Inspired by a true story, Radium Girls traces the efforts of Grace Fryer, a dial painter, as she fights for her day in court. Her chief adversary is her former employer, Arthur Roeder, an idealistic man who cannot bring himself to believe that the same element that shrinks tumors could have anything to do with the terrifying rash of illnesses among his employees. As the case goes on, however, Grace finds herself battling not only with the U.S. Radium Corporation, but also with her own family and friends, who fear that her campaign for justice will backfire.(Not to be confused with the one-act version of this story by the same title.)

    But for the people of Laramie–both the friends of Matthew and those who hated him without knowing him–the tragedy was personal. In a chorus of voices that brings to mind Thornton Wilder’s Our Town, The Laramie Project allows those most deeply affected to speak, and the result is a brilliantly moving theatrical creation.

    Gardner, once a famous poet, now is retired. He slips in and out of senility as his wife Fanny valiantly tries to keep them both afloat. They have asked their daughter, Mags, to come home and help them move. Mags agrees, for she hopes as well to finally paint their portrait. She is now on the verge of artistic celebrity herself and hopes, by painting her parents, to come to terms with them and they with her. Mags triumphs in the end as Fanny and Gardner actually step through the frame and become a work of art ineffable and timeless.

    In James Goldman’s classic play The Lion in Winter, domestic turmoil rises to an art form. Keenly self-aware and motivated as much by spite as by any sense of duty, Henry II and Eleanor of Aquitaine maneuver against each other to position their favorite son in line for succession. By imagining the inner lives of Henry, Eleanor, and their sons, John, Geoffrey, and Richard, Goldman created the quintessential drama of family strife and competing ambitions, a work that gives visceral, modern-day relevance to the intrigues of Angevin England. Combining keen historical and psychological insight with delicious, mordant wit, the stage play has become a touchstone of today’s theater scene, and Goldman’s screenplay for the 1968 film adaptation won him an Academy Award. Told in “marvelously articulate language, with humor that bristles and burns” (Los Angeles Times), The Lion in Winter is the rare play that bursts into life on the printed page.

    Dennis is a hearse driver for an undertaker. They have robbed the bank next door to the funeral parlour and have returned to Hal's home to hide-out with the loot. Hal's mother has just died and the pair put the money in her coffin, hiding the body elsewhere in the house. With the arrival of Inspector Truscott, the thickened plot turns topsy-turvy. Playing with all the conventions of popular farce, Orton creates a world gone mad and examines in detail English attitudes of the mid 20th century. The play has been called a Freudian nightmare, which sports with superstitions about death - and life. It is regularly produced in professional and amateur productions. First produced in London in 1966, Loot was hailed as "the most genuinely quick-witted, pungent and sprightly entertainment by a new, young British playwright for a decade" (Sunday Telegraph).The Student Edition offers a plot summary, full commentary, character notes and questions for study, besides a chronology and bibliography.

    They compare notes on their activities since leaving school and then, in a series of flashbacks, we see them in their college days and learn of the events, some funny, some touching, some bitingly cynical, that helped to shape them. Each of the group is a distinct individual, and it is their varying reaction to the staid, sheltered and often anachronistic university environment (with its undercurrent of sometimes darker personal desires and conclusions) gives the play its special meaning for today's young women as they go forth into the changing and often disquieting world that awaits them after graduation.

    It explores the dynamics of health, family and community with the story of her mother’s extraordinary ability to heal a changing neighborhood, despite her inability to heal herself. In this solo show with other people in it, Kron asks the provocative question: Are we responsible for our own illness? But the answers she gets are much more complicated than she bargained for when the play spins dangerously out of control into riotously funny and unexpected territory.Lisa Kron has received numerous honors, including several OBIE Awards, the Cal Arts/Alpert Award, the Bessie Award and the GLAAD Media Award. Ms. Kron lives in New York City and Los Angeles.

    As their wedding day grows near, Alfred finds himself embroiled in an urban nightmare not the least of which is his fiance's family, the possiblity of marriage without Faith, muggings, and a sniper's bullet.

    Forced to abandon the life he has built, he embarks on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out.One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, this new adaptation by Poet Laureate Carol Ann Duffy was presented at the National Theatre, London, in April 2015.

    Traditionally seen as either the pawn of an ambitious family maneuvered into the King's bed or as a predator manipulating her way to power, Anne—and her ghost—are seen in a very different light in Howard Brenton's epic play.

    Clybourne Park is a beautifully structured drama by Bruce Norris that unmasks racial bigotry when a white couple sells their home to a black family.

    But while rumors run wild and everyone forms an opinion, Scarlett just stays silent.With roles for up to twenty-four young female actors (though it can also be performed by a smaller cast), the play is perfect for any schools, youth theatres or drama groups looking to tackle a contemporary subject in a theatrically exciting way.Specially commissioned by Birmingham Repertory Theatre, Theatre Royal Plymouth and West Yorkshire Playhouse, Girls Like That was developed through work with young people from the three theatres and first performed by their youth theatre companies in 2013."[Tackles] strong, relevant issues... a well-written, immaculately crafted and brave piece of energetic theatre." - A Younger Theatre"An urgent, powerful and haunting examination... I can see this play becoming a very popular resource for 16+ groups and that will be no bad thing." National Drama MagazineEvan Placey is a Canadian-British playwright. His other work includes Mother of Him, Holloway Jones, which won the Brian Way Award for Best Play for Young People, and Pronoun, commissioned as part of the 2014 National Theatre Connections Festival.

    Now he presides over a congregation of thousands, with classrooms for Sunday School, a coffee shop in the lobby, and a baptismal font as big as a swimming pool. Today should be a day of celebration. But Paul is about to preach a sermon that will shake the foundations of his church’s belief. A big-little play about faith in America—and the trouble with changing your mind.- See more at: http://actorstheatre.org/shows/the-ch...

    The play begins in 1977, with a meeting between adulterous lovers, Emma and Jerry, two years after their affair has ended. During the nine scenes of the play, we move back in time, through the states of their affair, with the play ending in the house of Emma and Robert, her husband, who is Jerry's best friend.The classic dramatic scenario of the love triangle is manifest in a mediation on the themes of marital infidelity, duplicity, and self-deception. Pinter writes a world that simultaneously glorifies and debases love.

    Williams through the most sympathetic voice among his characters, 'is a true story about the time and the world we live in.' He has made it seem true-or at least curiously and suspensefully possible-by the extraordinary skill with which he has wrung detail after detail out of a young woman who has lived with horror. Anne Meacham, as a girl who has been the sole witness to her cousin's unbelievably shocking death, is brought into a 'planned jungle' of a New Orleans garden to confront a family that is intensely interested in having her deny the lurid tale she has told. The post-dilettante's mother is, indeed, so ruthlessly eager to suppress the facts that she had the girl incarcerated in a mental institution and she is perfectly willing, once she finishes her ritualistic five o'clock frozen daiquiri, to order the performance of a frontal lobotomy. A nun stands in rigid attendance; a doctor prepares a hypodermic to force the truth; greedy relatives beg her to recant in return for solid cash. Under the assorted, and thoroughly fascinating, pressures that are brought to bear, and under the intolerable, stammering strain of reliving her own memories, Miss Meacham slowly, painfully, hypnotically paints a concrete and blistering portrait of loneliness.of the sudden snapping of that spider's web that is one man's life, of ultimate panic and futile flight. The very reluctance with which the grim, hopeless narrative is unfolded binds us to it; Mr. Williams threads it out with a spare, sure, sharply vivid control of language.and the spell is cast."