set in his native continent: "The Phantom Rickshaw," "The Strange Ride of Morrowbie Jukes," and his most famous horror story, "The Mark of the Beast" (1890). This masterwork collection, edited by Stephen Jones (Britain's most accomplished and acclaimed anthologist) for the first time collects all of Kipling's fantastic fiction, ranging from traditional ghostly tales to psychological horror.

    Includes:Jim Shepard’s "Tedford and the Megalodon"Glen David Gold’s "The Tears of Squonk, and What Happened Thereafter"Dan Chaon’s "The Bees"Kelly Link’s "Catskin"Elmore Leonard’s "How Carlos Webster Changed His Name to Carl and Became a Famous Oklahoma Lawman"Carol Emshwiller’s "The General"Neil Gaiman’s "Closing Time"Nick Hornby’s "Otherwise Pandemonium"Stephen King’s "The Tale of Gray Dick"Michael Crichton’s "Blood Doesn’t Come Out"Laurie King’s "Weaving the Dark"Chris Offutt’s "Chuck’s Bucket"Dave Eggers’s "Up the Mountain Coming Down Slowly"Michael Moorcock’s "The Case of the Nazi Canary"Aimee Bender’s "The Case of the Salt and Pepper Shakers"Harlan Ellison’s "Goodbye to All That"Karen Joy Fowler’s "Private Grave 9"Rick Moody’s "The Albertine Notes"Michael Chabon’s "The Martian Agent, a Planetary Romance"Sherman Alexie’s "Ghost Dance"