This is the definitive edition of his poetry, including all 135 poems, published and unpublished during his lifetime, as well as a substantial introduction by Joseph Katz.

    Her stories of fiercely independent women, culminating in her masterpiece "The Awakening" (1899), challenged contemporary mores as much by their sensuousness as their politics, and today seem decades ahead of their time. Now, The Library of America collects all of Chopin's novels and stories as never before in one authoritative volume. The explosive novel "At Fault" (1890) centers on a love triangle between a strong-willed young widow, a stiff St. Louis businessman, and the man's alcoholic wife. In the story collections "Bayou Folk" (1894) and "A Night in Acadie" (1897), Chopin transforms the local color sketch into taut, perfectly calibrated tales of post-Civil War bayou culture. In "The Awakening," the now-classic novel that scandalized many of her contemporaries and effectively ended her writing career, Chopin tells the story of a restless, unsatisfied woman who embarks on a quixotic search for fulfillment. The volume also includes all the stories not collected by Chopin, including those meant for "A Vocation and a Voice," a projected volume that her publisher canceled in 1900, and three stories that were found in 1992 in a long-lost cache of Chopin's papers.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Chesnutt writes of the black search for identity in the period between the Civil War and the turn of the century

    William Sydney Porter (O. Henry) was the most popular short story writer of his time. His stories typically revolved around two of his favorite themes, the situation of the impostor and fate as the one unavoidable reality of life. Another device he used was the surprise ending, usually coming about through coincidence. He was the founder of the humorous weekly The Rolling Stone. When the weekly failed, he joined the Houston Post as a reporter and columnist. He was convicted of embezzling money, although there's much debate over his actual guilt, and while in prison he started to write short stories. His first work, Whistling Dick's Christmas Stocking appeared in McClure's Magazine. After emerging from prison Porter changed his name to O. Henry. He then moved to New York and wrote a story a week for the New York World, also publishing in other magazines. This volume of O'Henry's work gets its title from his early newspaper venture of the same name. See other titles by this author available from Kessinger Publishing.

    11 stories: The AwakeningBeyond the BayouMa'ame PelagieDesiree's BabyA Respectable WomanThe KissA Pair of Silk StockingsThe LocketA ReflectionAt the 'Cadian BallThe Storm

    Hoping to convert his “infinite little loss” into “infinite little gain,” James returned to the novelistic examination of English society with a new appreciation for what he called the “divine principle of the Scenario,” “a key that, working in the same general way fits the complicated chambers of both the dramatic and the narrative lock.”His continued interest in dramatic form is demonstrated in The Other House (1896), which was derived from the scenario for a three-act play. Set in two neighboring houses and told mostly through dialogue, the novel explores the violent and tragic consequences of jealousy and frustrated passion. In The Spoils of Poynton (1897), one of the most tightly constructed of James’s late novels, a house and its exquisite antique furnishings and artwork become the source of a protracted struggle involving the proud and imperious Mrs. Gereth, her amiable son, Owen, his philistine fiancée, Mona Brigstock, and the sensitive Fleda Vetch, whose moral judgment is tested by her conflicting allegiances.What Maisie Knew (1897) explores with perception and sensitivity the effect upon a young girl of her parents’ bitter divorce and their subsequent remarriages. In writing the novel James chose as his point of view what he described as “the consciousness, the dim, sweet, scared, wondering, clinging perception of the child.” The Awkward Age (1899) examines the complicated relations among the members of a sophisticated London social circle almost entirely through dialogue as it depicts the shifting marital prospects of a young woman poised on the verge of adult life. Both of these novels insightfully explore the ambiguity of childhood “innocence” amid adult struggles over money, power, and love.

    The puppies had gold eyes. They were drinking a saucer of green milk. Loveliness wore a new necktie, of cherry, a shade or two brighter than the puppies, and a pearl-gray, or one might call it a silver-gray jacket. He was sitting in the broad window sill, with his head tipped a little, thoughtfully, towards the left side, as the heads of nervous people are said to incline. He was dreamily watching the street, looking for any one of a few friends of his who might pass by, and for the letter-carrier, who was somewhat late.